playing at the Ordway Center through Sunday only. I first experienced this unique gem of a musical through the filmed version of the Lincoln Center production, which played in movie theaters a few years ago. I've been listening to the cast recording ever since (Christian Borle, Andrew Rannells, and more), but nothing compares to seeing it live. It's absolutely stunning and this touring cast is perfection. It's a true love story in every sense of the word, including the messy, unpredictable, and sad parts. I was enraptured for the entirety of the nearly three-hour runtime (and you know I usually can't bear shows that long!), and left in tears with my heart overflowing. If you're a fan of music-theater, you don't want to miss this show. Keep reading and I'll tell you why.
Wednesday, February 20, 2019
Tuesday, February 19, 2019
Guthrie in 2016, has made its way to Lyric Arts' Main Street Stage. As I wrote in 2016, playwright and actor Kate Hamill has adapted the beloved novel "with theatricality, wit, and purpose" (she also adapted Little Women, which premiered at the Jungle last fall, and Pride and Prejudice, just announced as part of Park Square Theatre's 2019-2020 season). Now is a great time for these women's stories written by women to be adapted for today's audience by a young female playwright; audiences are hungry for it. Lyric's production is a delightful and charming version of this sisterhood story.
Friday, February 15, 2019
The Ballad of Emmett Till, Penumbra Theatre returns to the 1955 horrific murder that became a catalyst in the Civil Rights movement with the second installment in playwright Ifa Bayeza's trilogy - Benevolence. While Ballad was about Emmett himself - his life, family, and community as well as his tragic death, Benevolence explores the lives of two couples involved in his story. The first act focuses on the white woman who accused Emmett of assaulting her, and her husband, one of his murderers who was acquitted and then later confessed. The second act focuses on a black couple whose lives were touched by violence in the wake of the trial. The playbill notes, "like the land in its time, the play is segregated." It almost feels like watching two different plays, or two one acts around the same theme. Both are, like the first part of the trilogy, devastating and engrossing, and shed more light on this important historical event and the people involved. This world premiere play continues at Penumbra through March 10.
Tuesday, February 12, 2019
'Til Death. The funny yet poignant examination of marriage has become an annual event, with creators Vanessa and Jeremiah Gamble playing a separated couple on their 15th anniversary, and a #TCTheater married couple playing the honeymooners they encounter at a secluded cabin in the mountains. This is my second time seeing the show in the charming renovated church known as Art House North in St. Paul's 7th Street neighborhood. It's very funny (a little more over the top than I remember), and relatable even if you're not among the good and crazy married people. And even though it would play nicely as an intermissionless 90-minute musical, the delicious cupcakes and coffee served at intermission (included in the price of admission) in the cute church basement lobby, accompanied by live music, makes for a festive evening.
Monday, February 11, 2019
new musical about a female spy and a play about some radical nuns. But first: Stewardess! This new play by Kira Obolensky tells the true story of a real American hero, Mary Pat Laffey, who tirelessly worked for the union to improve the working conditions and treatment of then-called stewardesses, and even sued her employer, Northwest Airlines, eventually winning $59 million dollars in back pay for over 3000 flight attendants. Unfortunately we're not yet at the point of equal pay for women and men, but thanks to Mary Pat we're a lot closer. This fun, playful, inspiring play tells her story, as well as that of other feminists of the era, at just the right time. There's a growing awareness of the importance of women's stories and women's voices, and the Herstory Theatre is celebrating that.
Sunday, February 10, 2019
Girl Friday Productions large cast classic American play (they do one show every other year). I first saw them do Street Scene* at the old Minneapolis Theatre Garage in 2011 and was thoroughly impressed, and depressed that I'd have to wait another two years to see them. But two years goes by faster and faster, and now eight years later I've seen my fifth Girl Friday show, their 3rd in collaboration with Park Square Theatre. They've moved upstairs to the proscenium theater, the largest space in which I've seen them. They fill that space with a cast of 15 playing a list of characters that fills an entire page in the program, and Thornton Wilder's bizarre and profound history of humanity, the Pulitzer Prize winning The Skin of Our Teeth. The three-act two-intermission play pushes three hours, and my ability to stay awake and alert sitting in an uncomfortable theater seat, but it's worth it. There was not a little attrition at the second intermission, but trust me, you want to stay for the third act. So take a nap before the show, get a cup of coffee, carry chocolate in your purse, because the third act is where it all comes together. Thornton Wilder is not telling a story of one crazy family, he's telling a story of the whole crazy beautiful history of humanity. And there's no one better to bring it to crazy weird profound life than Girl Friday.
