"Witch" by Walking Shadow Theatre Company at Open Eye Theatre

The new play Witch, by Playwrights' Center affiliated writer Jen Silverman (author of The Roommate and The Moors), is an absurd and funny little play that's difficult to describe. It's a loose retelling of the 17th Century play The Witch of Edmonton, which is based on the real-life case of Elizabeth Sawyer, one of tens of thousands of women accused of and executed for being a witch in the middle ages and early modern era across Europe and the US. But the play also focuses on a wealthy landowner and his heirs, and the idea of selling one's soul to the devil, and things take many unexpected turns. The themes of women's agency, and selling your soul to gain power, make this four hundred year old story scarily relevant. Walking Shadow Theatre Company's production is well-executed in the intimate space of Open Eye Theatre, with a talented six-person cast. Witch continues through April 13 (note: "intimate" means small audience, so don't wait too long - some performances are already sold out).

American Players Theatre 2022, Spring Green WI

If Middle Earth had a theater, it would look like American Players Theatre. Situated on over 100 acres in the woods of Wisconsin about an hour west of Madison, the sprawling grounds include several picnic areas on rolling hills with artwork and lights hanging from the trees (very Hobbiton), where people set up elaborate picnics complete with baskets, tablecloths, and stemware, and then you walk through tall forests where the Elves might have lived sometime in the past to the "Up-The-Hill" theater, with performances out in the open in a natural amphitheater. The permanent outdoor theater was built in 1980 and renovated a few years ago, and includes about 1000 cushy comfy waterproof seats around a thrust stage, with not a bad seat in the house. The stage is set against the woods, which are lit up at night in rainbow colors. The light of the sun, stars, and moon is amplified by huge sets of stadium lights, specifically directed where they are needed (stage, aisles, audience). The setting couldn't be more magical, but more importantly, the theater that has been produced in that space for over 40 years is fantastic. I don't know how it took this Midwest theater lover so long to discover this national gem of a theater. Their eight-show summer season continues through the first week of October, with a 9th show being presented in their indoor theater from late October through November, so you still have time to make the gorgeous four-hour drive from the Twin Cities to Spring Green (if you can get tickets). Otherwise, start making plans for their 2023 season, opening in June. If you're a theater fan living in the Midwest, APT is an absolute must-see.

"The Roommate" by Prime Productions at Mixed Blood Theatre

"PRIME Productions seeks to explore, illuminate and support women over fifty and their stories through the creative voice of performance." I say huzzah to that! And to the return of PRIME and their celebration of women in their prime, who are often overlooked in entertainment and in life. Their first post-pandemic-intermission production is the two-hander The Roommate written by Playwrights' Center affiliated writer Jen Silverman, and it's a gem. In this dark comedy that the website describes as "Breaking Bad meets Grace and Frankie," to which I would add a little bit of Good Girls, two very different women find themselves living together, and learn things from each other, whether it's how to commit crimes or how to open up to a friend (click here for info and tickets). 

"Playlabs" at The Playwrights' Center

It's late October in Minnesota, and that must mean it's time for... Playlabs at the Playwrights' Center (you thought I was going to say Halloween, didn't you). In this week-long festival, three of PWC's core writers have the opportunity to work with a group of actors, a director, a dramaturg, and sometimes a designer on a new work. With just a few days of rehearsals, the plays receive two public readings, often with much rewriting between the two. This year I attended the final readings of all three plays, and was once again blown away by the creativity, thoughtfulness, and innovation of playwrights, as well as the talents of actors (many from the #TCTheater scene) in bringing these plays to life, even while standing in one place reading from a script.

A Reading of "Wink" at The Playwrights' Center

"Now in its 12th year, the Ruth Easton New Play Series gives selected Core Writers 20 hours with collaborators to workshop their script—to write, rewrite, experiment, and shape their work. For playwrights, this means great leaps forward for their plays. For audiences, this means a thrilling and intimate night of theater."

And that it is! I attended the second reading of the new play Wink by New York-based Jen Silverman at the Playwrights' Center. It's so much fun to be part of the play development process and get a peek inside what it takes to get a play on the stage. Here's a description of the play: