"On the Razzle!" at Park Square Theatre

When British playwright Tom Stoppard died last fall at the age of 88, the only bright side was the hope that theaters would be inspired to produce more of his work. That hope is beginning to be realized, with Park Square Theatre's production of Stoppard's 1981 comedy farce On the Razzle! to open their 51st season. Despite being a Stoppard fan (Arcadia is my favorite play), I had never heard of this one. Park Square's Artistic Director Stephen DiMenna, who also directs, chose it because "of all his plays, this is perhaps the most luscious comic farce of them all." Turns out it's based on the same play as Thornton Wilder's The Matchmaker (the 19th Century Austrian play Einen Jux will er sich machen), which was in turn the inspiration for the musical Hello Dolly! It's a familiar story told in an even more comedic way, with lots of clever wordplay as one would expect from Stoppard, although this is the frothiest play of his I've seen. This 13-person cast is full of #TCTheater powerhouses, as well as some young and upcoming talent, and the design is positively gorgeous. Go On the Razzle! with Park Square Theater in the Historic Hamm Building in downtown St. Paul now through October 25.

Minnesota Fringe Festival 2026: "BE NOT AFRAID"

Day: 6

Show: 19

Title: BE NOT AFRAID

Category: Comedy / Drama / Horror / Mystery / Original Music / Physical Theater / Storytelling

By: Third Space Theater

Created by: Mariabella Sorini & Alex Church

Location: Southern Theatre

Summary: A struggling North Dakota farm family is threatened by the construction of nearby oil rigs, as they're visited by angels and devils.

Highlights: This is the only dramatic play I've seen at Fringe so far, and feels much more like a one-act play than a Fringe show, not surprising for Third Space Theater. It's an original play written by Mariabella Sorini (who also stars in it) and Alex Church (who also directs, with Stephanie Kahle), and everything about is thoughtful and polished and gorgeous. The story is centered around Micah (Mariabella) and Jordan (Ben Qualley), living on and trying to save his father's farm despite the nearby fracking and the usual environmental issues. Jordan's cousin and his friend are crashing on air mattresses in their living room, Peter (Logan Lang) trying to work and make money for his daughter, Mason (Sebastian Grim) only out for momentary "fun." Neighbor Sam (Tamira Rashid) is desperate after her horses are lost, and beset by strange occurrences that are killing livestock. There's a sense of familiarity among this group of people, like they've known each other forever and we're just getting a peek into their lives. Once Micah is visited by a scary angel (Em Adam Rosenberg) she starts to prepare for a fire and/or some other catastrophe, removing pesticides and gas for the generator despite Jordan's insistence that they're needed. The catastrophe does eventually come, and it tests everyone. The Southern is the perfect backdrop for this story, with its weathered brick walls full of history. A couple of ladders, sawhorses, wooden poles, and lines of laundry hung between them create the stark farm landscape. Lighting changes from full blackout to a red glow to bright lights, and the sound design is haunting, with music and effects. All of this helps to tell this earthy and otherworldly story about a community, the land, and the dangers of industrialization. The movement and physical theater pieces are beautiful, particularly the silent wounded deer (embodies by Mary Lofreddo), perhaps representing our wounded earth. This is definitely one of the most polished and professional shows you'll see at Fringe.

Read all of my Fringe mini-reviews here. 

"Little Women" at the Guthrie Theater

Lousia May Alcott's 1868 novel Little Women has been adapted into countless movies, plays, TV series, even a Broadway musical, and our own Collide Theatrical Dance Company recently turned it into an original dance musical. Now Lauren Gunderson, one of America's most produced playwrights of recent years, with a penchant for writing female-focused historical or literary-inspired plays that are fresh, funny, and feminist, has thrown her hat into the ring. And friends, this may be my favorite Little Women adaptation yet. Gunderson (who was in the house opening night) frames her play as a story within a story, placing Alcott and her real family on stage as they transform into the March family, which allows for context and commentary on this beloved tale. Now and in the past, women and girls are hungry for stories that center us in all our complexities and messiness, because for so long we've been marginalized in stories, in history, and in our own lives. In that respect, Lousia May Alcott and Lauren Gunderson are a match made in literary theatrical heaven. The Guthrie's production features a fantastic local cast and gorgeous design, and had me in tears multiple times throughout the story. Whether you're a fan of this story or not, don't miss this fresh new take on a classic that's still respectful of the source (continuing through June 21 - I'll be going back to see it again).

