Hatchet Lady about temperance activist Carrie Nation is in some ways neither a biography nor a musical. There is music and it is somewhat about Carrie Nation, but it doesn't follow the structure of any musical I've seen. And that's a good thing. I'm at a bit of a loss how to talk about this one, but if you're looking for music-theater storytelling that is outside of the norm, you might want to try to snag a ticket to one of the few remaining performances. Going into its 3rd and final weekend, it seems to have built up quite a following based on word-of-mouth that has transcended the usual theater crowd. It's a wild 70-minute ride.
Thursday, December 14, 2017
Wednesday, December 13, 2017
described it as "delightfully bizarro." I'm looking forward to revisiting it again, and even better - the Twin Cities Theater Bloggers were invited on a backstage tour of the Cowles Center and a happy hour chat with Bradley. Read on for more on this fun TCTB event, with pictures! And be sure to visit the Cowles Center website for more information (discount tickets available on Goldstar).
Monday, December 11, 2017
Performances continue through December 24 and are sold out except for a few dates. Or you can listen to a live broadcast of the show on WCCO on December 17 at 7 pm, with a re-broadcast on December 24 at 5 pm.
Sunday, December 10, 2017
Strike Theater, "dedicated to building a community for sketch comedy, storytelling, and spoken word." It's been open for Fringe shows for the last two years, but just opened as a home for comedy performances and classes this fall. Founded by Allison Broeren, Mike Fotis, and Joe Bozic (whom you might know from the Minnesota Fringe Festival), it's sure to become the place to go when you're in need of a good laugh (or to learn how to elicit said laugh). And it certainly was that last night, when I attended their first ever holiday* show, North Pole 1973.
Saturday, December 9, 2017
Ordway Center for the Performing Arts is any judge of it, this statement is true, and gives one hope for the future. The story of one 11-year-old girl who changes hearts and minds with optimism and determination is an inspiring one, as is the boundless energy and talent of the young females on stage who bring this story to life. Watching Annie last night, I couldn't help but feel nostalgic for the Great Depression, when at least the president cared about the people and developed (with Annie's help of course) a New Deal that would help lift the country out of poverty. A stark contrast to today's reality, when the current resident of the White House seems to care only for the rich, and those in need get served newly crappy deals nearly every day. Maybe we need to send Annie to the Washington to get Democrats and Republicans singing together about the hopeful future of America! In the meantime, head to the Ordway to see this swell production of an American musical theater classic and get your dose of optimism about our female future.
Thursday, December 7, 2017
Guthrie's sublimely entertaining production of Noël Coward's Blithe Spirit. Featuring Guthrie favorites and newcomers in this perfect concoction of a cast, breath-takingly gorgeous design, and the witty words of one of 20th Century England's favorite writers of comedy, Blithe Spirit will keep you warm with laughter on a cold winter's night, and make you forget about the seemingly endless despair happening outside of the theater walls (this is why I prefer to say in the theater as much as possible). Blithe Spirit continues through January 18 and is a hilarious duet partner to that other ghost story across the hall.
Wednesday, December 6, 2017
Tuesday, December 5, 2017
big fan of Yellow Tree Theatre in general and their four original and very Minnesotan Christmas* plays in particular (see also: A Gone Fishin' Christmas, no seriously go see it, playing now through the end of the year). So I jumped at the chance to see another theater company, Actors Theater of Minnesota, perform the play that started it all - A Miracle on Christmas Lake. Written by Yellow Tree co-founder Jessica Lind Peterson, it's inspired by the real life predicament they faced when they lost the rights to the show they were planning to do and had to come up with something in a short amount of time. This wacky, sweet, ridiculous little play chock full of Minnesota references and stereotypes was the result, and it's great fun to see another company's take on it in the intimate space of Camp Bar.
