Showing posts with label The Winding Sheet Outfit. Show all posts
Showing posts with label The Winding Sheet Outfit. Show all posts

Sunday, July 19, 2026

2026 Minnesota Fringe Festival Must-See List

We've reached the dog days of summer, with a string of 90+ degree days, and devastating wildfires in Northern Minnesota and Canada that at times make our air quality here in the Twin Cities dangerous. But #TCTheater has not taken a summer hiatus; I'm busier this summer than any summer I can remember. And that will continue into early August when I attend my 16th MN Fringe. The 33rd Annual Minnesota Fringe Festival runs from August 6th through the 16th, with some 100+ shows having five performances each at venues around Minneapolis, most of them clustered around the Cedar-Riverside neighborhood. After 33 years, the Festival runs like clockwork (thanks to the hard-working staff and volunteers), so it's easy to get out and see one, or a handful, or dozens of shows, those that fit your interests, and those that expand your comfort zone. Visit the Fringe website to peruse the schedule and make your plans, or keep reading for a dozen or so shows that I recommend (most of them from artists I know and love), as well as some helpful tips for Fringe newbies. See you at the Fringe!

Wednesday, August 13, 2025

Minnesota Fringe Festival 2025: Wrap-Up and Favorites

The wonderful theatrical whirlwind that is the Minnesota Fringe Festival is over for another year, and I'm left with great memories of friends, fun, and theater, and also not a little exhaustion (I took an afternoon nap yesterday and then slept nine hours last night). I never cease to be amazed, impressed, and moved by the incredible talent in this festival, both local and touring artists. This year I saw 39 Fringe shows in 10 days, but technically I saw 42 shows within the 11 days of the festival, because I took the first day off to drive to Duluth and see Zeitgeist Theater's incredibly immersive and intimate production of my favorite musical RENT, and I took a few afternoons off to see a NEXT new works reading at Theater Latte Da and Artistry's fabulous production of the beloved classic Singin' in the Rain (continuing through August 31). But other than that, I saw a show in every timeslot that I could (not counting 10pm shows because #morningperson). And I did not see a bad show, in fact the majority of the shows I saw were excellent. Which makes narrowing my list of favorites down from 39 to something less than half of that a nearly impossible task. So here's a list of some (but not all) of the shows I loved at Minnesota Fringe this year. But Fringe is never really over; they continue activities and programming year-round, so be sure to follow them on social media and sign up for their email list (if you're not already). And most of the artists and companies in this festival do work all year round, so if you saw someone or something you really loved, check out what else they're doing this season. The 2025 Minnesota Fringe Festival is over, but #TCTheater never ends!

Saturday, August 2, 2025

Minnesota Fringe Festival 2025: "The Spirit Moves You To Color The Unseen"

Day:
 1

Show: 1


Category: Drama / Original Music / Physical Theater / Historical content / LGBTQIA+ Content

By: The Winding Sheet Outfit

Created by: The Winding Sheet Outfit

Location: Rarig Thrust

Summary: An exploration of the work, life, and philosophy of late 19th / early 20th Century Swedish artist Himla af Klint.

Highlights: I believe in the work! Of The Winding Sheet Outfit (one of my Fringe faves of the last 8 or so years), and now of Himla af Klint. You can be excused if you've never heard of her (I hadn't either), turns out the art world wasn't that kind to women (shocker). But through this lovely, haunting, engrossing piece, we find out that Hilma was maybe, probably, the pioneer artist in non-objective abstract art, not Kandinsky as history tells us. In their usual fourth-wall-breaking, music- and movement-infused way, TWSO brings us on a journey through art, friendship, theosophy, spiritualism, and perseverance. Director Amber Bjork plays the director, appearing in black, speaking cues into a microphone, calling the action, and sometimes stepping in to explain things directly to the audience. Boo Segersin is a genuine and believable Hilma, with Heather Meyer, Kayla Dvorak, Peytie McCandless, and Megan Campbell Lagas as her four friends, forming a group of artists and spiritualists known as "the five." They're dressed in period blouses and gauzy skirts in dusty pastels, sometimes donning paint shirts, performing repeated movement that is lovely and mystical. These woman, and in particular Hilma, believed their work was bringing "the spirit" or "the message" into the world, which was more important than any individual artist. We sometimes see "the spirit" in the person of Kristina Fjellman, wearing a costume like something out of Mardi Gras (designed by Mandi Johnson). Derek Lee Miller provides a soundscape for the story, with live and recorded music, or maybe looping, or other musical magic coming from the pit. Projections on the wall, drop cloths spread on the floor, and other props and set pieces help with the storytelling in this very detailed, thoughtful, and cohesive piece. This is another of TWSO's pieces that take a little known person (usually woman) from history, and bring them to life in a beautiful way, making us wonder why they aren't more well known. 

