Show: 25
Category: Comedy / Drama / Physical Theater
By: LandmanLand
Written by: Sam L. Landman
Location: Rarig Thrust
Summary: An insult comic wakes up after 15 years in a coma and finds that everything has changed.
Highlights: I did not see Sam Landman's 2010 Fringe show A Sad Carousel (my first year at Fringe was 2011), but that did not affect my enjoyment of this sequel at all. The premise of the story is very clear, and the 15-year time lapse sets up lots of jokes of things that are no longer (Joann Fabrics, HUGE Theater, The Iveys). To begin the show, Herschel Douscheburg (played by Sam) wakes up in the Tyler Michaels King Memorial Hospital, the first in a string of TMK jokes. In fact the self-referential #TCTheater jokes abound (including about theater bloggers!), with many pokes at Fringe itself (and even a recorded appearance by Fringe artist and employee Amber Bjork). Because Herschel decides to use Fringe as his comeback, with the help of his longtime agent (Peter Ooley) and despite the protest of the Gen Z "comedy kids" troupe (Mae Ryan, Riley Eckman, and Elle Hinds) that practices gentle and bland comedy. Eric Webster and Jane Froiland play many characters, the former in a bored lackadaisical manner and the latter in over-the-top old-timey voices, often referred to by Sam as Webster and Jane (she's equity!). There are tons of clever and funny props, some of which are only on stage for a minute (how do I get a subscription to Fringe Hunks Monthly?). Directed by Shanan Custer, the show is ridiculous and ridiculously funny, with a playful tone that allows for ad libbing, fourth-wall breaking, and playing with the audience. It's just a whole lot of fringey fun, that also reminds us of the importance of comedy in society, because people who can't laugh at themselves cannot be trusted.
Final show today (Saturday) at 1!
