Flavio Betrayed by resident director Scott Ford, based on the commedia dell'arte style popular in 16th-18th Century Italy. He has assembled a fantastic cast that plays the exaggerated and highly stylized physicality to the hilt, extending even into some pre-show bantering with the crowd. It all makes for a perfectly silly evening of theater. In the real world, there may be tragedy tomorrow (and yesterday and next week), but there is only comedy tonight at Lyric Arts!
The show begins well before showtime. Walking into the old movie theater on Main Street, I was surprised to see actors in costumes putting up set pieces, chatting with the crowd, and generally milling about. Not exactly in character in terms of the character they play in the show, but definitely in character in terms of the style of the piece. Towards showtime, they converge on the stage and argue about what play to put on, finally landing on Flavio Betrayed. They add a mask or a wig, step into character, and we're off! (Don't worry, while the pre-show entertainment is interactive, the show itself is not, mostly.)
The plot of the play is based on commedia plays of the day, and features lovers, misunderstandings, and duels. The Flavio of the title is an artist in love with the lady Isabella, whose father wants her to marry the famous Captain Spavento. Further complicating matters, Flavio's so -called best friend Oratio also loves Isabella, and plots to split them up and marry her himself. Then there's Isabella's neighbor Flaminia, who just wants to marry anyone, and her doting father. Throw in a couple of too-smart-for-their-own good servants, and you have the perfect recipe for commedia.
The wacky cast is accompanied by just two musicians (Warren Sampson and Shelby Ernst) on many different instruments, mostly as a sort of soundtrack, with a few charming little songs (composed by Melissa Bergstrom). The set is comprised of three two-dimensional, colorful, cartoonish buildings, and the cast is dressed in their best Renn Fest costumes, from peasant to lady. Many of the characters wear masks in the traditional commedia dell'arte style, which has the effect of hiding the actor's face and facial expression, so they have to relay more on physicality to express the large-sized emotions (set design by Peter Lerohl, costume design by Katie Martin, mask design by Katie Kauffmann).
"A commedia?! Yay!" The actors' sentiment will match your own upon seeing this broadly comedic escapist show. Flavio Betrayed continues through October 29 at Lyric Arts in lovely downtown Anoka.
*Correction: this is the professional world premiere. It was previous performed at Anoka-Ramsey community college.