Read all of my Fringe mini-reviews here. 

Thursday, October 31, 2024

2024 Twin Cities Horror Festival at The Crane Theater

The weather is (finally) turning cooler, the brightly colored leaves are falling from the trees, which means it must be time for the 13th annual Twin Cities Horror Festival. Unlike my friends at Minnesota Theater Love and The Stages of Minnesota (follow them for full coverage), I am not in general a fan of horror. But I am a fan of this mini Fringe festival that features many of my favorite Fringe artists. So I'm seeing a handful of shows this year (October also happens to be the busiest theater month of the year in general, and this year in particular). I was at the first show of the festival on last Thursday evening before continuing my stretch of five non-TCHF shows in five days, and then returned a few times to see a few more. I saw 7 of the 11 shows this year, read about them below, and visit the TCHF website for details and tickets (warning: there are sellouts already, particularly in the smaller studio space). Shows continue daily through November 3 at The Crane Theater in Northeast Minneapolis.

Monday, August 7, 2023

Minnesota Fringe Festival 2023: "Stabby Stab Stab"

Day:
 4

Show: 18


Category: DRAMA / HORROR / ORIGINAL MUSIC / HISTORICAL CONTENT

By: Special When Lit and The Winding Sheet Outfit

Written by: Nissa Nordland Morgan

Location: Crane Theater Studio

Summary: A retelling of the true story of two Wisconsin tweens, obsessed with the story of Slender Man, who stabbed one of their classmates 16 times.

Highlights: This first ever co-production between the artists who brought us the wild and wacky Colonel Sanders story Finger Lickin' Good and the beautifully haunting Årsgång: What You Follow Follows You at last year's Fringe debuted at the Twin Cities Horror Festival last fall (it's like a mini genre specific Fringe Festival). They're remounting it as an independently produced show at the Crane Theater, with shows every night at 8:30 or 10:00. It's an easy 5-10 minute drive from the main hub of the festival, so I recommend stopping by at the end of one of your days. You will be rewarded by a dark and creepy, yet sad and lovely tale. Written by SWL's Nissa Nordland and directed by TWSO's Amber Bjork, it really is the perfect blend of the former company's wild sense of fun and the latter's meticulous and thoughtful attention to detail. Nissa and Kayla Dvorak Feld play the two girls, both so believable and somehow empathetic despite their horrible deeds. Like TWSO always does, Stabby Stab Stab explores the human side of the splashy headline, and posits a theory for how this childhood friendship went so terribly wrong. With a live soundscape created by Derek Lee Miller and Sam Landman, beautifully designed (by Amber) projections of text and images, and cute and creepy props that fill a child's bedroom, this show effectively tells this true story with a thorough, thoughtful, and consistent tone of creepiness, tragedy, and humanness. It's performed in the Crane's smaller studio space (making it a sellout risk), which only makes it more intense and intimate.


Saturday, October 29, 2022

2022 Twin Cities Horror Festival at the Crane Theater

Here's the thing: I don't like horror. I don't watch horror movies. Halloween means nothing to me other than the opportunity for fun-sized candy. But what I do love is the #TCTheater artists who create new and inventive work for the genre-specific mini-fringe fest known as the Twin Cities Horror Festival. Their 11th season includes 11 shows, with performances daily now through October 30. If you love horror, this is definitely going to be your thing. And even if you don't, there's a lot to enjoy. I saw six of the 11 shows; keep reading for brief thoughts on each one, and for more in-depth TCHF coverage, follow my horror-loving friends at Minnesota Theater Love and The Stages of MN.

