"Perfect Arrangement" by Walking Shadow Theatre at the Crane Theater

The day after seeing Lyric Arts' regional premiere of the British comedy Home, I'm Darling, about a modern day couple living the facade of the perfect '50s lifestyle, I saw Walking Shadow Theatre's production of Perfect Arrangement, about two couples in the '50s living the facade of the perfect '50s lifestyle. But this time it's hiding the fact that the two women and the two men are the actual couples, and the facade is necessary for these State Department employees to survive the Lavender Scare during the era of McCarthyism. On a set that's a neat replica of I Love Lucy, the play has a sitcom feel, perfected by the direction and performances of the talented cast, that turns into something darker when the direness of the foursome's situation is revealed. June Pride Month is a perfect time to revisit this time in queer history, when people could be fired from government jobs based on the mere suspicion of homosexuality. Perfect Arrangement plays at the Crane Theater through June 21.

"Julius Caesar" by Minnesota Shakespeare Theater at the Crane Theater

There's a new theater company in town, and they have the boldness to call themselves Minnesota Shakespeare Theater. But it's true that we don't really have a theater company dedicated exclusively to Shakespeare. Classical Actors Ensemble mostly does Shakespeare (including their annual outdoor Shakespeare in local parks), but as their name implies they occasionally do other classics. Great River Shakespeare Festival has been doing great work by the river in Winona for over 20 years, but they're a summer festival and also do non-Shakespeare plays. So maybe it is time that #TCTheater had its own Shakespeare company, and judging by their first production, the historical tragedy Julius Caesar, Minnesota Shakespeare Theater (from the people behind Shakespearean Youth Theatre) is the one to fill that niche. The play is very well done, with impressive design, a talented cast of #TCTheater veterans and newer actors, and most importantly, a clear presentation of the dialogue and the story. This Julius Caesar is compelling and urgent, and like so many things these days, feels like an eerily prescient warning call about the dangers of unchecked power. But MST's inaugural production runs for two weekends only, with pretty full houses on opening weekend, so don't snooze if you want to check out the new Shakespeare game in town. I for one am impressed and intrigued, and can't wait to see what they'll do next.

"Ada Lovelace: Bride of Science" by nimbus theatre at the Crane Theater

In February of 2020, just before the world turned upside down, Daleko Arts produced the regional premiere (and to date only production) of Lauren Gunderson's play Ada and the Engine about Ada Lovelace, the world's first computer programmer. Now nimbus theatre (a company that almost exclusively does original work) is bringing us a new original play about Ada written by #TCTheater's own Nissa Nordland, because we can never have too many plays about historical women of science. Especially Ada, a particular favorite of mine as a woman with a BA in math, an MS in statistics, and a day job as a statistical programmer. Ada lived a short but full life with many accomplishments that weren't always recognized in her lifetime, but provided the foundation for our world today. Nissa has written a lovely, funny, moving, inspiring play that gives us a full picture of Ada and her world, beautifully brought to life by a talented five-person cast and clever design. Only four more performances remain at the Crane Theater in Northeast Minneapolis.

"The Great Armistice Day Blizzard" by nimbus theatre at the Crane Theater

All signs point to this being a snowy winter here in Minnesota; since the first significant snowfall a few days before Thanksgiving it feels like it hasn't stopped snowing, and conditions are ripe for an above-average snowfall this season. This is good news for those of us who enjoy outdoor winter activities that rely on snow, but not so much for those who view snow as an inconvenience. But no one wants a recurrence of what happened on Armistice Day of 1940. This day that was founded to commemorate peace was anything but peaceful for people in the Midwest, where temperatures in the 60s lured them outside to enjoy the warm November weather, only to be blasted by dropping temperatures and several feet of snow. As is their wont, nimbus theatre has devised a new play about this historic event. But instead of focusing on the grand scale of a storm that resulted in 154 deaths, including 49 in Minnesota, playwright and director Liz Neerland has chosen to focus on four people caught up in the storm, resulting in an intimate and engrossing 80-minute story. It's worth going out into the snow and cold to see The Great Armistice Day Blizzard at the Crane Theater through December 21 (but if there's a blizzard - by all means, stay home!).

