The majority of the play takes place in Della's bakery in North Carolina, where she makes cakes for special occasions and is preparing to be on The Big American Bakeoff (a fictional show, but if it were real I'd totally watch it). Into her safe little world enters Jen, her best friend's daughter, and her fiancée Macy. Most of Jen's family has moved away, but since her mother's death she feels a real connection to this place, and wants to get married there. She asks Della to make her wedding cake, but Della is stuck in a belief system that tells her same sex marriage is wrong, so she tells Jen she's too busy. Jen is disappointed but accepts this; she has a foot in both worlds and understands it, but Macy is upset to see Jen rejected in this way by someone she loves. But it's not an easy decision for Della, she's heartbroken and conflicted, and the interaction with Jen and Macy forces her to examine her life and her relationship with her husband Tim, which isn't what she wants it to be. There is some really beautiful character growth as Della is changed forever by meeting these two women so confident in their love for each other, Tim (eventually) hears his wife and makes an effort to improve their relationship, Jen grapples with some deep-seeded beliefs that no longer serve her, and Macy begins to see that not everything is as black and white as she thought.
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| Jen (Via Logan) and Della (Jenny Ramirez) (photo courtesy of Theatre in the Round) |
To get to your seat at Theatre in the Round, you need to walk through the cake shop and see the sweet pink cake boxes in pink-trimmed display cases up close. The floor is tiled in white and pink to complete the adorable look. A few scenes take place in both couples' beds, which is neatly pulled out from a structure built into one of the entrances. The baking aspects are charmingly represented by fabric, as Della pulls a silk scarf out of a bowl she's "mixing," or struggles with fabric "dough" wrapped around her. A soundtrack of appropriate songs plays before the show and during scene transitions, and the costume design tells us who these characters are. (Scenic design by Keven Lock, lighting design by Todd M. Reemtsma, costume design by Emma Shook, prop design by PJ Graber, sound design by Jennie Ward.)
We all have people in our lives whom we love, but have beliefs contrary to our own. It's hard to know what to do in those situations - do you argue with them, not talk about it, or cut them out of your life entirely? The Cake shows us another way, but doesn't provide a simple solution. The road towards connection is bumpy and awkward and not linear, but sometimes it leads towards a delicious reward of cake.

