"The Postman's Daughter" by Illusion Theater at Center for Performing Arts

It's only April, and already we've been treated to two new original small-cast one-act musicals starring #TCTheater veteran Bradley Greenwald, paired with younger performers. Just over a month ago, Open Eye Theatre premiered Strange Heart: The Dream Songs of John Berryman, an odd and dreamy musical in which Bradley played the titular poet, with Anna Hashizume and Sam Albright (and some puppets). Now Illusion Theater is premiering the lovely and touching musical The Postman's Daughter, in which Bradley again plays the title character, with Katherine Fried as his (spoiler alert but not really since it's in the title) daughter. In a year when only one new original musical premiered on Broadway, it's heartening to see that new original musicals are flourishing in our own theater community. At just about 80 minutes, this one gives us a sweet little story that feels like the beginning, and leaves you wanting more, but also feels satisfying. It's mostly sung-through, has the feel of a modern musical, and is beautifully performed in the intimate theater at Center for Performing Arts. Playing through April 25 only, go see it if you're interested in the future of music-theater.

"Ada Lovelace: Bride of Science" by nimbus theatre at the Crane Theater

In February of 2020, just before the world turned upside down, Daleko Arts produced the regional premiere (and to date only production) of Lauren Gunderson's play Ada and the Engine about Ada Lovelace, the world's first computer programmer. Now nimbus theatre (a company that almost exclusively does original work) is bringing us a new original play about Ada written by #TCTheater's own Nissa Nordland, because we can never have too many plays about historical women of science. Especially Ada, a particular favorite of mine as a woman with a BA in math, an MS in statistics, and a day job as a statistical programmer. Ada lived a short but full life with many accomplishments that weren't always recognized in her lifetime, but provided the foundation for our world today. Nissa has written a lovely, funny, moving, inspiring play that gives us a full picture of Ada and her world, beautifully brought to life by a talented five-person cast and clever design. Only four more performances remain at the Crane Theater in Northeast Minneapolis.

"The Full Monty" by Theatre 55 at the O'Shaughnessy's Frey Theater

The 2001 9-time Tony nominated musical The Full Monty, with book by acclaimed playwright Terrence McNally (five Tonys, including one for Lifetime Achievement) and music and lyrics by David Yazbek (Tony-winner for The Band's Visit) has only been done once in #TCTheater, to my knowledge. Theater Latte Da's 2009 production in the old Ordway McKnight Theatre was fantastic (pre-blog so no record of my experience exists), but we haven't seen it since. Until now. Theatre 55, the company that does musicals with actors age 55+, has chosen it for their spring show. It's a great choice for this time and for this company, and it's one of my favorite shows that they've done. The story of working-class men struggling with unemployment, loneliness, mental health issues, and redefining masculinity is incredibly relevant. As the title implies, these average guys decide they're going to earn some money by stripping. One of the benefits of aging (I'm only a few years away from joining the 55+ club) is that you feel more and more comfortable in your own skin, and care less and less about what other people think. So why not go "the Full Monty?" To be clear, I won't be doing it, but it's inspiring and a lot of fun to watch this fantastic cast of men and women own the stage in this way. The bad news is there are only four shows left, so act fast if you want to have a great time and learn a few things from our elders.

"Grumpy Old Men: The Musical" by Minneapolis Musical Theatre at the Conn Theater

If Grumpy Old Men had to be turned into a musical (and I would argue it didn't), it definitely needs to be performed in Minnesota (where the 1993 film was set and filmed), and no company is a better choice to do it than Minneapolis Musical Theatre, whose motto is "rare musicals, well done." They specialize in this campy spoofy fun genre of musical, and always make the most out of the material. That's definitely the case here. The show is fun with lots of Minnesota references and doesn't take itself too seriously. But for a musical that premiered in 2018, it's disappointingly sexist in the way women are treated and talked about, with (relatively) young, smart, beautiful women dating and even marrying literal grumpy old men decades older than them. But MMT has assembled a winning cast that makes the most of it, with clever staging and choreography, for what is overall a fun time at the theater. Grumpy Old Men: The Musical continues at the Conn Theater in South Minneapolis through April 19 only.

"The Right Thing to Do: The Joe Mauer Story" at Stages Theatre Company

I haven't been to Stages Theatre Company in ages; I don't have any children in my life to bring to a show at the children's theater, and I live on the opposite side of the city from Hopkins. But as a lifelong Twins fan (I have the game on as I write this*), I'm not going to miss a new musical about one of my (and all of Minnesota's) favorite Twins, 2024 Hall of Fame inductee Joe Mauer! A St. Paul native, Joe played 15 seasons for his hometown team, and I was fortunate to be at his final game in 2018, when he donned the catcher's gear for one last time, to the crowd's delight. Joe Mauer was a special player and racked up many awards and accolades in his career, culminating in being voted into the Hall of Fame in his first year of eligibility. But as this musical, based on a book by local sports broadcaster Joe Schmidt, shows us, Joe was also a special human. The book and musical show us a young Joe, who befriended a blind classmate in high school, when other kids were ignoring or bullying him (as kids often do). The Right Thing to Do depicts a world of kindness, of community, of kids being kids, supporting each other in their differences and uniqueness. With a 60-minute runtime, it's perfect for kids, especially baseball fans, with lots of fun Twins and baseball nuggets. The Right Thing to Do continues at Stages Theatre in Hopkins through May 10, with lots of matinees available.

