"Ain't It a Grand and Glorious Feeling: Celebrating the Princess Musicals" by Theatre Elision at Mojo Coffee Gallery

Just over a year after their debut with the original musical Ragtime Women, featuring little known Ragtime gems by female composers, Theatre Elision closes their first full season with another original musical. In Ain't It a Grand and Glorious Feeling: Celebrating the Princess Musicals, book writer and Theatre Elision founder Cindy Polich weaves a modern rom-com around the songs of Jerome Kern from a handful of musicals written for NYC's Princess Theatre in the early 20th Century. We get to re-discover these lovely and clever songs from one of the most important musical theater composers of the last century, while enjoying a charming modern story set in a coffee shop, that takes place in an actual coffee shop! For less than $40, you can get a delicious meal, dessert, coffee, and see the show. It's a wonderful way to end their successful season of a repertoire of shows that fill a niche I didn't even realize was missing until Elision appeared on the #TCTheater scene: small cast, intimate, original or rarely done musicals with a focus on female cast and creative team. Typically they have super short runs, just one weekend, but Grand and Glorious is playing two weekends, so you have time to get out and experience this fun, intimate, site-specific, musically delicious little show. And after you do, you'll surely want to put their six-show second season on your calendar, featuring the return of a few favorites from the first season, another original work, and a US premiere.

"Ghost Quartet" by Theatre Elision at North Garden Theater

Just in time for Halloween, Theatre Elision brings us Ghost Quartet, by Dave Malloy, the composer/lyricist of Natasha, Pierre, and the Great Comet of 1812 (which recently closed too soon on Broadway). In their third show as a new company, Theatre Elision brings us their usual small cast and musically beautiful production, but very much in the style of Great Comet. Meaning, an intimate in-the-round setting (which Great Comet replicated on Broadway by having audience sit on stage), a fun and playful style, and with audience participation (and vodka!). It's a fantastic show that fits in well with Elision's niche of small cast, feminist, one-act, original or rarely produced musicals. And it's a perfect show for this Halloweekend!

Fringe Festival 2017: "MANIFESTO: An American Play"

Day: 10

Show: 44

Title: MANIFESTO: An American Play

Category: Drama

By: MAD Theatre Co.

Created by: Tim Beeckman Davis

Location: Mixed Blood Theatre

Summary: A sobering look at gun violence.

Highlights: This powerful piece speaks to the epidemic of gun violence by focusing on the stories of three young people, all tangentially connected. One has mental health issues that were never properly treated, one lashes out after being bullied for years and then raped, and one feels belittled by parents and excluded by former friends. The cast (Calli Kunz, Callie Schroer, Riley McNutt, and Tim Beeckman Davis) is fully committed to telling this difficult story, with portrayals that engender empathy for these young people who did horrible things. The three stories are told in pieces mixed together, but it's never unclear where we are in the narrative thanks to the lighting, sound, and movement of the cast. Beautifully done, painful to watch, and an important story to tell to spark thought and conversations about an increasingly frightening issue.

Read all of my Fringe mini-reviews here.

"Urinetown" at Lyric Arts

A wealthy businessman controls the money and the laws in a land with an extreme division between the haves and the have-nots, and he trains his beautiful and fashionable daughter to continue in his legacy by learning to manipulate great masses of people. Though it was written over 15 years ago, the hilarious and terrifying satirical musical Urinetown has never been more relevant. It's a huge warning about what happens when the earth can no longer sustain our way of life, when the poor become so poor that they refuse to take it any more. It would be a heavy and depressing piece, if the music weren't so happy and the jokes so liberally sprinkled in. In one of the better shows I've seen at Lyric Arts recently (they keep topping themselves), Urinetown is presented in all it's golden glory with a fantastic cast and really cool and grungy design. It'll leave you humming and tapping your feet, with a subtle thought in the back of your mind that we're in serious trouble if things keep going the way they have been. Just think of the happy music!

"The 25th Annual Putnam County Spelling Bee" at Lyric Arts

Middle school (or junior high as they called it in my town) is the worst. You're not a kid anymore, but not really a teenager yet, and you're just trying to figure out who you are and where you fit in the world while everything is changing at rapid speed. But that's what makes it such deliciously awkward fodder for a musical! A 2005 Tony-winner for best book, The 25th Annual Putnam County Spelling Bee brilliantly illustrates the humor, trauma, elation, and devastation that comes with a middle school spelling bee. This quirky little musical is a great choice for Lyric Arts, and they've created a sweet and funny production with a solid cast.