"Gorgons" at Yellow Tree Theatre

Gorgons is a late addition to Yellow Tree Theatre's season, replacing the regional premiere of the Pearl Cleage play Angry, Raucous, and Shamelessly Gorgeous which has been rescheduled to next season, but it's an inspired choice of play, with the perfect cast for this dark comedy two-hander. Playwright Don Nigro based the play on the infamous rivalry between actors Joan Crawford and Bette Davis and their movie What Ever Happened to Baby Jane?, imagining what their relationship might have been like, and filling it with juicy drama and biting dark humor. Yellow Tree's Artistic Director Austene Van directs the piece and has cast a couple of powerhouse actors - Christina Baldwin and Jamie White Jachimiec - who appear to be having the most fun going toe-to-toe with this juicy script. The play also provides commentary on Hollywood's, and society's, expectations of women, particularly in relation to each other, particularly as we age. Joan and Bette, or Ruth and Mildred as they're known here, may not have worked together well, but clearly the women behind this play do. Gorgons continues at Yellow Tree Theatre in Osseo through June 21 only.

Broadway tour of "Spamalot" at the Ordway Center

I was fortunate enough to see the 2005 Tony-winning Best Musical Spamalot on Broadway, starring the likes of Tim Curry, David Hyde Pierce, Hank Azaria, Christian Borle, and Sara Ramirez, who won the Tony for her role and to this day is my gold standard for comedic singing. It was (unsurprisingly) my first introduction to the world of Monty Python, the British comedy troupe on whose work the musical is based. Eric Idle, one of the members, wrote the book and lyrics, working with frequent collaborator John Du Prez on the music. Despite having no prior knowledge of the material, I loved the show, and am still perplexed that (to my knowledge) there have been no local professional productions of it. The show has toured several times, and was revived on Broadway in 2023. That production is currently touring the US, and has stopped in St. Paul at the Ordway Center for one week only, before it's replaced by the return of the Queens of SIX, which actually played the Ordway before its Broadway debut, where it won two Tonys and is still playing. But first, you have only a short time to experience the joyful silliness of Spamalot, a fourth-wall breaking show that doesn't try to be anything other than it is - brilliantly stupid comedy. 

"My Ántonia" by Theater Latte Da at the Ritz Theater

Back in 2010 (the birth year of Cherry and Spoon), Illusion Theater won two Ivey Awards (remember the Ivey Awards, Minnesota's own Tony Awards?) for their adaptation of Willa Cather's novel My Ántonia, one for playwright Allison Moore and one for Kate Guentzel, who played the title character. I didn't see it that year, but lucky for me Illusion continued to produce the show every few years, and even toured it around the Midwest and into Cather's Nebraska. I've seen it three times, most recently in 2019, and loved it more each time I saw it, calling the sparse 90-minute six-person play with music "a perfect adaptation, in that it captures the wistful and nostalgic tone of the novel as Willa describes the people and place she loved so much." I was excited and a little trepidatious when two years ago Theater Latte Da announced that a new musical adaptation of My Ántonia would be part of their NEXT new play development series. I saw the reading of the musical in development that summer and was reassured that the tone of the novel was maintained (unlike the recent musical adaptation of The Great Gatsby, which turned it into a romcom). And now after seeing the full production, even though I'll always have a special place in my heart for Illusion's play that made me fall in love with this story, I love seeing another version of it that fills out the story with more life and music. With a talented cast twice the size of the play, a lovely indie folk score that I wish I could download and listen to on repeat, and sparse design that evokes the achingly beautiful prairies that surround us, Theater Latte Da has brought us another beautiful adaptation of this classic American story (continuing through July 12).

"A Midsummer Night's Dream" at Modern Rep

I can't remember when I've had so much fun experiencing Shakespeare. #TCTheater artist Grant Sorenson's new company Modern Rep bills the experience thusly: "Shakespeare's most overdone comedy gets a radical new production that explodes Original Practice all-male casting into something messy, sexy, and very gay. Performed by six dynamic actors, this Midsummer Night's Dream embraces the dark, twisted, and unsettling aspects of Shakespeare's original text, served up in a flamboyant and unexpectedly queer way." Mission accomplished! When you think about it, Midsummer features fairies, ample romantic banter including double entendres, a character named Bottom, an ass, and lots of talk about a hole. It was just begging to be turned into a gay fantasia! And this production delivers in the most clever and joyful way. It's definitely the sexiest Shakespeare I've ever seen, and the gayest Shakespeare I've ever seen, in the best possible way. It's a joyful celebration to begin Pride month that flies in the face of anyone who dares to say that queer people don't deserve all of the fullness and legality of life as a citizen of this country, as a resident of this planet. And as a piece of theater, this Midsummer is so modern and forward-thinking. I don't worry about the state of theater as long as there are artists making inventive, outside-the-box, wholly engaging theater in sweaty little loading docks in the North Loop (continuing through June 20).

