"Church Basement Ladies: A Second Helping" by Rags to Rags Productions at Plymouth Playhouse

Almost one year to the date and I'm back in the basement. The literal basement beneath a Ramada Inn where Plymouth Playhouse is located, and the theatrical basement that is the setting for the Minnesota-grown musical comedy franchise known as Church Basement Ladies. The first musical in what was to become a series premiered in 2005 at the Plymouth Playhouse, written by Jim Stowell and Jessica Zuelhlke based on the book Growing Up Lutheran by Janet Letnes Martin and Suzann Nelson, with music and lyrics by Drew Jansen. That was before my time as a theater blogger, and somehow I also missed out on the eight sequels, all penned by original cast member Greta Grosch, with Dennis Curley joining the songwriting team. Lucky for me, Rags to Rags Productions began what I hope is a full series rewatch last year, so I was able to jump in on the ground floor, or basement, as it were. After seeing the original The Church Basement Ladies last year, I wrote "this musical comedy is very broad, very corny, very Minnesotan, and whole lot of fun.... and I hope to visit the basement again!" My hopes were realized; this year they're doing the second show in the series, aptly titled A Second Helping. Because it is exactly that - a second helping of the humor, the heart, the bad puns, the physical comedy, and the Minnesota references. You can see it now through August 23, but don't worry if you haven't seen the first one, you'll have no trouble jumping into the story and falling in love with these charmingly quirky (and familiar) characters.

"Plaid Tidings" at Artistry

What's better than a '60s boy band with men in sharp suits singing tight harmonies and performing smart choreography? When the suits are plaid, or Christmas cardigans, and the music is accompanied by comedy. I had never seen any rendition of the popular jukebox musical Forever Plaid, or its holiday* sequel Plaid Tidings, until seeing Artistry's production of the latter yesterday. I found it to be utterly delightful, and surprisingly poignant as it ends in a rumination on the fleeting nature of life, the afterlife, and the joys of being together at the holidays. Featuring a fantastic cast of four that is a musical and comedy dream team, and direction by Church Basement Ladies' Greta Grosch with her signature zany humor with heart, Plaid Tidings is, in a world, heaven. The Plaids will perform in Bloomington, Earth through December 28. Weekends are already selling out, with greater availability on weeknights and the weekend after Christmas.

"Church Basement Ladies" by Rags to Rags Productions at Plymouth Playhouse

How is it that I've been a theater blogger in Minnesota for 15 years and have never seen a show from the Minnesota musical comedy institution that is Church Basement Ladies? I have no excuse, other than possibly geography (the shows have primarily performed in Plymouth and Burnsville, neither a great location for me), and that it's produced by a production company (Troupe America and/or Rags to Rags Productions) rather than one of the many theaters I frequent. Whatever the reason for this omission, it has been remedied, and I have now been indoctrinated into the basement. After eight sequels, the original Church Basement Ladies has returned to its original venue, Plymouth Playhouse underneath a Ramada Inn off 494, to celebrate its 20th anniversary. The three original ladies of the basement are still with the show, which works like a well-oiled machine at this point. This musical comedy is very broad, very corny, very Minnesotan, and whole lot of fun. This incarnation of Church Basement Ladies continues through August 24, after which they're sure to pop again somewhere, and I hope to visit the basement again!

"The Tin Woman" by 100 Percent Human Theatre at the Historic Mounds Theatre

The topic of organ donation is one that sounds simple in theory - who wouldn't want to donate viable organs to save someone's life (or lives)? But to be faced with the decision in reality is unimaginable. Such is the subject of The Tin Woman, about a woman facing an existential crisis after receiving a donor heart and the family of the man who donated it grieving their loss. It's a personal story for director Joy Donley of 100 Percent Human Theatre, whose son died at age 16. They donated his organs to over 60 recipients, which is a truly remarkable gift. As good artists do, she's taken her tragedy and turned it into art, partnering with the local organization LifeSource to produce this play and raise awareness about organ donation. The Tin Woman is a funny, poignant, and relatable story about the messiness of grief, loss, family, and life. The super short run closes this weekend with just a few performances remaining at the Historic Mounds Theatre in St. Paul.

