The day after seeing Lyric Arts' regional premiere of the British comedy Home, I'm Darling , about a modern day couple living the fa...

Iowa-based Playwrights' Center affiliated writer Megan Gogerty wrote (and performed in) her play Feast , an alternative version of the ...

Censorship in theater is a hot topic in 2025, with many theaters losing NEA funding for doing plays that allegedly do not align with mandate...

The new play Witch , by Playwrights' Center affiliated writer Jen Silverman  (author of The Roommate and The Moors ), is an absurd and ...

Just a few days after seeing an incredible site-specific performance of The Courtroom by Jungle Theater in a Hamline University courtroom ...

Walking Shadow Theatre Company's newest production Feast is aptly titled. Yes, you are served a meal in the event space at the Black Fo...

The Ugly One (aka Der Häßliche auf Deutsch) is a funny and absurd little play that skewers our obsession with looks, in particular the c...

Apologies for the late notice (October was a really busy #TCTheater month), but you have just three more chances to experience a really un...

The subtitle of Bill Cain's play Equivocation could be, It's Hard to Be the Bard . It's hard to be the bard at a time when one...

On a Wednesday night with a nearly full house at the parking-challenged Red Eye Theater, I saw a bizarre and possibly brilliant creation. ...

In just four days, I saw two plays in which an actor of color donned white face. A little strange, a little disturbing, but a very good sign...

It's rare that an audience audibly gasps when the actors first walk on stage at the beginning of a play, but when that play is Walking...

If your new boyfriend invites you to his cabin to go fly fishing in a river by the sea, just say no. That's what I learned from Walkin...

Why do we believe what we believe? Can our beliefs change? What happens when those we love don't believe the same things we believe? H...

'Tis the season for holiday shows. The true and ancient reason for the season is the coming darkness of the Winter Solstice, so Walkin...

On Monday night I attended my 9th Ivey Awards. Yes, even before I started Cherry and Spoon in 2010 and started getting press tickets to t...

Nick Jones' 2010 play  The Coward is a spoof of that gentlemanly period in England when it was appropriate, nay necessary, to challen...

As I left the theater yesterday afternoon, I clutched my sweater close around me to ward off the chill. Not the chill in the crisp fall a...

Charlie Bethel's one-man version of The Odyssey , which he adapted and performs, is an eye opener (no pun intended). I of course was f...

There's nothing crazier than the history of the British monarchy. The complicated line of succession in the Renaissance era is an exa...