"Little Shop of Horrors" at the Guthrie Theater

For their summer musical this year, the Guthrie has chosen the cult favorite Little Shop of Horrors. The 1960 B-movie filmed in just two days (per a great article in the program) - turned successful Off-Broadway musical - turned 1986 film starring Rick Moranis, Ellen Greene (from the original Off-Broadway cast), and Steve Martin - finally landed on Broadway in 2003. And 20 years later it's on the Guthrie stage, the first regional theater to produce a Broadway musical in 1983 (per another great article in the program). It's a bit of a departure from the more classic musical fare usually seen at the Guthrie, and it's a risk that has paid off greatly. This production leans heavily into the story's B-movie roots, features a super talented (and mostly local) cast, and is loads of fun while not ignoring the tragic aspects of the story. Visit the Guthrie through August 18 to see this fantastic production of this brilliant little musical, but please, don't feed the plant.

"Little Shop of Horrors" at Artistry

I love Little Shop of Horrors. While I wasn't too familiar with the beginnings of it (it started as an Off-Broadway musical in the early '80s and was made into a movie in 1986), I was lucky enough to see the original Broadway run when it finally landed there in the early aughts. The campy and nostalgic story of a 1960s plant shop employee who sells his soul to the devil in the form of a man-eating plant is full of unique charm. It may not be a typical musical with its small cast, small band, and darkly comic subject matter, but it has become a classic, and I'm glad that Artistry (formerly known as Bloomington Civic Theatre) continues to include non-traditional musicals in its programming, even if the BCT Sunday matinee crowd didn't seem that into it. I overheard a comment in the ladies' room that "it's not Camelot," but that's exactly the point. Artistry's production is perfectly cast, features a fun and colorful set, and beautifully captures that campy tone - definitely worth the drive to the southern suburbs.

"Little Shop of Horrors" by 7th House Theater Collective at Open Eye Figure Theatre

The great thing about the Twin Cities theater community is that not only can you see big lavish productions at the Orpheum, Ordway, or Guthrie, but you can also see small low-tech productions in odd or tiny spaces that will surprise and delight you every bit as much as those big productions, or even moreso. 7th House Theater Collective's 7-person (7 must be their magic number) stripped-down version of the cult horror movie turned off-Broadway musical Little Shop of Horrors is just such a show. This darkly funny and surprisingly sweet musical about a man-eating plant and the poor schlub who sells his soul to it, featuring a fun doo-wopy score, has long been one of my favorites, but I've never seen it quite like this. This talented young ensemble of seven (with no director to guide them) has put their own creative spin on this classic and created something fresh and fun and original.

If you've never seen Little Shop in any of its incarnations (see also the 1986 movie), here's a brief plot summary. Aspiring botanist Seymour finds a strange and interesting plant and brings it into Mushnik's Flower shop, where he works with Audrey. He soon finds out that the plant, named Audrey II, will only grow if he gives it blood, but in return it makes Seymour's life wonderful - the failing flower shop flourishes, Seymour becomes famous, and most importantly, he thinks it makes him look better in Audrey's eyes. But the dilemma comes when Seymour needs to find more sources of blood to satisfy Audrey II's growing appetite. He's sold his soul to the devil and there's no turning back.

On the tiny stage at Open Eye Figure Theatre, 7th House brings this morbidly hilarious world to life in a delightfully inventive and low-tech way, involving an overhead projector, a plastic shower curtain, a skull, fake blood, and a series of increasingly larger cardboard boxes. The show runs about 90 minutes including a short intermission, which feels exactly the right length. Similar to what Ten Thousand Things does in their productions, they've stripped the show down to its bare essentials to get to the heart of the piece, without any unnecessary fluff.