"Urinetown" at Lakeshore Players Theatre

Lakeshore Players Theatre's 71st season just keeps getting better! I would say that their new production of the hilarious satirical musical Urinetown is the best thing they've done this season, but then I remember the other great shows they've done this season (She Loves Me, I Am My Own Wife, and more). Suffice it to say that this is their best season since I've been attending shows at the Hanifl Performing Arts Center in lovely downtown White Bear Lake (which admittedly has only been about six years). Urinetown is one of my favorite musicals, since seeing the Broadway tour over 20 years ago. There have been a handful of #TCTheater productions, but it's been a while, so I was thrilled to see it as the conclusion of this ambitious season which began with the smart, funny, and relevant play What the Constitution Means to Me. I'm even more thrilled to report that it's a fantastic production, with a talented and energetic cast, detailed design, fun choreography, and direction that hits on all of the humor and relevancy of the script (continuing through May 19).

"Ruthless!" by Theatre Elision at Elision Playhouse

In their first year as a company, Theatre Elision produced the Off-Broadway musical Ruthless!, a dark comedy that's a loving, albeit twisted, spoof of musical theater. They also did it again the next year to open their space Elision Playhouse, and are currently bringing it back for a short two-week run. I saw it opening night with a nearly full house, and it was a riot! Hilarious, fantastically performed by the six-woman cast (half of whom were in their original production), tons of musical theater references, well staged with great costumes, and just all-around fun. I highly recommend you get your tickets now to see one of the five remaining performances, including pay-as-you-can tonight (click here for info and details).

"First Lady Suite" at Theatre Elision

Finally, three years after the planned opening, Theatre Elision's production of First Lady Suite is taking flight! The pandemic-postponed show is a fine example of what Elision does best - small cast, one act, rarely done musicals featuring mostly female artists. Four short stories about four of our First Ladies are told by a cast of six in about 90 minutes, each one a gorgeous, funny, stirring mini-musical. The show is almost entirely sung through, with a unique, lovely, and evocative score by John Michael LaChiusa (see also Bernarda Alba, done by Theater Latte Da just prior to this show's planned original opening), and shows a different side to these historical figures we think we know. Only 7 performances remain, so make your plans soon to see another rare gem by Theatre Elision (click here for info and tickets, including half-price and pay-what-you-can performances).

"Noises Off" at Lakeshore Players Theatre

The classic farce-within-a-farce Noises Off is a perfect choice for Lakeshore Players Theatre's winter show; two and a half hours of laughter will warm you up on a cold night. It's ridiculously funny and very meta as it gives us a glimpse into what it takes to make a show, and all the things that can go wrong. Fortunately for the real show, things go very right. Everyone in the nine-person cast as an absolute delight (most of them playing actors playing characters), and director Greta Grosch (of Church Basement Ladies fame) keeps everything hurtling towards the finish line in a beautiful display of organized chaos. Add to that the impressive set that you get to watch the hard-working four-person run crew transform not once but twice, and it's just an all-around good time. Sometimes what you need is what one of the characters says in the show: "I don't go to the theater to listen to other people's problems, I go to be taken out of myself, and hopefully not put back in again." This show delivers on that, although you likely will have to be put back in again when you go back out into the cold and not as funny real world. See Noises Off weekends through February 12 at Hanifl Performing Arts Center in lovely White Bear Lake, plus a pay-what-you-can performance on Monday February 6.

Minnesota Fringe Festival 2022: "Piñata"

Day: 3

Show: 9

Title: Piñata

Category: COMEDY

By: Nocturnal Giraffe

Directed by: Joy Donley

Location: Rarig Center Xperimental

Summary: A very funny comedy about moms on a birthday party circuit that sounds a little bit culty.

Highlights: The comedy trio of Greta Grosch, Katie Consamus, and Stephanie Cousins (with a cameo by Elizabeth Efteland as more than just a clown) are a joy to watch as three very different moms relegated to the penalty zone at a child's birthday party because of bad behavior. The pressure to impress and conform amongst this circle of well-to-do mothers of children at an exclusive school makes it sound very much like a cult, but somehow these women are able to move beyond that and recognize the humanity in each other (after a lot of fighting), bonding over the reasons that each of them doesn't quite fit in. Rarely moving from a small square of turf marked off by pool noodles, the cast expertly delivers the tight and funny script, employing physical comedy and perfect timing in this polished and professional show. A momedy even those with no offspring can enjoy, as it tackles themes of "keeping up with the Joneses," the pressure to conform and fit in, and realizing that sometimes you need to break the rules because the rules are stupid.

