"Robin Hood" by Zephyr Theatre at Aamondt's Apple Farm

On one of the hottest days of the summer, I sat outside in the blaring sun and stifling humidity watching a new-ish retelling of the classic Robin Hood tale. Only for theater would I put up with such miserable conditions! To their credit, Zephyr Theatre had coolers full of water bottles and wet washcloths which helped immensely. And to the actors' credit, they recognized the situation and brought it into the story, instead of pretending we were all sitting inside an air-conditioned theater. But the good news for you is that next weekend's weather forecast looks much nicer, so if you go it will be a much more pleasant experience for you. But even with the heat, I enjoyed this fun playful show with a great cast, featuring the directorial debut of Children's Theatre Company's longtime company member Reed Sigmund, who's comic stamp on this production is very much evident. Join the adventure at Aamodt's Apple Farm (a beautiful and easy to access location just outside of Stillwater off 36) this weekend only!

2025 Minnesota Fringe Festival Must-See List

This summer marks the 15th anniversary of Cherry and Spoon, which also means it's my 15th time attending the Minnesota Fringe Festival; I first jumped into this wild theater marathon in 2011 after my first full year of blogging. I started with seeing just 10 shows that first year, peaked at 54 shows (out of a possible 56) in 2016, and have since settled into the 30-40 show range, which I've found is doable for me, but still a fun challenge. There's really nothing like the Minnesota Fringe Festival for adventurous art and supportive community vibes, but you don't have to see double-digit shows like the pros, you can just see a few shows. The festival is very organized and well-run, with a comprehensive website that will tell you everything you need to know. Keep reading this post for my Fringe tips, after my annual Minnesota Fringe Festival Must-See List.

"Church Basement Ladies" by Rags to Rags Productions at Plymouth Playhouse

How is it that I've been a theater blogger in Minnesota for 15 years and have never seen a show from the Minnesota musical comedy institution that is Church Basement Ladies? I have no excuse, other than possibly geography (the shows have primarily performed in Plymouth and Burnsville, neither a great location for me), and that it's produced by a production company (Troupe America and/or Rags to Rags Productions) rather than one of the many theaters I frequent. Whatever the reason for this omission, it has been remedied, and I have now been indoctrinated into the basement. After eight sequels, the original Church Basement Ladies has returned to its original venue, Plymouth Playhouse underneath a Ramada Inn off 494, to celebrate its 20th anniversary. The three original ladies of the basement are still with the show, which works like a well-oiled machine at this point. This musical comedy is very broad, very corny, very Minnesotan, and whole lot of fun. This incarnation of Church Basement Ladies continues through August 24, after which they're sure to pop again somewhere, and I hope to visit the basement again!

"Much Ado About Nothing" by Gray Mallard Theater Company at Sociable Cider Werks

My favorite new #TCTheater summer tradition is Gray Mallard Theater Company's "Shakespeare in the Pub." Not quite in the pub, they perform in the parking lot outside of Sociable Cider Werks in Northeast Minneapolis, with a variety of ciders, beers, and non-alcoholic beverages available in their tap room, and a permanent food truck. But best of all, it's Shakespeare performed outdoors the way it was meant to be - fun, playful, professional, and free. Part of their mission is to remove the economic barrier to theater, they don't even have reservations, so you just show up and watch the show (but if you're able, consider making a donation to support their work and mission). For their 4th annual show (my 2nd year attending), they've chosen the original rom-com Much Ado About Nothing. They perform Thursdays, Saturdays, and Sundays at 7pm through August 3, and there's really nothing better than sitting outside on a gorgeous summer evening, sipping a beverage, and watching some great Shakespeare.

"Love and Baseball" at Artistry

On the day after the Minnesota Twins' All-Star center fielder Byron Buxton made history by becoming the first player to hit for the cycle* at Target Field, capping off the nominal first half of the best year of his career, I saw a play called Love and Baseball in Artistry's Black Box theater. I love baseball, and I love theater, so when the two combine it's pretty much my favorite thing. But don't worry, you don't have to love baseball to love Love and Baseball, in the same way that I love the play Colossal and the TV series Friday Night Lights despite the fact that I don't like football, and I love the play The Wolves and the TV series Ted Lasso despite knowing nothing about soccer. As all of the above exhibits, sports are a great metaphor for life, and a great framework for telling a story. In this case, the story is a love story between two people, one a baseball fan, one not so much, who have a chance encounter that changes both of their lives. It's a sweet and funny rom com that's well cast, directed, and designed, in Artistry's intimate black box space, a great two-hander that's a joy to watch even if you're one of those people who inexplicably does not appreciate the beauty of the game. As director Eric Morris writes in a note in the program, "How can you not be romantic about baseball?!" Go watch this and then tell me baseball isn't dramatic, theatrical, emotional, and wonderful. And then get your tickets to see Love and Baseball.

"The Music Man" at Lyric Arts

I'm a sucker for The Music Man. There's something so joyful about this story of the charming con man who comes to a closed-up Iowa town and sells them not a band, but the power of music, community, and a common goal. The band may not be real, but the joy and newfound togetherness in the town is very real, and even more valuable. Lyric Arts' fine new production is sure to sell out just based on the name recognition of the beloved musical, but it also lives up to expectations and provides a joyously fun and heart-warming experience that reminds us that we're better when we work together. Visit River City via Anoka now through August 10.