Company member Grant Sorenson plays Seymour with just the right mix of sweetness, lack of self-confidence, and a growing inner determination to do what he has to do to get what he wants in life, mainly Audrey. As Seymour's love, Maeve Moynihan is pitch-perfect, both in her powerful voice and in her portrayal of Audrey's charming ditziness. I've watched Maeve grow up on local stages; just six years ago she was little Carrie Ingalls in a musical version of Little House on the Prairie at the Guthrie, and now she's all grown up and playing one of the most iconic roles in musical theater. In between she was young Violet in my favorite Theater Latte Da show Violet (when I referred to her as "teenage wonder"), and Dorothy in The Wizard of Oz at the Children's Theatre (at which time I said "I only hope that after she becomes a big Broadway star she comes home every now and then to grace us with her talent"). It's a thrill to see her back on stage playing an adult, and I look forward to seeing what her bright future holds. Grant and Maeve make for a completely adorable Seymour and Audrey, and if you don't get chills at the end of "Suddenly Seymour," one of the best musical theater love songs ever written, you probably don't have a soul.

6/7 of the cast of Little Shop of Horrors
(photo by Kelly Nelson)

The other five members of the ensemble play all of the other roles, sometimes at the same time. Gracie Anderson, Liz Hawkinson, and Catherine Noble as the girl group Greek chorus sound fantastic and deliver the campy material the way you need to - with complete conviction. Robert Frost provides most of the musical accompaniment at the piano and serves as Musical Director, as well as occasionally getting in on the action of the show. Company member David Darrow's take on the gleefully maniacal and sadistic dentist, whether abusing poor Audrey, singing to his mother in a Norman Batesian kind of way, or getting high on laughing gas, is a true delight (and oh, by the way, he also plays guitar, trumpet, and percussion). In a clever twist, both Mr. Mushnik and Audrey II are played by the entire ensemble, which is kind of genius and turns what are usually duets into really fun group numbers in "Mushnik and Son" and "Feed Me." Seeing Seymour surrounded by the voice of the plant in several bodies gives it a whole new dimension.

This is only 7th House's third production as a company, after debuting last summer with a groovy production of Hair, followed earlier this year by the smart and sexy Cinephilia. If this group of young talented theater artists who have created a space for their work is not yet on your radar, they should be. Their next show is something that makes me very happy - a musical collaboration between David Darrow and the super talented couple Mary Fox and Blake Thomas*. Blake is one of my favorite musicians and an incredibly talented songwriter, and I got a taste of David's songwriting skills in his Fringe show a few years ago, so the two of them writing and creating together is something I would not miss for the world. Jonah and the Whale will play in the Guthrie's Studio Theater this December. But in the meantime, head to Open Eye to experience this darkly funny and delightfully inventive Little Shop of Horrors (playing through June 29 only).



*Click here to listen to Blake and Mary's radio show, Take it With You, recorded live monthly in Duluth. It's a wonderfully new and fresh take on the old radio variety shows of the past, full of hometown humor, heart, and Blake's original music.


This article also appears on Broadway World Minneapolis.

"Little Shop of Horrors" by Mu Performing Arts at the Ritz Theater

It's been a great week for musical theater here at Cherry and Spoon.  I saw two of my favorite musicals; both productions are fresh, interesting takes on a classic by a local theater company, featuring a great cast led by one of my local faves, at a charming historic venue.  Earlier this week I saw Frank Theatre's brilliant Cabaret at the Minnesota Centennial Showboat, and last night I saw the quirky, funny, heart-breaking, bloody little musical Little Shop of Horrors by Mu Performing Arts at The Ritz Theater.  The fact that this version of Little Shop features an all Asian-American cast is not what makes it unique and in-ter-esting (like that plant in the window).  It's a production full of new and innovative choices, the biggest one being that the man-eating plant, Audrey II, is played by a woman.  This offers a whole new dimension to the plant, giving it more character, and to the play as a whole.  In other versions I've seen, Audrey II is played by a black man with a deep, booming voice who never appears onstage in bodily form.  This Audrey II appears onstage along with the puppet version of the plant, so you're watching the actor and the puppet simultaneously (similar to Avenue Q, which I'm looking forward to seeing at Mixed Blood in a few weeks).  Sheena Janson plays the plant as a sultry, seductive devil on Seymour's shoulder.  She doesn't often speak, but she's always there in the back of the flower shop, letting us know exactly what she's thinking by the expressions flitting across her face.  The audience can more clearly see how Audrey II is driving the action in Seymour's life.  Audrey II gives Seymour everything he ever wanted, but like most deals with the devil, there's a price and it doesn't end well.

