"The Mountaintop" at Artistry

Lately it feels like we're a long way from the mountaintop, like we've slid quite a way downhill in the last year, or ten years. But Katori Hall's play The Mountaintop, about the great Civil Rights leader Martin Luther King, Jr., reminds us that we can never stop climbing, that progress never ends. As Artistry's Artistic Director Kelli Foster Warder noted in her pre-show speech, they could not have known when they programmed this play a year ago how relevant it (and their next two shows - What the Constitution Means to Me and In the Heights) would be. Stories about Civil Rights, the constitution that is supposed to protect us all, and an immigrant community, all of which are in danger under the current administration. The Mountaintop imagines King on the night before his assassination, having a conversation with someone who isn't what she seems, and shows us that he was more than the iconic figure, speech maker, and quote generator we often think of when we hear the name. He was human, with flaws and fears like the rest of us, which means that we too can overcome our flaws and fears and pick up the baton in the race towards justice. Head to Bloomington before this short run closes on March 1 to experience this inspiring, creatively written, and well told story.

"Red" at Gremlin Theatre

'Tis the season for red. No, not because February is American Heart Month and Valentine's Day, but because this season there have been several productions of the 2010 Tony-winning play Red, the first since the regional premiere at Park Square Theatre some 13 years ago. I love a two-hander, i.e., two people sitting in a room talking, and Red is a most excellent example of the form. So even though I saw Lakeshore Players Theatre's wonderfully intimate and intense production just a few months ago, I was more than happy to spend a little more time with Russian-American abstract expressionist painter Mark Rothko and his (fictional) assistant via the talented cast and design team at Gremlin Theatre. Since first seeing Red in 2012, I have been lucky enough to see several Rothko paintings in person in museums in New York and/or Chicago; in fact I seek them out whenever I'm at a museum that houses modern art. At first glance, they're simple blocks of color, usually dark rich reds. But when you look deeper, they're so layered and endlessly mesmerizing. So is this play - just a simple two-hander, but so layered in the way it explores the life of an artist and the meaning of art, and in a broader sense ideas of legacy, grief, friendship, purpose.* This production features two fantastic performances, emotionally true direction, and gorgeously messy design. See Red now through March 1 at Gremlin Theatre in Vandalia Tower, where you can also enjoy a fun, delicious, and convenient dinner-and-a-show pairing at Lake Monster Brewing / OG ZaZa Pizza / King Coil Spirits, or SK Coffee before a Sunday matinee.

"Macbeth" at the Guthrie Theater

Someone is getting murdered in a castle in Scotland, and I'm not talking about the new season of The Traitors. In the Guthrie Theater's new production of Shakespeare's tragedy Macbeth, it's the king who gets murdered, and we all know who the traitor is - the title character, who then becomes the king. The Guthrie's previous Artistic Director Joe Dowling returns to direct this play, which he also directed in 2010 (just before I started this blog, and the play made it onto my first annual favorites list), and he has once again crafted a compelling and action-packed continuous two hours of storytelling with no break to catch our collective breath. But the world is much different in 2026 than it was in 2010, and this story of a country and its citizens who are hurt, desperate, and disillusioned by their corrupt leadership hits a lot closer to home. Shakespeare's evergreen tale of unchecked power and greed has resonance in any era, but perhaps never more so in my lifetime than right now. Macbeth is a dark tale, but eventually the true citizens of the beleaguered country band together to create a better future. See this powerful, visually stunning, and excellently cast production of a classic on the Guthrie's thrust stage through March 22.

"Little Women" by Collide Theatrical Dance Company at Luminary Arts Center

Louisa May Alcott's beloved 19th Century novel Little Women has been adapted countless times on stage and screen. There are TV miniseries, multiple movies, and several stage adaptations (including by two of America's most produced playwrights, Kate Hamill, commissioned by Jungle Theater, and Lauren Gunderson, coming to the Guthrie this spring). There's even a (not very successful) musical! It seems we just can't get enough of this story of four very different but ultimately loving sisters as they forge their own paths in life. And now we have a new adaptation to add to the list - Collide Theatrical Dance Company's dance piece. Collide has been creating original dance musicals for 13 years, sometimes adaptations, sometimes original stories, always gorgeously choreographed and performed, telling a story theatrically with few words. For their Little Women adaptation, director/ creator/ choreographer Regina Peluso has chosen to give Jo all of the narration and dialogue duties, with the bulk of the story told through dance, which works remarkably well since Jo is the writer telling her family's story. This Little Women is beautiful storytelling that conveys all of the emotions of Alcott's novel. And as it turns out, even (or maybe especially) when this story is told primarily through movement and dance, it still makes me cry. Only six performances remain through this Sunday, so head to Luminary Arts Center in Minneapolis' North Loop neighborhood to spend a little time with the March sisters in a whole new way.