Saturday, February 9, 2019
Who lives, who dies, who tells your story." In Sophocles' classic Greek play Antigone (the third of a de facto trilogy which begins with the tragedy of Oedipus, Antigone's father), pretty much everyone dies, including the title character. But in Park Square Theatre's basement stage, a group of talented women are telling her story. MJ (Meagan) Kedrowski adapted and directed the story for Theatre Coup d'Etat a few years ago, which Park Square's recently retired Artistic Director Richard Cook saw and asked her to remount for Park Square. Much of the cast and creative team return, along with some new artists, to rework the piece. One of the biggest changes is that this production features an all-female cast, and a mostly female creative and technical team. It's a powerful story of a strong and resilient woman who does what she believes is right for her family, despite the consequences she will face, powerfully told by this team of women in an engrossing and affecting way. Brave the cold and snow to visit the tumultuous world of Thebes in downtown St. Paul.
Thursday, February 7, 2019
Yellow Tree Theatre's new original musical Flowers for the Room. Combining the writing skills of Yellow Tree co-founder Jessica Lind Peterson (best known for her quirky and heart-warming Minnesota holiday plays) with the songwriting skills of Duluth-based musician Blake Thomas (one of my favorite local musicians - check out his music on iTunes and listen to his radio show Take It With You), Flowers for the Room is a truly beautiful new musical that gave me all the feels. Jessica and Blake are well-matched; both of their work has that quirky humor, but also tons of heart and a touch of melancholy. All of those elements are on display in this story of a woman who falls into a coma the night of her wedding, and how it affects her (because this is a musical, she still gets to talk and sing, even in a coma) and those around her. The stellar cast and innovative design bring this beautiful piece to life in a way I haven't yet been able to shake.
Wednesday, February 6, 2019
Theatre Pro Rata, is one of those plays that will get you thinking about issues big and small. Similar to the theme of Sunday in the Park with George, a young Isaac is forced to decide between home and family, and his passion and work in the larger world. The play seems to question whether or not his hard work and sacrifice is worth it if he died alone. Looking at all of his contributions to the world of science, I would answer a definite yes. If he had chosen a small town family life, giving up science, we wouldn't now how gravity works! But that's a question for each viewer to grapple with and decide for themselves.
Monday, February 4, 2019
Chameleon Theatre Circle discovered this play by East Coast playwright David Vazdauskas in their new play festival, and are premiering it at the Bloomington Center for the Arts. Fortunately, I enjoy trippy meta theater, ruminations on time and love, and grammar wordplay, so I loved this play. Or maybe I will have loved it. The solid four-person cast, crisp direction, and smart design help make sense of the complex layered script that loops through time and realities. Although you're still left with a bit of "what just happened?" at the end, which is a good thing.
Sunday, February 3, 2019
Transatlantic Love Affair takes on the myth of Medusa. If I didn't know that going in, I wouldn't have known it from the show, which is typical of TLA's reimagining of fairy tales that is more about exploring the theme than telling the exact same story as we think we know it. In this case, Director Isabel Nelson and assistant director Joy Dolo have focused on this part of the Medusa myth (per Wikipedia): "In a late version of the Medusa myth, related by the Roman poet Ovid (Metamorphoses 4.770), Medusa was originally a ravishingly beautiful maiden, 'the jealous aspiration of many suitors,' but because Poseidon had raped her in Athena's temple, the enraged Athena transformed Medusa's beautiful hair to serpents and made her face so terrible to behold that the mere sight of it would turn onlookers to stone. In Ovid's telling, Perseus describes Medusa's punishment by Minerva (Athena) as just and well earned." This is 2019, and we won't stand for that anymore. TLA imagines a world in which Medusa (here called Demeres) isn't punished for being raped, but rather is supported by her sisters while her attackers are brought to justice. That's a wonderful narrative to put out into the world, and the six-person ensemble does so with TLA's trademark beautiful and evocative physicality.
Saturday, February 2, 2019
40th anniversary revival of Hair, which opened on Broadway in 2009. I first fell in love with the show via a #TCTheater production directed by Michael Brindisi in 2004, and this fantastic Broadway revival only increased that love to the point of, yes, obsession. You can read more of my Hair thoughts here, but suffice it to say that when I adopted two adult male cats several years ago, I named them Claude and Berger. Now another 10 years have passed, so we're 50 years removed from the groundbreaking Gerome Ragni and James Rado creation (with music by Galt MacDermot) that changed the face of musical theater forever. Theatre 55, a new #TCTheater company dedicated to "enriching the lives of elders," has chosen Hair as their first production, populated with people who were alive and perhaps even saw that first production 50+ years ago, and lived the lifestyle of the '60s represented in the show. While the vocal performances are uneven in this cast made up mostly of non-professional actors, they capture the spirit of the piece in the way that perhaps younger people cannot. They bring an authenticity to the characters and situations of the show, and also a sort of fun free-wheeling vibe because they survived those tumultuous times (although one could say that the times we're living in now are pretty tumultuous too). The firehouse was packed with an audience full of people ready for this show and loving every minute of it. I'm quite sure that Ragni and Rado (the original Berger and Claude, the latter of whom is still alive and just turned 87) would be tickled with this production.