Who else would play Seymour besides the multi-talented Randy Reyes?  I can't think of anyone better for the role, regardless of race.  The role suits him very well, both vocally (I've never heard him sound better) and as an actor.  He gives Seymour that sweet, nerdy, charm that makes the audience root for him even as he's killing people.  It's not his fault, the plant made him do it!  And his love for the original Audrey, Sara Ochs, is unconditional and beautiful.  Seymour and Audrey are two broken people who find each other.  He treats her the way that she deserves to be treated, and she sees the potential in him.  "Suddenly Seymour" is one of my favorite musical theater duets of all time, and Randy and Sara do it beautifully.  Sara also does a beautiful job with my other favorite song, the sad longing lament wrapped up in '50s idealized domesticity, "Somewhere that's Green."

This is an all-around great cast, from Eric "Pogi" Sumangil as Audrey's sadistic dentist boyfriend with the demented laugh, to the girl group Greek chorus of Katie Bradley, Molly Pan, and Suzie Juul, and everyone in between.  The orchestra sounds great, which is no surprise since it's directed by Denise Prosek of Theater Latte Da.  The plant puppetry and costumes are really well done (I particularly liked Audrey II's crazy plant hair and eyelashes), and the set is interesting and well-utilized by the cast.

Little Shop of Horrors is just a typical boy-meets-girl story.  Boy meets girl, boy wins girl, (spoiler alert!) girl gets eaten by boy's plant.  Mu does a wonderful job with it.  It's playing through next weekend so go check it out if you love a good man-eating plant story as much as I do.

Shows I’m Looking Forward to in 2011

Happy 2011 friends! A new year brings new plays and musicals to go see. Here are a few I’m excited to see in the first part of this year.  (Click on the title for more info and to purchase tickets, although not all of them are available yet.)

Into the Woods, Bloomington Civic Theater, January 14 – February 13
I’ve been hearing good things about the Bloomington Civic Theater and seen it listed in the bios of some of my favorite new actors, so I’ve been itching to check it out. This show fits nicely into my goal to see more Sondheim, so it’s worth the drive across town.
Update: read my review of the show.

Doubt, Ten Thousand Things, February 11 – March 6
There are five reasons to see this show: 1) Ten Thousand Things’ stripped-to-the-core style of theater; 2) A Tony-award winning play about “A fiery battle between a nun and a priest over suspicions of the sexual abuse of a child. Can you get at the truth, when the truth is so colored by our lenses of experience?” 3) Peter Rothstein, my favorite director and Artistic Director of Theater Latte Da; 4) Sally Wingert, who, like Meryl Streep who played the role in the movie, can play anything from comedy to drama and everything in between, and elevates everything she’s in; and 5) Kris Nelson, another of my favorite actors who never disappoints. Any one of those five reasons would be enough to get me to this show, but with all five of them? I’m counting the days!
Update: read my review of the show.

Song of Extinction, Theater Latte Da, February 25 – March 20
Peter Rothstein is a busy man! He’s also directing this Theater Latte Da “play about the science of life and loss, the relationships between fathers and sons, Cambodian fields, Bolivian rainforests and redemption.” I don’t know anything about this play and don’t recognize any of the names on the cast list, but I’ve never met a Latte Da show I didn’t love. And they do a great job casting their shows, so I might discover a few new favorite actors too.
Update: read my review of the show.