"A Trojan Woman" by Stop the Wind Theatricals at Mixed Blood Theatre

NYC-based company Stop the Wind Theatricals premiered their original one-act solo version of Euripides' The Trojan Women in 2023 in Athens, where the story originated a few millennia ago. The show is now embarking on a tour of US Sanctuary Cities, beginning right here in Minneapolis, where the opening scene which repeats the line "they don't kill civilians" is particularly affecting (because we know from recent experience that they do). Director Meghan Finn notes in the program that Euripides' play is "the first recorded ani-war play." Nearly two and a half centuries later, A Trojan Woman continues to be relevant and necessary. Wars, violence, and the killing of civilians hasn't stopped. I've recently been watching History Channel's excellent new WWII docuseries narrated by Tom Hanks, and during the deadliest war in history they most certainly did kill civilians. They killed civilians in Poland, Germany, London, China, the Soviet Union, not by accident, but as an intentional strategy to wear down the enemy, or to get rid of people they thought threatening. This play is about the survivors, particularly the women, of the Trojan War, but this version feels like it could be about any of the numerous wars playing out across the globe today. Despite the short 70-minute runtime, A Trojan Woman is a powerful and epic journey that feels devastating in its modernity. Mixed Blood Theatre is hosting the production in their firehouse theater through this Sunday only.

Broadway tour of "The Great Gatsby: A New Musical" at the Orpheum Theatre

A musical adaptation of the most well-known novel of one of Minneosta's favorite sons, F. Scott Fitzgerald, opened on Broadway two years ago and is still playing. The touring production of The Great Gatsby has landed in Fitzgerald's birthplace for one week only. Did this critically acclaimed classic novel need to be adapted into a musical? Probably not. Is this format, what is essentially a musical comedy for the first three-quarters of the show, the best way to tell this American tragedy, a brutal look at capitalism, classism, materialism, and the failure of the American dream? Definitely not. It doesn't really capture the essence of the novel (which just makes me want to read it again), but it is a gorgeous depiction of the roaring '20s in all its glitz and glamour, and it does use some of Fitzgerald's lyrical text. I actually found the brutal ending to be the best part of the show, after all of the deaths that are quite startling after the comedy tone of the majority of the show, when Nick states one of the most famous closing lines in all of literature: "So we beat on, boats against the current, borne back ceaselessly into the past." And we see those glitzy party goers, their words and movements now dark and hollow. We finally get the essence, the heart of the story, but it's too little, too late. Still, I enjoyed the show and I think it's worth seeing, if only for the stunning design, gorgeous costumes, fabulous dancing (continuing through June 7 - click here for the official ticketing site, including information about student, educator, and industry rush tickets).

"Perfect Arrangement" by Walking Shadow Theatre at the Crane Theater

The day after seeing Lyric Arts' regional premiere of the British comedy Home, I'm Darling, about a modern day couple living the facade of the perfect '50s lifestyle, I saw Walking Shadow Theatre's production of Perfect Arrangement, about two couples in the '50s living the facade of the perfect '50s lifestyle. But this time it's hiding the fact that the two women and the two men are the actual couples, and the facade is necessary for these State Department employees to survive the Lavender Scare during the era of McCarthyism. On a set that's a neat replica of I Love Lucy, the play has a sitcom feel, perfected by the direction and performances of the talented cast, that turns into something darker when the direness of the foursome's situation is revealed. June Pride Month is a perfect time to revisit this time in queer history, when people could be fired from government jobs based on the mere suspicion of homosexuality. Perfect Arrangement plays at the Crane Theater through June 21.