Monday, December 4, 2017
five years ago, Coco's Diary, now with Christmas music and decorations! But it isn't really about Christmas of course, it's about a year in the life of a real live 13-year-old girl in 1927, living in what is now the Governor's Mansion on Summit Avenue in St. Paul. Adapted by Artistic Director Ron Peluso and Bob Beverage (the latter also choosing a selection of period tunes), Coco's Diary is, like Coco herself, quite charming. This play with music gives the audience a glimpse into the life of the wealthy on Summit Avenue in 1927, and reminds us that being 13 is the same no matter when or where you live.
Sunday, December 3, 2017
The Terror Fantastic, about a young gay woman grappling with anxiety and depression, is indeed both terrifying and fantastical. In 20% Theatre Company's production, now playing at the Crane Theater, mental illness is represented by an ever-present monster, the only escape from which is into a fantasy world.
Saturday, December 2, 2017
Orchard Theater Collective is making their debut with this piece, and they wisely partnered with #TCTheater favorite Craig Johnson, who adapted the play into a crisp 95 minutes and directs this talented young cast. Taking place in Norway during Christmas of 1879, what's remarkable is how ahead of his time Ibsen was in revealing the difficulties that women faced (and still face) living under the strict and unfair rules of society, and how much this play still resonates today.
Thursday, November 30, 2017
Yellow Tree Theatre space, where for the 10th year in a row you can experience an original Minnesota holiday play, a silly comedy mixed with local references, and a heartfelt message of home and community underneath it all. YTT co-founder Jessica Lind Peterson has written four such plays - two installments of Miracle on Christmas Lake,** A Hunting Shack Christmas, and this year's selection, a reprise of last year's smash hit A Gone Fishin' Christmas. They've brought back most of the original cast, plus a few fun additions, and if possible it's even better than it was last year. It's a really fun feel-good show, with outrageous hilarity mixed with tender moments, plus an original song by Blake Thomas! The Wednesday performance I attended was not sold out, but tickets will get harder to come by, especially weekends, as the season continues, so make your plans now to visit the ice house before it's too late (more info here).
Tuesday, November 28, 2017
Guthrie Theater's annual production of Charles Dickens' classic A Christmas Carol. Now in my 15th year as a Guthrie season subscriber, I've only missed it a couple of times in that span. As I wrote last year, "I never tire of seeing it, because Charles Dickens' story of redemption, community, family, and human kindness never gets old. It's a beautiful and necessary thing to be reminded that what brings us together is greater than what drives us apart.' That it's never too late to change, to grow, to become a kinder and more generous person." This timeless story of generosity, gratitude, compassion, and kindness is something we need to cling to, perhaps now more than ever.
Monday, November 27, 2017
Agatha Christie. If one can overlook the horribly offensive original title and the song from which it came (which, to be honest, I'm not sure one can), it's a suspenseful and gripping tale of the most deadly game of Survivor. Christie herself adapted the story into a stage play, even changing the ending. I'd never seen or read it, and I love a good mystery play, so I found Theatre in the Round's production to be an entertaining and surprising afternoon at the theater.
Sunday, November 26, 2017
Miss Bennet: Christmas* at Pemberley is very reminiscent of Jane Austen, but also fresh and modern and new. It's a witty, smart, utterly charming new play that celebrates not just literal sisterhood, but women working together and supporting each other, both onstage and behind the scenes. I can think of nothing we need more at this moment in time.
Wednesday, November 22, 2017
Monday, November 20, 2017
Coney Island Christmas. Clocking in at just 80 minutes, Coney Island Christmas manages to create that warm and wistful feeling of nostalgia, while making a plea for all of us to respect each other's traditions, even (or especially) if they're different from ours. A highly entertaining cast of children and grown-ups, a heart-warming message of community, and some of the best worst carol singing you've ever heard make this a lovely addition to the holiday theater season.
