"Bull in a China Shop" by Fortune's Fool Theatre at the Hive Collaborative

Bull in a China Shop, now receiving its #TCTheater premiere with Fortune's Fool Theatre, tells the story of an early 20th Century president of Mount Holyoke College in Massachusetts, the first women's college in the country. As an alum of College of St. Benedict, the first women's college west of the Mississippi, it's an interesting look at the history of higher education for women. But it's not just about that, it's the true story of two women in a long term committed relationship at a time when that wasn't accepted or talked about. 38 years fly by in less than 90 minutes of short scenes between these two women and other women at the college, depicting a complicated, intense, loving relationship. In what seems to be a new trend with Fortune's Fool, the show is free to attend (donations gladly accepted), and as always there are snacks at the Hive, so there's really no reason not to go see it! Continuing through September 27.

"Yarrrh! The Lusty, Busty Pirate Musical" and "Have Yarrrhself a Lusty, Busty Xmas!" by Fortune's Fool Theatre at The Hive Collaborative

To celebrate their 20th anniversary, Fortune's Fool Theater is giving back by offering two shows completely free to their audiences! Father/daughter co-Artistic Director team Daniel and Ariel Pinkerton decided to not only remount their smash hit 2009 Minnesota Fringe show Yarrrh! The Lusty, Busty Pirate Musical, but to also create a brand new holiday* sequel Have Yarrrhself a Lusty, Busty Xmas!, both written by Daniel and starring Ariel. My first year attending the Fringe was 2011, so I did not see the original Yarrrh! The Lusty, Busty Pirate Musical, but that's the title of a Fringe hit if I've ever heard one! I found both shows to be really fun, clever, tongue in cheek, and chock full of pirate cliches and double entendres. They've got one weekend left of their three-weekend run, with both shows playing on Saturday, and the new show only playing Friday and Sunday. Head to The Hive Collaborative for some free pirate fun! (And check out all the other festive offerings at The Hive.)

"Lincoln's Children" by Fortune's Fool Theatre at the Crane Theater Studio

'Tis the season for political plays. First, the inspiring story of Texas governor Ann Richards, reminding us that the government works for us and we need to hold them accountable. Next, Fortune's Fool Theatre's world premiere production of Lincoln's Children, historical fiction about arguably our greatest president (but not without flaws), reminding us that we need to be constantly vigilant in the ongoing fight for justice and equality that Lincoln (and countless others) gave his life for. It's a well-written play (that would be a great 90-minute-no-intermission show, if not for the intermission) that ties history to the present, well executed by Fortune's Fool in the intimate space of the Crane studio theater. They've only got a handful of performances left, so get your tickets soon (because "intimate space" means sellouts!).

"Cold Planet Warm Heart" by Fortune's Fool Theatre at Crane Theater

Fortune's Fool Theatre's new original musical Cold Planet Warm Heart is billed as "a warm-hearted, family-friendly science fiction tale that explores themes of immigration, inclusion, and the need to both discover and follow our heart's desire." I found it to be really cute and sweet, and definitely appropriate for kids (although I didn't see any in the audience on opening night). It's a feel-good piece for adults too, about community, and finding love in unexpected places, and creating a peace-filled world. Teaming up again after 2017's lovely The Lady with a Lap Dog, Daniel Pinkerton (book and lyrics) and Robert Elhai (music) have created a fun musical with great songs that are both comic and poignant. The six-person all-female cast, some of whom play multiple characters, give earnest, heart-felt, and funny performances and sing the at times intricate score well. Check it out, with or without kids, at the Crane Theater in Northeast Minneapolis now through November 19.

Minnesota Fringe Festival 2023: "The Resilient Child"

Day: 1

Show: 2

Title: The Resilient Child

Category: DRAMA / MUSICAL THEATER / ORIGINAL MUSIC / SPOKEN WORD / STORYTELLING / LGBTQIA+ CONTENT

By: Fortune's Fool Theatre

Created by: Ariel Pinkerton

Location: Augsburg Mainstage 

Summary: Storytelling about resiliency, childhood, and parent/child relationships from four adults and three children.

Highlights: Ariel Pinkerton is a veteran Fringe storyteller, frequently sharing stories from her life and travels in solo shows. This time she brings along her daugher Fiona, her "fellow" Aaron Henderson and his children Toad and Eli, and grown-up #TCTheater artists Denzel Belin and Katie Starks. Each one of them tells a story of resiliency from their life - growing up in a bubble, the death of a beloved pet, a difficult or rewarding relationship with a parent, or rolling with the changes of life. The kids are brave and vulnerable and sweet, the adults funny or poignant or both. The stories are tied together with songs (accompanied by Aaron on steel guitar) that are appropriate to the topic, like "If Only You Would Listen" from the musical School of Rock and "Parents are People" from the album Free to Be... You and Me. The show is an interesting twist on the Fringe staple storytelling show, sweet and heart-warming and engaging, from experienced artists and young stars in the making. As Ariel says in her concluding piece, maybe kids are the strong ones.