2025 Twin Cities Horror Festival at the Crane Theater

The leaves are turning and the weather is finally cooler, which means it's time for the 14th Twin Cities Horror Festival! And even though October is notoriously the busiest month in #TCTheater, I managed to carve out a couple of days to see almost half of this year's 14 shows in the 15-day festival. I'm not in general a fan of horror or even Halloween (except for the candy), but I am a fan of the talented artists behind these shows, whom you will know from the Minnesota Fringe Festival or other theaters around town. In fact, TCHF is like a mini-Fringe, except that all of the less-than-an-hour shows are all horror-themed and presented in one venue, which makes scheduling easier. For full coverage of the festival, please visit fellow Twin Cities Theater Bloggers and horror fanatics The Stages of MN and Minnesota Theater Love. For my reviews, scroll down. I saw three very strong shows yesterday, with a few more scheduled for this week, so check back. You can find the full schedule of events and show details here, with the festival continuing through October 30.

Update October 26: I've added reviews of the shows I saw yesterday, bringing my total up to six. All of them are great, so either I chose well, or it's a strong year at TCHF. You still have a few more days to catch some great shows!

"The Book of Will" by Theatre Pro Rata at the Crane Theater

We all just take for granted that Shakespeare's 30+ plays have always been available - to put on a play, to read in school, to make a parody of. But it turns out that like many playwrights from centuries past, his plays might have been lost to us forever. A theater world without Shakespeare is unimaginable, and we have his good friends and actors in his company to thank for it. And we have this season's most produced playwright Lauren Gunderson to thank for giving us this story, and Theatre Pro Rata for bringing us the regional premiere of The Book of Will. It's a compelling and dynamic tale about 17th century publishing, as shocking as that may sound, and Pro Rata gives it fine treatment, with a great cast and simple yet effective design. See it the Crane Theater through October 11, and find out how Shakespeare's First Folio came to be.

"Mae West and the Trial of Sex" by Walking Shadow Theatre Company at The Crane Theater

Censorship in theater is a hot topic in 2025, with many theaters losing NEA funding for doing plays that allegedly do not align with mandates from this administration. The government is trying to tell artists what kind of plays they can and cannot do, but artists will be artists, and tell the stories they want to tell, even if that has become more difficult. Nearly a hundred years ago, the New York theater scene was also facing censorship, with artists receiving jail time and fines for doing "immoral" plays, and theaters being closed for a year or more. Walking Shadow Theatre Company's new play Mae West and the Trial of Sex chronicles one such battle against censorship, in a story that feels very timely and relevant. See it at the Crane Theater in Northeast Minneapolis through June 22.

"Three Sisters / No Sisters" by Theatre Pro Rata at the Crane Theater

I love seeing plays in rep, with a company of actors performing multiple plays in rotation over a period of time. It's especially satisfying when the plays are related (e.g., the Guthrie's epic History Plays last year). But Theatre Pro Rata is taking repertory theater one step further into something called simultaneous theater. Not only are they doing two shows in rep, they're being performed simultaneously! With the same cast! In the same building! On the stage of the Crane Theater, the funny and tragic and very human world of Chekhov's Three Sisters is playing out, while at the same time in the lobby of the theater, Aaron Posner's No Sisters is unfurling with the characters who are not on stage. After seeing the first one I reported that Theatre Pro Rata's Three Sisters as a stand-alone piece is an excellent production of a classic play that feels modern and relevant and relatable. A few days later I saw No Sisters and found it to be a delightful companion piece - similar in theme but very absurd and meta, giving us more insight into the minor characters. Note that the audience space in the lobby is limited, so if you want to see both plays you should get those tickets now (and yes you do have to go back on another day to see it), but if you can only see one, Three Sisters is an entirely satisfying experience on its own (although it may leave you wondering about the string of expletives coming from the lobby).

