"Men on Boats" by Ten Thousand Things at Hennepin United Methodist Church

Over 15 years ago, I hiked into the Grand Canyon with nine other women (one old friend and eight new friends), many of us in celebration of our upcoming 40th birthday. It was no three-month journey through an uncharted wilderness, but it was a challenging full day hike down to the bottom of the canyon, a couple of nights at the charming Phantom Ranch, and a challenging full day hike up and out. Last night, seven of the ten of us reunited to experience Ten Thousand Things' wonderful production of Men on Boats, a reimagining of the first government sanctioned expedition down the Colorado River through the Grand Canyon. It's a story of adventure, of the camaraderie that comes with doing hard things together, of the complicated ideas of Manifest Destiny and unchecked masculinity upon which our country is founded. Ten Thousand Things has put their usual clear-eyed bare-bones all-the-lights-on spin on this story, with a fantastic cast of ten female/non-binary/trans actors, told in a playful way with heart, humor, and physicality to represent all the various locations and situations on the journey. i.e., there are no cisgender men and no boats in Men on Boats. Nothing against either, but this is an inventive way to tell the story. You, too, can experience this challenging and satisfying journey at Hennepin United Methodist Church, Capri Theater, or 825 Arts through March 15.

"Stop Kiss" by Theater Mu at Gremlin Theatre

Yesterday was a tough day here in Minnesota. It began with horrific politically motivated attacks on our state legislators that resulted in two deaths and two people severely injured. It then transitioned into inspiring "No Kings" protests in our state capital and around the country. I ended the day at the theater, seeing a queer Asian story about love in the face of hate and violence, and found great solace there. Sadly, hate and violence are a part of our world that never seems to go away, but the hope is that we can make the voices of love, connection, and community loud enough to drown out the hate. Stop Kiss, written almost 30 years ago by Asian American playwright and screenwriter/producer Diana Son, is about two women, in this production Asian American women, who fall in love and are confronted with violence because of it. It's a beautifully written play in two timelines, as funny and sweet as it is tragic and heart-breaking, and Theater Mu's nearly flawless production is a must-see. Even now. Especially now.

"The Mousetrap" at the Guthrie Theater

The world's longest running play has arrived at the Guthrie! Agatha Christie's murder mystery The Mousetrap opened in London's West End in 1952 and has run continuously ever since (give or take a global pandemic). I first saw the play three years ago at Lyric Arts, so it wasn't too far into the Guthrie's delicious new production that I remembered whodunit, but that did not diminish my enjoyment of watching the mystery play out. If you've never seen the play before you are in for a treat, as Christie's well-plotted mystery has a plethora of quirky characters who all have a secret and could be the murderer. But even if you know whodunit, it's a pleasure to watch this dreamy and mostly local cast perform a beloved classic on this gorgeous set. See The Mousetrap on the Guthrie's proscenium stage now through May 13.

"Vietgone" at the Guthrie Theater

Next spring, the Guthrie Theater will celebrate its 60th anniversary; I've been a season subscriber for about a third of that time. Their new season (the first full-length season since the pandemic) begins with a play that may challenge some of its traditional audience, but that's not a bad thing. In fact, in the case of Qui Nguyen's ambitious and genre-blending play Vietgone, first seen in #TCTheater about five years ago at Mixed Blood Theatre, it's a very good thing. Rather than yet another story about the Vietnam War told from the point of view of Americans, it's a love story set against the backdrop of the Vietnam War, as told by the son of Vietnamese refugees. Vietgone is part rap musical, part romantic comedy, part bawdy sex comedy, part war story, and all engrossing. It's in-your-face and squirm-inducing, but is utterly effective in communicating the refugee experience and making at least this audience member rethink their views on the Vietnam War and American involvement.*