HAIR, Orpheum Theater, March 1–6
You can read more about my obsession with the 1968 musical HAIR near the bottom of my 2010 Top Ten list, but suffice it to say I saw it twice on Broadway last year, including making a special trip to NYC just to see the original cast before they moved to London. So yeah, I’m a fan. There’s not much of a plot, but with great music, incredible heartfelt performances, a message of love and peace and togetherness, and a chance to be harassed by hippies, who needs a plot? Since both the Broadway and London shows have closed, I look forward to seeing some familiar hippies, including original tribe members Paris Remillard and Steel Burkhardt as Claude and Berger.  It's only here for a week so get your tickets now!
Update: read my review of the show.

Little Shop of Horrors, Mu Performing Arts, March 19 – April 3
This musical about the plant that eats people is one of my favorites, and “Suddenly Seymour” is one of the best musical love songs ever. Mu usually does Asian-American themed pieces, but this is their chance to cast Asian-Americans in roles they wouldn’t normally be cast in. Randy Reyes is playing Seymour, and I’m sure he’ll be completely charming and funny and touching, as is required in Seymour.
Update: read my review of the show.

Avenue Q, Mixed Blood Theatre, March 25 – May 29
Avenue Q is a refreshingly original and funny musical featuring puppets, like an R-rated Sesame Street. I’ve seen it once on Broadway and once on tour, and I’m very curious to see how Mixed Blood stages this show in their intimate space.
Update: read my review of the show.

[title of show], Yellow Tree Theatre, April 22 – May 15
My favorite little theater in Osseo is doing a musical, and I can’t wait to see how they do it! Wikipedia says “The musical documents its own creation by two Broadway fans, who want to enter the New York Musical Theatre Festival. It follows the team's struggle to complete the show in three and a half weeks with the help of their two actress friends.” It sounds like it’s right up Yellow Tree’s alley, and I think I’m going to love this "musical about two guys writing a musical about two guys writing a musical."
Update: read my review of the show (hint: I did love it).

Next to Normal, Ordway Center, May 10–22
I saw Next to Normal on Broadway shortly after it premiered in 2009, and saw it again last year. I walked into the theater the first time knowing almost nothing about the show, other than it had gotten good buzz and it was about a family struggling with mental illness. Sometimes that’s the best way to see a show; I was blown away. It won a Tony for the brilliant rock score, but lost the best musical Tony to Billy Elliot. The six-person cast was amazing, and Alice Ripley won the Tony for her role. Lucky for us she’s reprising her role in this tour. If you want to see a Tony-winning actress in a bold, brilliant, truly original musical, go see Next to Normal. Expect to be emotionally drained by the end of the evening (in a good way ;).
Update: read my review of the show.

A Funny Thing Happened on the Way to the Forum, Jungle Theater, June 10 – July 31
Again, more Sondheim. I’ve only seen one musical at the Jungle, the completely fabulous Hedwig and the Angry Inch. So I have high expectations for this show. I don’t think I’ll be disappointed.
Update: read my review of the show.

HMS Pinafore, Guthrie Theater, June 18 – August 28
My favorite show that I’ve ever seen at the Guthrie is the Gilbert and Sullivan musical The Pirates of Penzance. It was the final production of my first season as a subscriber in 2004, and I loved it so much I saw it twice. With pirates climbing down from the balconies and flying in on ropes, costumes that were to die for, a fantastic cast, and Gilbert and Sullivan’s clever use of language and rhythm, not to mention a song about the Pythagorean Theorem, this is one of those shows I wish I could travel back in time to revisit. If this production of Gilbert and Sullivan’s HMS Pinafore is even half as good as The Pirates of Penzance was, I know I’ll love it. I’m also hoping that some of my local musical theater faves will be in it.
Update: read my review of the show.

2011 is shaping up to be another great year for theater in Minneapolis/St. Paul.  I hope you get to one or two of these shows, and let me know if there are others you're looking forward to.  FYI you can always see what shows I've got coming up in my schedule in the "Upcoming Shows" section on the right-hand side of this page.  Click on the show name for more information and to order tickets.

I hope your 2011 is filled with health, happiness, and great theater.