"Mamma Mia!" at Lyric Arts

Last night, Lyric Arts opened their joyful production of the perhaps the most beloved jukebox musical, Mamma Mia!, and the entire run is already sold out. This is extremely rare, and speaks to both the draw of this great little theater in the 'burbs, and the popularity of Mamma Mia! Although it didn't win a single Tony Award, it ran for 15 years on Broadway, making it the 9th longest running Broadway musical (soon to be eclipsed by The Book of Mormon), and was adapted into a movie starring no less than Meryl Streep, which also inspired a sequel, and potentially a third movie to come. Why do people love Mamma Mia! so much? Maybe because it's chock full of familiar (to people of a certain age) songs from ABBA that are upbeat and endlessly singable. Maybe because it's set on a Greek island that we'd all love to escape to, especially after a long and difficult Minnesota winter. But I like to think that the reason we love Mamma Mia! is that the central love story is between a mother and a daughter, and between female friends. At its heart, inside the silly and contrived story of a young woman looking for her father, it's a story of friendship, community, and family, especially those that look different from the norm. It's a feel-good heart-warming musical that appeals to all generations. And Lyrics Arts' production, with a talented and gorgeously diverse cast, is a great one.

"Gutenberg! The Musical!" by Theater Latte Da at the Ritz Theater

Broadway buddies Andrew Rannells and Josh Gad, who originated the roles of Elder Price and Cunningham, respectively, in The Book of Mormon 15 years ago (which I was lucky enough to see), recently reunited on Broadway in a two-person musical comedy called Gutenberg! The Musical!, receiving its Broadway premiere almost 20 years after it debuted. The buddy comedy was the perfect vehicle for these two individual talents with undeniable chemistry, and now, two years after that short Broadway run closed, Theater Latte Da is bringing us, if not the regional premiere, the first #TCTheater production since this Broadway hit. It's the kind of thing I expect from Theater Latte Da - something new and inventive that you just can't see anywhere else. Artistic Director Justin Lucero saw Gutenberg on Broadway shortly after he was hired by Theater Latte Da, and immediately decided that they were going to do the show someday (proving once again that he was the perfect choice to replace founding Artistic Director Peter Rothstein). They have done just that, and also made the smart decision to hire Tyler Michaels King to direct, and cast the perfect physical comedy duo. Gutenberg! The Musical! is a super silly and hilarious ode to the musical theater form that we love so much, and that Theater Latte Da does so well. It's playing through May 3, so if you need a laugh (and who doesn't these days?), head to the Ritz Theater in Northeast Minneapolis.

Broadway tour of "Suffs" at the Orpheum Theatre

I saw Suffs on Broadway in May of the tumultuous election year that was 2024, and I thought it was relevant then. I didn't realize how much more relevant it would be to see this story about the final leg of the Women's Suffrage movement in 2026 in Minneapolis. As women's rights seem to diminish with every passing day, and protests continue and increase in size and frequency, in a city that's very familiar with marching and standing up for justice, meeting violence on the streets and being unfairly detained. Suffs is an inspiring story of the women that worked for over 60 years to get women the right to vote in America, and the various and varying tactics they used, and reminds us not to take these rights for granted but to keep marching, because as we've recently seen, they can be taken away in an instant. Music/book/lyrics writer Shaina Taub (who also starred in the original production) has focused the long history of Women's Suffrage in this country on a handful of historical figures over the last few years before the passage of the 19th Amendment, creating a story that feels fresh and modern, that's as funny and entertaining as it is serious and moving. These Suffs will be marching through Minneapolis through Sunday only - click here for info and tickets, including student, educator, and performing arts industry rush.

NYC Theater Trip 2026: "Just in Time" at Circle in the Square Theatre

Show*: 5

Title: Just in Time

Location: Circle in the Square Theatre

Written By: Warren Leight and Isaac Oliver 

Summary: The life of singer/songwriter/actor Bobby Darin as told through his music, in an intimate and immersive nightclub setting.

NYC Theater Trip 2026: "Proof" at the Booth Theatre

Show*: 4

Title: Proof

Location: The Booth Theatre

Written By: David Auburn

Summary: A revival of the 2001 Tony-winning play that was so popular it went on tour and was adapted into a film, about a math professor and his daughter who share an exceptional ability for math, and also possibly a tendency towards mental illness.

NYC Theater Trip 2026: "Two Strangers Carry a Cake Across New York" at the Longacre Theatre

Show*: 3

Title: Two Strangers Carry a Cake Across New York

Location: The Longacre Theatre

Written By: Jim Barne and Kit Buchan

Summary: A new original two-person musical in which a British man travels to NYC for the wedding of his father, whom he's never met, and spends a life-changing couple of days with the sister of the bride, a jaded New Yorker.

NYC Theater Trip 2026: "Oh, Mary!" at the Lyceum Theatre

Show*: 2

Title:Oh, Mary!

Location: Lyceum Theatre

Written By: Cole Escola

Summary: A ridiculous farce about first lady Mary Todd Lincoln, if she were an alcoholic former cabaret star.

NYC Theater Trip 2026: "Ragtime" at the Vivian Beaumont Theatre at Lincoln Center

Show*: 1

Title: Ragtime

Location: The Vivian Beaumont Theatre at Lincoln Center

Written By: book by Terrence McNally, music by Stephen Flaherty, lyrics by Lynn Ahrens

Summary: A stunning revival of the 1998 12-time Tony nominated musical based on the E.L. Doctorow novel that tells a very American story at the turn of the last century, that's never felt more urgent.