"Take Two for Christmas" by nimbus theatre at the Crane Theater

nimbus theatre is back with another Hallmark holiday movie spoof, their third in three years. The first one, A Count Up to Christmas, was a lot of fun and chock full of cliches of those types of movies. As often happens, the sequel, A Very Electric Christmas, was still fun but not as good as the first one; it was a bit rough with a convoluted plot. I'm happy to report that the third play in the trilogy, Take Two for Christmas, is back to the fun of the original, and might even be my favorite of the three. It's got all of the tropes needed for a holiday rom-com: a small town invaded by city folk, a frozen lake, a gazebo to save, and a sweet romance (or two). The design is cozy festive and the cast is all in on the spoofy fun premise. Whether you love or love to hate the Hallmark Christmas movie, Take Two for Christmas is a fun way to celebrate that live on stage. See it at the Crane Theater in Northeast Minneapolis through December 22.

"Lincoln's Children" by Fortune's Fool Theatre at the Crane Theater Studio

'Tis the season for political plays. First, the inspiring story of Texas governor Ann Richards, reminding us that the government works for us and we need to hold them accountable. Next, Fortune's Fool Theatre's world premiere production of Lincoln's Children, historical fiction about arguably our greatest president (but not without flaws), reminding us that we need to be constantly vigilant in the ongoing fight for justice and equality that Lincoln (and countless others) gave his life for. It's a well-written play (that would be a great 90-minute-no-intermission show, if not for the intermission) that ties history to the present, well executed by Fortune's Fool in the intimate space of the Crane studio theater. They've only got a handful of performances left, so get your tickets soon (because "intimate space" means sellouts!).

"Marry Me a Little" by Sklark Opera Theatre at the Crane Theater

I interrupt this all-Fringe-all-the-time coverage to bring you news of Skylark Opera Theatre's one-weekend-only engagement of the Sondheim revue Marry Me a Little. Originally scheduled for June, the show had to be rescheduled (because covid is still a thing), and has finally debuted at the Crane Theater this weekend. At about an hour long, it almost could be part of the Fringe (if only the start time were at 7 instead of 7:30). It was worth taking a break to see this lovely little show chock full of great Sondheim songs that most of us have never heard, performed by two experts in music-theater-performance.

"The Brontide" by nimbus theater at The Crane Theater

This weekend, I spent two nights in a row at The Crane Theater, seeing two completely different shows. Friday night I saw a spooky pair of short plays, Ghoulish Delights' Bonehouse / Outsider, in the small studio space, and on Saturday I went back to see a new work by nimbus theatre, who owns/operates the space, in the main theater. nimbus almost exclusively does new work, often developed by the ensemble. Their newest work, The Brontide, was born out of an idea by co-Artistic Director Mitchell Frazier and company member Ernest Briggs (who also co-direct). An idea about stories, who tells them, who needs to hear them, who owns them. The result, by playwright Josh Cragun (another co-Artistic Director) is a modern and fantastical story about a tech company mogul who tries to buy up all of the stories in the world, and the scientist and filmmaker who try to stop him. As if often the case with new work, it could use a bit of editing and tightening up, but there are some interesting and relevant ideas discussed, and some great performances. The Brontide continues through June 9, Bonehouse / Outsider closes on May 25, and Skylark Opera Theatre's production of the Sondheim revue Marry Me A Little opens at the Crane on June 20.