Friday, August 12, 2022

Minnesota Fringe Festival 2022: Wrap-Up and Favorites

It's the closing weekend of the first fully live and in-person Minnesota Fringe Festival in nearly three years, but my fringing time is done, at least until next year. I've moved on from my favorite theater festival to my favorite music festival (Storyhill Fest in Deerwood). Sitting in a coffee shop in Crosby, reflecting on the eperience of the last seven days, in which I saw 23 short pieces of theater / music / storytelling / dance / spoken word / any combination thereof, the overwhelming feeling is gratitude. Gratitude that despite a global pandemic, financial issues, and cancelled performances, adventerous audiences (of which I consider myself a part) were able to gather to experience adventurous art (of which I consider myself an admirer). After two years of (mostly) virtual festivals, I didn't realize how much I missed this until I was back. To be immersed in a life in which the only goal is to see as much theater as you can, to eat, sleep, and breathe theater, is a theater blogger's dream. But the best part of Minnesota Fringe is the community feeling it engenders. Walking down the street, particularly in the Cedar-Riverside hub, and seeing so many theater-goers and theater-makers there for the same purpose, and chatting about theater with artists, friends, and strangers, is something that only happens at Fringe. Though I only saw 23 of the 100+ shows, and I know I missed some great shows (follow my friends at Lettered in Theatre and The Stages of MN, as well as the OG Fringe blogger Single White Fringe Geek, for continuing coverage), that tiny feeling of regret and FOMO is overwhelmed by feelings of satisfaction and happiness that Minnesota Fringe is back! Read on for my favorite shows of this year's fest, and visit the Fringe website (sometimes slow but very informative) for today's schedule. There's still time to get out there and #seethefringe, #bethefringe, #supportthefringe!

Monday, August 8, 2022

Minnesota Fringe Festival 2022: "Årsgång: What You Follow Follows You"

Day: 4

Show: 15

Category: DRAMA / HORROR / ORIGINAL MUSIC / PHYSICAL THEATER / HISTORICAL CONTENT

By: The Winding Sheet Outfit

Created by: The Winding Sheet Outfit

Location: Theatre in the Round

Summary: A beautifully haunting and hauntingly beautiful tale of a young girl in Sweden and her encounters with the supernatural.

Highlights: Over the last several years, The Winding Sheet Outfit has become my number one Minnesota Fringe company, and this show is a prime example why. No matter the (usually historical) topic they choose, the show is always beautifully and thoughtfully designed, scripted, and performed, in a way that casts an absolute spell over the audience. Here we have the story of Lajla (a childlike and empathetic Kayla Dvorak Feld), who loses all of her family in a plague and has to move in with the pastor and his wife. She misses her family desperately, and is accompanied by the spirit of a deceased friend (the always delightful Boo Segersin), thereby keeping a connection with the other side. The Årsgång in the title refers to a legendary Swedish practice of seeing the future by going for a walk in the woods on the longest night of the year, which Lajla experiences as she tries to straddle both worlds. The cast (also including Matthew Kessen, Derek Lee Miller, Kristina Fjellman, and Megan Campbell Lagas) earnestly and believably brings this story to life, both as humans and animals. The story is accompanied by lovely music played live by Amber Bjork and Joshua Swantz, mostly off stage but still a vital part of the show. The only set pieces in the intimate in-the-round space (TRP has become my favorite Fringe venue) are slender bare birch trees, and animal half-masks made of birch or some other natural material (both designed by Derek Lee Miller), and cast is dressed in simple period appropriate clothing of muted colors. All elements of this piece come together with such beauty, grace, and purpose to tell a cohesive and compelling story. I would love to see them remount this show in December as it definitely evokes that still winter feeling. Leaving the spell of this show to walk out into a cold, crisp, dark winter's eve would be a thrilling experience. Until then we'll just have to imagine the snow and the cold.

Monday, January 24, 2022

Art Shanty Projects on Bde Unma (Lake Harriet)

It doesn't get much more Minnesotan than outdoor opera performed on a frozen lake, surrounded by art installations. This is Art Shanty Projects, now in their 14th year, celebrating winter, the great outdoors, and art. Their mission: "Art Shanty Projects intentionally creates an impermanent art village on Minnesota lake ice amid changing climate and environment. With a spirit of embracing challenges through creativity, we support an ecosystem that inspires everyone to create and participate in art, thrive in winter, and build community." Since theater is a bit slow at the moment, I used my spare time to visit the shanties for the first time last weekend. It runs for another two weekends, and you can find all the information here, including performance schedules. Scroll down for my photo journal of my day (well, hour and a half) at the Art Shanties.

