"Cabaret" at the Guthrie Theater

"What good is sitting alone in your room? Come hear the music play. Life is a cabaret, old chum, come to the cabaret!" Truer words have never been sung, and they have never been more true than now. With our world getting weirder and scarier every day, who doesn't need to "leave their troubles outside" every now and then? But Kander and Ebb's brilliant musical Cabaret is a subversive little thing. It lures you in with fun and sexy songs and dances, and then slowly, ever so slowly, it reminds you that it's not so easy to forget your troubles. They're still there, even when we're not thinking about them, and maybe they've even gotten worse when we weren't looking, when we were dancing. This musical cautionary tale about the rise of fascism in 1930s Germany, which the Guthrie had originally scheduled for the summer of 2020 before a global pandemic shuttered all theaters, has never felt more relevant than it does right now in the summer of 2025. The Guthrie's stunning new production of Cabaret is perfectly marvelous and utterly devastating, and it's the #TCTheater event of the summer. Do not miss it! The Kit Kat Klub remains open for business (until it tragically shuts its doors every night) through August 24.

"The Ally" at Mixed Blood Theatre

For the second mainstage production as Artistic Director of Mixed Blood Theatre, and the first he's directing, Mark Valdez choose a new play by Itamar Moses (whom I know primarily for writing the books of the musicals The Band's Visit and The Children's Theatre's stage adaptation of An American Tail). The Ally debuted at The Public Theater in NYC earlier this year, and now it's here in Minneapolis - a smart choice of a brilliantly written play, artfully executed by Mark, the creative team, and this terrific cast. The Ally is a must-see, and the kind of theater we need right now. It delves into one of the most contentious issues of our time, the Israeli/Palestine conflict, and brings the kind of nuance and humanity to it that seems to be missing in a lot of the debates, arguments, and accusations surrounding it right now. I don't know the solution to this decades, even centuries long problem, and the play doesn't offer one either. But what it does do is provide a place for thoughtful, informed, respectful discourse about it. Not that the characters are always respectful; the play is tough to watch at times as some real pain and righteous anger are on display. But through these characters we're able to explore, process, and maybe come to some new understandings about the conflicts in our lives.

"The Reunion" by Trademark Theater at Gremlin Theatre

The reunion of a high school friend group, complicated relationships both current and past, a role-playing murder mystery game, and not one but two actual murder mysteries add up to a whole lot of wicked fun in Trademark Theater's world premiere new play The Reunion. Trademark focuses on developing new work, so they only do a full production maybe once a year. And when they do - you'll want to go. And then stick with them to support the development work that they do, including readings of new works and fundraiser concert events. The Reunion is smartly written, well performed by the talented seven-person cast, and features design elements that ramp up the spooky factor. See it at Gremlin Theatre in St. Paul's Midway neighborhood now through October 12.

"Falsettos" by Theater Latte Da at the Ritz Theater

I fell in love with the musical Falsettos, which premiered on Broadway in 1992, when I saw a filmed version of the 2016 revival at a movie theater. The gorgeous and complex score, along with this love story about a messy and complex family, really appealed to me. The national tour came to the Ordway in 2019, and I loved it even more live (natch). At the time I wrote, "I'm hoping that the success of this revival leads to a local production or two in the coming years; I'd love to see some of my #TCTheater faves tackle these rich roles, perhaps with a staging of this intimate story that's more intimate." I didn't have to wait too long for my wish to come true, and there's no theater I'd rather see take on this gem of a musical than Theater Latte Da (although the NE Minneapolis community theater Morris Park Players beat them to it with a lovely and heartfelt production a year and a half ago). This is the first Latte Da show since the departure of founding Artistic Director Peter Rothstein (who likely had a hand in planning the season before beginning his new job at Asolo Rep*), and the first under the reign of new Artistic Director Justin Lucero. I'm happy to report that this production of Falsettos is every bit the Theater Latte Da we know and love - beautiful and relevant storytelling wrapped up in gorgeous music, a brilliant and mostly local cast, with impeccable attention to detail in every facet of design and creation. Falsettos runs through November 5, but don't snooze on getting tickets.