"Language Archive" by Theatre Pro Rata at the Crane Theater

Julia Cho's The Language Archive, which premiered in 2010, is a sweet, odd, and endearing little play. Park Square Theatre produced the regional premiere in 2015, when I called it "smartly written, funny, a bit fantastical but very grounded in reality... touches the heart as well as the mind and the funny bone." I described it thusly: "It's about the different languages that we all speak, not just the actual language, but also the more intimate informal languages that we develop in relationships with the different people in our lives. Even though the characters in the play all speak English, they struggle to communicate with each other on a deeper level, sometimes succeeding, sometimes failing, as we all do." It's a great choice for Theatre Pro Rata, which consistently makes interesting choices (this is actually one of the rare times when I've seen one of their play choices previously). They've employed a talented five-person cast (Park Square had seven), and an inventive design with some unique delights. You can see this little gem of a play now through May 4 at the Crane Theater.

"Cold Planet Warm Heart" by Fortune's Fool Theatre at Crane Theater

Fortune's Fool Theatre's new original musical Cold Planet Warm Heart is billed as "a warm-hearted, family-friendly science fiction tale that explores themes of immigration, inclusion, and the need to both discover and follow our heart's desire." I found it to be really cute and sweet, and definitely appropriate for kids (although I didn't see any in the audience on opening night). It's a feel-good piece for adults too, about community, and finding love in unexpected places, and creating a peace-filled world. Teaming up again after 2017's lovely The Lady with a Lap Dog, Daniel Pinkerton (book and lyrics) and Robert Elhai (music) have created a fun musical with great songs that are both comic and poignant. The six-person all-female cast, some of whom play multiple characters, give earnest, heart-felt, and funny performances and sing the at times intricate score well. Check it out, with or without kids, at the Crane Theater in Northeast Minneapolis now through November 19.

"Bernhardt/Hamlet" by Theatre Pro Rata at the Crane Theater

These days, it's pretty common to see women playing traditionally male roles, especially in Shakespeare, in which most of the good roles, and roles in general, are male. This is partly due to the fact that women weren't allowed on stage in Shakespeare's time, and they are now (hooray!). But even though it's common, but people still sometimes put up a stink about it. French actor Sarah Bernhardt was doing it over a hundred years ago, so one can imagine the controversy and drama surrounding that. In the new play Bernhardt/Hamlet, currently receiving it's regional premiere by Theatre Pro Rata, playwright Theresa Rebeck imagines just that, telling the story of Bernhardt rehearsing to play Hamlet, and how her friends and colleagues reacted to it. As I said in this week's episode of the Twin Cities Theater Chat podcast, Theatre Pro Rata always brings us interesting choices of plays that we probably wouldn't otherwise see, and this is a prime example. Also as always, it's well-cast and well done, for an entertaining and thought-provoking evening of theater. This funny, dramatic, historical, romantic, and relevant play continues at the Crane Theater through October 13 only.

Minnesota Fringe Festival 2023: "Stabby Stab Stab"

Day: 4

Show: 18

Title: Stabby Stab Stab

Category: DRAMA / HORROR / ORIGINAL MUSIC / HISTORICAL CONTENT

By: Special When Lit and The Winding Sheet Outfit

Written by: Nissa Nordland Morgan

Location: Crane Theater Studio

Summary: A retelling of the true story of two Wisconsin tweens, obsessed with the story of Slender Man, who stabbed one of their classmates 16 times.

Highlights: This first ever co-production between the artists who brought us the wild and wacky Colonel Sanders story Finger Lickin' Good and the beautifully haunting Årsgång: What You Follow Follows You at last year's Fringe debuted at the Twin Cities Horror Festival last fall (it's like a mini genre specific Fringe Festival). They're remounting it as an independently produced show at the Crane Theater, with shows every night at 8:30 or 10:00. It's an easy 5-10 minute drive from the main hub of the festival, so I recommend stopping by at the end of one of your days. You will be rewarded by a dark and creepy, yet sad and lovely tale. Written by SWL's Nissa Nordland and directed by TWSO's Amber Bjork, it really is the perfect blend of the former company's wild sense of fun and the latter's meticulous and thoughtful attention to detail. Nissa and Kayla Dvorak Feld play the two girls, both so believable and somehow empathetic despite their horrible deeds. Like TWSO always does, Stabby Stab Stab explores the human side of the splashy headline, and posits a theory for how this childhood friendship went so terribly wrong. With a live soundscape created by Derek Lee Miller and Sam Landman, beautifully designed (by Amber) projections of text and images, and cute and creepy props that fill a child's bedroom, this show effectively tells this true story with a thorough, thoughtful, and consistent tone of creepiness, tragedy, and humanness. It's performed in the Crane's smaller studio space (making it a sellout risk), which only makes it more intense and intimate.