"Home, I'm Darling" at Lyric Arts

Lyric Arts in Anoka is bringing us another regional premiere, this time the 2018 British play Home, I'm Darling. It's about a couple living the traditional '50s lifestyle in the modern era, seemingly happy, but it's really just a pretty facade hiding two unhappy people. It seems like the '50s model of living wasn't so great after all. With the recent popularity of the "trad wife" trend, it's a great time to examine this topic. Can you really be a feminist if you meet your husband at the door at 5:15 with a cocktail and slippers, after spending the day "cleaning behind things" and preparing dinner? Maybe, if it's your choice and that's truly what makes everyone the happiest. But maybe not so much for our characters, so they search for a middle ground that works for them. With a fantastic six-person cast and darling '50s design, Lyric's production of Home, I'm Darling is a deliciously entertaining comedy, with substance (continuing through June 21).

"Joe Turner's Come and Gone" at Penumbra Theatre

When I was in New York City a few months ago, I saw signs for the Broadway revival of Joe Turner's Come and Gone, with some big names attached, but I'd rather see it at Penumbra Theatre right here in St. Paul. Joe Turner was the 4th play written by August Wilson in his Pittsburgh Cycle of ten plays, each taking place in a different decade, chronicling the Black American experience throughout the 20th Century. The second play chronologically, it takes place in Pittsburgh in the 1910s, but was written in the 1980s when August Wilson was living in St. Paul, working closely with Penumbra. This is the 4th of the ten plays I've seen, all at Penumbra, and there's nowhere better to see his work than at one of his artistic homes, directed by Penumbra founder Lou Bellamy who was his close collaborator, performed by actors who have spoken his words and inhabited his characters many times. Joe Turner's Come and Gone continues at Penumbra Theatre through June 21.

"Courting Harry" at History Theatre

Two plays featuring the constitution and the Supreme Court in one week? What better time than now, when both things seem more in danger than ever. Over in Bloomington, Artistry is doing a fantastic production of the smart, funny, devastatingly relevant What the Constitution Means to Me, about one woman's relationship with our founding document. She discusses many aspects of it, including the Supreme Court decision on Roe v. Wade, and the majority opinion written by Justice Harry Blackmun. How fortuitous, then, that right now in St. Paul you can see History Theatre's remount of their 2013 play Courting Harry, written by prolific local playwright Lee Blessing. In a funny, engaging, and inspiring 80 minutes, we get to know Harry and his lifelong friend Chief Justice Warren Burger. But the play is also depressing, when you think about how much has changed in our country in the 13 years since this play premiered, specifically the Supreme Court overturning Roe v. Wade in 2022, something Harry spent his life defending and assures us in the play (now ironically) will never fall, and the current state of the Court, partisan and political as it was never meant to be. This is a perfect time for History Theatre to bring back Courting Harry, which gives insight into the proceedings of the Supreme Court and the people, flawed humans like all of us, behind it (continuing through June 7).

"What the Constitution Means to Me" at Artistry

Continuing their programming of plays in the black box theater at Bloomington Center for the Arts this season, Artistry is bringing us the never more relevant play What the Constitution Means to Me. Until it becomes more relevant tomorrow, or next week, or whenever another one of our rights is stripped away by the current administration. Although it premiered nine years ago, this play feels like it was written specifically for this moment in our country, with the recent Supreme Court decision gutting the Voting Rights Act, discussions of overturning birthright citizenship (guaranteed by the 14th Amendment, which features heavily in this play), and the gross violations of due process (also the 14th Amendment) in Minnesota earlier this year, just to name a few. It also feels a great time to really examine our founding document as America is about to celebrate its 250th birthday. This is such a brilliantly written play, in the way that it discusses the very foundation upon which our nation is built, but not in a dry textbook kind of way (although there are lots of facts and dates), but in the most personal way that makes me see just how much the constitution shapes our daily lives, and the unfair way it treats many American citizens.* It's also funny and relatable, chock full of pop culture references (especially for us Gen Xers), and thoroughly engaging for the 95-minute or so runtime. I highly recommend that you check out this smart and relevant new(ish) play that's not been done much since the original Broadway production and tour (continuing through June 7).

"Worm Teeth" by Melancholics Anonymous at the Phoenix Theater

Worm Teeth is a sweet and silly little play written by Scotland-based playwright Kelsey Sullivan, but it feels very much like a Melancholics Anonymous show. Meaning a little weird, a little dark, but with a lot of heart and a deeper message about finding oneself and loving who you find. The play itself is only about an hour long (and very Fringey), but it's preceded by a half hour or so of music by "The Buggy Band," joined by a guest musician at every performance. It's a great evening of music and laughter, continuing at Phoenix Theater through May 24.