Sunday, November 19, 2017
Leslie Odom, Jr.'s concert at Orchestra Hall, I decided to check out Frankenstein: A Modern Prometheus. I'd never seen a show by Green T Productions, never been to the Historic Mounds Theatre, and the show is 90 minutes no intermission (my favorite thing) - perfect for a spontaneous Saturday night trip to the theater! Mounds Theatre is a perfect venue for this creepy tale (my friend told me it's haunted), and Green T has created an ambitious and innovative new telling of this 200-year old tale. While I didn't always get everything that was going on, it certainly held my interest and created some memorable moments.
Saturday, November 18, 2017
Gypsy). Minnsky Theatre is located in nimbus theatre's old space in Northeast Minneapolis, which has been transformed into a more glam version of its former self. I felt a little like I had been transported back in time to the days of Vaudeville, with a variety of age-old entertainment on display. Combining theater, music, dance, acrobatics, burlesque, and circus acts, Minnsky puts on a good show that was thoroughly enjoyed by the large and enthusiastic audience. LimeLight closes tonight, but I encourage you to check out Minnsky sometime for some fun, and a little risque, entertainment.
Thursday, November 16, 2017
At the Southern Theater this weekend, you can see two new one-act plays, both very much worth seeing. They're very different plays, but what they have in common is that they're written and performed by women, telling their own personal, authentic stories. Produced by two companies whose work I want to support based on their mission ("Raw Sugar creates imaginative, adventurous productions led by feminists" and "Theatre Corrobora is a group of young artists who strive to create meaningful, challenging, and intelligent works of original theater by and about young women"), Fadeaway Girl and The Critic and the Drama Queen are both funny, thoughtful, and engaging new plays, and you should go see them (five performances this weekend only!).
Wednesday, November 15, 2017
Chanhassen Dinner Theatres is bringing back their smash hit from 2015 with mostly the same cast, but while the show might be the same, the world is a much different place than it was two years ago. This beautiful story of sisterhood, friendship, community, and standing up together and raising your voices for joy, love, and faith, may be needed more now than it ever was.
Tuesday, November 14, 2017
you can read all of the many words I've written about it here). I can think of no better way to celebrate my 44th birthday (a day early) than with one of my heroes, who has taught and continues to teach me to be misfit myself, and hold my wig high while doing so. The best part of getting older is being more comfortable in your own skin and caring less and less about what the world thinks of it. And that's what the beautifully flawed human we call Hedwig represents. Zenith City Horror has brought their fantastic version of the show from Duluth to Camp Bar in downtown St. Paul, go see it if you need a little more Hedwig in your life (and who doesn't?!).
Monday, November 13, 2017
Sunday, November 12, 2017
which I saw and was impressed by the clever and inventive storytelling. Now available for regional productions, Mixed Blood Theatre is bringing us their take on the play. The West End/Broadway production was very tech-heavy, and I was curious what this story with a smaller-scale production and in a smaller house would look like. It turns out I like it even better, but I generally always like smaller cast, smaller scale, smaller house versions of plays and musicals which make the story feel more intimate and real. In this case, the 15-person Broadway cast has been reduced to just 9, with very smart casting and direction by Mixed Blood's Artistic Director Jack Reuler. There are still some pretty impressive tech effects, but also some great low-tech effects that all serve this story of a 15-year-old boy with an unspecified autism-like condition who goes on an epic journey in search of the truth. And it still has a real live puppy and real live maths!
Saturday, November 11, 2017
A new #TCTheater company is debuting a new play by a first time playwright in a new St. Paul theater space that just opened this summer. What's more exciting than that?! The good news is that Roller Derby Queen is a great play - smart, funny, and well-written, with quirky but real characters played by a dreamy cast, clearly directed in this intimate space. I'm not entirely sure what SOS Theater is about yet, but based on the first offering of this "new production company dedicated to producing evocative works that present fresh and entertaining perspectives of this ludicrous thing called life," I'm intrigued, and hope to see more.
