"Blackbird" by Dark and Stormy Productions at Grain Belt Warehouse

Don't let the Christmas lights strung across the ceiling fool you, Dark and Stormy's Blackbird is not a feel-good holiday play. Which is why it's a great choice for right now, if you need a break from the sugary sweet holiday fare (I myself have seen 11 holiday shows so far, with a few more on the schedule next week). Written in 2005, Blackbird is a brutal play about a woman confronting her abuser, 15 years after he raped and kidnapped her at the age of 12 (she may have gone willingly, but she was still a child). Yes, it's a difficult one to watch, but with painfully real performances by the two-person cast, in the intimate environment of Dark and Stormy's Northeast Minneapolis studio space, it's worth the effort.

"The River Becomes Sea" by nimbus theatre at the Crane Theater

In nimbus theatre's latest original work, The River Becomes Sea, they explore the world of post-Civil War New Orleans through the complicated lives of one family. New Orleans is always a fascinating place, with its diverse peoples, cultures, and art, and its complicated relationship with water (see also the excellent HBO series Treme). But as playwright Josh Cragun notes in the playbill, the post-Civil War era is particularly fascinating; a time when there is new freedom for African Americans, and a backlash of fear from those who backed the failed Confederacy. Add to this the arrival of a long-lost sister, banished after a scandal, and an impending flood, and you have more than enough drama to fill 85 minutes. nimbus does that, but in an unhurried, lyrical, Southern sort of pace.

"Have Yourself a Jazzy Little Christmas" by Theatre Elision at the Lakeville Arts Center

Theatre Elision brought back their holiday* concert Have Yourself a Jazzy Little Christmas, performing at various locations last weekend. I happened to catch it at the Lakeville Arts Center, which is in the church I attended as a child. When a new church was built, the city bought the building and turned it into a performing and visual arts center, which is a pretty fantastic example of recycling. It's a great space to watch a show or listen to music, and this one was a delight. Have Yourself a Jazzy Little Christmas is like putting on your favorite Christmas albums from the '40s and '50s and curling up under a blanket in front of the fire with a cup of hot cocoa. In other words, very comforting and nostalgic for those who grew up with these songs. The show is over for this year, but make a mental note about next year, and check out what else Elision has on the calendar for this season fulfilling their niche of small cast, original or rarely done musicals.

"City Council Christmas" at Daleko Arts

This was my fourth visit to the very southern-most #TCTheater, DalekoArts in New Prague (pronounced prayg not prahg, because this is Minnesota). I spent the first 15 years of my life in a rambler on a dead-end gravel road less than 20 miles from where Daleko is now, and my parents still live in Lakeville, so the drive to New Prague is filled with nostalgia for me. Daleko has built up a loyal audience over the last five and a half years, and it seems that their original holiday* comedies are just as popular as the ones at that other theater in the 'burbs on the opposite end of town. I'm not sure I would recommend spending two hours in the car to attend an 80-minute show (although I wouldn't dissuade you if you're so inclined), but if you find yourself in the southern metro, you should definitely check out what's happening at the Prague Theater in charming historic downtown New Prague. Which right now happens to be City Council Christmas, a hilariously quirky and fun comedy about a small town city council, which Daleko calls their "goofy, idiotic, fun, and totally ridiculous love letter to our audiences, and to the good people of New Prague and the surrounding area."

"A Hunting Shack Christmas" by Actors' Theater of Minnesota at Camp Bar

If you didn't get tickets to Yellow Tree Theatre's annual delightfully wacky and very Minnesotan original holiday play tradition this year (limited tickets for the original Miracle on Christmas Lake available), you're in luck! Actors' Theater of Minnesota is producing another Jessica Lind Peterson penned Minnesota Christmas comedy, A Hunting Shack Christmas, at Camp Bar in St. Paul. The play premiered at Yellow Tree in 2014, and in this production John Haynes reprises his role from that show, and also directs. In the casual space at Camp with an exuberant cast, it's great fun, with lots of local humor, and a little bit of heart too (click here for info and tickets).

"Elf the Musical" Broadway Tour at the Ordway Center

For the past four Decembers, The Ordway Center for the Performing Arts has produced Ordway Original holiday* shows - large-scale Broadway-style musicals using local talent. We had the delightfully nostalgic A Christmas Story in 2014, one of my personal favorites The Sound of Music in 2015, the sumptuous White Christmas in 2016, and the wonderful Annie last year. The last three calendar years have seen at least three Ordway Originals; perhaps 2017 was the high point, in which they also produced a gorgeous West Side Story, an explosive Jesus Christ Superstar, and a fantastic In the Heights (Lin-Manuel Miranda's first work). Coming off of that high point, and after the departure of Producing Artistic Director James Rocco, the Ordway has chosen to bring in a touring production this December, after only one Original this year (the super fun Mamma Mia!). I can't say I'm not disappointed. It's not that Elf the Musical (a non-equity tour) isn't a fine selection - bright and sweet and fun and very Christmassy - it's just that I've come to expect more from the Ordway. All that being said, I'm certain that the children who showed up opening night with elf hats on their heads and excitement in their eyes didn't know the difference, and likely some of their parents didn't either. So let's move on to the perfectly satisfactory Elf, which runs through the end of December.