"Into the Woods" at the Guthrie Theater

Six years after their stunning production of Sunday in the Park with George, the Guthrie Theater is returning to Sondheim with Into the Woods. It's probably his most frequently produced work; I've seen it eight times now, all local productions in the last 12 years. Based on familiar fairy tales, it's also perhaps the most accessible. But once you're drawn in by the familiar stories, you find that it's surprisingly complex, with themes of good and evil, right and wrong, the consequences of choices, self-interest vs. the common good, and what happens when the fairy tale subsides to reality. It also contains some of Sondheim's most playfully clever lyrics ("while her withers wither with her") and singable melodies (the most famous songs being "Children Will Listen" and "No One is Alone"). For this production, the Guthrie has enlisted Sarna Lapine as director, niece of book writer and original director James Lapine, who obviously has a deep connection to the piece. Her direction is smart, clear, and playful, and the mostly local cast is a joy to watch. Whether you've gone Into the Woods a dozen times, or this is your first time, this production makes it well worth another journey.

"Twelve Angry Men" by Theater Latte Da at the Ritz Theater

I know what you're thinking: the classic American film and play Twelve Angry Men... as a musical?! It sounded pretty odd to me too when I first heard about it a few years ago, but after seeing Theater Latte Da's world premiere musical adaption (on stage at the Ritz through July 17), I'm sold! It just goes to show that literally any subject can be made into a musical, if done well and thoughtfully by talented artists. Check, check, check. Telling this story that was originally a TV show in 1954 through a modern and musical lens heightens the themes of justice and productive communication. It's still the 1950s on stage, but the cast and creators are aware that it's 2022 in the audience, and this story needs to speak to now, which it pretty geniusly does. Combined with a really interesting jazz score that's seamlessly woven into the dialogue, a simple and classic design, and a diverse cast of 12 talented men, and it feels like this story was crying out to be a musical all along.

"Runestone! A Rock Musical" at History Theatre

Who else but the History Theatre can take a bizarre Minnesota legend and turn it into a super fun, entertaining, and even thought-provoking musical? Who else would even attempt such a thing? In the vein of their smash hit Glensheen (returning to St. Paul this summer after a tour through outstate Minnesota), History Theatre brings us the new original musical Runestone! A Rock Musical, a show many years in the making about the Kensington Runestone. I first saw a reading of it in 2019 and was so intrigued that I visited the original Runestone in its museum the next time I was in Alexandria. The musical's 2020 premiere was postponed along with so many things, but it's finally seeing the stage in a terrific production continuing through the end of the month.

"Celebrating Sondheim, Act I" by Theater Latte Da at Crooners Supper Club

A memory popped up on Facebook this morning from 12 years ago: "Stephen Sondheim is a genius. I saw him tonight in a sort of Q&A, and I felt like I should have been taking notes. It was like taking a class in musical theater from one of the masters of the form." Even though I didn't take notes, I did write down what I remembered afterwards, and later that year when I started Cherry and Spoon, I posted it (you can read it here). This is a timely memory because last night I had the pleasure of watching a Sondheim cabaret by my favorite interpreters of his work, Theater Latte Da. 

"All is Calm" by Theater Latte Da at the Ritz Theater

Theater Latte Da's first full production in their 24th season is the annual favorite, All is Calm. I've seen it eight times now, and it never fails to move me, in fact it continually finds new ways to move me. Peter Rothstein created the piece about a dozen years ago, and it has morphed throughout the years, eventually being whittled down to its current concise and practically perfect 65-minute form. The story alone is inspiring - the Christmas Truce of 1914, when soldiers on both sides put down their weapons for a spontaneous truce in the beginnings of WWI. And this piece of music-theater, which combines period songs with historical text from letters, journals, and newspaper articles, is simply the most powerful way to tell the story that I can imagine. It's told with such precision, thoughtfulness, and economy; every word, every gesture, every note rings true and has meaning. All is Calm is truly my favorite #TCTheater holiday* production because it conveys what I believe is the core meaning of this season - peace, stillness, reflection, community, and connection.

"Understood" by Trademark Theater, an Audio Play

Two years ago, Trademark Theater premiered the new play Understood, written by resident playwright Tyler Mills, about a divided couple and a divided nation. Now, when that division has only increased, and a global pandemic has made live performance dangerous, they've pivoted this piece into an audio play, updating it for 2020. It works remarkably well in this format. Removing the visuals and the staging allows the audience to really focus on the words, and what's in between the words. And this play is all about what's being said, or not being said, or how it's being said. Understood is available now through the election, and is such an advocate for the kind of communication, listening, and connection we'll need to survive the next few months.

