"In The Backroom" by Michael Torsch at the Southern Theater

The Minnesota Fringe Festival schedule was just announced, but if you want a preview of the sort of adventurous, inventive, outside-the-box art you will see in August, check out In the Backroom by Michael Torsh at the Southern Theater this weekend. A new show on a holiday weekend? That's right, and that's intentional. From the press release: "This performance considers the complicated nature of celebrating America's 250th anniversary, the effects of imperialism on the individual, and how we might eulogize all those killed during wartime. By constructing an environment to collectively meditate on our societal grief, In The Backroom is an antidote to the unrestricted hypernationalism propagated by the current administration." Since I will be off the grid at a lake this weekend, I attended the final run-through of the show before performances begin tonight, and it was all of those things and more. It's very meta and fourth-wall breaking, thoughtfully constructed to bring together many different ideas, cleverly uses recorded video and projections, and is incredibly thought-provoking without providing any easy answers. If you saw Michael's Fringe show last year, All Your Shimmering Gold, it's a similar vibe. If you're in town this weekend and feeling conflicted about America's 250th birthday and the way it's being celebrated, sold, and marketed, this is the show for you. There are 7pm performances Thurs-Sat, with a 4pm show on Sun, and it's only 70 minutes long so you can get back to your barbeques and fireworks.

2026 Great River Shakespeare Festival in Winona

Last weekend I went on my favorite Minnesota theater vacay - Great River Shakespeare Festival in lovely riverside Winona! But my 8th visit to Minnesota's only Shakespeare festival is even more exciting this year. It's the first time I've attended opening weekend, and it's not just any opening weekend, it's the opening of their new space in the historic Masonic Temple, known as The ARC. After a couple of decades of performing in Winona State University's theater, they now have their own space with everything and everyone under one roof - office space, design and costume shop, rehearsal space, and the theater itself. My fellow Twin Cities Theater Bloggers (Minnesota Theater Love and The Stages of Minnesota) and I were thrilled to celebrate this milestone with them, and of course enjoy some great Shakespeare that is, as always at GRSF, clear, accessible, playful, inventive, and engaging. The festival continues through July 27, with performances Wednesdays through Sundays, typically with two shows on Fridays and Saturdays, so it's possible to drive down for the day (a lovely two-hour drive along the river) and see both shows. Or stay one night, or two, or extend your stay to enjoy the many recreational offerings in Winona (a fantastic art museum, incredible hiking in the river bluffs, great restaurants, cute shops). My favorite place to stay is Carriage House B&B, just down the street from The ARC and within walking distance of downtown. Or if you're looking for a luxury boutique hotel experience, check out the brand new Hotel 44 North right on the river. GRSF is a special place, and this is an exciting time for them as they embark on a new chapter in a new home that they can tailor to meet the needs of the company and the community, which includes both local residents and everyone who attends a show or event at GRSF.

"Adventures in Hostessville Presents 1967: The Summer of Love-in" at the Hive Collaborative

"Do you like fun?  Do you adore vintage style?  Do you love history, but also modern marvels like indoor plumbing and the right to vote? THEN WE ARE OBVIOUSLY GOING TO BE BEST FRIENDS." I think I have a new best friend. Last night I attended my first Adventure in Hostessville, and it's just my kind of thing. Created and hosted by #TCTheater artist Melanie Wehrmacher, Hostessville is great edutainment, combining music, comedy, history, pop culture, trivia, cocktails, and snacks, with a slide show! Melanie has been doing a series of these adventures at The Hive Collaborative (a perfect venue for its cozy vibes and ability to have cabaret table seating) this season. I missed 1943 and 1925, but when I heard that her new show would feature 1967, the best year (and also possibly the worst year), I was in! Visit the Adventures in Hostessville website, or follow Melanie on Instagram, to get notified of all of future adventures. But I'm not sure how she's going to top 1967, a year that is so rich in music, pop culture, history, and good vibes, so head out to the Hive this weekend, wearing your best hippie gear, to experience the fun of the Summer of Love (with indoor plumbing).

"Blithe Spirit" at Theatre in the Round

Noël Coward is the perfect frothy summer theatrical entertainment, with his clever dialogue, ridiculous characters, and silly situations ripe for comedy, all in a British accent. The Guthrie is doing Private Lives later this summer (which they last did in 2007), but first up is Blithe Spirit at Theatre in the Round to conclude their 74th season. This is the one that features a love triangle between a husband, his wife, and the spirit of his deceased wife whom he accidentally materializes. It's well done in the in-the-round space with a great cast and some fun special effects. Note that it is a three-act play, as was common in the last century, but Theatre in the Round sells coffee at concessions, with free refills during the two intermissions (but not allowed in the theater, so drink it in the lobby whilst admiring the art installation and save your cup). This Blithe Spirit will continue to haunt the oldest theater in Minneapolis through July 12. And then make plans for Theatre in the Round's 75th Anniversary season, featuring plays and musicals with a Minnesota connection, from The Great Gatsby to You're a Good Man Charlie Brown.