"The Wickhams: Christmas at Pemberley" at Jungle Theater

Last year around this time, the Jungle Theater introduced #TCTheater to the wonderfully imagined world of Jane Austen's Pride and Prejudice in the years after the novel's conclusion, via playwrights Lauren Gunderson and Margo Melcon. I called Miss Bennet: Christmas at Pemberley "very reminiscent of Jane Austen, but also fresh and modern and new. It's a witty, smart, utterly charming new play that celebrates not just literal sisterhood, but women working together and supporting each other, both onstage and behind the scenes." Artistic Director Sarah Rasmussen notes that they "had so much fun we co-commissioned this companion piece." I'm happy to report that The Wickhams: Christmas* at Pemberley, now playing at the Jungle as part of a rolling world premiere, is just as delightful as the first one. Friends, I want to return to Pemberley every year, at Christmas or during the heat of summer, upstairs or downstairs, starring any (or all) Bennet sister(s). The world and characters that Lauren and Margo have created is so rich and wonderful, with endless story possibilities. These plays are everything you love about Jane Austen, but with more modern sensibilities. Sheer delight!

"Vincent River" at the Crane Theater

I was lucky enough to catch the last performance of the blink-and-you'll-miss it run of the regional premiere of Vincent River by English playwright Philip Ridley, in fact just the second US production. The play was independently produced by multi-talented #TCTheater artist Grant Sorenson, who also directed. You might remember Grant as one of the founding members of 7th House Theater Company, or in performances at various theaters around town. He notes in the program that when he recently re-read this play that he first experienced in college, he felt that he had to make it happen in the Twin Cities. And that's why this is such a great theater town; he called a few friends, secured some donor support, found a venue, rehearsed for a few weeks, and happen it did! Written in 2000, this play about a mother grieving her (unbeknownst to her) gay son murdered in a hate crime is sadly still relevant (see also Uprising Theatre's recent production of The Laramie Project for the 20th anniversary of Matthew Shepard's murder). It's a difficult play to watch, but beautifully and smartly written, and beautifully produced by Grant and his team despite the limitations of time and budget.

"Lend Me a Tenor" at Old Log Theatre

Now playing at the oldest continuously operating theater west of the Mississippi: the madcap comedy Lend Me a Tenor. Although written in 1989 by playwright Ken Ludwig (see also the madcap Sherlock Holmes comedy Baskerville), the play is set in 1934 and harkens back to the days of classic film comedies like It Happened One Night. Old Log Theatre has taken that cue beautifully, and created a piece of theater that feels like one of those old movie comedies come to life, except in three dimensions and full color! With a sparkling eight-person cast, sharp design, and impeccable timing on this complicated farce, Lend Me a Tenor makes for a fun night at the theater. Combine it with an afternoon or evening spent shopping and/or eating in the almost too charming lake town of Excelsior (which, when I visited, featured a horse drawn buggy and softly falling snow on the beautifully lit main street), and you have a wonderful day in the western suburbs of Minneapolis. Lend Me a Tenor continues through February 16, the snow will probably continue much longer.

"Marie and Rosetta" at Park Square Theatre

For two nights in a row, I experienced rousing gospel music as part of #TCTheater. In other words, was a good week. The night after seeing Penumbra Theatre's annual gospel rendition of the nativity story Black Nativity, I attended opening night of Park Square Theatre's regional premiere of the new play Marie and Rosetta, the true story of lesser known gospel legend Sister Rosetta Tharpe. Written by Playwrights' Center affiliated writer George Brant, Marie and Rosetta imagines the night of the first performance of Rosetta and her protege/duet partner Marie Knight. A night in 1946 Mississippi when there was no room at the inn for two black women singers, so they rehearsed and slept in a funeral home with a kindly owner. This play with music paints a beautiful picture of these two very different women, their music, and their relationship, as well as the hardships both faced in their lives and careers, and brings these two musical legends to vivid life. A "joyful noise" indeed.

"Black Nativity" at Penumbra Theatre

There truly is no better place to experience the "joyful noise" of the holiday* season than at Penumbra Theatre's annual production of Black Nativity. Despite it being a 30+ year #TCTheater holiday institution, this is only my second time seeing the show. If you've never seen it before, you need to add it to your holiday theater rotation to experience the pure joy radiating from the stage. And if you have seen it before, you know just how heart-warming and life-affirming it is. This 80-minute theater/ music/ dance/ poetry experience continues through December 23, so there's plenty of time to get to St. Paul.

"Teen Idol: The Bobby Vee Story" at History Theatre

This winter, History Theatre is bringing back their original play with music based on the life of local rock and roll legend Bobby Vee. You would be forgiven for not recognizing the name (especially if you didn't live through the '60s), but you would surely recognize some of his hits (e.g., "Devil or Angel," "Take Good Care of My Baby," "The Night Has a Thousand Eyes"). And that's why we have the History Theatre, to bring us edutainment about parts of our local history that we maybe don't know as much about as we should. Teen Idol: The Bobby Vee Story premiered in 2016, and the creators collaborated with Bobby's sons Jeff and Tommy. Bobby Vee died from complications of Alzheimer's during that first run of the show, bringing an extra poignancy to it. On second viewing, Teen Idol really feels like a Jeff and Tommy's love letter to their parents - a clean-cut Midwestern boy who for a short time was one of the biggest music stars in the world, and the woman who loved him but didn't sacrifice herself for his career. The play has been tweaked a little, with three new songs added, and by my count about two-thirds of the 24-person cast are new to the show. But it's mostly the same as last time: a play that transcends the jukebox musical to tell the story of how one star survived his rise to and fall from fame with grace and dignity intact, thanks in part to his family.