2025 Great River Shakespeare Festival in Winona

It's summer, and that means it's time for my favorite theater vacay in Minnesota - Great River Shakespeare Festival in lovely riverside Winona. For over 20 years, GRSF has been producing excellent theater, primarily but not exclusively Shakespeare, within a festival that includes community engagement events, making it all feel like a fun, welcoming, theater camp. With two shows performing in rep with an acting company of nine, you could make the two-hour drive down along the river and see both shows in one day (Friday or Saturday), or stay in Winona one night and get back home to continue your weekend, or stay several nights and enjoy all of the nature and activities that are to be found in Winona. This was my 7th year attending the festival and it was once again a fun, relaxing, engaging weekend. Now in the post-season pre-Fringe lull in #TCTheater is a great time to get out of town, enjoy summer in Minnesota, and experience theater in the festival setting! Shows continue for two more week/ends, so make your plans now!

Broadway tour of "Kimberly Akimbo" at the Orpheum Theatre

Somehow I missed seeing the 2023 Tony-winning best musical Kimberly Akimbo on Broadway, so I'm thrilled that it finally made its way to Minneapolis for one short week. I went into the show knowing almost nothing about it (which is rare for me), other than it was about a teenage girl with a disease that caused her to age rapidly. As the show unfolded, every moment was a delightful surprise. This is not a big splashy huge-cast over-the-top kind of musical. It's a small intimate story that's told well, with complex, distinct, relatable characters, and music that perfectly expresses the emotions of the story. Truth be told, that's my favorite kind of musical. It's similar to a Next to Normal or Fun Home in scope, but much lighter in tone, although it does deal with some heavy themes as our Kimberly deals with turning 16, the average life expectancy of someone with her (unnamed) disease. But it's also really funny, sweet, and touching, with fun, catchy, singable songs. It's the kind of musical that will lend itself well to regional productions, and I look forward to that, but in the meantime, don't miss this opportunity to see this well-deserved Tony winner live and in person - through July 13 only!

Musical Mondays at Lush, July 2025

The last time I went to Musical Mondays, it was the night before the 2024 presidential election. At such an uncertain and scary time, it was so comforting to be there in the welcoming community that is Musical Mondays. Now, eight months later, when the world is even more scary and uncertain than we could have imagined on that night, it still feels so good to gather in community and celebrate artists, music, and being together. Because no matter what, "the world goes round," and so does this monthly cabaret series started by BFFs Max Wojtanowicz and Sheena Janson 13 years ago. This was the 108th installment of Musical Mondays (but only my 23rd), and featured an incredible cast of six talented performers, some old faves and some new faves, supported by an awesome three-piece band. Truly, if you're a fan of local music-theater and you've never been to Musical Mondays, you are missing out on one of the things that makes this community so great. And as I say all the time - if you're a person who casts local musicals, you really should check this out and cast all of these people in your shows! Read on for a summary of this month's show, and make your plans to attend the next show on August 4 (if you can take a night off Minnesota Fringe, which I probably cannot). Watch their Facebook page for the cast announcement and other details.

"Much Ado About Nothing" by Frosted Glass Creative at Rustic Roots Winery

On my way home from St. Croix Festival Theatre to see their super fun production of Kate Hamill's Ms. Holmes and Ms. Watson, Apt. 2B last weekend, I stopped at the gorgeous Rustic Roots Winery in Scandia to catch the final performance of Frosted Glass Creative's production of Much Ado About Nothing. It turned out to be a lovely theater road trip day. Outdoors really is my favorite way to experience Shakespeare; it's so much more fun, playful, and accessible. Frosted Glass Creative has performed at Yellow Tree and other locations around town and along the St. Croix River, but this was my first experience with them. And hopefully not my last; their next show is my sentimental favorite The Sound of Music, performed outdoors in Stillwater for one weekend in August. They seem to have taken up the mantle of "Broadway on the St. Croix" after Zephyr Theatre dropped it, and I'm glad they're continuing this fun tradition of outdoor musicals in beautiful Stillwater.

"Ms. Holmes and Ms. Watson, Apt. 2B" at St. Croix Festival Theatre

St. Croix Festival Theatre has been performing in St. Croix Falls, Wisconsin, beside the beautiful St. Croix River, for 35 years. I've recently become aware of them; they've started inviting me to their shows and my blogger buddy The Stages of MN has been to a few shows. As appealing as it is, and as much as I love that theater exists outside of metro areas, it's hard for me to take a road trip to see theater when there's more theater in the Twin Cities than even I can see. But when they program a season that includes plays by Kate Hamill and Lauren Gunderson, as well as the rarely done gem of a musical Ordinary Days, it's nearly impossible for me to stay away! Since theater in the Twin Cities has slowed down a bit for the summer, I was able to make the scenic one-hour drive through darling Minnesota-Swedish towns to the charming river town of St. Croix Falls (just across the river from Taylors Falls). And now that I've been there, I'm going to make more of an effort to get back. The show that lured me there is Ms. Holmes and Ms. Watson, Apt. 2B, a modern reimagining of the classic detective tales by Kate Hamill, the most produced playwright in America this season. Her plays have often been seen in the Twin Cities, including some local commissions, and they're always fresh, funny, feminist, modern, and cheekily theatrical. This one is no different, and Festival Theatre has assembled a talented four-person cast to bring this fun and clever play to life. It's playing for one more weekend (click here for tickets), followed by several more intriguing offerings this year (click here for season details).