Friday, October 29, 2021

Twin Cities Horror Festival 2021 at the Crane Theater

I don't love horror, and I'm not really into Halloween (except for the candy). But I do love the ingenious #TCTheater community that creates spooky, creepy, scary works of theater for the annual Twin Cities Horror Festival. After last year's virtual festival, they're returning to in-person shows this year (on a limited capacity, with a virtual portion as well) for their tenth season. I spend last night at the Crane Theater being scared, wowed, entertained, and moved by this year's creations. I saw three of the five live shows, and I previously saw one of them at this year's Minnesota Fringe Festival (I like to think of TCHF as a genre-specific mini-Fringe). The festival runs this weekend only, with weekend passes as well as individual show tickets available (click here for details).

Wednesday, August 18, 2021

Minnesota Fringe Festival 2021: Wrap-up and Favorites

After a very long extended intermission from theater, which included a 2020 all-virtual Minnesota Fringe Festival, live and in-person performing arts began to return this summer. I saw a dozen shows in July, three of them indoors (a first in nearly 16 months). Then came August, and a hybrid Fringe Festival, with most shows occurring virtually, along with independently produced in person shows. 

Saturday, August 7, 2021

Minnesota Fringe Festival 2021: "The Darger Project aka The Darger Project"

Day: 3

Show: 5

Performance Type: Virtual

Location: Streaming Anytime

Length: 45 minutes

Title: The Darger Project aka The Darger Project

By: The Winding Sheet Outfit

Summary: Using the reclusive artist Henry Darger as a jumping off point, Fringe darlings The Winding Sheet Outfit give us a glimpse behind their process and what it's like to be an artist in isolation.

Highlights: The website warns us that this show is not about Henry Darger, and director Amber Bjork warns us in the piece that it's not even a show. What it is is a fascinating look inside the company that brought us The Memory Box of the Sisters Fox, You Are Cordially Invited to the Life and Death of Edward Lear, et al., and how they create their collaborative works, often based on historical figures or artists, and often breaking the fourth wall. It starts with an introduction of the ensemble (Amber along with André Johnson, Jr., Boo Segersin, Derek Lee Miller, Kayla Dvorak Feld, Kristina Fjellman, and Megan Campbell Lagas), recorded in each of their homes (whilst holding a creepy doll). We also see some of their the zoom rehearsal/collaborations, as well as footage of the cast in character (dressed in baby doll dresses and bloomers) in what would have been the Henry Darger show, illustrating some of the conversations. Each cast member talks about Darger, how they can relate him (including a list of what things they collect), and what this pandemic has been like as artist who is unable to make art in the way they normally do. The piece is both very well constructed in an organized fashion to tell a story, and raw, unrehearsed, and vulnerable. It's insightful and silly, a lovely look at one of my favorite Fringe companies.

Read all of my Fringe mini-reviews here.

Monday, August 3, 2020

Minnesota Fringe Festival 2020: "You Are Cordially Invited to the Life and Death of Edward Lear"

Location: Digital Hub (available anytime)

Length: 55 minutes

Title: You Are Cordially Invited to the Life and Death of Edward Lear: Poet, Illustrator, Composer, and Melancholy Hypochondriac or What is a Rungible Spoon: An Absurdist Eulogy and Existential Crisis on the Stage

By: The Winding Sheet Outfit

Summary: An archival recording of my favorite Fringe show from last year, about 19th Century English artists Edward Lear.