"Two Gentleman of Verona" by Frosted Glass Creative at Rustic Roots Winery

Shakespeare in the Vines is back! One of the true pleasures of the short Minnesota summer is seeing theater outdoors. Particularly Shakespeare, which taps into a centuries-long tradition. This is Frosted Glass Creative's fourth year presenting Shakespeare in the Vines at Rustic Roots Winery in Scandia (about a 45-minute drive Northeast from the Twin Cities), but only my second year attending it. Rustic Roots is truly the most idyllic location for outdoor theater (even in the midst of some construction to expand their facilities). And Frosted Glass' production of the comedy Two Gentleman of Verona (believed to be the first play Shakespeare ever wrote) is fun and playful and accessible, as Shakespeare was meant to be. But hurry, there are only two more performances at Rustic Roots. Or you can head to Hastings or Chisago City next week to catch additional performances at wineries there (full details and schedule here).

Broadway tour of "SIX" at the Ordway Center

Last week the Ordway hosted the Broadway tour of the recent revival of the 2005 Tony-winner Spamalot, and a good time was had by all. This week they welcomed back the queens of SIX, the smash hit musical that began at the Edinburgh Festival Fringe, then went to the West End, then toured the US (including at the Ordway in 2019) before making its pandemic-delayed Broadway debut in 2021. The next spring it won Tonys for best score and costume design, and is still playing on Broadway and touring around the country. This two-week run is the 4th time that the queens have visited the Ordway, for a total of 60-some performances in St. Paul. At this point, SIX is a well-oiled machine, a finely honed music-theater gem that is exactly what it wants and needs to be, nothing less and nothing more. Not veering far from its Fringe origins, it has a runtime of 75-ish minutes, and is practically perfect in its construction, telling the story of Henry VIII's six wives from their perspective as modern-day pop stars. This musical couldn't have come at a better time, when we're (still) hungry for women's stories, for women to tell their own stories instead of being defined by men, as history has defined these six women by their marriage to a king. This was my sixth time seeing SIX (all four touring productions at the Ordway, plus Broadway and Toronto), and I love it more each time. If you've never seen it before, you owe it to yourself to experience this truly unique and original piece of music-theater HERstory. And if you have seen it before, rest assured that it's as fantastically fun as ever, with a touring cast that is brilliantly talented. They're in town for two weeks; get your tickets only at the Ordway's official site here.

"Come From Away" at the Guthrie Theater

The documusical Come From Away, about the ordinary people of Gander, Newfoundland who showed us the best of humanity when they took in 7000 people diverted to their airport when the US airspace was closed on 9/11, opened on Broadway in 2017 and ran for five years (give or take a pandemic), and then continuously toured up until last year. Then it was released for regional productions, and it immediately became the most produced play in America. It's a story America needs, it's a story America is hungry for. I was fortunate to attend the meet and greet of the cast, crew, and design team at the Guthrie Theater where director Kent Gash talked about his vision for the show (which you can also read about in the program). He said that while Come From Away is about 9/11, it's about so much more than 9/11, it's about our shared humanity, and the power of storytelling to remind us of that. This production succeeds in that, in a big way. I've seen the Broadway/touring production five times, and can almost picture every scene in my mind. It's a thrill to see a fresh new take on the story with new direction, costumes, and staging, that is familiar to the original but with enough tweaks to make it a unique retelling of this story. Come From Away is a brilliantly written piece of music-theater, one that probably stands up to the many different iterations happening all over the country. But this version, at our own Guthrie Theater, lives up to the material and succeeds on so many levels. It's very funny, and thoroughly engaging, and utterly heart-wrenching. If you need your faith in humanity restored, go see Come From Away at the Guthrie Theater this summer.

"Gorgons" at Yellow Tree Theatre

Gorgons is a late addition to Yellow Tree Theatre's season, replacing the regional premiere of the Pearl Cleage play Angry, Raucous, and Shamelessly Gorgeous which has been rescheduled to next season, but it's an inspired choice of play, with the perfect cast for this dark comedy two-hander. Playwright Don Nigro based the play on the infamous rivalry between actors Joan Crawford and Bette Davis and their movie What Ever Happened to Baby Jane?, imagining what their relationship might have been like, and filling it with juicy drama and biting dark humor. Yellow Tree's Artistic Director Austene Van directs the piece and has cast a couple of powerhouse actors - Christina Baldwin and Jamie White Jachimiec - who appear to be having the most fun going toe-to-toe with this juicy script. The play also provides commentary on Hollywood's, and society's, expectations of women, particularly in relation to each other, particularly as we age. Joan and Bette, or Ruth and Mildred as they're known here, may not have worked together well, but clearly the women behind this play do. Gorgons continues at Yellow Tree Theatre in Osseo through June 21 only.

