"Somewhere" at the Guthrie Theater

West Side Story was one of the first musicals I fell in love with, and I thought I knew everything about it. But Matthew López's play Somewhere, which premiered in San Diego in 2011 and is currently receiving its regional premiere on the Guthrie's proscenium stage, helped me see it in a new light. He tells the story of a fictional Puerto Rican family (much like his own) living on the West Side of Manhattan in the late '50s when West Side Story was all the rage on Broadway. They're an artistic family with dreams of being in this show that they love so much, dreams that are deferred when they're evicted from their home - the entire West Side neighborhood known as San Juan Hill was about to be demolished to make way for Lincoln Center. The play is a love letter to New York City, to Broadway, to dreaming big. It's about family and the sacrifices we have to make to survive, while still trying to hold on to those dreams. It's another version of a West Side story that's perhaps more true to the community of people who called it home, and what happened after they were forced to find a new home. This moving dance-infused family drama continues through February 1.

"Cabaret" at the Guthrie Theater

"What good is sitting alone in your room? Come hear the music play. Life is a cabaret, old chum, come to the cabaret!" Truer words have never been sung, and they have never been more true than now. With our world getting weirder and scarier every day, who doesn't need to "leave their troubles outside" every now and then? But Kander and Ebb's brilliant musical Cabaret is a subversive little thing. It lures you in with fun and sexy songs and dances, and then slowly, ever so slowly, it reminds you that it's not so easy to forget your troubles. They're still there, even when we're not thinking about them, and maybe they've even gotten worse when we weren't looking, when we were dancing. This musical cautionary tale about the rise of fascism in 1930s Germany, which the Guthrie had originally scheduled for the summer of 2020 before a global pandemic shuttered all theaters, has never felt more relevant than it does right now in the summer of 2025. The Guthrie's stunning new production of Cabaret is perfectly marvelous and utterly devastating, and it's the #TCTheater event of the summer. Do not miss it! The Kit Kat Klub remains open for business (until it tragically shuts its doors every night) through August 24.

The History Plays: "Richard II," "Henry IV," and "Henry V" in rep at the Guthrie Theater

Once in a lifetime, if you're lucky, you'll have a chance to experience an epic theater event at your home town theater, which just happens to be one of the best respected and most highly acclaimed regional theaters in the land. That was April 13, 2024, a day I will never forget, a day in which I consumed more theater than I ever have in a single day. Some 8 1/2 hours of theater, more than seeing Tony Kushner's epic two-part Angels in America on Broadway, more than the longest day at the Minnesota Fringe Festival. Sometimes known as The Henriad, Shakespeare's Richard II, Henry IV (two plays here condensed into one), and Henry V tell the stories of three English kings in the late 14th and early 15th Centuries. But this was not some boring slog through ancient history and archaic language. It was a living, breathing, dynamic, compelling, thrilling, jaw-dropping, heart-stopping, laugh-inducing, thoroughly engaging binge-watch of some of the best plays in the English cannon, brought to life by some of our best theater artists from the Twin Cities and around the country. Each play has a somewhat different tone or look or feel, but all are cut from the same cloth so that when knit together, they form a whole much grander than the sum of its parts. If you have the financial means and physical stamina to do so, I highly recommend attending the one remaining marathon day on May 18. It's a rare shared community experience, with artists and patrons joining their energies together for some 14 hours in the same space. Or you can take in the trilogy in a more reasonable manner - see all three plays in a weekend, or more spread out over time. But if you're a #TCTheater fan (and if you're not, why are you reading this blog?), see it you must. This is something we'll be talking about for generations. Click here for details and tickets.

"Diamond Jubilee: 60th Anniversary Gala" at The Guthrie Theater

Sixty years ago this month, the Guthrie Theater opened on Vineland Place next to the Walker Art Center. The first production of this experimental repertory theater was Hamlet, directed by founder Sir Tyrone Guthrie himself (read the full history here). The Guthrie is celebrating this momentous anniversary with a new production of Hamlet (closing on May 21), an open house last weekend, and a fundraiser gala earlier this week. While it wasn't the cornucopia of performances and stars that the 2013 50th Anniversary Gala and the 2015 Joe Dowling Tribute Gala were, it was still a wonderful and celebratory night capped with a fantastic concert by Guthrie alum and Tony-winner Santino Fontana. I became a Guthrie subscriber 20 years ago, and I'm certain that without it, I would not be a theater blogger today. Being a Guthrie subscriber introduced me to plays and playwrights I wouldn't have otherwise seen (since as a subscriber you see everything, whether it sounds like something you'd be interested in or not), as well as to other local theater companies they hosted in one of their theaters. I also became familiar with local artists that I followed to other theater companies, beginning the snowball effect that eventually resulted in this wild and wonderful hobby of being a theater blogger and seeing 3-5 shows every week. I'm so grateful that Sir Tyrone Guthrie chose Minneapolis (or rather, as was said at the gala, that Minnesota chose Guthrie) to open his regional theater in the state where I was lucky enough to be born ten years later.