Read all of my Fringe mini-reviews here.

"The Roommate" by Prime Productions at Mixed Blood Theatre

"PRIME Productions seeks to explore, illuminate and support women over fifty and their stories through the creative voice of performance." I say huzzah to that! And to the return of PRIME and their celebration of women in their prime, who are often overlooked in entertainment and in life. Their first post-pandemic-intermission production is the two-hander The Roommate written by Playwrights' Center affiliated writer Jen Silverman, and it's a gem. In this dark comedy that the website describes as "Breaking Bad meets Grace and Frankie," to which I would add a little bit of Good Girls, two very different women find themselves living together, and learn things from each other, whether it's how to commit crimes or how to open up to a friend (click here for info and tickets). 

"A Cattywampus Christmas" - a radio play from Yellow Tree Theatre and A.D. Players at the George Theatre

2020 has been a year like no other. But one thing remains the same - fans of Yellow Tree Theatre can return to the charming and quirky (fictional) Minnesota town of Christmas Lake. Co-Founder and Interim Artistic Director Jessica Lind Peterson has written another very Minnesotan holiday* comedy, this one as an audio play, which I listened to whilst putting up my Christmas tree. For those of us who have grown to love Christmas Lake resident Martha Knutson and her tater tot hot dish, her pet lizard Katherine, and her obsession with Little House on the Prairie, listening to A Cattywampus Christmas feels like going home for the holidays.

"Pop Goes the Noggin" by SOS Theater at Gremlin Theatre

New #TCTheater company SOS Theater debuted a year and half ago with the dark comedy / family dramedy Roller Derby Queen. I really enjoyed that play, calling it "smart, funny, and well-written, with quirky but real characters," and was looking forward to their second outing. Pop Goes the Noggin is another new play written by Michele Lepsche, a dark comedy featuring quirky characters. Unfortunately it's an example of the proverbial sophomore slump as the great ideas don't quite come together, perhaps because due to an unexpected illness the playwright was unable to finish the play, which was completed by director Kari Steinbach and cast member Greta Grosch (one of the writers of the Church Basement Ladies series). But the play has an interesting premise, and a cast of unique and endearing characters (some more defined than others). There's definitely potential there, and it would be interesting to see it again after a round of revisions.

"Ruthless!" by Theatre Elision at the Howard Conn Fine Arts Center

My favorite new #TCTheater company of 2017 is starting off 2018 with a fantastic little show that's just about everything one could want from a dark comedy musical. Theatre Elision's Ruthless! includes clever and hilarious writing by Joel Paley, a great score by Marvin Laird, lots of spoofy musical theater references, and a terrific cast of six local women that performs the heck out of the piece, even in this staged reading format. The downside is it's playing for one weekend only with just three performances left (Friday and Saturday nights plus a Sunday matinee) so act fast! If you're a fan of dark comedy, musical theater jokes, and/or talented women, you don't want to miss Ruthless! (Click here for more info.)

"A Hunting Shack Christmas" at Yellow Tree Theatre

Christmas at Yellow Tree is always a wonderfully wild and ridiculous affair. Now in their seventh season, the little theater that could is continuing in their tradition of hilarious, heart-felt, and very Minnesotan Christmas plays. But this year they're taking a break from their popular Miracle on Christmas Lake series (two installments so far) to venture to a new location - the hunting shack. Yellow Tree co-founders Jessica Lind and Jason Peterson have combined to write and direct, respectively, this funny and charming new play, and have assembled a fantastic cast to bring these quirky and familiar characters to life. I'd tell you to go see it, but it's sold out for the rest of the run, despite the fact that they've added a bunch of shows. So make your plans early for next Christmas, because Yellow Tree Theatre is a wonderful place to be at this time of the year.