Colorado Coalfield War of 1913-1914, the deadliest labor dispute in US History, resulting in the deaths of dozens or even hundreds of people. Playwright Josh Cragun and director Liz Neerland, Co-Artistic Directors of nimbus, have created an ambitious new work with a large and talented ensemble that not only brings the lives of the victims and survivors to life, but also speaks to current issues of unions, immigration, and the haves vs. the have-nots.
Wednesday, November 8, 2017
Moby Dick, one of the most well known and well respected American novels, this line that opens the book was familiar to me. And so it was a certain kind of thrill to hear the line spoken Monday night in a small art studio space in South Minneapolis, my first experience with this epic tale. Theatre Coup d'Etat's Artistic Director James Napoleon Stone adapted the novel into a two and a half hour play and directs this production, with a terrific 13-person cast, a cool found space, interesting movement, and lovely musical accompaniment. The result is an epic yet intimate telling of this classic American story.
Sunday, November 5, 2017
Transatlantic Love Affair's newest creation The Privateer, TLA company member and first-time director Derek Lee Miller humbly said, you don't want to hear me lecture about pirates for an hour and a half. As someone who quite enjoyed listening to him lecture about bananas for an hour this summer, I most certainly do want to listen to Derek Lee Miller lecture about pirates! Because it would be sure to be fascinating and educational and delightfully nerdy. But even better than a lecture, this excellent company tells a story about pirates through movement, words, and music. TLA fans are sure to love this new, exciting, dangerous tale. And if you haven't seen TLA before, what are you waiting for?!
Chameleon Theatre Circle is spending their 20th season at various locations north of the Minnesota River. Which, as a Northeast suburbs dweller, makes me happy. Because they've got a great line-up this season, including the rarely produced musical Chess, coming to the new Gremlin space in St. Paul next month, and the cult favorite Little Shop of Horrors at the Sabes JCC next spring. But first, they're opening their season with the family drama Independence, by Playwrights' Center core writer Lee Blessing. Playing in Artistry's Black Box theater (opposite the sold out Music Man), it's an intense, intimate, and well done look at a family dealing with mental illness, unwanted pregnancies, separation, and years of pain.
Wednesday, November 1, 2017
now playing at the Orpheum Theatre, is not what one would call an original musical. Although based on the life J.M. Barrie, the author and playwright who created Peter Pan, the characters and plotlines are not particularly original either, with cliched relationships and predictable plot turns. But don't worry, there's a but. Even if it's not the most original musical you'll see, it's still quite delightful in execution. I had never heard the score before, and found parts of it quite lovely. The design is magical, the movement and choreography is innovative and interesting, and this touring cast (including children and a dog) is wonderful. As long as you're not expecting anything too deep or original, Finding Neverland is sure to delight, at least in some moments, and has an inspiring message about the power of imagination, which is what theater is all about.
Monday, October 30, 2017
Theatre in the Round, it's still beautiful and lush late summer, with colorful flowers and chirping birds. But it's still pretty dark, this being Tennessee Williams' Suddenly Last Summer, a one-act play written in 1958. Like all of Williams' plays, it's beautifully tragic, or tragically beautiful. Flawed people, dysfunctional families, and a sense of despair. Oh, how I love it! Tennessee Williams is one of my favorite playwrights, but this was my first experience with this play. It was my second experience with Tennessee Williams at TRP (see also Summer and Smoke), and once again they have put on an excellent production of a sad, beautiful, disturbing Tennessee Williams play.
Sunday, October 29, 2017
It's late October in Minnesota, and that must mean it's time for... Playlabs at the Playwrights' Center (you thought I was going to say Halloween, didn't you). In this week-long festival, three of PWC's core writers have the opportunity to work with a group of actors, a director, a dramaturg, and sometimes a designer on a new work. With just a few days of rehearsals, the plays receive two public readings, often with much rewriting between the two. This year I attended the final readings of all three plays, and was once again blown away by the creativity, thoughtfulness, and innovation of playwrights, as well as the talents of actors (many from the #TCTheater scene) in bringing these plays to life, even while standing in one place reading from a script.