"Cabaret" at the Guthrie Theater

"What good is sitting alone in your room? Come hear the music play. Life is a cabaret, old chum, come to the cabaret!" Truer words have never been sung, and they have never been more true than now. With our world getting weirder and scarier every day, who doesn't need to "leave their troubles outside" every now and then? But Kander and Ebb's brilliant musical Cabaret is a subversive little thing. It lures you in with fun and sexy songs and dances, and then slowly, ever so slowly, it reminds you that it's not so easy to forget your troubles. They're still there, even when we're not thinking about them, and maybe they've even gotten worse when we weren't looking, when we were dancing. This musical cautionary tale about the rise of fascism in 1930s Germany, which the Guthrie had originally scheduled for the summer of 2020 before a global pandemic shuttered all theaters, has never felt more relevant than it does right now in the summer of 2025. The Guthrie's stunning new production of Cabaret is perfectly marvelous and utterly devastating, and it's the #TCTheater event of the summer. Do not miss it! The Kit Kat Klub remains open for business (until it tragically shuts its doors every night) through August 24.

"A Pink Triangle" at the Phoenix Theater

Local playwright Kirby Taylor has written a new one-act play called A Pink Triangle, referring to the symbol that gay men imprisoned in Nazi concentration camps wore on their clothing. In addition to targeting all Jewish people and pretty much anyone who disagreed with him, Hitler also attempted to stamp out the thriving gay culture that existed in pre-WWII Germany (see also Cabaret, for which this play could be the sequel). The 1979 play Bent, which I saw a production of in 2019 by The BAND Group, also covers this topic in a pretty horrific way. The horrors in A Pink Triangle are more implied, not explicitly seen but ever-present. It's really more of one long conversation between a father and son, both imprisoned in a concentration camp for reasons that become clear. Both actors in this two-hander give powerful performances, in a story that's becoming more and more relevant as our own government begins to take action against and slowly chip away at the rights of various marginalized groups. The short run of A Pink Triangle concludes with two final shows this weekend.

"Penelope" by Theatre Elision at Elision Playhouse

It's such a joy to revisit a good show after a period time. As an audience member, but also, I imagine, as an artist too. Theatre Elision staged the new one-woman (and five-musician) musical Penelope last summer, just a year after it premiered in New York. They're remounting it this summer for just two weekends at their home Elision Playhouse in Crystal. If you missed it last summer, you really must see it this year; like most of Theatre Elision's work, it's a musical you can't see anywhere else. And if you did see it last year, you might find deeper meaning and understanding this year, as I did. Penelope really is a gem of a musical, and Christine Wade is even more at home in the role than she was last year (a performance that earned her a Twin Cities Theater Blogger Award nomination). The show is just 70 minutes long, preceded by a bit of Greek trivia, in an intimate welcoming space with concessions. It has more of a concert vibe than a traditional musical, so it's great for music lovers as well as musical theater fans. Just five shows remain - make your Penelope plans now!

"Endometriosis: The Musical" at Theatre in the Round

The Minnesota Fringe Festival* is a great place for artists to develop and showcase new work. But truthfully, even the best shows at Fringe usually work best within that framework (less than an hour in length, presented at an experimental festival). But every once in a while, you'll see a show that feels like it has life beyond Fringe. The smash hit of the 2022 festival, Endometriosis: The Musical, was one such show. I knew immediately that this was more than "just" a Fringe musical, and "it needs to be seen by more people than just five (likely sold out) Fringe performances." Thankfully, the folks at Theatre in the Round (the venue for the 2022 show) saw that too, and have worked with the creators (book by Maria Bartholdi, music by Kristin Stowell, and lyrics by both) to develop Endometriosis into a full-length musical. Sadly, a show about women's reproductive health and the increasing dangers to it, and our ever more broken health care system, has only become more relevant in the last three years. What better way to bring attention to these issues, and to talk (and sing) about periods and other things related to "lady parts," than in an original musical? And to do it in such a fun, funny, entertaining way. As I wrote in 2022, Endometriosis: The Musical is "beautifully and cleverly written, both hilarious and poignant, and utterly relatable for any human who has ever menstruated." If you're looking for a new, original, relevant, locally created, silly, sobering, highly entertaining musical, go see Endometriosis: The Musical at the oldest theater in Minneapolis, and one smart enough to recognize the potential of this Fringey musical. 

"Stop Kiss" by Theater Mu at Gremlin Theatre

Yesterday was a tough day here in Minnesota. It began with horrific politically motivated attacks on our state legislators that resulted in two deaths and two people severely injured. It then transitioned into inspiring "No Kings" protests in our state capital and around the country. I ended the day at the theater, seeing a queer Asian story about love in the face of hate and violence, and found great solace there. Sadly, hate and violence are a part of our world that never seems to go away, but the hope is that we can make the voices of love, connection, and community loud enough to drown out the hate. Stop Kiss, written almost 30 years ago by Asian American playwright and screenwriter/producer Diana Son, is about two women, in this production Asian American women, who fall in love and are confronted with violence because of it. It's a beautifully written play in two timelines, as funny and sweet as it is tragic and heart-breaking, and Theater Mu's nearly flawless production is a must-see. Even now. Especially now.

"The Adding Machine" by Clevername Theatre at the Hive Collaborative

Clevername Theatre's production of the 1923 play The Adding Machine feels like a sequel of sorts to last year's production of the 1928 play Machinal, or at least a continuation of the theme. Both plays are a little weird and dark, performed in an Expressionist style, are about the mundanity and absurdity of everyday life, and even share some cast and creative team. Where Machinal focused on a woman trapped in societal expectations and the extremes she goes to to escape, The Adding Machine tells the story of a man fired from his boring job of 25 years, also going to extremes to escape, only to find more of the same. Once again, Clevername has taken a hundred-year-old play, performed it in the style it was intended, and made it relevant to today. See it at The Hive Collaborative through June 22.