Like the Christmas Lake plays, A Hunting Shack Christmas centers on a relatively normal couple facing a possibly life-changing event who encounters some ridiculously Minnesotan characters. Charlie and Jennifer live a perfectly comfortable life in "The Cities," but perhaps one that's lacking a bit of adventure. On the eve of their 10th anniversary vow renewal, Charlie skips town to head to his grandfather's hunting shack to contemplate his life and the changes he's being forced to make. Jennifer is upset that he left, and follows him to the rustic shack. Much to their surprise, Charlie's eccentric uncle Paul and (sort of) aunt June and cousin Ham are squatting in the cabin, and are none too happy to have their lives interrupted by this "citiot." Charlie and Ham bicker like boys, and even engage in some hilarious slow-mo childish fighting. But at the insistence of Aunt June, everyone makes peace with each other, and Charlie and Jen decide to make a change for the better. This oddball family lives happily ever after in their cozy hunting shack (at least until the sequel).

John Haynes, Greta Grosch, and
Sasha Andreev (photo by Keri Pickett)

A Hunting Shack Christmas is told in informal narration, with narrator Charlie often speaking directly to the audience and fully acknowledging that we're in the theater, directing the sound and lighting and calling for memories. This structure allows a charming and likeable Sasha Andreev to play with the audience and draw us into the story. Daisy Macklin Skarning (in a role that's the complete opposite of the one she played in Gremlin Theatre's Rocket to the Moon this spring) also brings great charm and enthusiasm to the role of Jennifer, making Charlie and Jen a couple to root for. The character of Ham tells the audience he's the comic relief, and understudy Joseph Pyfferoen is just that, committing fully and hilariously to the role of this oddball young man who lives with his parents, wants to start a jerky company, and is engaged to marry a woman from Norway who rides a reindeer. Greta Grosch and John Haynes both have a strong comedy/improv background, which they bring to the roles of Aunt June and Uncle Paul. Greta especially is a hoot as this stereotypical hotdish-making kombucha-growing Minnesota woman. The entire cast works and plays well together with a great energy, showing no signs of the exhaustion one would think might set in when doing so many added shows.

I've never been to a hunting shack, but Katie Phillips' set design looks pretty authentic to me, in fact it looks quite appealing (minus the alleged smell, anyway). Walking into the theater you go through the entry way of a typical cabin (or Minnesota home), with various coats, jackets, snowsuits, and other warm weather gear. The stage is populated with an ugly couch with mismatched afghans, a wood-burning stove, and kitchen appliances that looks rustic and barely functional. And oh yes, there are the deer heads and mounted fish one would expect at a hunting establishment. Lori Schwartz's costumes are entirely appropriate to this world, from the citiots' puffy vests to the comfy nightwear to the warm but not so stylish outerwear.

Yellow Tree Theatre has done it again - created an original holiday show, written by someone* who obviously has familiarity with and affection for Minnesota, that delights and entertains its loyal audience. Their last play featured a couple of Ivey winners, and their next play stars a brilliant actor currently playing Scrooge at the Guthrie, but Yellow Tree hasn't forgotten who their audience is and what they want to see at the holidays. With A Hunting Shack Christmas, they've delivered a thoroughly enjoyable play worthy of its popularity.

Sasha Andreev and Daisy Macklin Skarning (photo by Keri Pickett)

*For more of Jessica's funny and folksy Minnesota writing, check out her blog
Unfamous Minnesota Girl.

Spotlight Showcase at the Orpheum Theatre

The most fun I ever had in high school was when I played the clarinet in the pit orchestra for a couple of musicals. Even then I loved musicals, and to sit in the pit for every dress rehearsal and performance, and to be a part of it, was something kind of magical for me. And even though I didn't end up making a career of it, I consider my involvement in the arts (which also included concert band, marching band, and various other band-related activities) to be an invaluable part of my education that helped to make me a well-rounded person. Hennepin Theatre Trust's Spotlight Musical Theatre Program sponsors such involvement in the arts, specifically musical theater, through various programs throughout the year culminating in the Spotlight Showcase. I attended the 8th such Showcase last night and was quite impressed by the talent of the young people of Minnesota. It was a little like attending a show choir competition on Glee, but this wasn't so much as a competition as a celebration of achievement. Over a dozen high schools performed selections from a show that they did this year, as well as group numbers by individuals deemed "outstanding." With very funny emcee Greta Grosch, music director extraordinaire Denise Prosek, and choreographer Julianne Mundale (a fantastic Chanhassen dancer), the kids got to work with some top professional talent. In a town with such a strong professional theater community, it's great to see them giving back and fostering Minnesota's own young talent.