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2022: Wrap-Up and Favorites

It's the closing weekend of the first fully live and in-person Minnesota Fringe Festival in nearly three years, but my fringing time is done, at least until next year. I've moved on from my favorite theater festival to my favorite music festival (Storyhill Fest in Deerwood). Sitting in a coffee shop in Crosby, reflecting on the eperience of the last seven days, in which I saw 23 short pieces of theater / music / storytelling / dance / spoken word / any combination thereof, the overwhelming feeling is gratitude. Gratitude that despite a global pandemic, financial issues, and cancelled performances, adventerous audiences (of which I consider myself a part) were able to gather to experience adventurous art (of which I consider myself an admirer). After two years of (mostly) virtual festivals, I didn't realize how much I missed this until I was back. To be immersed in a life in which the only goal is to see as much theater as you can, to eat, sleep, and breathe theater, is a theater blogger's dream. But the best part of Minnesota Fringe is the community feeling it engenders. Walking down the street, particularly in the Cedar-Riverside hub, and seeing so many theater-goers and theater-makers there for the same purpose, and chatting about theater with artists, friends, and strangers, is something that only happens at Fringe. Though I only saw 23 of the 100+ shows, and I know I missed some great shows (follow my friends at Lettered in Theatre and The Stages of MN, as well as the OG Fringe blogger Single White Fringe Geek, for continuing coverage), that tiny feeling of regret and FOMO is overwhelmed by feelings of satisfaction and happiness that Minnesota Fringe is back! Read on for my favorite shows of this year's fest, and visit the Fringe website (sometimes slow but very informative) for today's schedule. There's still time to get out there and #seethefringe, #bethefringe, #supportthefringe!

Minnesota Fringe Festival 2022: "The Hysterical Woman"

Day: 6

Show: 19

Title: The Hysterical Woman

Category: COMEDY / DRAMA / HISTORICAL CONTENT / LGBTQIA+ CONTENT / POLITICAL CONTENT

By: Fortune's Fool Theatre

Created by: Ariel Pinkerton

Location: Rarig Center Xperimental

Summary: A collection of new and classic stories, news pieces, and poems around the idea of the historical and continuing diagnosis/accusation of "hysteria" in women.

Highlights: This powerful and moving collection includes pieces written by cast members, female writers like Mary Oliver and Emily Dickenson, and moments in history. Performed by a five-person ensemble (Ariel Pinkerton, Linda Sue Anderson, Rachel Flynn, Destiny Davison, and Andrew Troth), each piece is a little story unto itself, some funny, some tragic, all relatable. Stories about women at the doctor's office, or a conversation with her partner, or with a coworker. And when the interaction goes well and the woman is listened to and heard, the cast interrupts with "this never happens" and provides informative background about gaslighting, sexual harassment, or medical misdiagnoses. Which is funny because it's true, and we begin to expect it. Particularly impactful is the reading of Anita Hill's testimony at the 1991 Supreme Court confirmation hearings, and a mash up of the short story "The Yellow Wallpaper" with Britney Spears's recent testimony to end her conservatorship. The staging (direction by Nicole Wilder) makes good use of the Xperimental space, and the individual pieces flow smoothly from one to the next, comprising a whole that is greater than the sum of its parts. This piece illustrates the fact that the more things change, the more they stay the same. We still call women "hysterical" when we don't like what they're saying or doing, if not in so many words. 

Read all of my Fringe mini-reviews here.

"You Who I Always/Never/Once Loved" by Fortune's Fool Theatre at the Crane Theater

Last fall, Fortune's Fool Theatre presented a beautiful collection of storytelling pieces by local artists around the topic of having or not having children. They did it as safely as possible, but since the pandemic was still raging I watched the video recordings of To Breed, Or Not to Breed at home. Their follow-up this fall is stories about love in all forms, and since I'm comfortable going to see theater in a vaxxed and masked audience (as most are these days), I was happy to see the first weekend of You Who I Always/Never/Once Loved at the Crane Theater, which is another collection of beautifully honest stories. Performances continue through this Saturday, with another set of storyteller and stories next weekend (click here for details). After the run, they will also make the video recordings available to view online.