Read all of my Fringe mini-reviews here.

"The Burning of Greenwood" by nimbus theatre at the Crane Theater

On the day before Juneteenth, a long-marked celebration of the end of slavery that was finally made a US federal holiday in 2021, I attended a play about the 1921 Tulsa Race Massacre. Awareness of this atrocious event in our history that destroyed a thriving Black community has increased in recent years. In just 75 minutes, The Burning of Greenwood shows us a day in the life of the business owners and families in this community, and how it all changed that day in 1921. The unsettling thing is that over a hundred years later, the destruction of Black communities and lives is continuing to happen, if in less dramatic ways. Plays like this shine a light on our history and the way it reflects the present, allow the Black community to be seen, increase empathy and understanding, and hopefully pave the way for a better future. The Burning of Greenwood continues at the Crane Theater in Northeast Minneapolis through July 25 only.

"By the Bog of Cats" by Theatre Pro Rata at the Crane Theater

Some people drink green beer, I celebrate St. Patrick's Day (and any other holiday, or just a regular day) by going to the theater. I had no idea how appropriate By the Bog of Cats would turn out to be as a St. Patty's Day observance. Written by Irish playwright Marina Carr, it's a tragically beautiful and beautifully tragic story in that specific Irish way (see also recent Oscar nominee The Banshees of Inisherin by another Irish playwright, Martin McDonagh). It's a great choice for Theatre Pro Rata, which has a penchant for making bold, interesting, unusual choices. With haunting live music, strong performances by the large and talented cast, and lovely design, it's an exploration of motherhood, grief, generational trauma, and what it means to be human. See it at the Crane Theater in Northeast Minneapolis weekends through April 2.

"Nimbus Presents: A Count Up to Christmas" by nimbus theatre at the Crane Theater

nimbus theatre's contribution to the #TCTheater holiday* space (and I think their first holiday show in their 20 years) is a delightful spoof of the beloved Hallmark Christmas movie. You know the one, in which a big city person finds themselves in a quaint small town, where they find love and a purpose. Nimbus Presents: A Count Up to Christmas is so full of these movie clichés that they offer a bingo card with items like "peppermint spice," "sledding," "coffee shop." And check off nearly every one. Whether you love or hate these movies, A Count Up to Christmas is a cute and fun way to experience them. See it at the Crane Theater in Northeast through December 18.

E/D Presents "The Show" at the Crane Theater

#TCTheater artists Emily Michaels King and Debra Berger officially joined forces in 2018 under the company name E/D, debuting with the "uniquely beautiful and chillingly disturbing" mixed media piece Animus. They were scheduled to open their second original piece, entitled simply The Show, on the unlucky date of March 13, 2020. We know how that story goes; it was cancelled due to a global pandemic. They rescheduled it for sometime during the 2021-2022 season, again cancelling due to delta or omicron or whatever variant was raging at the time. But now, finally, this glorious pink explosion of a show is fully alive and running, but only for two more nights! The short two-week run closes on Saturday, so get yourself to the Crane Theater quickly to see this emotionally raw, thoughtfully executed, and completely engrossing show by two uniquely talented artists, who combine to form a whole greater than the sum of its parts. Click here for all of the details and to purchase pay-what-you-can tickets.