"An Evening of Show Tunes with Tyler Michaels King" at Crooners MainStage Tent

Friends, it's been nearly 5 months since I've seen live entertainment. On February 23, I attended Colleen Somerville's "Songs for Feeling Better" at Bryant Lake Bowl (which has now moved online). On February 26 I left the country to spend two weeks in paradise, aka New Zealand, returning home on March 11 to a world that was, and continues to be, very different from the one we knew. I'm approaching my 10th anniversary of blogging about #TCTheater, and of all the unexpected things that have happened, going nearly 5 months without seeing live entertainment is one I could never have imagined. I'm sure that hasn't happened in my life in 20 years. But here we are, in this pandemic/quarantine/isolation that feels endless, but hopefully one day we'll look back on as something we made it through, stronger and better. And the good news is that live entertainment is slowly beginning to return, although it looks different than it used to, and will likely continue to look different for some time. Crooners Supper Club in Fridley has started doing outdoor drive-in concerts (as well as lakeside patio concerts), complete with car-side food service. I attended my first show this week (of four planned, maybe with more to be added) - titled "An Evening of Show Tunes with Tyler Michaels King." It felt so good to be in a (appropriately distanced) group of people, listening to music and stories, laughing and clapping, almost like normal life.

"All Is Calm" by Theater Latte Da at the Ritz Theater

I saw the movie A Beautiful Day in the Neighborhood yesterday, about how one person's life was changed by meeting Mister Rogers, the legendary children's show host who touched, and continues to touch, so many lives. It reminded me of the good in humanity, and that we all need to, and are perfectly capable of, doing better. What does this have to do with Theater Latte Da's Drama-Desk-Award-winning soon-to-be-PBS-broadcast original holiday piece All is Calm? Like Mister Rogers, this artfully constructed story of the real life WWI Christmas Truce reminds us what can happen when we choose kindness over violence, connection over hate. The soldiers were only able to accomplish this remarkable feat for 24 hours, and then the war continued for several years and millions of deaths. But if a war can cease even for 24 hours, if a man can heal his relationship with his father thanks to one person's kindness and encouragement, what else can we accomplish, individually and collectively, if we choose kindness, connection, and peace? This is the seventh time I've seen All is Calm, my favorite of what the #TCTheater holiday* season has to offer, and it only gets more beautiful, poignant, and necessary every year. We need this message now more than ever.

"Jimmy and Lorraine: A Musing" at Pillsbury House Theatre

I couldn't describe Pillsbury House Theatre's Jimmy and Lorraine: A Musing better than playwright/adapter Talvin Wilks does, calling it "a meditation on the American political climate of the late '50s and '60s through the lens of two significant artists of the time, James Baldwin and Lorraine Hansberry. Following their impactful careers as artists, their call to social activism and the challenges of wrestling with the balance of an artistic career and politics, their lives give us an opportunity to look at this rich period of political and social upheaval." This is a brilliantly constructed 90 minutes of theater that gives us a clear picture of these two artists/activists in all their complexity, with much (or all?) of the text coming from their own writings. It's really quite impressive how Talvin cobbled together all of these different sources to form a cohesive and dramatic story, like the most complicated jigsaw puzzle coming together to form a picture that was always there. A picture of a very specific time in America that still resonates today.

"All is Calm" by Theater Latte Da at the Ritz Theater

Dear #TCTheater friends, I just wanted to share with you a few thoughts about Theater Latte Da's annual holiday* show All is Calm, even though their handful of Minneapolis shows this weekends are sold out, and they're heading to Off-Broadway next week (congrats!). I saw it for the sixth time this week, and I've already written many words about how much I love it (you can read them all here). In just over an hour, this cast of ten men, all beautiful vocalists and actors, tells the story of the Christmas Truce of 1914. Created by Latte Da's Artistic Director Peter Rothstein, the show takes us from the soldier's excitement at going off to war and having adventures, to the realization that war is truly awful, to that one day of peace they found in the trenches, when both sides put down their weapons and celebrated their common humanity.

"Understood" by Trademark Theater at Soma Studios

"People by and large are idiots." Wow, does this ever ring true, especially on a day when some of my fellow Minnesotans showed up and cheered for the current White House resident despite all the ugly things he's said and done. How can people do that?! It's completely incomprehensible to me; they are completely incomprehensible to me. This feeling is at the core of the new play Understood by Tyler Mills, which Trademark Theater is intentionally producing running up to next month's midterm election. Director Tyler Michaels notes in the program, "This play swirls around these two ideas: A broken couple and a broken country." In this thoughtful and thought-provoking two-hander, a married couple is looking to be understood by each other, the one that is supposed to know and love them best, and also by a stranger whose beliefs are inexplicable to them.

