"Significant Other" at Lyric Arts

The 2017 Broadway play Significant Other had its regional premiere at Six Points Theater in 2020, just before the pandemic shuttered theaters for 18 months, and five years later this funny, poignant, relatable play is worth a revisit. Lyric Arts has programmed it as the penultimate show of what has turned out to be an excellent 2024-2025 season, and has found the perfect director, design team, and cast to put their stamp on this well-written play. Significant Other is about, well, finding a significant other. Society put so much pressure on us to be coupled, a pressure that our protagonist Jordan feels increasingly strongly as he watches his friends get married. I didn't think it was possible, but I loved this second experience with the play even more than the first. It's a perfect cohesion of script, direction, design, and performance that made me both laugh and cry - my favorite kind of show. See Significant Other at Lyric Arts in Anoka Thursdays through Sundays until June 22, and start your summer theater season off right.

"Ode to Walt Whitman" at Open Eye Theatre

While the lives of 19th Century American poet Walt Whitman and early 20th Century Spanish poet and playwright Federico García Lorca (whose play was the basis for the musical Bernarda Alba) did not overlap chronologically, their lives and their work did overlap thematically. And in fact, Lorca wrote a poem called Ode to Walt Whitman, which was the inspiration for a puppetry play of the same name, which Open Eye Theatre has brought to their stage as part of their Guest Artist Series. The 70-minute show feels very much like a poem with puppetry and music, and like all poems, does not follow a straight-forward narrative. Rather it's a series of images and ideas that evoke emotion. This lovely, inventive, thoughtful show is playing through June 8 only.

"ORLANDO: A Rhapsody" by Vinora Epp at the Southern Theater

In her directorial debut ORLANDO: A Rhapsody, Paris-based theater artist Vinora Epp talks about growing up in a theater, and the wonder and joy that brought to her childhood. The theater that she speaks of is one that's familiar to many in #TCTheater - Tony-winning Theatre de la Jeune Lune, which sadly closed its doors in 2008 just two years before I started this blog. Vinora saw her father Steven Epp, now Co-Artistic Director of The Moving Company, play Hamlet when she was seven years old, and was so taken by it that she wanted to play Hamlet too, unfazed by the fact that she's a girl and typically girls don't get to play Hamlet. Thus began a lifelong exploration of gender and storytelling, culminating in this piece that she co-wrote and performs with her father. Combining the writing of Virginia Woolf, Shakespeare, and personal stories, the daughter-father duo weaves a compelling and fluid narrative. ORLANDO: A Rhapsody performs at The Southern Theater on off days (typically Sunday through Tuesday) of The Moving Company's lovely original piece at low tide (performing Wednesday through Sunday). There are a couple of days with performances of both shows, which would make a nice double feature.

"The Addams Family" by Unlabeled Theatre Company at Park Square Theatre

I saw my second production by Unlabeled Theatre Company this weekend, and it was once again so heart-warming, inspiring, and fun. Unlabeled has a unique performance model, in which they pair an actor with a disability or who is neurodivergent with a neurotypical actor - a "shadow partner." Because everyone deserves to be part of theater, whether that's on stage, backstage, or in the audience. And theater is the better for it. In this difficult time in our country when inclusion, accessibility, and diversity seem to be dirty words, it's reassuring to know that our theater companies are continuing to not just say these words, but live them. The Addams Family is a musical that's all about familial love and loyalty, if a bit odd and macabre, and is another great choice for this company. The one-weekend-only run concludes tomorrow (click here for tickets), with their next scheduled production the super fun Something Rotten! next January.

"Berlin to Rügen" by Michael Rogers at Phoenix Theater

Traveling by train through Europe, specifically Germany (or even better - Switzerland), is one of life's greatest pleasures. I highly recommend it if you haven't done it yet. Firstly, it's so easy and convenient and accessible; you can get anywhere, and America has a lot to learn from Europe about public transit. But it's also a fun and relaxing way to travel. You can get up and walk around, get a snack, or just stay in your seat and nap or read or stare out the window. Watching the world pass by is an ideal environment for rumination, about the big and the little things in life. Such is the beginning of Michael Rogers' new solo show Berlin to Rügen. It starts off with a person on a train staring out the window and ruminating about their life, and then those ruminations go places I wasn't expecting. Places that are funny or heart-wrenching, and often both. See this new work by the artist who gave the best performance I saw a Minnesota Fringe last year, through Saturday only at the Phoenix Theater in Uptown.