Friday, October 27, 2017
Theatre Elision brings us Ghost Quartet, by Dave Malloy, the composer/lyricist of Natasha, Pierre, and the Great Comet of 1812 (which recently closed too soon on Broadway). In their third show as a new company, Theatre Elision brings us their usual small cast and musically beautiful production, but very much in the style of Great Comet. Meaning, an intimate in-the-round setting (which Great Comet replicated on Broadway by having audience sit on stage), a fun and playful style, and with audience participation (and vodka!). It's a fantastic show that fits in well with Elision's niche of small cast, feminist, one-act, original or rarely produced musicals. And it's a perfect show for this Halloweekend!
Thursday, October 26, 2017
John Lennon sang. Or to put it another way, in the movie Corrina, Corrina when a little girl tells her dad that her mother is in heaven with the angels, he says, "heaven, the angels, and all that, it's just something people made up so they won't feel sad anymore." And the child responds, "well, what's wrong with that?" The answer, of course, is that what's wrong with that is when people try to force their religious beliefs on others, and are intolerant of any other beliefs. But here in America, we have something called the separation of church and state which ensures this can't happen. Don't we? It's getting a little hard to tell these days. But in Jason Odell Williams' new play Church and State, making its #TCTheater debut at Minnesota Jewish Theatre Company, at least one politician still believes that, and isn't afraid to say so. Church and State is funny, smart, thought-provoking, sobering, and short, and MJTC has put together an excellent cast that makes this an entertaining, if a bit depressing, evening of theater.
Wednesday, October 25, 2017
Conor McPherson's play The Weir is pretty much just five people sitting in a pub trading stories, and the cozy space at Urban Growler Brewing (the first woman-owned microbrewery in Minnesota!) was chosen wisely by Wayward Theatre (which has also brought us Tartuffe at the James J. Hill House and Ghost Train at the Minnesota Transportation Museum). Head to Urban Growler (off 280 and University in St. Paul), grab a beverage from the tap room (or even a pre-show dinner, from the smell of it they have great food too), head back to the pub/theater space, and settle in for some good craic.
Monday, October 23, 2017
Penumbra's gorgeous production of the 1966 play Wedding Band by Alice Childress (whose Trouble in Mind was seen at the Guthrie last year) is not just a beautiful, complicated, and ultimately tragic love story. It's also (not unlike Trouble in Mind) a still timely work that speaks to the issues of race, racism, and privilege in ways that feel entirely relevant. With a super talented cast directed by Penumbra's founder Lou Bellamy (who recently passed the Artistic Director baton to his daughter Sarah) and gorgeous design, Wedding Band is a show not to be missed, and my favorite of my five-show weekend.
Evan Hanson sings, "words fail"). And words are open to interpretation, sometimes they come out differently than how we intended them. The Moving Company (one of my favorite #TCTheater companies in the last six years, since seeing Come Hell and High Water in 2011) has taken that idea of the inadequacy of words and extended it into a 75-minute wordless (but not entirely silent) exploration of... well... a bunch of stuff. Created by the five-person ensemble under the direction of Dominique Serrand and using movement, music, and a little how'd-they-do-that theater magic, Speechless is poignant, heart-breaking, funny, and mesmerizing.
Sunday, October 22, 2017
Flavio Betrayed by resident director Scott Ford, based on the commedia dell'arte style popular in 16th-18th Century Italy. He has assembled a fantastic cast that plays the exaggerated and highly stylized physicality to the hilt, extending even into some pre-show bantering with the crowd. It all makes for a perfectly silly evening of theater. In the real world, there may be tragedy tomorrow (and yesterday and next week), but there is only comedy tonight at Lyric Arts!