"Passion" by Theatre Latte Da at the Ritz Theater

Updating my Sondheim spreadsheet this morning (because of course I have a Sondheim spreadsheet), I have now seen ten of the 17 musicals for which he wrote music and lyrics, in a total of 31 productions (most of which you can read about here). Can you guess which theater company I've seen do Sondheim the most? Theater Latte Da of course, whom I've seen do seven different shows (they've done more, but a few were before I "discovered" them). I was able to check Sondheim show #10 off my list* this morning thanks to their new production of the rarely done Passion, which Latte Da's Artistic Director and director of this piece Justin Lucero calls "one of the most divisive works in the American musical canon." I can see why it's not done as often as, say, Into the Woods (the Sondheim musical I've seen the most productions of). It's a messy love triangle with not very likable or even at times understandable characters. As Justin notes, it's "not a traditional love story - it's a meditation on obsession, vulnerability, and the aching rawness of human need." It's not a pretty love story, but the score is very pretty, the characters are fascinating and compelling, and Latte Da's production is all-around gorgeous. It's an unusual musical for sure, but that's not a bad thing, in fact in this case it's a very good thing, and I'm grateful to Theater Latte Da for the chance to experience yet another intricate creation by arguably the best musical theater creator of the 20th Century. The messy, tragic, gorgeous Passion continues through July 13 at the Ritz Theater.

Twin Cities Improv Festival at the Phoenix Theatre

With the closure of HUGE Theater last year, the Twin Cities Improv Festival has a new home - Phoenix Theater in Uptown. For four days, you can watch improv troupes from here in the Twin Cities (and we have a lot of great ones) as well as troupes from around the country and even some from other countries. I attended the first, all-local, night of the festival and had a great time watching some beloved familiar improvisors and some new-to-me improvisors. Each had their own spin on the artform, most started with a suggestion or two from the audience and they took that somewhere unexpected. The Phoenix is a great welcoming location (despite the never-ending construction on Hennepin), with snacks and drinks (including espresso drinks) sold in the cozy lobby. Keep reading for my thoughts on the eight improv troupes I saw (two or three troupes are grouped together in each set, with up to four sets a night), and click here for the schedule of shows continuing through Sunday.

"Sixpack" at Jungle Theater

I'm not really a sports person (with the exception of my Minnesota Twins), but sports is a great metaphor for life, and a great framework to build a play around. Mixed Blood Theatre has done a couple of great ones - Colossal about football, and Safe at Home about baseball in a site-specific production at CHS Field (home of the Twins' Triple-A affiliate team the St. Paul Saints). Even more relevant to this discussion, Jungle Theater has done two productions of The Wolves, about a high school girls' soccer team, and last year Penumbra Theatre staged FLEX, about a high school girls' basketball team. With the growing attention on girls' and women's sports, it's a great time to debut another play in this genre - Katie Ka Vang's Sixpack. Drawing from her own history and culture, Sixpack features a group of Hmong women who play volleyball together (and sometimes against each other). But as with all of these plays, it's not really about volleyball, it's about friendship, mother-daughter relationships, and community. See this funny, real, and ultimately heart-warming world premiere play at Jungle Theater through June 29.

"Mae West and the Trial of Sex" by Walking Shadow Theatre Company at The Crane Theater

Censorship in theater is a hot topic in 2025, with many theaters losing NEA funding for doing plays that allegedly do not align with mandates from this administration. The government is trying to tell artists what kind of plays they can and cannot do, but artists will be artists, and tell the stories they want to tell, even if that has become more difficult. Nearly a hundred years ago, the New York theater scene was also facing censorship, with artists receiving jail time and fines for doing "immoral" plays, and theaters being closed for a year or more. Walking Shadow Theatre Company's new play Mae West and the Trial of Sex chronicles one such battle against censorship, in a story that feels very timely and relevant. See it at the Crane Theater in Northeast Minneapolis through June 22.

"Matt & Ben" at The Hive Collaborative

When friends and #TCTheater artists Serena Brook and Shinah Hey were working at Chanhassen Dinner Theatres on Beautiful last year (Shinah playing songwriter Cynthia Weil, Serena in the ensemble and understudying Carole King), they had the idea to do the play Matt & Ben. Before The Office, Mindy Kaling wrote and starred in Matt & Ben (with Brenda Withers), which became something of a phenomenon and helped her land the job on The Office. It's a perfect 70-minute vehicle for two female actors/friends to play this famous Hollywood friendship. One year later, Serena and Shinah's idea has come to fruition; they recruited friend Derek Prestly to direct, and are collaborating with The Hive on the production (which is all about collaborating with and supporting artists in doing something new). The result is a hilarious buddy comedy about the creative process, celebrity, show business, and friendship. The short two-week run concludes on June 8 - click here for details and to purchase tickets on a sliding scale basis.

"Significant Other" at Lyric Arts

The 2017 Broadway play Significant Other had its regional premiere at Six Points Theater in 2020, just before the pandemic shuttered theaters for 18 months, and five years later this funny, poignant, relatable play is worth a revisit. Lyric Arts has programmed it as the penultimate show of what has turned out to be an excellent 2024-2025 season, and has found the perfect director, design team, and cast to put their stamp on this well-written play. Significant Other is about, well, finding a significant other. Society put so much pressure on us to be coupled, a pressure that our protagonist Jordan feels increasingly strongly as he watches his friends get married. I didn't think it was possible, but I loved this second experience with the play even more than the first. It's a perfect cohesion of script, direction, design, and performance that made me both laugh and cry - my favorite kind of show. See Significant Other at Lyric Arts in Anoka Thursdays through Sundays until June 22, and start your summer theater season off right.