"Between Riverside and Crazy" at Park Square Theatre

Park Square Theatre was planning to produce the 2015 Pulitzer Prize-winning play Between Riverside and Crazy in 2023, shortly after its Broadway premiere, when they ran into financial issues and had to cancel half of that season and all of the next one. But they came back last summer with a new Artistic Director, Stephen DiMenna, who has long been trying to stage this play (read more about that journey here). It has finally arrived as the final show in Park Square's excellent comeback season, and it was worth the wait. The well-written family dramedy that deals with gentrification, racism, drug addiction, and policing has been perfectly cast with #TCTheater favorites and newcomers, on an incredibly detailed and lived-in NYC apartment set. Between Riverside and Crazy plays Thursdays through Sundays until June 8 in the Historic Hamm Building in downtown St. Paul.

"Whoa, Nellie!" at the History Theatre

Just over a year after its "Raw Stages" workshop, when I declared it "my favorite of the three readings I saw," the new original historical musical Whoa, Nellie! makes its debut on the History Theatre stage, and it's even better than expected! The musical is about the life, loves, and crimes of the little-known historical figure known by many names including Nellie King, a "cowboy detective" and notorious outlaw who was the subject of many explosive headlines in the newspapers of the Midwest in the late 19th Century. Playwright/composer/lyricist Josef Evans (who created Open Eye Theatre's delightful trilogy of outdoor summer musicals at the Bakken Museum in the early post-pan years) has set Nellie's story as a Vaudeville show and incorporated other, more well-known, historical figures of the era. The result is a wild ride of a show that gallops through history and multiple states as it explores very 21st Century themes of gender identity, sexism, racism corrupt journalism, drug addiction, and celebrity culture. So put on your cowboy boots and head to the History Theatre in downtown, where you'll need to saddle up and hold on tight to the reigns of this fun and fantastical musical (continuing through June 8).

"at low tide" by The Moving Company at The Southern Theater

I love The Moving Company, but they make my job very difficult. Because mere words cannot describe the magic that they create on stage. I didn't fully understand everything that was happening on the Southern Theater stage last night, but I found myself inexplicably moved by the combination of words, silence, movement, performance, sound, and lighting. I guess that's why they call themselves The Moving Company; they move people, and isn't that what art is all about? So I can't tell you exactly what you'll see if you go see at low tide (and you should), and what you see may be different from what I saw. But I can guarantee that you will be moved, and transported into another dimension for about 80 minutes.

Broadway tour of "& Juliet" at the Orpheum Theatre

The nine-time 2023 Tony nominated musical & Juliet arrived at the Orpheum Theatre in downtown Minneapolis this week. I knew very little about the show going into it, other than it had something to do with Shakespeare's Romeo and Juliet, and the score was comprised of pop songs. No expectations often leads to a great experience at the theater, and that was definitely the case here. The book (written by Schitt's Creek writer David West Read) is very clever in its meta structure, includes lots of Shakespeare references and a bit of rhyme, and is modern, feminist, and very funny. The score features well-chosen pop songs by artists of the last few decades, from Britney Spears to the Backstreet Boys to Katy Perry, all of them written or co-written by prolific Swedish songwriter Max Martin. And despite the fact that I knew maybe a third of these songs (I'm a nerd, I don't know pop music from any decade), I found it to be a really fun, entertaining, feel-good show. & Juliet continues at the Orpheum Theatre through May 18 only.

"Three Sisters / No Sisters" by Theatre Pro Rata at the Crane Theater

I love seeing plays in rep, with a company of actors performing multiple plays in rotation over a period of time. It's especially satisfying when the plays are related (e.g., the Guthrie's epic History Plays last year). But Theatre Pro Rata is taking repertory theater one step further into something called simultaneous theater. Not only are they doing two shows in rep, they're being performed simultaneously! With the same cast! In the same building! On the stage of the Crane Theater, the funny and tragic and very human world of Chekhov's Three Sisters is playing out, while at the same time in the lobby of the theater, Aaron Posner's No Sisters is unfurling with the characters who are not on stage. After seeing the first one I reported that Theatre Pro Rata's Three Sisters as a stand-alone piece is an excellent production of a classic play that feels modern and relevant and relatable. A few days later I saw No Sisters and found it to be a delightful companion piece - similar in theme but very absurd and meta, giving us more insight into the minor characters. Note that the audience space in the lobby is limited, so if you want to see both plays you should get those tickets now (and yes you do have to go back on another day to see it), but if you can only see one, Three Sisters is an entirely satisfying experience on its own (although it may leave you wondering about the string of expletives coming from the lobby).