"Hamlet" at the Guthrie Theater

To celebrate their 60th anniversary, the Guthrie Theater is presenting Hamlet, a special show in the history of theater and in the history of the Guthrie. When Sir Tyrone Guthrie began his experiment in regional theater in 1963, fortunately for us right here in Minneapolis, chosen out of a bunch of cities that applied as if for the Olympics, the first show was Hamlet. It was also the final show in the original building by the Walker Art Center, in 2006, before the Guthrie moved to the big beautiful blue building on the river. Current Artistic Director and director of this production Joseph Haj calls Hamlet "arguably the greatest play ever written in the English language." It's only fitting that this show is on the Guthrie stage 60 years later, along with a line-up of new works and reinvented classics, celebrating and continuing the Guthrie's long legacy. If you've been following along, you know that I am currently in New York City, seeing as many Broadway shows as I can. But what we have in #TCTheater is every bit as good, from the Guthrie's three stages to the newest theater company on a tiny stage somewhere across town. A big part of the Guthrie's legacy is that they have fostered and attracted talented artists who have gone on to start their own companies, helping to create the rich theater tapestry that I've been lucky enough to write about for the past almost 13 years. This excellent production of Hamlet is a culmination of the last 60 years as well as a move towards the next 60.

"A Christmas Carol" at the Guthrie Theater

It's the Guthrie Theater's 60th season, and for about 80% of those years they've been producing Charles Dickens' classic story of redemption, A Christmas Carol. This year marks their 48th production, and my 16th time seeing it. It's obviously a beloved holiday* tradition in the #TCTheater community, one that I also love and have rarely missed in my 19 seasons as a subscriber. But why? Why do they keep doing it? Why do people keep seeing it? Why do I go back year after year? Read on for ten reasons** to see the Guthrie's A Christmas Carol this year before it closes on December 31.

"A Christmas Carol" at the Guthrie Theater

The Guthrie Theater's first production post-pandemic (not counting their hosting of the Broadway tour of What the Constitution Means to Me) is their annual tradition, A Christmas Carol. This is their 47th production, and my 15th time seeing it. It's obviously a beloved holiday* tradition in the #TCTheater community, one that I also love and have rarely missed in my 18 seasons as a subscriber. But why? Why do they keep doing it? Why do people keep seeing it? Why do I go back year after year? Read on for ten reasons to see the Guthrie's A Christmas Carol this year before it closes on December 27.

"Dickens' Holiday Classic" streaming from Guthrie Theater

The Guthrie Theater has been presenting Charles Dickens' classic story A Christmas Carol for over 40 years. The show has gone through many iterations - different adaptations, different directors, different casts, different uses of music and dancing. 2020 sees yet another new version of the classic - a virtual one you can watch in your own home (for just $10 per household). Starting from an adaptation written by Dickens himself for the one-man-show he performed, Guthrie Artistic Director Joseph Haj teamed up with #TCTheater artist E.G. Baily, who also has a film company, to adapt and direct this piece, creating something entirely new. Not exactly theater, and not exactly film, the show combines bits of both media for an experience that is smaller, quieter, and more intimate than the Christmas Carol we're used to seeing on the Guthrie's thrust stage, but just as lovely, engaging, and moving as ever.

"The Glass Menagerie" at the Guthrie Theater

Long before I became a Twin Cities Theater Blogger, I became a Guthrie season subscriber. The decision to accept that telephone offer to see five shows for $100 changed my life. As a Guthrie subscriber, I began to see more than just the touring musicals and an occasional local show. I started to know and follow the local community of theater artists, I was introduced to other local theaters. The more local theater I saw, the more I found to see, and it continued to snowball until I just had to start writing about it. I'm now entering my 17th season as a Guthrie subscriber, and my 10th season as a #TCTheater blogger. How fitting to begin this milestone year with one of my favorite playwrights and one of my favorite plays. I first saw The Glass Menagerie at the Guthrie in 2007 (not counting when my high school did it), first wrote about it in 2010 at the Jungle, shortly after I started blogging, and have seen and written about it multiple times since. The Guthrie's new production, directed by Artistic Director Joseph Haj, is just as lovely, sad, and wistful as any I've seen.

"Cyrano de Bergerac" at the Guthrie Theater

The Guthrie's Artistic Director Joseph Haj brings his adaptation of the classic play Cyrano de Bergerac to the proscenium stage. First produced in 2006 and revised for this production, he based it on the original French and two early English translations, with a goal "to create a well-built, forward-moving story with a steady rhythm that remained in pursuit of what I believed to be Rostand's key theme: the idea that true beauty resides within." Mission accomplished. A dynamic staging, a lovely cast, and inventive design bring this beloved classic to life.

"West Side Story" at the Guthrie Theater

I grew up watching West Side Story. I've seen the movie dozens of times, listened to the music hundreds of times, and seen it on stage a handful of times (including the Ordway's gorgeous production last year). But I've never seen a West Side Story like the one currently on stage at the big blue building on the river. The Guthrie's West Side Story, directed by Artistic Director Joseph Haj and featuring new original choreography Maija Garcia (both children of immigrants), feels like it was made for today's world. A toppled over Lady Liberty dominates the set, and the musical's themes of institutionalized racism, prejudice towards immigrants, senseless violence, and hate born out of fear have never felt so relevant. It's still that timeless story of star-crossed lovers,* set to Leonard Bernstein's familiar, beloved, and gorgeous score, but with a cast that looks, moves, and feels like America today, for better or worse.