Highlights: Even though nothing could compare to the magic of seeing it in person last year at the Crane, this recording still captures the beautiful essence of this piece. Here's what I wrote about it last year:

This is my favorite show of the festival so far. It's everything I want from Fringe, from theater really. It's funny and quirky, original, educational, includes music and poetry, is very cleverly constructed in a meta sort of way, and somehow manages to capture the fleeting beauty of life in a way that made me cry my first #fringetears of this year's festival. Director Amber Bjork introduces the show, the actors, and the subject, like an exasperated teacher trying to keep her students - the cast (including Boo Segersin, Dan Linden, Kayla Dvorak, Kristina Fjellman, and Sam Landman) and stage manager (Andre Johnson Jr) - in line. I'd never heard of Edward Lear but now I want to know more about this 19th Century English poet and painter. The amiable cast takes us through skits, limericks, songs, and reenactments of moments, places, and people in Edward's life. Derek Lee Miller plays Eddie, only speaking words that he wrote - often whimsical or silly, sometimes heart-breakingly poignant. The other cast members play people in his life and stories, with plenty of moments to break out and play in an almost unrelated, but very charming, way. Images of Edward, his paintings and drawings, and text from his writings or notes about the show punctuate the storytelling. The light-hearted show takes a turn I wasn't expecting when Amber breaks out of the story for the titular existential crisis, comforted by Derek (a moment so sweet and intimate I almost felt like I should turn away) and the cast, who then continue on with the beautifully sad part of Edward's life. This show has everything, and the ending is indescribably beautiful. The limerick on the show handout says it best:

There once was a man who drew parrots,
And wrote many poems of merit.
We'll look in his mirror,
And find life is dearer,
Existence so sweet none can bear it.

Read all of my Nightly Fringe mini-reviews here.

Read all of my Digital Hub mini-reviews here.

Sunday, November 3, 2019

"Twin Cities Horror Festival" at the Southern Theater

The 8th annual Twin Cities Horror Festival concludes today, and surprisingly this was only my 2nd time attending. Or maybe not surprisingly; unlike my friends at Minnesota Theater Love, who love all things horror and TCHF, horror is not my thing, and Halloween is just another day to go to the theater and an excuse to buy half price candy the next day. But after spending the day at the Southern Theater yesterday, I realized that TCHF is just like a mini Minnesota Fringe Festival (drawing from the same pool of artists, with a similar structure), except that everything is a little spookier. Like Fringe it's a well run festival, but unlike Fringe you don't have to race between venues. You can just park yourself at the Southern for a few hours or a whole day. The festival concludes today with six shows, including two of the below five fantastic shows that I saw yesterday, so use that extra hour you gained to see some fun and spooky theater.

Sunday, August 4, 2019

Minnesota Fringe Festival 2019: "You Are Cordially Invited to the Life and Death of Edward Lear"

Day: 3

Show: 8

Category: COMEDY / ORIGINAL MUSIC / PHYSICAL THEATER / HISTORICAL CONTENT / LITERARY ADAPTATION

By: The Winding Sheet Outfit

Created by: The Winding Sheet Outfit

Location: Crane Theater

Summary: The long form of the title says it best - "The Life and Death of Edward Lear: Poet, Illustrator, Composer, and Melancholy Hypochondriac or What is a Rungible Spoon: An Absurdist Eulogy and Existential Crisis on the Stage"

Highlights: This is my favorite show of the festival so far. It's everything I want from Fringe, from theater really. It's funny and quirky, original, educational, includes music and poetry, is very cleverly constructed in a meta sort of way, and somehow manages to capture the fleeting beauty of life in a way that made me cry my first #fringetears of this year's festival. Director Amber Bjork introduces the show, the actors, and the subject, like an exasperated teacher trying to keep her students - the cast (including Boo Segersin, Dan Linden, Kayla Dvorak, Kristina Fjellman, and Sam Landman) and stage manager (Andre Johnson Jr) - in line. I'd never heard of Edward Lear but now I want to know more about this 19th Century English poet and painter. The amiable cast takes us through skits, limericks, songs, and reenactments of moments, places, and people in Edward's life. Derek Lee Miller plays Eddie, only speaking words that he wrote - often whimsical or silly, sometimes heart-breakingly poignant. The other cast members play people in his life and stories, with plenty of moments to break out and play in an almost unrelated, but very charming, way. Images of Edward, his paintings and drawings, and text from his writings or notes about the show punctuate the storytelling. The light-hearted show takes a turn I wasn't expecting when Amber breaks out of the story for the titular existential crisis, comforted by Derek (a moment so sweet and intimate I almost felt like I should turn away) and the cast, who then continue on with the beautifully sad part of Edward's life. This show has everything, and the ending is indescribably beautiful. The limerick on the show handout says it best:

There once was a man who drew parrots,
And wrote many poems of merit.
We'll look in his mirror,
And find life is dearer,
Existence so sweet none can bear it.

