"What the Constitution Means to Me" at Artistry

Continuing their programming of plays in the black box theater at Bloomington Center for the Arts this season, Artistry is bringing us the never more relevant play What the Constitution Means to Me. Until it becomes more relevant tomorrow, or next week, or whenever another one of our rights is stripped away by the current administration. Although it premiered nine years ago, this play feels like it was written specifically for this moment in our country, with the recent Supreme Court decision gutting the Voting Rights Act, discussions of overturning birthright citizenship (guaranteed by the 14th Amendment, which features heavily in this play), and the gross violations of due process (also the 14th Amendment) in Minnesota earlier this year, just to name a few. It also feels a great time to really examine our founding document as America is about to celebrate its 250th birthday. This is such a brilliantly written play, in the way that it discusses the very foundation upon which our nation is built, but not in a dry textbook kind of way (although there are lots of facts and dates), but in the most personal way that makes me see just how much the constitution shapes our daily lives, and the unfair way it treats many American citizens.* It's also funny and relatable, chock full of pop culture references (especially for us Gen Xers), and thoroughly engaging for the 95-minute or so runtime. I highly recommend that you check out this smart and relevant new(ish) play that's not been done much since the original Broadway production and tour (continuing through June 7).

"'Til Death" by Bucket Brigade at Art House North

Bucket Brigade's original "marriage musical" 'Til Death returns for its 13th season! This was my 5th time seeing the show (counting a virtual version during the pandemic), and I was happy to spend a little time with old friends. Written by Bucket Brigade's married co-founders Vanessa and Jeremiah Gamble, and starring them and another married couple of #TCTheater artists (Anna and Damian Leverett whom I saw, alternating with Stephanie and Nathan Cousins) it's silly and sweet, over-the-top yet grounded in the reality of relationships. And while it would be (and has been) a perfect 90-minute-no-intermission show if not for the intermission, when they give me a cupcake and host a mini-concert* during said intermission, I'll allow it. 'Til Death plays Fridays and Saturdays through February 15 (plus one Monday night pay-as-you're-able performance featuring the full cast) at the charming and cozy Art House North in St. Paul's West 7th neighborhood, with two great restaurants within walking distance - Mucci's Italian and A-Side Public House (tip: make reservations).

"I Am Betty" at History Theatre

Last year History Theatre premiered a new musical that inspired me to write: "I am Betty. You are Betty. We're all Betty!" Apparently I was not the only audience member so affected; they've brought the show back for a month-long remount, with most of the original cast and creative team reassembled (hence much of this post is borrowed from my previous review). I Am Betty tells the story of American women in the 20th Century through the lens of Betty Crocker, as playwright Cristina Luzarraga noted in a talkback I attended last year. As you may or may not know, Betty Crocker was not a real person; she was a fictional persona created for marketing purposes by the Washburn-Crosby Company (later General Mills). But many women worked behind the scenes to make Betty, and the company, successful. This musical tells their stories, and through them, the history of women in America. Written and directed by women, the show features nine incredibly talented female performers playing all of the facets of Betty for a really fun, informative, and inspiring show. See it at the History Theatre in downtown St. Paul now through December 29.

"The Sound of Music" at Artistry

The Sound of Music is a particular favorite of mine, having grown up watching and loving the movie, playing clarinet in the pit orchestra of my high school production, and studying abroad in wunderschöne Salzburg almost 30 years ago. It's been over eight years since we've had a professional #TCTheater production of it, so seeing it at Artistry in Bloomington is a thrill. They've assembled a fantastic cast of #TCTheater favorites and some precocious children, with a simply lovely design, and Raymond Berg leading a 13-piece onstage orchestra on this beloved score. And the result is every bit as warm, comforting, familiar, and delightful as it should be. It continues through May 12, but I'm not the only one with a built-in love for this show, so it's already selling out. Don't wait to long too get your tickets to Salzburg!

"The 25th Annual Putnam County Spelling Bee" at Artistry

Artistry produced the 2005 two-time Tony winning musical The 25th Annual Putnam County Spelling Bee back in 2014, when they were still known as Bloomington Civic Theatre. But this hilarious, irreverent, and surprisingly sweet musical is worth revisiting. Directed by #TCTheater favorite Tyler Michaels King and featuring a fantastic cast, it's so playful and fun, and also gives you the warm fuzzies about this group of loveably oddball kids just trying their best to spell and be happy. There's only one weekend left to attend the Bee - don't miss it!

Minnesota Fringe Festival 2022: "Piñata"

Day: 3

Show: 9

Title: Piñata

Category: COMEDY

By: Nocturnal Giraffe

Directed by: Joy Donley

Location: Rarig Center Xperimental

Summary: A very funny comedy about moms on a birthday party circuit that sounds a little bit culty.