"Ode to Walt Whitman" at Open Eye Theatre

While the lives of 19th Century American poet Walt Whitman and early 20th Century Spanish poet and playwright Federico García Lorca (whose play was the basis for the musical Bernarda Alba) did not overlap chronologically, their lives and their work did overlap thematically. And in fact, Lorca wrote a poem called Ode to Walt Whitman, which was the inspiration for a puppetry play of the same name, which Open Eye Theatre has brought to their stage as part of their Guest Artist Series. The 70-minute show feels very much like a poem with puppetry and music, and like all poems, does not follow a straight-forward narrative. Rather it's a series of images and ideas that evoke emotion. This lovely, inventive, thoughtful show is playing through June 8 only.

"ORLANDO: A Rhapsody" by Vinora Epp at the Southern Theater

In her directorial debut ORLANDO: A Rhapsody, Paris-based theater artist Vinora Epp talks about growing up in a theater, and the wonder and joy that brought to her childhood. The theater that she speaks of is one that's familiar to many in #TCTheater - Tony-winning Theatre de la Jeune Lune, which sadly closed its doors in 2008 just two years before I started this blog. Vinora saw her father Steven Epp, now Co-Artistic Director of The Moving Company, play Hamlet when she was seven years old, and was so taken by it that she wanted to play Hamlet too, unfazed by the fact that she's a girl and typically girls don't get to play Hamlet. Thus began a lifelong exploration of gender and storytelling, culminating in this piece that she co-wrote and performs with her father. Combining the writing of Virginia Woolf, Shakespeare, and personal stories, the daughter-father duo weaves a compelling and fluid narrative. ORLANDO: A Rhapsody performs at The Southern Theater on off days (typically Sunday through Tuesday) of The Moving Company's lovely original piece at low tide (performing Wednesday through Sunday). There are a couple of days with performances of both shows, which would make a nice double feature.

"The Addams Family" by Unlabeled Theatre Company at Park Square Theatre

I saw my second production by Unlabeled Theatre Company this weekend, and it was once again so heart-warming, inspiring, and fun. Unlabeled has a unique performance model, in which they pair an actor with a disability or who is neurodivergent with a neurotypical actor - a "shadow partner." Because everyone deserves to be part of theater, whether that's on stage, backstage, or in the audience. And theater is the better for it. In this difficult time in our country when inclusion, accessibility, and diversity seem to be dirty words, it's reassuring to know that our theater companies are continuing to not just say these words, but live them. The Addams Family is a musical that's all about familial love and loyalty, if a bit odd and macabre, and is another great choice for this company. The one-weekend-only run concludes tomorrow (click here for tickets), with their next scheduled production the super fun Something Rotten! next January.

"Berlin to Rügen" by Michael Rogers at Phoenix Theater

Traveling by train through Europe, specifically Germany (or even better - Switzerland), is one of life's greatest pleasures. I highly recommend it if you haven't done it yet. Firstly, it's so easy and convenient and accessible; you can get anywhere, and America has a lot to learn from Europe about public transit. But it's also a fun and relaxing way to travel. You can get up and walk around, get a snack, or just stay in your seat and nap or read or stare out the window. Watching the world pass by is an ideal environment for rumination, about the big and the little things in life. Such is the beginning of Michael Rogers' new solo show Berlin to Rügen. It starts off with a person on a train staring out the window and ruminating about their life, and then those ruminations go places I wasn't expecting. Places that are funny or heart-wrenching, and often both. See this new work by the artist who gave the best performance I saw a Minnesota Fringe last year, through Saturday only at the Phoenix Theater in Uptown.

"Between Riverside and Crazy" at Park Square Theatre

Park Square Theatre was planning to produce the 2015 Pulitzer Prize-winning play Between Riverside and Crazy in 2023, shortly after its Broadway premiere, when they ran into financial issues and had to cancel half of that season and all of the next one. But they came back last summer with a new Artistic Director, Stephen DiMenna, who has long been trying to stage this play (read more about that journey here). It has finally arrived as the final show in Park Square's excellent comeback season, and it was worth the wait. The well-written family dramedy that deals with gentrification, racism, drug addiction, and policing has been perfectly cast with #TCTheater favorites and newcomers, on an incredibly detailed and lived-in NYC apartment set. Between Riverside and Crazy plays Thursdays through Sundays until June 8 in the Historic Hamm Building in downtown St. Paul.

"Whoa, Nellie!" at the History Theatre

Just over a year after its "Raw Stages" workshop, when I declared it "my favorite of the three readings I saw," the new original historical musical Whoa, Nellie! makes its debut on the History Theatre stage, and it's even better than expected! The musical is about the life, loves, and crimes of the little-known historical figure known by many names including Nellie King, a "cowboy detective" and notorious outlaw who was the subject of many explosive headlines in the newspapers of the Midwest in the late 19th Century. Playwright/composer/lyricist Josef Evans (who created Open Eye Theatre's delightful trilogy of outdoor summer musicals at the Bakken Museum in the early post-pan years) has set Nellie's story as a Vaudeville show and incorporated other, more well-known, historical figures of the era. The result is a wild ride of a show that gallops through history and multiple states as it explores very 21st Century themes of gender identity, sexism, racism corrupt journalism, drug addiction, and celebrity culture. So put on your cowboy boots and head to the History Theatre in downtown, where you'll need to saddle up and hold on tight to the reigns of this fun and fantastical musical (continuing through June 8).