Saturday, October 21, 2017
Guthrie is currently staging a fantastic production of Romeo and Juliet, and now, across the river, Park Square Theatre brings us an equally fantastic production of Shakespeare's other most popular and produced play, Hamlet. The two make a nice pairing; both are youthful and modern with fantastically talented and energetic casts. This Hamlet, adapted, directed, and designed by Joel Sass, features a condensed cast of just nine, some gender-swapping (which provides more roles for women in male-heavy Shakespeare plays), and what I would call a breakout performance by Kory LaQuess Pullam in the title role, except that he's been breaking out for a couple of years in #TCTheater. Last year the Twin Cities Theater Bloggers chose him as our favorite new artists/one to watch (a choice he's continually reaffirmed this year), and the StarTribune recently called him "the fastest rising prince of Twin Cities theater." If you're not yet aware of Kory's work, as an actor on various stages around town, as a playwright and artistic director of Underdog Theatre, or as a founder and improviser with Blackout Improv, you will be now. He leads a talented ensemble in an interesting and inventive new production of one of Shakespeare's best.
Friday, October 20, 2017
Artistry excels at these sorts of musical theater classics, so it's no surprise that their new production is a charmer. This also seems to be the sort of show that appeals to their core audience, judging by the fact that the entire run is already sold out. I would say that if you're looking for a good old-fashioned heart-warming, foot-stamping, enjoyable musical, head down to Bloomington. Except that you're pretty much out of luck for this run (call the box office to see if they've got anything left). Make plans to enjoy the rest of their 2017-2018 (which began with a bang in the form of an inventive and super-cool Joseph and the Amazing Technicolor Dreamcoat, which I'm guessing did not appeal to their core audience quite as much). I'm most looking forward to the final show of this season, the much more infrequently produced Sondheim masterpiece Follies.
Wednesday, October 18, 2017
Ten Thousand Things, the company she founded over 25 years ago, recent Ivey Lifetime Achievement Award winner Michelle Hensley has chosen the Greek classic Electra. This 2000+ year old story of betrayal and revenge is clearly and succinctly told in not much more than an hour, and like all TTT shows, feels both fantastical and grounded in reality. With guest director/adapter Rebecca Novick out of San Francisco, seven of the top #TCTheater actors, a warm and wonderful Peter Vitale musical soundtrack, and very little in the way of usual theater magic (except that created by the skills of the performers), this tragedy is a joy to watch.
Sunday, October 15, 2017
Sam's Son by Bucket Brigade, a company that specializes in new work whose work I've enjoyed in the past, was on my must-see list in this busy #TCTheater October. Performed in the intimate, immersive space that is Art House North, I was not disappointed and found it to be a highly entertaining evening (complete with free intermission treats - root beer and a pretzel). While the plot points may be a bit cliche and predictable, the story is well told by the talented cast, with a fantastic original score tinged with gospel, bluegrass, and old-timey feel while still sounding like a modern musical. It's such a treat to see new work that is locally created (written by Bucket Brigade co-founders Vanessa and Jeremiah Gamble, and developed in part through Nautilus' "Rough Cuts" program) and showcases local talent in an intimate setting.
Saturday, October 14, 2017
Watch on the Rhine at the Guthrie, I saw the historical political drama All the Way at the History Theatre. That was a couple of pretty heavy (and long) nights, and left me feeling dismayed at just how much history repeats itself. With Watch on the Rhine, it's the rise of fascism in 1930s Europe, genocide, and an impending world war. With All the Way, it's political machinations, the Civil Rights movement, and the ugly opposition to freedom and equality for all. Covering Lyndon B. Johnson's short and eventful first presidential term, from Kennedy's assassination that thrust him into the presidency to his re-election (or rather, first election) one year later, All the Way has a lot of history and historical figures to pack into three (yes, three) hours. While I wish that playwright Robert Schenkkan had consolidated characters and compressed speeches a bit to create a more concise and driving story (the days of me being able to sit comfortably through a three-hour play are long gone), it's a gripping story, well told by director Ron Peluso and an excellent cast.
