"Passion" by Theatre Latte Da at the Ritz Theater

Updating my Sondheim spreadsheet this morning (because of course I have a Sondheim spreadsheet), I have now seen ten of the 17 musicals for which he wrote music and lyrics, in a total of 31 productions (most of which you can read about here). Can you guess which theater company I've seen do Sondheim the most? Theater Latte Da of course, whom I've seen do seven different shows (they've done more, but a few were before I "discovered" them). I was able to check Sondheim show #10 off my list* this morning thanks to their new production of the rarely done Passion, which Latte Da's Artistic Director and director of this piece Justin Lucero calls "one of the most divisive works in the American musical canon." I can see why it's not done as often as, say, Into the Woods (the Sondheim musical I've seen the most productions of). It's a messy love triangle with not very likable or even at times understandable characters. As Justin notes, it's "not a traditional love story - it's a meditation on obsession, vulnerability, and the aching rawness of human need." It's not a pretty love story, but the score is very pretty, the characters are fascinating and compelling, and Latte Da's production is all-around gorgeous. It's an unusual musical for sure, but that's not a bad thing, in fact in this case it's a very good thing, and I'm grateful to Theater Latte Da for the chance to experience yet another intricate creation by arguably the best musical theater creator of the 20th Century. The messy, tragic, gorgeous Passion continues through July 13 at the Ritz Theater.

"The Sound of Music" at Artistry

The Sound of Music is a particular favorite of mine, having grown up watching and loving the movie, playing clarinet in the pit orchestra of my high school production, and studying abroad in wunderschöne Salzburg almost 30 years ago. It's been over eight years since we've had a professional #TCTheater production of it, so seeing it at Artistry in Bloomington is a thrill. They've assembled a fantastic cast of #TCTheater favorites and some precocious children, with a simply lovely design, and Raymond Berg leading a 13-piece onstage orchestra on this beloved score. And the result is every bit as warm, comforting, familiar, and delightful as it should be. It continues through May 12, but I'm not the only one with a built-in love for this show, so it's already selling out. Don't wait to long too get your tickets to Salzburg!

"Christmas at the Local" by Theater Latte Da at the Ritz Theater

Now in their 26th season, Theater Latte Da has a knack for creating original holiday shows that become annual traditions. First A Christmas Carole Petersen, #TCTheater artist Tod Petersen's funny and poignant tribute to his mom and growing up in small town Minnesota, which debuted in their third season and has been produced numerous times over the years (including six shows at Crooners this year, December 16-20). Then came All is Calm, a documusical about the WWI Christmas Truce that premiered in 2007 and has gone through a few different iterations over the years, settling into a nearly perfect 70 minutes of theater that has toured all over the country including Off-Broadway, and was filmed in 2019 for a PBS special. And now we have Christmas at the Local, a "double feature" of Dylan Thomas' story A Child's Christmas in Wales and Maya Angelou's poem Amazing Peace, both set to music and tied together with other holiday songs performed by a group of friends hanging out at their local pub. It debuted last year, at which time I wrote, "it creates such a warm, cozy feeling of community, nostalgia, and hope that I want to visit every year (or every night)." If you didn't see it last year, it's a must-see in the tradition of Latte Da's lovely original holiday pieces. And if you did see it last year, then you know that it always feels warm, welcoming, and wonderful to return to The Local (continuing through December 31).

"Christmas at the Local" by Theater Latte Da at the Ritz Theater

Theater Latte Da is celebrating their 25th season this year, and in that time they've created two beloved holiday* shows. A Christmas Carole Petersen (#TCTheater artist Tod Petersen's funny and poignant tribute to his mom and growing up in small town Minnesota) debuted in their third season and has been produced numerous times over the years (including six shows at Crooners this year, December 15-18). All is Calm (a documusical about the WWI Christmas Truce) premiered in 2007 and has gone through a few different iterations over the years, settling into a nearly perfect 70 minutes of theater that has toured all over the country (currently touring the Midwest and West Coast) including Off-Broadway, and was filmed in 2019 for a PBS special that will air in on TPT December 11 and 12. And now the brand new original piece Christmas at the Local feels like the start of another beloved holiday tradition. A "double feature" of Dylan Thomas' story A Child's Christmas in Wales and Maya Angelou's poem Amazing Peace, both set to music and tied together with other holiday songs performed by a group of friends hanging out at their local pub, it creates such a warm, cozy feeling of community, nostalgia, and hope that I want to visit every year (or every night). Get in on this new tradition from the start, with performances continuing at the Ritz Theater in Northeast Minneapolis through New Year's Day.