Highlights: The comedy trio of Greta Grosch, Katie Consamus, and Stephanie Cousins (with a cameo by Elizabeth Efteland as more than just a clown) are a joy to watch as three very different moms relegated to the penalty zone at a child's birthday party because of bad behavior. The pressure to impress and conform amongst this circle of well-to-do mothers of children at an exclusive school makes it sound very much like a cult, but somehow these women are able to move beyond that and recognize the humanity in each other (after a lot of fighting), bonding over the reasons that each of them doesn't quite fit in. Rarely moving from a small square of turf marked off by pool noodles, the cast expertly delivers the tight and funny script, employing physical comedy and perfect timing in this polished and professional show. A momedy even those with no offspring can enjoy, as it tackles themes of "keeping up with the Joneses," the pressure to conform and fit in, and realizing that sometimes you need to break the rules because the rules are stupid.

Read all of my Fringe mini-reviews here.

"Musical Mondays" at Hell's Kitchen, June 2015

Last night was another fun night at Hell's Kitchen in downtown Minneapolis. On the first (or in this case second) Monday of every month, that's where you can find super-talented local theater artists and real life BFFs Max Wojtanowitz and Sheena Janson. They've hosted this monthly cabaret series "Musical Mondays" for almost three years. Each month features songs around a different theme performed by a different cast of amazingly talented singer/actors. Since it's June, this month's theme was Pride, i.e., gender-bending and/or inspirational songs.

This month's cast included George Keller (frequently seen at Ten Thousand Things), Grant Sorenson (Yellow Tree's Henry in Next to Normal), John Jamison (whom I have not seen in anything before), Liz Hawkinson (Julie in BCT's Carousel), and Stephanie Cousins (part of Yellow Tree's Ivey-winning production of The 39 Steps), with musical direction by Nic Delcambre. As usual the evening's program (which you can view in full on Musical Monday's Facebook page) included some familiar musical favorites, as well as many great songs I'd never heard before. Highlights of the evening include:

• The opening group  number set the stage for the evening - "Keep it Gay" from The Producers.
• The boys beautifully sang "At the Ballet" from A Chorus Line, which made me even more excited to see the Ordway's production next year!
• The girls hilariously sang "You're A Man" from The Full Monty.
• Liz Hawkinson made West Side Story's "Maria" sound like it was written for a woman to sing. Just lovely!
• John brought the house down with "When You're Good to Mama" from Chicago.
• Host Max took the mic and proved he is "The Hostess with the Mostess" (from Call Me Madam).
• George won the prize for best costume, changing accessories slightly for each character (something she no doubt learned from Ten Thousand Things). I never realized what a creepy song "Standing on the Corner" was, and her "I Am Adolpho" was ridiculous in the best possible way.
• Stephanie sounded gorgeous on "There But For You Go I" from Brigadoon.
• Grant sang a couple of Kerrigan/Lowdermilk songs - the charming "Stupid Boys" and the fun road trip song "Freedom," a duet with his middle school buddy Liz.
• In addition to leading the band (which also included guitar and percussion) on keyboards, Nic sang a couple of songs, including a lovely arrangement of "You Have To Be Carefully Taught" from South Pacific (which I cannot wait to see at the Guthrie next summer).
• The evening concluded with "Raise You Up/Just Be" from Kinky Boots (tour coming to the Orpheum this summer).

Here's were you can see the cast on stages around the Cities in the coming months:

• George Keller - an all-female production of Henry IV by Ten Thousand Things this fall
• Grant Sorenson - Yellow Tree's beautifully heart-breaking production of Next to Normal is heading to Alexandria's Theatre L'Homme Dieu in July
• John Jamison - The Wizard of Oz at Children's Theater Company this fall/winter
• Liz Hawkinson - Girl Friday Production's biennial production, The Matchmaker at Park Square Theatre in July
• Stephanie Cousins - Old Log Theatre's Best Little Whorehouse in Texas, opening this weekend

Be sure to like the Musical Mondays Facebook page for lots of good info about their schedule, performers, and songs. Next month, an all new and no doubt fabulous cast TBA will sing songs of summer on July 6. Show starts at 7pm, and for just a mere $5 you can be entered into a drawing to win theater tickets. Go see it with all of your musical theater-loving friends. I had a great time sharing the experience with my fellow bloggers at One Girl Two Cities and Minnesota Theater Love - check them out for more local theater coverage.

"The 39 Steps" at Yellow Tree Theatre

Yellow Tree Theatre concludes their excellent sixth season with the zany British spy thriller comedy The 39 Steps, in which just four actors play dozens of characters and employ many delightful theater tricks to tell a story and entertain. It's another great choice for Yellow Tree's intimate stage, with its small cast, period feel, and fast and funny dialogue. The terrific four-person cast, director Anne Byrd, and the design team have obviously worked hard to make all of the tricks and transitions run smoothly and look effortless. The result is great fun and good old-fashioned theatrical entertainment.

The 39 Steps is based on the 1935 Hitchcock movie of the same name, in which Richard Hannay, a bored English gentleman with dark wavy hair, piercing blue eyes, and a pencil mustache, gets involved with a spy and goes on a cross-country adventure to save the world from some unknown evil. And since this is 1935, evil has a German accent. But the details of the plot and the chase really don't matter, it's the fun of the way that the story is told that matters. I've previously seen the show in larger venues (Off-Broadway and the Guthrie), so I was curious to see how a smaller production would handle the tricks of illusion. In some ways the low-tech version is even more fun; we can see the actors manipulating the effects, often with a wink to the audience, which only adds to the entertainment. There's a free-standing spinning door that represents the change of rooms, a puppet show of a plane with crash and burn effects, a car created by a trunk and a few chairs, a chase that requires imagination to follow the actors and their flapping coats to the top of a train, empty frames that create the illusion of windows, and invisible blinds. The scene changes are done quickly, with set pieces rolling on and off stage with remarkable speed. This is one of those shows that would be just as entertaining to watch from backstage.