Friday, October 13, 2017
now playing on the Guthrie's proscenium stage, and is one of the most devastating moments in this gorgeous play. Written in 1941, it's part war story, part multi-generational family dramedy, part romance, and part social commentary that still rings true 75 years later. It eerily shows us how history repeats itself, and how frustrating that is. Frustrating that Europe hadn't even recovered from what was then called The Great War before it embarked on another one. Frustrating that after witnessing the horrors of the Holocaust we allow genocide to continue to happen all around the world. Frustrating that we've seen the evils of fascism but it still exists. When will we learn? I'm sorry if this sounds hugely depressing, and this show is that to a certain extent. But it's also hopeful it its focus on a family that bands together, despite their differences, to stand up for what's right. So that maybe one day we will get it right, we will figure out how to make a world where all children eat a good breakfast every day, where no one is persecuted for their religion or gender identity, where women don't have to fear for their safety walking down the street or going to work. Watch on the Rhine shows us, while keeping us enthralled with its gripping storytelling, that we all have to keep watch.
Wednesday, October 11, 2017
TigerLion Arts' outdoor walking play Nature, and I couldn't agree more. That's one of many reasons why I love this unique theater piece so very much and saw it last weekend for the fourth year in a row. It's truly one of my favorite theater things. Nature checks off all of my theater boxes: it's funny, whimsical, poignant, musical, physical (for performers and audience), immersive (but not interactive), historical, spiritual, inspiring, silly, 90 minutes no intermission, and performed in the best location ever - the great outdoors. It fills my heart with joy and my mind with challenging thoughts about the interaction between civilization and nature. The 2017 tour (which included a trip to Concord MA for the celebration of the 200th anniversary of Thoreau's birth) has concluded, but follow TigerLion Arts on Facebook and/or Twitter for information on future performances and an upcoming documentary. As long as TigerLion Arts keeps performing Nature and there exists Nature in which to perform it, I will follow them on this beautiful journey.
Monday, October 9, 2017
Jonathan Larson wrote RENT, for which he posthumously received the Pulitzer Prize, he wrote and performed in an autobiographical one-man musical in the early '90s about being a struggling musical theater composer living in NYC. After his tragic death the night before the first Off-Broadway preview of RENT, the eventual smash hit that what would become his legacy, this little show was reworked into a three-person piece by playwright David Auburn and produced Off-Broadway in the early aughts. Being a RENThead, I saw tick, tick... BOOM! on tour at that time, but I don't recall there ever being a local production of it. Leave it to Minneapolis Musical Theatre, whose motto is "rare musicals, well done" to bring us this charming little show that very clearly displays the seeds that would become RENT. With a fantastic cast in the intimate theater space at Bryant Lake Bowl, it's a very satisfying evening for RENTheads, musical theater history buffs, and anyone who likes a rock musical with heart and humor.
Thursday, October 5, 2017
Wednesday, October 4, 2017
Monday, October 2, 2017
Frank Theatre's production of Alice Birch's new play Revolt. She Said. Revolt Again, I posted on Instagram: "I'm not sure what I'm in for but I'm pretty sure it's gonna to be awesome. And 70 minutes no intermission." I was right on all counts. I'm still not entirely sure what happened, but it definitely was awesome, and short. Short, intense, and powerful. A six-person cast, a half dozen or so scenes, and a descent into organized chaos. All around the concept of feminism, and deconstructing our assumptions and language around it. Brave and outrageous and impactful and yeah, pretty awesome.
Sunday, October 1, 2017
Ryan Gosling saved jazz). While La La Land famously didn't win the Oscar for best picture this year, it did win for best score (Justin Hurwitz) and best song ("City of Stars," Hurwitz along with Pasek and Paul, who also won a Tony for best score this year for Dear Evan Hanson). I'm a fan of this delectable musical fantasy romance movie, and an even bigger fan of the soundtrack, which I've been listening to all year. The orchestral and jazzy score is the perfect choice for this series, and made for a perfectly dreamy evening of music and movies.