"Celebrating Sondheim, Act I" by Theater Latte Da at Crooners Supper Club

A memory popped up on Facebook this morning from 12 years ago: "Stephen Sondheim is a genius. I saw him tonight in a sort of Q&A, and I felt like I should have been taking notes. It was like taking a class in musical theater from one of the masters of the form." Even though I didn't take notes, I did write down what I remembered afterwards, and later that year when I started Cherry and Spoon, I posted it (you can read it here). This is a timely memory because last night I had the pleasure of watching a Sondheim cabaret by my favorite interpreters of his work, Theater Latte Da. 

"All is Calm" by Theater Latte Da at the Ritz Theater

Theater Latte Da's first full production in their 24th season is the annual favorite, All is Calm. I've seen it eight times now, and it never fails to move me, in fact it continually finds new ways to move me. Peter Rothstein created the piece about a dozen years ago, and it has morphed throughout the years, eventually being whittled down to its current concise and practically perfect 65-minute form. The story alone is inspiring - the Christmas Truce of 1914, when soldiers on both sides put down their weapons for a spontaneous truce in the beginnings of WWI. And this piece of music-theater, which combines period songs with historical text from letters, journals, and newspaper articles, is simply the most powerful way to tell the story that I can imagine. It's told with such precision, thoughtfulness, and economy; every word, every gesture, every note rings true and has meaning. All is Calm is truly my favorite #TCTheater holiday* production because it conveys what I believe is the core meaning of this season - peace, stillness, reflection, community, and connection.

"In the Midst of Things: In Medias Res" streaming from An Opera Theatre

One fun thing about this virtual theater era is that you can discover new companies that you haven't been able to see before, since they're now easily accessible in your own home. Such as the new opera company called simply An Opera Theatre. I love their mission statement: "to produce socially-relevant works, in order to break down the barriers of the classical art form, and bring communities together," and this: "We hope to promote work for working artists in Minnesota. And it doesn't just stop at opera! AOT believes in fusing multiple art forms to create tantalizing theater events for a diverse artistic community." They've created a new original 15-minute opera that they've been sharing with schools around the area, and will be available to the public May 28 - June 6 on their Facebook page and website. I got to see a sneak peek of In the Midst of Things: In Medias Res; it's really great, and left me wanting more!

"The Most Happy Fella" by Skylark Opera Theatre at the Historic Mounds Theatre

This fall, Skylark Opera Theatre brings us Frank Loesser's The Most Happy Fella, which is technically a musical, but one with operatic qualities to some of the music. And the fact that some of the songs are in Italian (or mixed English and Italian) also make it feel a little like an opera. It's an unabashedly romantic old-fashioned love story, but not without a few modern tweaks. Skylark's production in St. Paul's Historic Mounds Theatre is charming, intimate, engaging, and gorgeously sung by the 12-person cast.

"Candide" by VocalEssence and Theatre Latte Da at the Cowles Center

Leonard Bernstein is one of the best 20th Century American composers (not to mention pianist and conductor, as I learned last year). His Candide is stunningly beautiful, but based on Voltaire's 18th Century satirical novel, it's a bit... weird. Twin Cities vocal ensemble VocalEssence and music-theater company Theater Latte Da have combined to solve this little problem, and bring us all of the best of Berstein's Candide. Director Peter Rothstein has a way of tweaking a piece just enough to bring out its purist truth, and he's done that here. With a short rehearsal time and just one weekend of performances of this "theatrical concert," he has staged it as a 1930s radio play, complete with sound effects. The result is something clever, charming, not too weighted down with plot complications, and musically stunning. Sadly the entire run is sold out, but I heard a rumor that they're selling standing room only tickets at the door if you want to take a chance to see this charmingly rendered and musically delicious production of a classic.