"The Glass Menagerie" by Theater Latte Da at the Ritz Theater

Every now and then, Theater Latte Da ("we don't do musical theater we do theater musically") tries their hand to a play (e.g., their 2024 production of Stones in His Pockets). This season, Artistic Director Justin Lucero has chosen Tennessee Williams' tragically beautiful and beautifully tragic play The Glass Menagerie (which happens to be one of my favorite plays). Thankfully, Latte Da has not turned The Glass Menagerie into a musical, but they have subtly infused it with music via live underscoring, as well as live video projections from onstage cameras. The result is perhaps the best realization of Williams' quintessential (and semi-autobiographical) memory play that I've seen. It's dreamy, and cinematic, and intimate, and nostalgic, and heartachingly beautiful. The innovative and risk-taking concept is gorgeously executed by the entire team, with a cast that is simply perfection. Pay a call to the Wingfields now through March 1; you won't be disappointed, but you may feel pleasantly melancholic after the visit.
UPDATE: extended through March 8!

"Violent Delights" by Night Fire Theatre at the Crane Theater

#TCTheater artist Penelope Parsons-Lord developed Violent Delights, a compilation of scenes from Shakespeare that explicitly or implicitly connote violence, nearly 20 years ago in her native Australia. Last seen locally in 2019, it's only gotten more relevant, as our culture seemingly gets more violent every year. Violence is everywhere around us - on the news, in the games we play, in our language, and even in Shakespeare. Violence is so pervasive in our world that we sometimes don't even notice it (e.g., using the phrase "you killed it" to mean you did a great job), which is the premise of this piece. Penelope has reexamined these familiar works, pulling out "small moments of violence," and maybe now we can begin to recognize them in the real world. A talented nine-person cast plays too many characters to count, the scenes well chosen and woven together, combined with pop songs and movement to create a gripping tale that isn't one cohesive narrative, but still tells a story. You can witness these Violent Delights at the Crane Theater in Minneapolis through February 14.

"Whoosh!" at History Theatre

For the third iteration of #TCTheater artist Andrew Erskine Wheeler's solo piece Whoosh! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls, he has partnered with History Theatre. What began as a 2022 Minnesota Fringe Festival show was expanded into an outdoor show performed very near the falls themselves, and now has been fully realized in this perfect partnership. Andrew has created several compelling solo historical Fringe shows, which are all great and succinct as they were, but it's lovely to see this one fully realized. Some Fringe shows are destined to be more - Illusion Theater often works with Transatlantic Love Affair to produce expanded versions of their Fringe shows, and Theatre in the Round supported the creators of the fantastic new original musical Endometriosis: The Musical as they expanded it into a full-length musical, producing it as part of their season last year. Whoosh! is somewhat of an anomaly for History Theatre; typically they commission, develop, and produce new works, participating in every step of development. Andrew developed Whoosh! independently, but its very Minnesotan and historical themes make it a natural fit for History Theatre, and they provided the resources and additional creative talent to help make it all that it can be. As much as I love the intimate solo storytelling nature of the original, this expanded version is just as moving and compelling, and even richer and more thrilling. Take a trip over the falls and through the history of this great state now through February 22.

"The Happiest Man on Earth" at Six Points Theater

"Family first, family second, family last. And we are all family." When Six Points Theater programmed the solo play The Happiest Man on Earth, based on a Holocaust survivor's memoir, for their 31st season, they couldn't have known that it would play at a time when Minnesota has shown the entire world the true meaning of these words. We are all family, we are all Minnesotans, and when you come for any of us, you come for all of us, and we will stand up for and protect our neighbors, our family. This 80-year-old story of surviving Nazi Germany has an eerie resonance to what's happening right here, right now. People afraid to leave their houses to go to work or school, citizens and lawful immigrants carrying their papers around as protection, armed government agents abducting people off the streets and imprisoning them in detention centers where they're treated inhumanely. I'm not calling anyone Nazis, they were a special breed of evil, but the parallels are unmistakable to anyone who's looking. We need to remember our past in order not to repeat it, and since there are fewer and fewer people alive who lived through the Holocaust, plays like this are an excellent way to do that. Six Points' regional premiere of The Happiest Man on Earth is a gorgeous and moving production that is at times difficult to watch, but also provides hope that humans can survive unthinkably horrible times, and come out on the other side better and stronger, and choose happiness. Experience this beautiful true story through February 8 only at Six Points Theater in St. Paul's Highland Park neighborhood.