Broadway tour of "Spamalot" at the Ordway Center

I was fortunate enough to see the 2005 Tony-winning Best Musical Spamalot on Broadway, starring the likes of Tim Curry, David Hyde Pierce, Hank Azaria, Christian Borle, and Sara Ramirez, who won the Tony for her role and to this day is my gold standard for comedic singing. It was (unsurprisingly) my first introduction to the world of Monty Python, the British comedy troupe on whose work the musical is based. Eric Idle, one of the members, wrote the book and lyrics, working with frequent collaborator John Du Prez on the music. Despite having no prior knowledge of the material, I loved the show, and am still perplexed that (to my knowledge) there have been no local professional productions of it. The show has toured several times, and was revived on Broadway in 2023. That production is currently touring the US, and has stopped in St. Paul at the Ordway Center for one week only, before it's replaced by the return of the Queens of SIX, which actually played the Ordway before its Broadway debut, where it won two Tonys and is still playing. But first, you have only a short time to experience the joyful silliness of Spamalot, a fourth-wall breaking show that doesn't try to be anything other than it is - brilliantly stupid comedy. 

"My Ántonia" by Theater Latte Da at the Ritz Theater

Back in 2010 (the birth year of Cherry and Spoon), Illusion Theater won two Ivey Awards (remember the Ivey Awards, Minnesota's own Tony Awards?) for their adaptation of Willa Cather's novel My Ántonia, one for playwright Allison Moore and one for Kate Guentzel, who played the title character. I didn't see it that year, but lucky for me Illusion continued to produce the show every few years, and even toured it around the Midwest and into Cather's Nebraska. I've seen it three times, most recently in 2019, and loved it more each time I saw it, calling the sparse 90-minute six-person play with music "a perfect adaptation, in that it captures the wistful and nostalgic tone of the novel as Willa describes the people and place she loved so much." I was excited and a little trepidatious when two years ago Theater Latte Da announced that a new musical adaptation of My Ántonia would be part of their NEXT new play development series. I saw the reading of the musical in development that summer and was reassured that the tone of the novel was maintained (unlike the recent musical adaptation of The Great Gatsby, which turned it into a romcom). And now after seeing the full production, even though I'll always have a special place in my heart for Illusion's play that made me fall in love with this story, I love seeing another version of it that fills out the story with more life and music. With a talented cast twice the size of the play, a lovely indie folk score that I wish I could download and listen to on repeat, and sparse design that evokes the achingly beautiful prairies that surround us, Theater Latte Da has brought us another beautiful adaptation of this classic American story (continuing through July 12).

"A Midsummer Night's Dream" at Modern Rep

I can't remember when I've had so much fun experiencing Shakespeare. #TCTheater artist Grant Sorenson's new company Modern Rep bills the experience thusly: "Shakespeare's most overdone comedy gets a radical new production that explodes Original Practice all-male casting into something messy, sexy, and very gay. Performed by six dynamic actors, this Midsummer Night's Dream embraces the dark, twisted, and unsettling aspects of Shakespeare's original text, served up in a flamboyant and unexpectedly queer way." Mission accomplished! When you think about it, Midsummer features fairies, ample romantic banter including double entendres, a character named Bottom, an ass, and lots of talk about a hole. It was just begging to be turned into a gay fantasia! And this production delivers in the most clever and joyful way. It's definitely the sexiest Shakespeare I've ever seen, and the gayest Shakespeare I've ever seen, in the best possible way. It's a joyful celebration to begin Pride month that flies in the face of anyone who dares to say that queer people don't deserve all of the fullness and legality of life as a citizen of this country, as a resident of this planet. And as a piece of theater, this Midsummer is so modern and forward-thinking. I don't worry about the state of theater as long as there are artists making inventive, outside-the-box, wholly engaging theater in sweaty little loading docks in the North Loop (continuing through June 20).

"A Trojan Woman" by Stop the Wind Theatricals at Mixed Blood Theatre

NYC-based company Stop the Wind Theatricals premiered their original one-act solo version of Euripides' The Trojan Women in 2023 in Athens, where the story originated a few millennia ago. The show is now embarking on a tour of US Sanctuary Cities, beginning right here in Minneapolis, where the opening scene which repeats the line "they don't kill civilians" is particularly affecting (because we know from recent experience that they do). Director Meghan Finn notes in the program that Euripides' play is "the first recorded ani-war play." Nearly two and a half centuries later, A Trojan Woman continues to be relevant and necessary. Wars, violence, and the killing of civilians hasn't stopped. I've recently been watching History Channel's excellent new WWII docuseries narrated by Tom Hanks, and during the deadliest war in history they most certainly did kill civilians. They killed civilians in Poland, Germany, London, China, the Soviet Union, not by accident, but as an intentional strategy to wear down the enemy, or to get rid of people they thought threatening. This play is about the survivors, particularly the women, of the Trojan War, but this version feels like it could be about any of the numerous wars playing out across the globe today. Despite the short 70-minute runtime, A Trojan Woman is a powerful and epic journey that feels devastating in its modernity. Mixed Blood Theatre is hosting the production in their firehouse theater through this Sunday only.