"Salomé" at PAIKKA

Who knew there was an Oscar Wilde play that has never been professionally produced in the Twin Cities? Grant Sorenson, that's who. The actor-turned-director (he directed a couple of really great plays in the pre-pan years) moved home last year after receiving his MFA in directing from Boston University. Last fall he created a monthly play reading series called Table/Read, in which the audience doesn't know what play is being read until moments before it begins. And now he is producing and directing Salomé, hopefully the first of many unique and creative theatrical endeavors to come. Because Salomé is not just a play, at least not in the traditional sense of a stage and an audience separated by space and darkness. It's an immersive (but not interactive) experience that literally puts you right at Herod's banquet table. Which is not always a comfortable place to be, but always thoroughly captivating. With a talented eight-person cast performing literally a few feet in front of you and gorgeous 360-degree design, Salomé is not to be missed, especially if you're interested in theater that pushes the boundaries of what we think theater can be. But hurry - there are only three remaining performances and seating is limited.

"Treasure Island" at Children's Theatre Company

For high stakes adventure on the open sea, head to Children's Theatre Company in South Minneapolis. Their production of Scottish playwright Stuart Paterson's adaptation of the 1883 novel Treasure Island is a high energy tale filled with music, magic, thrilling fight scenes, and admirable heroism. Surprisingly, this was my first experience with the classic tale, having never read the book or seen any of the many movie adaptations. There are a lot of pirates and bad guys to keep track of, but the trajectory of our young hero Jim is clear as he risks life, limb, and reputation to do what's right and stand up to the bullies who will stop at nothing to get what they want. The kind of heroism that seems to be lacking in the real world right now, but maybe Jim will inspire us to be heroes in our own stories. CTC recommends this show for age 8 and up, and I observed some little ones getting a little squirrelly as the story and accents might have gone over their heads, and there's quite a bit of violence, including gunfights and murder. But for the older kids and the grown-ups, this show is treasure indeed.

"Much Ado About Nothing" by Frosted Glass Creative at Rustic Roots Winery

On my way home from St. Croix Festival Theatre to see their super fun production of Kate Hamill's Ms. Holmes and Ms. Watson, Apt. 2B last weekend, I stopped at the gorgeous Rustic Roots Winery in Scandia to catch the final performance of Frosted Glass Creative's production of Much Ado About Nothing. It turned out to be a lovely theater road trip day. Outdoors really is my favorite way to experience Shakespeare; it's so much more fun, playful, and accessible. Frosted Glass Creative has performed at Yellow Tree and other locations around town and along the St. Croix River, but this was my first experience with them. And hopefully not my last; their next show is my sentimental favorite The Sound of Music, performed outdoors in Stillwater for one weekend in August. They seem to have taken up the mantle of "Broadway on the St. Croix" after Zephyr Theatre dropped it, and I'm glad they're continuing this fun tradition of outdoor musicals in beautiful Stillwater.

"Red Speedo" by Walking Shadow Theatre Company at the Hamline University Pool

Just a few days after seeing an incredible site-specific performance of The Courtroom by Jungle Theater in a Hamline University courtroom classroom (which will be performed at the Jungle for the next few weeks), I returned to the lovely St. Paul campus for another incredible site-specific performance. Walking Shadow Theatre Company (which recently held a Feast at Black Forest Inn) is performing the Lucas Hnath play Red Speedo at Hamline's competitive swimming pool. The play is about a competitive swimmer who admits to his brother that he's been doping, and all of the action takes place at the pool. So why not stage it at a pool?! I love site-specific theater, because half of the work is done for you. You don't have to imagine you're in a courtroom or a pool, because you actually are. Then it's just sit back and enjoy the show as it plays out in a location where the story actually takes place. With Red Speedo, there's a lot to enjoy - a smart and concise script that deals with thorny issues, a strong four-person cast performing just a few feet in front of you, and a realistic and immersive design (caution: you might get splashed). Put on your flip flops and head to the pool weekends through July 1.