Read all of my Fringe mini-reviews here.

Wednesday, August 15, 2018

Minnesota Fringe Festival 2018: Wrap-Up and Favorites


Well #TCTheater friends, we made it through another Minnesota Fringe Festival - 11 whirlwind days of theater, dance, comedy, clowning, storytelling, and so much more. I saw a total of 36 shows this year, which is actually my lowest total in the last 5 years, but I'm OK with that. At this point I'm getting better at choosing shows, so I feel like I saw 36 really good shows. And yes, there are many good or great shows I missed, but such is the nature of Fringe. I also noticed a very exciting trend this year, which is more shows by and about women. Of the 36 shows I saw, 20 were written (or co-written) by women, 19 were directed by women, 21 featured all or mostly female casts, and many dealt specifically with women's issues. This trend of more than half of shows being written and directed by women is one I would love to see continue throughout the theater season.

Tuesday, August 14, 2018

Minnesota Fringe Festival 2018: "Blood Nocturne"

Day: 10

Show: 36

Category: Drama / Horror / Musical Theater

By: The Winding Sheet Outfit

Written by: The Winding Sheet Outfit

Location: Southern Theater

Summary: A retelling of the history/legend of Erzsébet Báthory, a Hungarian countess accused of murdering dozens (or even hundreds) of young women and girls in the early 17th Century.

Highlights: I had never heard of Erzsébet, but a quick read of her Wikepedia page reveals a horrifying tale of torture, mutilation, and murder. The Winding Sheet Outfit tells us Erzsébet's story from her point of view, as a powerful woman manipulated and falsely accused, although perhaps not totally innocent. The ensemble tells the story in a non-linear fashion, with charming and creepy original music. They often break the fourth wall, calling each other by their actual name when someone goes too far or suggests something not in line with the story they're telling. This device puts the audience at ease and reminds us it's just one interpretation of a story that can never fully be known. But it's a story that has much to tell us about gender, power, justice, and violence. Emily Dussault gives a strong and empathetic performance as Erzsébet, while the rest of the talented ensemble (Amber Bjork, Boo Segersin, Derek Lee Miller, Joshua Swantz, and Kayla Dvorak) play her helpers, friends, enemies, and alleged victims. Dressed in period clothing and playing period instruments, they work well together as an ensemble, using movement, music, and physical theater to create the world of Erzsébet against the perfect background of the Southern Theater. After seeing the play I'm not sure what to think about Erzsébet, but I know the situation is a little more nuanced and complex than what history usually describes.

Read all of my Fringe mini-reviews here.

Friday, August 11, 2017

Fringe Festival 2017: "The Memory Box of the Sisters Fox"

Day: 8

Show: 31

Category: Drama

By: The Winding Sheet Outfit

Written by: The Winding Sheet Outfit

Location: U of M Rarig Center Arena

Summary: The Fox sisters, founders of Spiritualism, tell their story.

Highlights: This is a haunting and beautiful show, the cause of my first tears actually shed at the 2017 Minnesota Fringe Festival (it's not Fringe without at least a few tears). The Arena space is set up like a seance circle of empty frames and candles, and with overflow seating (this show is selling out so reserve in advance), people were seated on the floor just outside the circle so it really felt like we were conjuring something together. Maggie and Katy Fox (Boo Segersin and Kayla Dvorak Feld playing the charming and precocious younger versions, Kristina Fjellman and Megan Campbell Lagas playing the older and sadder versions) are directed to tell their story, even the painful parts. They walk us through the joy and pain of their careers as mediums, from their initial discovery, to scientific evaluations by doubters, to eventually confessing to fraud. This is a very thoughtful, detailed piece down to the period clothing in stark white and black and the charming but creepy soundtrack created by a number of instruments and noisemakers. The wonderful and believable cast (also including director Amber Bork) sings some gorgeous harmonies on traditional songs like "In the Gloaming" (responsible for the aforementioned tears). In the world of the play, the sisters truly believed in what they were doing, and confessed only because they were forced to. Who knows what the truth is, but it's comforting to believe that those we love are still with us even after death. Regardless of what you (or they) believe, this is a mystical, magical hour of theater, storytelling, and music.

Read all of my Fringe mini-reviews here.