"How to Catch Creation" at Theatre in the Round

The oldest theater in Minneapolis (Theatre in the Round, now in their 74th season) is known for classics like their annual Agatha Christie play, but they're not afraid to champion new work (like last year's world premiere musical Endometriosis: The Musical) and challenge their audience with lesser known titles, like How to Catch Creation, currently playing on their unique stage through February 8. Written by playwright Christina Anderson (Tony nominee for co-writing the book of the ambitious new original historical musical Paradise Square), How to Catch Creation premiered at Chicago's Goodman Theater in 2019 and has not previously been seen in #TCTheater. After cancelling a couple of shows last weekend in response to protest and continued violence on our streets perpetrated by federal agents, they only have five performance left. Last night, after another day of protest, the audience was much smaller than this excellent play deserves. It's a funny and relatable play, well written in a naturalistic style while combining multiple timelines, with a terrific all Black cast that brings these complex and messy characters to life. This story of Black artists, specifically Black female queer artists, is an important one to tell in this current era that attempts to silence voices such as these. Telling these stories, and consuming them, is part of the continued resistance against an administration that's trying to take away our humanity. Thanks to Theatre in the Round and this talented cast and creative team for telling this story now.

Broadway tour of "Chicago" at the Orpheum Theatre

I hadn't seen the Broadway tour of Chicago since 2018 (and Theater Latte Da's brilliant production in 2019), and I have to admit, I forgot just how good it is. There's a reason this revival is the longest currently running Broadway musical, marking its 30th anniversary this year. The clever and jazzy score by the genius team of John Kander and Fred Ebb, Bob Fosse's iconic and positively thrilling choreography (reinterpreted by Ann Reinking for the 1996 revival, in which she also played Roxie), the ever more timely book (by Ebb and Fosse) that shines a harsh light on our culture's obsession with violence and celebrity, the incorporation of the onstage band into the story, and the seemingly endless supply of gorgeous and talented actor/dancer/singers who don't just inhabit these now familiar characters, they make them their own. If it's been a while since you, too, have seen Chicago, or you have (gasp!) never seen it, now (meaning this week only) is the time. Chicago never gets old.*

"Kiss Me, Kate" at Artistry

After yet another difficult weekend in the Twin Cities (ICE OUT NOW!), it was a welcome stress release to see a good old-fashioned musical comedy, full of classic Cole Porter songs performed by a gorgeous 14-piece onstage orchestra and fabulous dancing by a talented 12-person ensemble. With their production of the rarely done 1949 best musical Kiss Me, Kate, Artistry continues their tradition of the last few years opening their season with a classic musical, staged in a way that puts the focus on the music and dancing, with minimal sets or costume changes. This was actually my first time seeing Kiss Me, Kate, and while it may be a bit dated (and its source material problematic), this show is delightfully escapist entertainment. Even, or especially, with all the darkness in our world right now, it's good to be in community with audience and artists, to laugh and be entertained together. See Kiss Me, Kate at the Bloomington Center for the Arts through February 15.

"The 39 Steps" at Lakeshore Players Theatre

Things are pretty bleak right now, but at the end of an inspiring day in which tens of thousands of Minnesotans came together to stand up for truth and freedom, I spent the evening laughing at the madcap classic comedy The 39 Steps. It was a great time to, as director Sarah Nargang wrote in her director's note, "unclench what you can, and have a giggle for your health." A mystery spy thriller played in a comedic style with theatrical storytelling, The 39 Steps has been seen on a few local stages since its 2008 Broadway premiere and subsequent transfer to Off-Broadway, and now it's Lakeshore Players Theatre's turn to bring their own spin to the show. See it at Hanifl Performing Arts Center in White Bear Lake through February 7.