"Bart and Arnie" by Melancholics Anonymous at The Hive Collaborative

Adam Szymkowicz's play Bart and Arnie is a sweet, odd, funny, and relatable little play about friendship and existential angst. Using familiar characters from most of our childhoods, he explores ideas of mental health, relationships, careers, and just the difficulties of getting through the day. Melancholics Anonymous' production, now playing at The Hive Collaborative, is super sweet and genuine, and will leave you with a warm fuzzy feeling. Their work is sometimes a little dark, a little weird (they're making their debut at Twin Cities Horror Festival this fall, which seems like it's a long time coming), but this one is dark only in the sense of dark thoughts that we all have, and weird in the most charming way. It's playing through May 18 only, so head to The Hive for some nostalgic fun.

"Sanctuary City" at Theatre in the Round

I'm not sure it's ever happened before that Frank Theatre and Theatre in the Round have done the same show in the same season. Frank has been around for 35 years, and does risky, interesting, meaningful plays (that are sometimes a little weird and dark). Theatre in the Round, the oldest theater in Minneapolis, is known for their Agatha Christie mysteries and more classic choices, but also isn't afraid to challenge their audience with some new or lesser known work. However it happened that both theaters produced Sanctuary City within a few months of each other, it's fortunate for #TCTheater goers. This play by Polish-American playwright Martyna Majok (whose work Frank introduced us to last year with the fantastic play Ironbound) is brilliantly written and incredibly timely, as it tells the story of two teenagers who came to this country with their parents as children, and are now faced with the uncertainty of living as undocumented immigrants. Something that's even more terrifying under this administration, and has even gotten worse since Frank's production of this play just three months ago. I don't think there's a large intersection in the Venn diagram of Frank's audience and TRP's audience, so I hope more people get to see this play. There was a small crowd on the Saturday night I attended, but I hope that Theatre in the Round's audience gives this show a chance. It's a bold choice for them, and they do a wonderful job with it. If you missed Frank's production of Sanctuary City, or you want to see another interpretation of it, check it out at Theatre in the Round weekends through June 1.

"Violet" by Ten Thousand Things at Hennepin Avenue United Methodist Church

I fell in love with the 1997 Off-Broadway musical Violet when I saw Theater Latte Da's gorgeous production in the Guthrie's Dowling Studio in 2010, just before I started this blog. Something about this story of a young woman who goes on a journey in search of healing and a new life, only to find it in herself, really resonated with me, and still does. And Jeanine Tesori's score that combines influences from Appalachia, Memphis, country, and gospel has become one of my favorites. Coincidentally, 2010 is also the year I saw my first Ten Thousand Things show, after which I declared "I'm hooked;" I don't think I've missed one of their shows since. Not only is their mission the best one I can think of (to bring theater to people who don't otherwise have access to it), but their shows are always clear and unencumbered, allowing the true heart of the piece to shine through. Now, finally, these two favorites that I discovered 15 years ago have come together in a sparsely beautiful and rawly emotional production of Violet that is sure to create new fans of this musical (which I believe has only had one other local professional production since Latte Da in 2010, although it did eventually make it to Broadway in 2014, starring Sutton Foster and Joshau Henry). A talented cast of eight (plus one musician) takes us on this epic emotional journey in just about 100 minutes, in a fully lit room with minimal sets and props, using just the power of their voices and talents plus our collective imagination. This bus will continue to travel on through June 1 at various locations, primarily at Hennepin Avenue United Methodist Church (near the Walker, with a large free parking lot).

"Time Piece" by Zorongo Flamenco Dance Theatre and the Flying Foot Forum Featuring Katha Dance Theatre at Park Square Theatre

I caught the first preview of the new dance show Time Piece at Park Square Theatre last night, and it was the most magical experience. I was there to see Flying Foot Forum, a favorite since the early days of this blog for their infectious and exciting percussive dance style. But I was blown away by the artistry of all three companies and the way that they worked together and intermingled their seemingly different styles, representing traditional dance forms from around the world. Dance is one of the universal languages that unites us all, and is one of the oldest forms of storytelling. This collection of pieces definitely tells stories, evokes emotions, and is just mesmerizing to watch. Time Piece officially opens Saturday and runs through next weekend only on Park Square's Andy Boss Stage (with the Pulitzer Prize-winning play Between Riverside and Crazy opening in their main theater next week), so head to St. Paul soon to experience the joy and beauty of these three dance companies.

