This spring, Michelle Hensley left the company she founded 25+ years ago, Ten Thousand Things, through which she nurtured a new kind of theater. The kind of theater that thinks first about the audience, makes the storytelling accessible to everyone, and brings theater to people who may never have experienced it before. I think we were all a little worried about the future of TTT without their esteemed leader, but never fear. Michelle has taught us well, and left the company in great hands - those of new Artistic Director Marcela Lorca, as well as adapter/director of the first post-MH show, Randy Reyes. This fun and wacky adaptation of the Moliere comedy Scapin is very TTT, and an absolute delight. Long live Ten Thousand Things!
Friday, October 19, 2018
Tuesday, October 16, 2018
Rev. Matt's Monster Science at the Minnesota Fringe Festival, or the Twin Cities Horror Festival, or the Phoenix, or your local library, this is a brief PSA to tell you why you should. Rev. Matt (aka Matthew Kessen) performed last night at my local library to an enthusiastic crowd of nerds, and a good time was had by all.
Friday, October 12, 2018
History Theatre's production of Robert Schenkkan's The Great Society, a sequel to All the Way that History Theatre produced just a year ago. This play continues right were the last one left off, with Lyndon B. Joynson's second term as president (or really, his first full term after taking over for JFK halfway through his term). History Theatre reunites most of the cast and creative team from last year, including director Ron Peluso and Pearce Bunting as LBJ, a performance even more powerful than last year. What also continues from the last play is "political machinations, the Civil Rights movement, and the ugly opposition to freedom and equality for all," with a bonus - the rapid escalation of the Vietnam War. The rhetoric used by everyone on stage is disconcerting in a "the more things change, the more they stay the same" kind of way, as is the divisiveness of a country torn in two by politics. The Great Society is long, dense, and kind of depressing, but it's also extremely rewarding, and important to examine our history to give insight into the issues of today.
Wednesday, October 10, 2018
Lakeshore Players Theatre just opened their shiny new theater space in White Bear Lake this spring, and now they're starting a new "Kids and Family Series." To be honest, this isn't something I'd normally be interested in; I don't have children and haven't worked with children in over 20 years. But the cast of their first production, Elephant and Piggie's "We Are In a Play!", is one I couldn't pass up. My super talented cousin is making her #TCTheater debut, so of course I had to see it! In addition to her fantastic performance, I found the one-hour musical to be delightfully clever, and the kids in the audience were completely enraptured. It's never too early to introduce the little people in your life to theater, and this show is a great start. But note there are only a handful more performances and seating is limited in the intimate black box space, so make your plans soon (click here for info and tickets).
Tuesday, October 9, 2018
Nautilus Music-Theater, which focuses on new or reimagined works of music-theater (a term I love because it covers the wide range from "play with music" to "opera," without having to put a label on it), kicks off their 25th season of their "Rough Cuts" series this week. Typically held on the second Monday and Tuesday of the month, "Rough Cuts" presents readings of new works in various stages of development. This allows the creators to see their work in front of an audience, an important part of the theater development process. For a suggested donation of $5, you can be part of the process, and enjoy free milk and cookies! I always want to go to "Rough Cuts," but am usually too busy, so I took advantage of a quieter week to visit the Lowertown St. Paul studio (next door to Black Dog Cafe, for those who want something stronger with their cookies). They perform again tonight - this and any other "Rough Cuts" is highly recommended for those interested in the development of new works of music-theater.
Monday, October 8, 2018
Artistry's Mary Poppins may be just the thing you need right now. That is, an escape from reality into the magical world of everyone's favorite nanny, filled with talking dogs, moving statues, high-flying kites, and fantastic dance numbers. Watching the show is, indeed, a jolly holiday as Artistry's large and talented cast brings the beloved movie to life with unstoppable energy. This is my third time seeing the 2004 stage adaptation of the 1964 classic movie and P.L. Travers' series of books, with book by Julian Fellowes (creator of Downton Abbey) and about a half dozen new songs added. I still think it's a bit long and bloated, with several scenes, songs, and characters that could be cut to make the runtime more child (and me) friendly than the current nearly 3 hours (which of course is no fault of Artistry, they have to work with the piece as written). But on the whole it's a heart-warming and smile-inducing show filled with moments of magic and delight for any age.
Sunday, October 7, 2018
In just their second production, new #TCTheater company Prime Productions (whose mission is "to explore, illuminate and support women over fifty and their stories through the creative voice of performance," hooray!) brings us the regional premiere of the new play Two Degrees by Tira Palmquist. If their goal is to provide interesting and complex roles for women of a certain age that aren't that of merely the wife, mother, or best friend, then this play is a resounding success. Norah Long is one of our best actors, period, and it's wonderful to see her tackle the role of a smart, mature, vibrant, messy woman (think Shonda Rhimes heroines, but on stage). The play is a nice balance of stories global (i.e., the dangers of climate change, from whence comes the title) and personal.
Friday, October 5, 2018
Wednesday, October 3, 2018
The Guthrie Theater is opening their 56th season (my 16th as a subscriber) with a play they commissioned 30 years ago. Minnesota playwright Barbara Field (who also provided the adaptation for the Guthrie's first A Christmas Carol, that they used for over 30 years) adapted Mary Shelly's famed novel Frankenstein as Frankenstein - Playing with Fire, premiering in 1988. About her work she says, "the animating spirit of this play is a hunger for science and knowledge that motivates the questions these two old men ask each other." One big long conversation between two people about science, philosophy, life, and death is a play that's right up my alley (bonus: mathematical equations!), especially when so beautifully designed and acted as this.
Monday, October 1, 2018
check out Strike's schedule for more storytelling, sketch comedy, and improv performances, including their one-year anniversary celebration this weekend!
Sunday, September 30, 2018
Frank Theatre is bringing us The Visit in the Minnesota Transportation Museum. This is actually the second play I've seen in this unique and super cool venue (see also Wayward and Mission's co-production of Ghost Train). Both plays are set (at least partly) in a train station, so the museum is a perfect location. Filled with vintage train equipment and displays (which you can wander through before the show and at intermission), the museum is fascinating but also kind of dark and creepy and cold, and smells a little like a garage. Which is the perfect atmosphere for Swiss playwright Friedrich Dürrenmatt's absurd "tragicomic" play. This is a very Frank play, with a huge and talented cast and great commitment to the highly stylized design and tone of the play.
Saturday, September 29, 2018
Park Square Theatre couldn't have known how timely and relevant The Agitators would be. But then again, the lives and work of Susan B. Anthony and Frederick Douglass will never not be relevant and urgent until their dream of an America that is equal and just for all is realized. And we have not yet reached that day. That's why football players take the knee during the National Anthem, and why women take to the streets in pink hats. It's the legacy of these two self-described (at least in the words of the play) agitators, people who stir things up and get people talking, because that's where change begins. Their legacy is also our right to vote, which these two (among many) fought so hard to secure for all Americans. With what feels like the most important mid-term election in history approaching, it's a perfect time for this play to remind us just why the vote is so important that these two agitators devoted their entire lives to it. Playwrights' Center core writer Mat Smart's smart (pardon the pun), funny, engaging, and inspiring play couldn't come at a better time.