Apparently the high school musical theater canon hasn't changed too much in twenty years; both of the shows that I participated in were represented at the Showcase - The Sound of Music (by Wayzata High School, with a stirring rendition of "Climb Every Moment," a song that never fails to give me chills) and Anything Goes (by White Bear Lake High School, with a fantastic tap number). Along with other classics such as Guys and Dolls and Hello, Dolly!, it was nice to see some of the newer musicals represented too, like 25th Annual Putnam County Spelling Bee (Moorhead High School's performance was my favorite of the night, perhaps because a middle school spelling bee is an appropriate subject for kids, and also because these kids seemed to be having a great time playing the quirky kids of the Bee), Urinetown (performed by Maple Grove High School and Washburn High School, a fun preview of the show opening at the Jungle this weekend), and Aida (Minnetonka High School's performance of "The Gods Love Nubia" to end Act I was the showstopping moment of the night).

The "outstanding" orchestra members also got to perform, although both selections were non-musical theater songs (a medley from the Queen jukebox musical We Will Rock You, coming to the Orpheum this fall, and "Thank You for the Music" from the Abba jukebox musical Mama Mia). If only Spotlight had existed when I was in high school, how I would have loved to perform on the Orpheum stage!

Finally, the twelve "Triple Threat Award" finalists performed a medley of musical theater songs, and somehow the evaluators chose two of these talented kids to win a theater trip to NYC.

This was my first time attending the Showcase, and I really enjoyed seeing the amazing talent that exists in Minnesota's young people. I hope to see some of them on professional stages in the future! Although the show was too long and a bit draggy in parts (as high school awards events usually are), I recognize that it's important to give as many kids as possible the chance to shine on the big stage. And boy did they! For more information on the Spotlight Musical Theatre Program and how to get your school involved, check out their website.

"Cinderella" at the Ordway

I always like to go to the Ordway's holiday production because it's typically an original production (rather than a touring show) featuring a mostly local cast.  Last year they did the colorful and super fun Joseph, the year before Beauty and the Beast.  This year's selection is the Rodgers and Hammerstein musical Cinderella, originally written for television in 1957 starring the great Julie Andrews.  The Ordway's production is magical and very sweet, and almost makes me believe in fairy tales, almost makes me believe that impossible things really can happen.  It was fun to forget that I'm way too old for fairy tales and immerse myself in the magical world that Cinderella lives in, if only for a little while.

A few of my favorite things:

• A huge cast of primarily local talent, including the divine Wendy Lehr as the Queen and Gary Briggle as her elegant husband, Reid Harmsen (aka Mark in RENT and Brad in Rocky Horror) as the enthusiastic steward and friend of the prince, and way too many ensemble members to mention here (but I had fun trying to identify them in the group numbers).
• The sweet-voiced and extremely likeable Jessica Fredrickson (another local with whom I was previously unfamiliar) as our Cinderella.
• A quite capable and swoon-worthy Prince in the form of Jeremiah James (the one non-local featured).
• Hilariously over the top performances by Greta Grosch (one of the original Church Basement Ladies) as the Stepmother and Colleen Somerville and Andrea Wollenberg as her two homely but hopeful daughters.
• A sassy fairy godmother (Tonia Hughes) who encourages Cinderella to make her own wishes come true, with a little help.
• Cinderella's animal friends adorably represented by puppets manipulated by dancers dressed in black (including Linda Talcott Lee who recently talked about her experiences working with the one and only Jerome Robbins).
• Two dimensional painted set pieces and backdrops that look like a storybook come to life.
• A seriously magical and seemingly instantaneous transformation from poor serving girl to belle of the ball and back again (I'm still not sure how they did that).
• Great musical theater songs like you would expect from R&H, fun dance numbers, and beautiful playful costumes.

One gauge of the success of a musical is if I leave the theater singing the songs and feeling like I could dance down the sidewalk back to my car.  By that criteria, the Ordway's Cinderella is a success.  A light and fluffy show, but very well done.