"An Act of God" at Six Points Theater

The 2015 (and 2016) Broadway play An Act of God, written by former The Daily Show head writer David Javerbaum, is delightfully irreverent but still respectful of faith. Think The Book of Mormon (which is referenced), or that scene in Spelling Bee in which a contestant asks Jesus to help them win the spelling bee and Jesus shows up to say, "It's not the kind of thing I care that much about." On Broadway the character of God, who speaks directly to the audience, was played by a man, but Six Points Theater wisely chose beloved #TCTheater veteran Sally Wingert to star in their new production, and I truly cannot think of anyone better to embody God. The play is so smart, so funny, so relevant, and this production, with a talented cast and sharp design in the intimate space in Highland Park Community Center, is really just the best. If you're looking for a hilarious comedy with substance, that'll make you laugh and nod your head in agreement and maybe gasp a time or two, don't miss An Act of God!

"Sickle" by Theatre Novi Most at Mixed Blood Theatre

Sickle is a brutal play that's tough to watch. This is not a play to go to for a fun night out and to forget your troubles. It's a play that shines a light on a little known part of history known as the Holodomor, a genocide by starvation perpetrated by the Soviet Union on the people of Ukraine in the 1930s, with striking parallels to what's happening today. This Minnesota premiere play, written by Chicago-based playwright Abby Fenbert, is beautifully and devastatingly brought to life by Theatre Novi Most and an incredible cast of five women, baring their souls on stage as they pay homage to the strength and resiliency of the Ukranian people, particularly the women. I can't help but be reminded of the story of the Ukranian woman who, in the early days of the current war, gave sunflower seeds to a Russian soldier so that when he died on Ukranian soil, something beautiful would grow. That woman is a descendent of the women represented in this play - fierce, loyal, loving women who will stop at nothing to protect their family, their home, their land. The limited run of Sickle concludes on May 10, click here for tickets and info on special events like live music and a Ukranian food truck. Novi Most is partnering with Stand with Ukraine MN for this production; click here to find out more about them and learn how you can support Ukraine in their current crisis.

"When We Are Found" at Penumbra Theatre Company

After producing his beautifully tragic play Sugar in Our Wounds two years ago, Penumbra Theatre commissioned playwright Donja R. Love for a different sort of play; a fable, a fantasy, "a meditation on enduring love through thee forced parting precipitated by the transatlantic slave trade" (Penumbra's President Sarah Bellamy in a note in the program). Sugar in Our Wounds tells the doomed love story of two enslaved men in the South shortly before the Emancipation Proclamation, and When We Are Found is almost like a prequel to the story, as well as a modern-day coda. Running just over an hour, it's a lyrical, fantastical, fluid celebration of unbreakable love. See it at Penumbra in St. Paul's Rondo neighborhood through May 18.

"The Nacirema Society" at the Guthrie Theater

The Guthrie is returning to playwright Pearl Cleage's repertoire* after producing the beautifully tragic Blues for An Alabama Sky two years ago. Unlike that play, which was set in 1930s Harlem, The Nacirema Society is actually set in Alabama, and there's no tragedy, only comedy, romance, and a whole lot of fun. Set against the backdrop of the Civil Rights Movement in 1964 Montgomery (there's a nice article in the program about the events of that "memorable year"), The Nacirema Society is a multigenerational story of a wealthy and powerful Black family preparing for a debutante ball. The playwright summarizes it best (quoted in a program note from Artistic Director Joseph Haj): "Even in the midst of massive social upheaval and revolutionary change, people still found time to fall in and out of love, to keep the family secrets or spill the beans, and to embrace the great human chaos of their very specific lives." That feels very familiar and very human; with all the madness happening in the world right now, we still have to live our day to day lives and find joy wherever we can. And The Nacirema Society, with a fantastic cast of Black women (plus one token guy) and stunning design, is one such source of joy. See it on the Guthrie's thrust stage now through May 24.