"at low tide" by The Moving Company at The Southern Theater

I love The Moving Company, but they make my job very difficult. Because mere words cannot describe the magic that they create on stage. I didn't fully understand everything that was happening on the Southern Theater stage last night, but I found myself inexplicably moved by the combination of words, silence, movement, performance, sound, and lighting. I guess that's why they call themselves The Moving Company; they move people, and isn't that what art is all about? So I can't tell you exactly what you'll see if you go see at low tide (and you should), and what you see may be different from what I saw. But I can guarantee that you will be moved, and transported into another dimension for about 80 minutes.

Broadway tour of "& Juliet" at the Orpheum Theatre

The nine-time 2023 Tony nominated musical & Juliet arrived at the Orpheum Theatre in downtown Minneapolis this week. I knew very little about the show going into it, other than it had something to do with Shakespeare's Romeo and Juliet, and the score was comprised of pop songs. No expectations often leads to a great experience at the theater, and that was definitely the case here. The book (written by Schitt's Creek writer David West Read) is very clever in its meta structure, includes lots of Shakespeare references and a bit of rhyme, and is modern, feminist, and very funny. The score features well-chosen pop songs by artists of the last few decades, from Britney Spears to the Backstreet Boys to Katy Perry, all of them written or co-written by prolific Swedish songwriter Max Martin. And despite the fact that I knew maybe a third of these songs (I'm a nerd, I don't know pop music from any decade), I found it to be a really fun, entertaining, feel-good show. & Juliet continues at the Orpheum Theatre through May 18 only.

"Three Sisters / No Sisters" by Theatre Pro Rata at the Crane Theater

I love seeing plays in rep, with a company of actors performing multiple plays in rotation over a period of time. It's especially satisfying when the plays are related (e.g., the Guthrie's epic History Plays last year). But Theatre Pro Rata is taking repertory theater one step further into something called simultaneous theater. Not only are they doing two shows in rep, they're being performed simultaneously! With the same cast! In the same building! On the stage of the Crane Theater, the funny and tragic and very human world of Chekhov's Three Sisters is playing out, while at the same time in the lobby of the theater, Aaron Posner's No Sisters is unfurling with the characters who are not on stage. After seeing the first one I reported that Theatre Pro Rata's Three Sisters as a stand-alone piece is an excellent production of a classic play that feels modern and relevant and relatable. A few days later I saw No Sisters and found it to be a delightful companion piece - similar in theme but very absurd and meta, giving us more insight into the minor characters. Note that the audience space in the lobby is limited, so if you want to see both plays you should get those tickets now (and yes you do have to go back on another day to see it), but if you can only see one, Three Sisters is an entirely satisfying experience on its own (although it may leave you wondering about the string of expletives coming from the lobby).

"Bart and Arnie" by Melancholics Anonymous at The Hive Collaborative

Adam Szymkowicz's play Bart and Arnie is a sweet, odd, funny, and relatable little play about friendship and existential angst. Using familiar characters from most of our childhoods, he explores ideas of mental health, relationships, careers, and just the difficulties of getting through the day. Melancholics Anonymous' production, now playing at The Hive Collaborative, is super sweet and genuine, and will leave you with a warm fuzzy feeling. Their work is sometimes a little dark, a little weird (they're making their debut at Twin Cities Horror Festival this fall, which seems like it's a long time coming), but this one is dark only in the sense of dark thoughts that we all have, and weird in the most charming way. It's playing through May 18 only, so head to The Hive for some nostalgic fun.

"Sanctuary City" at Theatre in the Round

I'm not sure it's ever happened before that Frank Theatre and Theatre in the Round have done the same show in the same season. Frank has been around for 35 years, and does risky, interesting, meaningful plays (that are sometimes a little weird and dark). Theatre in the Round, the oldest theater in Minneapolis, is known for their Agatha Christie mysteries and more classic choices, but also isn't afraid to challenge their audience with some new or lesser known work. However it happened that both theaters produced Sanctuary City within a few months of each other, it's fortunate for #TCTheater goers. This play by Polish-American playwright Martyna Majok (whose work Frank introduced us to last year with the fantastic play Ironbound) is brilliantly written and incredibly timely, as it tells the story of two teenagers who came to this country with their parents as children, and are now faced with the uncertainty of living as undocumented immigrants. Something that's even more terrifying under this administration, and has even gotten worse since Frank's production of this play just three months ago. I don't think there's a large intersection in the Venn diagram of Frank's audience and TRP's audience, so I hope more people get to see this play. There was a small crowd on the Saturday night I attended, but I hope that Theatre in the Round's audience gives this show a chance. It's a bold choice for them, and they do a wonderful job with it. If you missed Frank's production of Sanctuary City, or you want to see another interpretation of it, check it out at Theatre in the Round weekends through June 1.