"To Breed, Or Not To Breed" by Fortune's Fool Theatre at the Crane Theater and Now Streaming

Back in early November when theaters were open at limited capacity, just before the November surge tightened things up again, Fortune's Fool Theatre presented a new piece called To Breed, Or Not To Breed at the Crane Theater* in Northeast Minneapolis. I chose not to attend, because I've been very cautious since the start of the pandemic and don't anticipate returning to the theater until the vaccine is more widely distributed and/or local case numbers decrease significantly (maybe this spring if things go well?). But fortunately for us, Fortune's Fool recorded these performances and have made them available to view on YouTube for free, with a suggested donation if you're able. I watched all three 50-ish-minute installments this weekend and found this series of storytelling pieces about the choice to have or not have children very engaging, moving, relatable, and honest.

"Dog Act" by Fortune's Fool Theatre at Gremlin Theatre

Dog Act is a little like The Walking Dead, but with entertainers. Because even in an apocalypse (zombie or otherwise), we still need to tell our stories, and be entertained by storytelling. In Dog Act, produced by Fortune's Fool Theatre at Gremlin, a traveling performer and her dog/person try to survive in a post-apocolyptic world that, much like the TWD universe, consists of scavengers and worse, people who will stop at nothing to survive. Those are the ideas explored in this weird but oddly sweet play, well executed by the Fortune's Fool team.

"The Skriker" by Fortune's Fool Theatre at the Crane Theater

A dark fairy pursues two teenage mothers in Caryl Churchill's The Skriker, receiving a rare production thanks to Fortune's Fool Theatre. It's an ambitious undertaking, with a huge cast of 17, fantastical elements, and complicated often nonsensical dialogue. While I have to admit that the play is a little too weird for my taste, I can recognize the talent, artistry, and hard work that has gone into making this unique and striking piece of art.

"The Lady With A Lap Dog" by Fortune's Fool Theatre at Open Eye Figure Theatre

Attention lovers of small, intimate, beautiful new musicals! Fortune's Fool Theatre is presenting just such a piece at Open Eye Figure Theatre for two short weekends only, of which this is the final one. Unfortunately it opened on the same weekend as about a dozen other #TCTheater shows and I was unable to catch it until a few nights ago, and now just two performances remain. But if you hurry, there's still time to see The Lady with a Lap Dog. Based on one of Chekhov's best known short stories, with just a three-person cast and a three-piece orchestra and about 80 minutes long, it's a lovely little piece and shouldn't be missed by anyone who loves new (and locally created) musicals.

"Stop Kiss" by Fortune's Fool Theater at nimbus theatre

In 1998, a young gay man named Matthew Shepherd was brutally murdered in Laramie, Wyoming. This incident increased the conversation about hate crimes and eventually led to changes in legislation (and a really beautiful play). I couldn't help but think about Matthew Shepherd while watching Fortune's Fool Theatre's production of Stop Kiss, which was coincidentally (or not?) written and first produced off Broadway the same year. The defining moment of this play is an act of violence against two women, similar to what happened to Matthew. It's a sweet, funny, and sad play that uses fiction to explore the very real issues of hate crimes and violence against women.

Stop Kiss takes place in the greatest city in the world, New York City, which almost functions as another character. Callie (Ariel Leaf) has lived there since college, when into her life comes Sara (Katie Starks), who has moved to the city on a fellowship to teach children in Brooklyn. Callie shows Sara around town, and the two become friends, and then something more, despite previous (and current) relationships with men. The action of the play flashes back and forth between two timepoints - before and after a pivotal moment in their relationship and their lives. Soon after their first kiss on a park bench, the women are brutally attacked. We see scenes of Callie and Sara getting to know each other and falling in love, building up to that moment, interspersed with scenes of the fallout from the attack. It's quite effective, although the build up seems to go on a little too long (a few of the scenes could have been combined or cut to get to the conclusion quicker). It ends on a sweet note and we never see the violence, but it hangs over the play like a black cloud.

The moment that really struck a chord with me is when Sara's ex asks if the man who attacked her was bigger than him, implying that if Sara had been with a man instead of Callie, she wouldn't have been hurt. Firstly, it doesn't matter how big the attacker is if he has a weapon, but secondly, it's sad that we still live in a world where in some places a woman can't walk alone or with other women for fear of being harassed or worse.

The two leads have a sweet and believable chemistry, with nice turns by the supporting cast, including Andy Chambers as Callie's genial buddy George and Michael Ooms as Sara's grieving ex. The set (by Ursula K. Bowden) looks like a cute and homey NYC apartment, with a curtain drawn to reveal a hospital bed on the side. All in all this is very nice production of a sweet, tragic, and all too relevant play. (Playing through February 8 at nimbus theatre.)