"Romeo and Juliet" at the Guthrie Theater

The Guthrie Theater is opening their 2017-2018 season (my 15th season as a subscriber!) with Shakespeare's classic tale of star-crossed lovers Romeo and Juliet, and closing it with perhaps the most popular and successful Romeo and Juliet adaptation, West Side Story. The last time the Guthrie did Romeo and Juliet was in the spring of 2004 (coincidentally my first season as a subscriber). I've seen it at least ten times now in some form or other (including earlier this summer), and not because I seek it out, but because it's done a lot. But despite (or maybe because) of the many viewings, I was still charmed, moved, and engaged by the Guthrie's new production of the classic. Because there's a reason that it's a classic, and this production, while familiar, feels fresh and modern, with an excellent cast of familiar faces and new, intriguing design, and interesting directing choices.

"Sunday in the Park with George" at the Guthrie Theater

Of late, the Guthrie Theater has had a tradition of producing a classic crowd-pleasing musical every summer (most recently: South Pacific, The Music Man, and My Fair Lady). But inexplicably, they have never produced a musical by the great Stephen Sondheim on the main stage. Perhaps it's because Sondheim is not easy, to do or to watch; not as readily familiar and accessible as the classics of the '50s. But Sondheim is the Shakespeare of musicals, and it's about time the Guthrie remedied this gross oversight. They do so in splendid fashion this summer with their stunning production of what is perhaps the musical theater master's greatest masterpiece, Sunday in the Park with George, directed masterfully by Artistic Director Joseph Haj. Sondheim and frequent collaborator James Lapine first joined forces on this piece that won them a Pulitzer Prize, getting their inspiration from the 19th century painting "A Sunday Afternoon on the Island of La Grande Jatte" by Georges Seurat, one of the leaders of the Impressionist movement. Artists being inspired by the work of another artist who lived a century earlier to create art about art. It's pretty meta, and no surprise that it's a favorite among musical theater artists. The Guthrie has assembled a sparkling cast and created a gorgeous design that brings this work of art about art itself to brilliant life.

"King Lear" at the Guthrie Theater

King Lear is considered one of Shakespeare's best tragedies, and the title role one of the most challenging roles to play in all of theater. The Guthrie Theater returns to King Lear for the first time in 22 years, and has hired not one but two beloved veterans of the Guthrie and other Twin Cities stages to tackle the role. Nathaniel Fuller and Stephen Yoakam take turns playing the lead and you can see the schedule here, although you really can't go wrong with either one - both are incredibly talented actors. Stephen Yoakam played Lear the night I saw the show, and gave a powerful performance, as did many in the large and talented cast. Combined with the gorgeous overall design of the show, this King Lear is a stunner.

"South Pacific" at the Guthrie Theater

"Are we just as naive in America, even today, as we stand at the global altar, concurrently rejecting and embracing new faces? In our national mind and on our conscience we can hear the first three notes of South Pacific heralding again and again the foreignness and the familiarity of what we face, the potential and the risk. If music can store energy, it can release it."

Rodgers and Hammerstein's 1949 musical South Pacific is undoubtedly a genius musical score and a sweeping romance. But as the above quote from composer Adam Guettel (grandson of Richard Rodgers) indicates, South Pacific is so much more than just a pretty musical, and was truly ahead of its time. It told a story of interracial relationships 20 years before Loving v. Virginia abolished laws prohibiting interracial marriage. The song "You've Got to Be Carefully Taught" is a brilliant thesis on racism and prejudice. When asked to remove the song because "it's untimely and it's not what patrons want to hear when they go to a musical," Oscar Hammerstein replied, "That's what the play is about!" Nearly seventy years later, with issues of immigration and prejudice on the daily news and in every political debate, South Pacific's themes of fear of the other vs. embracing and accepting the other are perhaps more relevant than ever. It's a perfect choice, then, to conclude Guthrie Artistic Director Joseph Haj's first season, and he does justice to this beautiful and meaningful classic with this wonderful production.

"Pericles" at the Guthrie Theater

The Guthrie's newly inaugurated Artistic Director Joseph Haj makes his directorial debut with Shakespeare's Pericles, remounting a production that has recently played at the Oregon Shakespeare Festival and DC's Folger Theatre (with a cast that, for the first time in my memory, is entirely new to the Guthrie). It's a promising debut highlighted by playfulness, inventiveness, and diverse casting. And while I had a bit of a hard time with the play (as I often do the first time I see a Shakespeare play, unless Ten Thousand Things is doing it), I still found it to be an enjoyable experience with excellent performances, innovative set and technical design, and lovely original music. Welcome to Minnesota Joseph Haj, I look forward to what you will do in the future, especially when partnering with our fabulous local talent!