"Violet" by Ten Thousand Things at Hennepin Avenue United Methodist Church

I fell in love with the 1997 Off-Broadway musical Violet when I saw Theater Latte Da's gorgeous production in the Guthrie's Dowling Studio in 2010, just before I started this blog. Something about this story of a young woman who goes on a journey in search of healing and a new life, only to find it in herself, really resonated with me, and still does. And Jeanine Tesori's score that combines influences from Appalachia, Memphis, country, and gospel has become one of my favorites. Coincidentally, 2010 is also the year I saw my first Ten Thousand Things show, after which I declared "I'm hooked;" I don't think I've missed one of their shows since. Not only is their mission the best one I can think of (to bring theater to people who don't otherwise have access to it), but their shows are always clear and unencumbered, allowing the true heart of the piece to shine through. Now, finally, these two favorites that I discovered 15 years ago have come together in a sparsely beautiful and rawly emotional production of Violet that is sure to create new fans of this musical (which I believe has only had one other local professional production since Latte Da in 2010, although it did eventually make it to Broadway in 2014, starring Sutton Foster and Joshau Henry). A talented cast of eight (plus one musician) takes us on this epic emotional journey in just about 100 minutes, in a fully lit room with minimal sets and props, using just the power of their voices and talents plus our collective imagination. This bus will continue to travel on through June 1 at various locations, primarily at Hennepin Avenue United Methodist Church (near the Walker, with a large free parking lot).

"Time Piece" by Zorongo Flamenco Dance Theatre and the Flying Foot Forum Featuring Katha Dance Theatre at Park Square Theatre

I caught the first preview of the new dance show Time Piece at Park Square Theatre last night, and it was the most magical experience. I was there to see Flying Foot Forum, a favorite since the early days of this blog for their infectious and exciting percussive dance style. But I was blown away by the artistry of all three companies and the way that they worked together and intermingled their seemingly different styles, representing traditional dance forms from around the world. Dance is one of the universal languages that unites us all, and is one of the oldest forms of storytelling. This collection of pieces definitely tells stories, evokes emotions, and is just mesmerizing to watch. Time Piece officially opens Saturday and runs through next weekend only on Park Square's Andy Boss Stage (with the Pulitzer Prize-winning play Between Riverside and Crazy opening in their main theater next week), so head to St. Paul soon to experience the joy and beauty of these three dance companies.

"An Act of God" at Six Points Theater

The 2015 (and 2016) Broadway play An Act of God, written by former The Daily Show head writer David Javerbaum, is delightfully irreverent but still respectful of faith. Think The Book of Mormon (which is referenced), or that scene in Spelling Bee in which a contestant asks Jesus to help them win the spelling bee and Jesus shows up to say, "It's not the kind of thing I care that much about." On Broadway the character of God, who speaks directly to the audience, was played by a man, but Six Points Theater wisely chose beloved #TCTheater veteran Sally Wingert to star in their new production, and I truly cannot think of anyone better to embody God. The play is so smart, so funny, so relevant, and this production, with a talented cast and sharp design in the intimate space in Highland Park Community Center, is really just the best. If you're looking for a hilarious comedy with substance, that'll make you laugh and nod your head in agreement and maybe gasp a time or two, don't miss An Act of God!

"Sickle" by Theatre Novi Most at Mixed Blood Theatre

Sickle is a brutal play that's tough to watch. This is not a play to go to for a fun night out and to forget your troubles. It's a play that shines a light on a little known part of history known as the Holodomor, a genocide by starvation perpetrated by the Soviet Union on the people of Ukraine in the 1930s, with striking parallels to what's happening today. This Minnesota premiere play, written by Chicago-based playwright Abby Fenbert, is beautifully and devastatingly brought to life by Theatre Novi Most and an incredible cast of five women, baring their souls on stage as they pay homage to the strength and resiliency of the Ukranian people, particularly the women. I can't help but be reminded of the story of the Ukranian woman who, in the early days of the current war, gave sunflower seeds to a Russian soldier so that when he died on Ukranian soil, something beautiful would grow. That woman is a descendent of the women represented in this play - fierce, loyal, loving women who will stop at nothing to protect their family, their home, their land. The limited run of Sickle concludes on May 10, click here for tickets and info on special events like live music and a Ukranian food truck. Novi Most is partnering with Stand with Ukraine MN for this production; click here to find out more about them and learn how you can support Ukraine in their current crisis.

"When We Are Found" at Penumbra Theatre Company

After producing his beautifully tragic play Sugar in Our Wounds two years ago, Penumbra Theatre commissioned playwright Donja R. Love for a different sort of play; a fable, a fantasy, "a meditation on enduring love through thee forced parting precipitated by the transatlantic slave trade" (Penumbra's President Sarah Bellamy in a note in the program). Sugar in Our Wounds tells the doomed love story of two enslaved men in the South shortly before the Emancipation Proclamation, and When We Are Found is almost like a prequel to the story, as well as a modern-day coda. Running just over an hour, it's a lyrical, fantastical, fluid celebration of unbreakable love. See it at Penumbra in St. Paul's Rondo neighborhood through May 18.

"The Nacirema Society" at the Guthrie Theater

The Guthrie is returning to playwright Pearl Cleage's repertoire* after producing the beautifully tragic Blues for An Alabama Sky two years ago. Unlike that play, which was set in 1930s Harlem, The Nacirema Society is actually set in Alabama, and there's no tragedy, only comedy, romance, and a whole lot of fun. Set against the backdrop of the Civil Rights Movement in 1964 Montgomery (there's a nice article in the program about the events of that "memorable year"), The Nacirema Society is a multigenerational story of a wealthy and powerful Black family preparing for a debutante ball. The playwright summarizes it best (quoted in a program note from Artistic Director Joseph Haj): "Even in the midst of massive social upheaval and revolutionary change, people still found time to fall in and out of love, to keep the family secrets or spill the beans, and to embrace the great human chaos of their very specific lives." That feels very familiar and very human; with all the madness happening in the world right now, we still have to live our day to day lives and find joy wherever we can. And The Nacirema Society, with a fantastic cast of Black women (plus one token guy) and stunning design, is one such source of joy. See it on the Guthrie's thrust stage now through May 24.

