Minnesota Fringe Festival 2026: "the statue of liberty is nora in a doll's house by henrik ibsen"

Day: 5

Show: 16

Title: the statue of liberty is nora in a doll's house by henrik ibsen

Category: Comedy / Drama / Musical Theater / Physical Theater

By: Supermoon

Created by: Supermoon

Location: Rarig Stoll Thrust

Summary: Henrik Ibsen's ground-breaking 1879 play A Doll's House, in which a housewife leaves her family to find herself, with Nora played by the Statue of Liberty.

Highlights: On one level, this is a great and fun and very Fringey version of a classic play, using live film projected onto a screen, and actual dolls acting out some of the scenes. On another level it's a startling and disturbing commentary on the state of our country, as we watch Lady Liberty literally dismantled before our eyes. I'm not entirely certain how those two things fit together, but I will be ruminating on it for a while. Mads Plonski plays Liberty/Nora, beginning the show standing on a platform clutching a copy of A Doll's House, her raised arm holding a corded light. Then she descends from her pedestal (much as Nora metaphorically does in the play), and the story begins, with all of the major plot points of the story playing out in abbreviated form (Nora forged her father's signature to take out a loan to save her husband's life, and is now facing scandal because a woman is not allowed to take out a loan), with Michael Torsch as her husband Torvald and Caleb Byers as the banker about to explode the scandal. A camera is trained on the stage, with the live feed projected on a screen, including close-ups of dolls that enact some of the scenes, the actors speaking in exaggerated doll voices. We also occasionally see images of the Statue of Liberty in pieces and behind scaffolding during installation, which curiously was less than ten years after A Doll's House premiered. In addition to the use of lighting and live film, there's also an interesting use of music and sound, with Josh Leininger providing a live score on electric guitar, and Mads singing the Lana Del Ray song "Arcadia." As usual from this team, this is a thoughtful, thorny, weird, funny, absurd, engrossing piece of theater.

Read all of my Fringe mini-reviews here. 

"A Doll's House" at Guthrie Theater

Norwegian playwright Henrik Ibsen's classic 1879 play A Doll's House was ahead of its time in its exploration of gender roles and societal expectations, with its famous (or infamous) ending in which a wife walks away from her husband and children in order to save her own humanity. In 1879, can you imagine?! 146 years later we're still dealing with those very same issues; even though things have changed and women can now get a loan without a man co-signing (at least in this country we can, for now), women's place in society and in the family is still very much debated and talked about. The Guthrie is producing the regional premiere of Amy Herzog's new and very modern adaptation, which premiered on Broadway in 2023. It's riveting and stunning and so relevant, with fantastic performances from the six-person cast and gorgeous design. See it on the Guthrie's thrust stage now through October 12.

"A Doll's House, Part 2" at the Jungle Theater

When I saw A Doll's House a few years ago I was struck by how much 19th century Norwegian playwright Henrik Ibsen's 140-year-old play still resonates. A few years ago playwright Lucas Hnath wrote a sequel that takes place 15 years later, so approaching the turn of the last century, but written with modern language and sensibilities. It feels both of its time and of our time. A Doll's House, Part 2 furthers the conversation that Ibsen began around marriage and women's role in society. And while maybe it's true that "we've come a long way, baby," history is full of steps forward and backward in terms of human rights, and this is a conversation that feels particularly important to have today. The Jungle Theater's regional premiere is beautifully done, as to be expected by the Twin Cities Theater Bloggers' favorite theater of 2019.

"A Doll's House" by Orchard Theater Collective at the James J. Hill House

If you're looking for an anti-holiday show in this busy #TCTheater holiday* month, a little bitter to balance out the sometimes overwhelming sweet of the season, look no further than Ibsen's masterpiece A Doll's House. Orchard Theater Collective is making their debut with this piece, and they wisely partnered with #TCTheater favorite Craig Johnson, who adapted the play into a crisp 95 minutes and directs this talented young cast. Taking place in Norway during Christmas of 1879, what's remarkable is how ahead of his time Ibsen was in revealing the difficulties that women faced (and still face) living under the strict and unfair rules of society, and how much this play still resonates today.

"Bluebeard's Dollhouse" by Combustible Company at the James J. Hill House

If the candy and decorations at Target haven't made you aware that Halloween season is upon us, Combustible Company's immersive and mobile merging of two disastrous marriage tales Bluebeard's Dollhouse will leave no doubt. It's performed in multiple locations in the gorgeous historic mansion that is the James J. Hill House, and it's super creepy. It's definitely not your typical night at the theater - walking up and down grand or narrow staircases, entering rooms simple or elaborate, and seeing scary looking dolls everywhere you turn. If you like a good fright, and appreciate invention and creativity and, well, something that's just different, Bluebeard's Dollhouse (continuing through October 15) is the experience for you. I'm not very fond of scary things and horror (Halloween is a non-holiday in my life), but I appreciate the artistry that goes into creating this very detailed world at this incredibly cool location.