"Dancing on the Edge" by Theatre Novi Most at the Southern Theater

Theatre Novi Most, whose mission is to "combine the artistic traditions of Russia and America to create performances in which seemingly disparate ideas, languages, cultures and ideologies can clash, commingle and cross-pollinate," has been developing a play about the passionate and tragic romance between American dancer Isadora Duncan and Russian poet Sergei Esenin for over ten years, including the last five years with Playwrights' Center affiliated writer Adam Kraar. It's a fascinating story about two fascinating people, their art, and their turbulent relationship. Dancing on the Edge is an intense and lovely play filled with movement and poetry.

"Children and Art" - A Cabaret Performance by the Cast of the Guthrie's "Sunday in the Park with George" at Lush

In what was essentially a very special episode of "Musical Mondays," the sublime cast of the Guthrie's Sunday in the Park with George (now playing through August 20) gathered at Lush on Monday night for a cabaret performance. Hosted by cast member Max Wojtanowicz (who also co-hosts the usual "Musical Mondays at Hell's Kitchen" on the first Monday of every month), the theme was "Children and Art," and the proceeds of the night went to an organization called Project Success. Partnering with the Guthrie and other theaters in town, Project Success provides support and activities (including theater and the arts) for young people in order to "motivate and inspire them to dream about the future, help them take steps to get there, and give them the tools the need to achieve their goals." A worthy cause, and a wonderful celebration of music.

"Sunday in the Park with George" at the Guthrie Theater

Of late, the Guthrie Theater has had a tradition of producing a classic crowd-pleasing musical every summer (most recently: South Pacific, The Music Man, and My Fair Lady). But inexplicably, they have never produced a musical by the great Stephen Sondheim on the main stage. Perhaps it's because Sondheim is not easy, to do or to watch; not as readily familiar and accessible as the classics of the '50s. But Sondheim is the Shakespeare of musicals, and it's about time the Guthrie remedied this gross oversight. They do so in splendid fashion this summer with their stunning production of what is perhaps the musical theater master's greatest masterpiece, Sunday in the Park with George, directed masterfully by Artistic Director Joseph Haj. Sondheim and frequent collaborator James Lapine first joined forces on this piece that won them a Pulitzer Prize, getting their inspiration from the 19th century painting "A Sunday Afternoon on the Island of La Grande Jatte" by Georges Seurat, one of the leaders of the Impressionist movement. Artists being inspired by the work of another artist who lived a century earlier to create art about art. It's pretty meta, and no surprise that it's a favorite among musical theater artists. The Guthrie has assembled a sparkling cast and created a gorgeous design that brings this work of art about art itself to brilliant life.

A Reading of "The Sea & The Stars" at the Playwrights' Center

"Now in its 12th year, the Ruth Easton New Play Series gives selected Core Writers 20 hours with collaborators to workshop their script—to write, rewrite, experiment, and shape their work. For playwrights, this means great leaps forward for their plays. For audiences, this means a thrilling and intimate night of theater."

I attended the fourth of the five readings in the 2016-2017 series last night. I'm loving this monthly series; every play has been so interesting and wonderful in its own unique way (see also December's Wink by Jen Silverman, January's queens by Martyna Majok, and February's Eden Prairie 1971 by Mat Smart). This month's new play receiving a workshop and two-night-only reading was the post-break-up romantic comedy dramedy The Sea & The Stars by PWC core writer and board member Harrison David Rivers.

"Corazón Eterno (Always in My Heart)" at Mixed Blood Theatre

There's a reason Mixed Blood Theatre was the Twin Cities Theater Bloggers' pick for most accessible theater in 2016 (and best use of social media, BTW). Actually there are many reasons - their Radical Hospitality program in which all available tickets are free two hours before the show; their recent remodel which makes the building more accessible for artists and patrons of varying abilities and includes new spacious all-gender bathrooms; their commitment to hiring theater artists of all races, classes, gender identities, and abilities; and their programming, which often features people whose stories aren't usually heard. On the surface the world premiere play Corazón Eterno (Always in My Heart) isn't very revolutionary; it's a sweet, funny, simple love story, nothing we haven't heard before. But the novelty is that it's performed in both English and Spanish, with surtitle translations to Spanish and English. According to Wikipedia, Spanish is the second most spoken language in the US, and the US is the third largest Spanish speaking country in the world. It's wonderful to see that statistic, that reality of our world, represented on stage. Even more wonderful was hearing Spanish spoken among the audience on opening night, and the enthusiastic response of the audience to the sweet story told in two spoken languages, and the universal language of love.