"Scarecrow on Fire" by Illusion Theater at Center for Performing Arts

Illusion Theater is closing out their 50th anniversary season with the most delightful show, Minnesota treasure Kevin Kling's Scarecrow on Fire. It's a sequel of sorts to The Wizard of Oz, presented as a radio play and featuring live music and archival footage from the 1925 silent film version of The Wizard of Oz (I know, I didn't know that existed either!). Kevin originally wrote this piece for Minnesota Public Ratio, recorded in front of a live audience and broadcast on the airwaves. They've maintained the radio play style for this production, and reunited the original team - actors Simone Perrin, Stephen Yoakam, and Dan Chouinard (who also plays piano and accordion), and musicians Michelle Kinney (cello) and the House of Mercy Band. The mix of all of these artists, with the source material that is so beloved to so many of us, creates something so unique and special. It's funny and silly and charming, but also really heart-warming and even a little profound. It may just bring tears to your eyes as it highlights the beauty and frailty of life. The bad news is it's a short run, with only six performances remaining, two of which are sold out. So act fast to catch this special event!

"Anything Goes" at Lakeshore Players Theatre

Get ready to set sail with the classic Cole Porter musical Anything Goes at Lakeshore Players Theatre. In only the second local production I've seen in the 15 years of Cherry and Spoon, director/choreographer Kyle Weiler (whose work was last seen at Lakeshore in the charming She Loves Me last season) leads the team in this fun escapist show full of clever and witty songs, madcap humor, and fabulous dancing. It'll leave you with a smile on your face and a melody stuck in your head. Anything Goes plays Fridays through Sundays until May 18 at the Hanifl Performing Arts Center in White Bear Lake (click here for info and tickets).

"Joyful Noise" by Bucket Brigade at Art House North

The play with music Joyful Noise tells the story of the creation of Handel's Messiah, "one of the best-known and most frequently performed choral works in Western music." Who knew there was so much scandal and controversy in the creation of this beloved work which, even if you don't think you know it, you will recognize. Affairs, censorship, rivalries, disagreements between the creators, all threatened to derail this project. Playwright Tim Slover has compiled these stories into some funny and entertaining historical fiction, brought to life but a great cast at Bucket Brigade, even if it does feel a bit too long (the free coffee at intermission helps). See it at the charming and intimate Art House North through May 10.

"Waitress" at Artistry

I've been waiting for the #TCTheater premiere of the Tony nominated musical Waitress since I first saw it on tour in 2017. I'm a big fan of the quirky little 2007 movie of the same name upon which it was based (written by and co-starring Adrienne Shelly, who was tragically murdered before its release). When I saw the tour at the Orpheum Theatre, and later the Ordway, I found the musical adaptation to be a successful one, but one with an intimate story that would probably play better on smaller and more intimate stages. The regional premiere is finally here, and I was right! Artistry's production does feel more real and intimate and heart-wrenching, and so beautifully done that I wish I had time to go back and see it again. Go see this all-star cast in Waitress at Bloomington Center for the Arts now through May 11, they'll rip your heart out and make you laugh.

"Frozen" at Children's Theatre Company

When the National Tour of the stage adaptation of the hit 2013 Disney movie Frozen came to Minneapolis in the fall of 2021, it was a true celebration of the return to theater after a global pandemic closed all theaters for nearly a year and a half. Now three and a half years later it feels like the pandemic truly is in the past, although today's world is not without its own unique and scary challenges. But now we have Children's Theatre Company's glorious regional premiere of this sisterhood love story to remind us that we can get through hard times if we work together and have an open heart (and door). The movie is beloved by many (expect to see lots of little Elsas, Annas, and Olafs in the crowd), and the thing CTC does best is make the experience the best it possibly can be for the little ones. They present this story with such care, thoughtfulness, passion, and love that it's also a joy for the grown-ups, and will melt even the most frozen of hearts. As the outdoor world continues its slow melt into spring, the world of Arendelle will continue to freeze and thaw and freeze again on the CTC stage through June 15.

"Sister Act" at Lyric Arts

The 1992 Whoopi Goldberg hit comedy movie Sister Act was adapted into a stage musical in the late aughts, with music composed by frequent Disney composer Alan Menken. Lyric Arts is bringing it to their stage this season, and it's a whole lot of fun, with a wonderful message of sisterhood, faith, friendship, community, and standing up for what's right. What's not to love about that?! Lyric's production features a large and talented cast (many of them newcomers to Lyric's stage) and is a joyful and high energy celebration. It's playing through May 11, but musicals do well at Lyric Arts, especially a known name, so don't wait too long if you want to experience the joy.

"Close to Home" at Pillsbury House + Theatre

The new play Close to Home is a beautiful story about a chosen family. Three people who are estranged from their birth family for various reasons find each other, and despite differences and disagreements, they give each other the love and support that they need. This is a story about immigrants, trans people, gay people - all of the people whose stories and history and existence in the world the current administration is trying to erase. In other words, it's exactly the kind of play that we need right now, and it's beautifully acted, designed, and directed. See it at Pillsbury House + Theatre now through April 27.