Tristan Tifft, Stephanie Cousins, Sean Byrd,
and Nathan Cousins go for a drive 

And now a word about the cast, all of whom have been seen on the Yellow Tree stage before. Sean Byrd only plays one character but he does it well - the smooth and charming Richard Hannay. Stephanie Cousins excels at playing three very different woman who each become involved with Richard in different ways. But Nathan Cousins and Tristan Tifft steal the show as the "clowns" who each play dozens of characters of all ages and genders. They're able to create distinct characters not just through a quick wardrobe change, but also through change of voice and physicality. Sometimes they play multiple characters within the same scene, with just a quick spin and a different hat and accent to mark the change. Kudos to Peter Lerohl for designing a flexible set with lots of hidden tricks and to Carolann Winther for the ever-changing costumes that help the actors create the many characters. The whole escapade through city, planes, trains, automobiles, moors, and theater is brilliantly choreographed and flawlessly executed.

The 39 Steps continues at Yellow Tree Theatre in Osseo through June 22. If you're a Yellow Tree fan I'm sure it's already on your schedule. If not, this is a good time to become one - head out to the suburbs and see what great theater you can find there (discount tickets available on Goldstar.com). And stay tuned for Season 7 which includes a classic play directed by an Ivey Award winner, a new Christmas play by the playwright of Miracle on Christmas Lake, and one of my favorite new musicals of this century.


This article also appears on Broadway World Minneapolis.

"Steel Magnolias" at Yellow Tree Theatre

This is my second season attending theater at Yellow Tree Theatre in Osseo (it's their fourth season), and I have to say again how much I love the idea of great theater in a strip mall in the suburbs at an affordable price.  As a suburbanite, I sometimes grow weary of driving into the city and dealing with traffic and parking issues to see a show.  So it's refreshing to go to a nearby town to an unassuming strip mall and enter a warm inviting space "where good stories live."  I love Yellow Tree's mission - to bring theater into the community and make it a part of the community.  If you're on the North and/or West side of the cities, you should definitely check them out.  And when you go, don't go to a chain restaurant in Maple Grove.  Check out Nectar Wine Bar on the quaint main street of downtown Osseo, a town that looks like it could be anywhere in outstate Minnesota.  You don't have to go to the city to get great food, wine, and entertainment.

Most people have seen the 1989 move Steel Magnolias, but it began its life as a 1987 Off-Broadway play written by Robert Harling (starring recent Emmy winner Margo Martindale, and Rosemary Prinz who portrayed half of soap's first supercouple, As the World Turns' Penny and Jeff).  Unlike the movie, the play takes place solely in Truvy's beauty salon and the only characters seen are the six women - Truvy and her customers.  Everyone else in their lives (men, children, dogs) are talked about but never seen.  In fact there really isn't any action in the play; it's six women talking about their lives, which really puts the focus on the friendship between these women.  Through laughter and tears and insults, they're there to support each other through life.

The show takes place on four Saturday mornings over a couple of years, marked by events in young Shelby's life - the morning of her wedding; the following Christmas when she announces that she is pregnant, which poses a danger to her health; shortly before her mother donates a kidney to her; and (spoiler alert!) after her death.  Truvy (Jennifer Allton) presides over these events while washing and setting hair and doing nails.  Her new assistant Annelle (the appealing Amy Bouthilette) transforms from an insecure abandoned wife, to a party girl, to a born-again Christian, to a wife and mother.  Jennifer Kirkeby is the delightfully grumpy and matter-of-fact Ousier, and Mary Cutler is her adversary, the wealthy and recently widowed Clairee.  But the heart of the story is Shelby (Stephanie Cousins) and her mother M'Lynn (Doree Du Toit).  The two actors have a believably loving and antagonistic relationship as mother and daughter.  M'Lynn wants to protect her daughter from her own bad choices, and is frustrated that she can't.  The last scene is a killer as M'Lynn rails against the world for what happened to her daughter.  You might need tissues, but it won't last long.  As Truvy says, "laughter through tears is my favorite emotion."  Which is only one of many great quotes in this play.

Yellow Tree's small stage is transformed into a colorful, busy, and homey salon, chock full of beauty products and chotchkes.  The bad 80s fashions and hairdos complete the picture.  Southern accents are employed to varying degrees of success.  All in all, Steel Magnolias an entertaining evening of theater at the lovely Yellow Tree Theatre.  The rest of their season consists of a sequel to their wacky Christmas comedy, Miracle on Christmas Lake II, an "adventure fantasy drama" Still Life with Iris, and the classic Tennessee Williams play (and one of my favorites) The Glass Menagerie.  Another great season of theater in the 'burbs.