"It's Only a Play" at Park Square Theatre

If you love theater (and if you don't, why are you reading this), you must get to downtown St. Paul ASAP to see Park Square Theatre's production of It's Only a Play, the first show in their 50th season. Written by great American playwright Terrance McNally, this is a play about theater and theater artists. It hilariously makes fun of theater and everyone and everything surrounding it (including too many celebrity references to count), but in the end it's a real love letter to theater that would have brought tears to my eyes in the way it speaks to what theater means to us, if I weren't laughing so much. It premiered Off-Broadway in the '80s but was updated to bring it into the 21st century for its 2014 Broadway debut, and feels as if it may have been updated even since then, so current are the references. Park Square is putting on a superb production in every way, including an impeccable local cast. This feels like a play that was made just for me, and every theater-lover (continuing through October 19).

"Red" at Lakeshore Players Theatre

I first learned about Russian-American abstract expressionist painter Mark Rothko when I saw the regional premiere of the 2010 Tony-winning play Red at Park Square Theatre in 2012. I really loved this play, and have not seen it since then. But I have been lucky enough to see several Rothko paintings in person in museums in New York and/or Chicago; in fact I seek them out whenever I'm at a museum that houses modern art. At first glance, they're simple blocks of color, usually dark rich reds. But when you look deeper, they're so layered and endlessly mesmerizing. So is the play - just a simple two-hander, i.e., two people sitting in a room talking, but so layered in the way it explores the life of an artist and the meaning of art, and in a broader sense ideas of legacy, grief, friendship, purpose. I was so thrilled to see it announced as part of Lakeshore Players Theatre's 73rd season, and even more thrilled to report that it's a fantastic production with wonderful performances and gorgeously, messily detailed designed observed up close in the intimate space of Lakeshore's black box theater. Friends, it's only playing for three weekends, and seating is very limited with performances already beginning to sell out, so don't snooze on this one.

"A Lesson in Love" at Pillsbury House + Theatre

The new play A Lesson in Love is a really sweet and funny (and a little bit heartbreaking) romcom that ultimately is not about the love between two specific people, but about being open to love in general, in all its forms. It's beautifully and cleverly written by #TCTheater artist Nubia Monks, whom I know primarily as an incredibly talented singer and actor, in a way that feels real and grounded. With complete, complex, and lived-in performances by the two-person cast, and simple yet elegant design, A Lesson in Love feels like a little bit of a balm to a weary world. It may make you forget about all of the hate and fear that pervades our world, and remember what is possible with love. At least for 75 minutes or so. See it at Pillsbury House + Theatre now through October 19.

"A Doll's House" at Guthrie Theater

Norwegian playwright Henrik Ibsen's class1879 play A Doll's House was ahead of its time in its exploration of gender roles and societal expectations, with its famous (or infamous) ending in which a wife walks away from her husband and children in order to save her own humanity. In 1879, can you imagine?! 146 years later we're still dealing with those very same issues; even though things have changed and women can now get a loan without a man co-signing (at least in this country we can, for now), women's place in society and in the family is still very much debated and talked about. The Guthrie is producing the regional premiere of Amy Herzog's new and very modern adaptation, which premiered on Broadway in 2023. It's riveting and stunning and so relevant, with fantastic performances from the six-person cast and gorgeous design. See it on the Guthrie's thrust stage now through October 12.

"The Ruins" at Guthrie Theater

For the first time since the pandemic, Guthrie Theater is doing a show in the 9th floor Dowling Studio. This is very exciting news, and feels like a continuation of the slow return to normal. Even more exciting is that the piece they have chosen to bring back this intimate black box space is nothing short of exquisite, and could not exist anywhere else in the building. The world premiere new play with music The Ruins, by Broadway actor George Abud who was in the original cast of The Band's Visit, a uniquely special musical that I loved, is simply everything I want theater to be: original, philosophical, musical, funny, eye-opening, thought-provoking, moving, intimate, epic, and profound. No doubt my words will come up short in attempting to describe why this piece is so special, but if you trust me, just go see it (now through October 12), and thank me later.*

"Don't Miss Doris Hines" at History Theatre

Once again, the History Theatre has introduced me to a local historical figure I'd never heard of. Singer Doris Hines performed in Minneapolis and around the world for decades, interacting with stars like Nat King Cole, Ella Fitzgerald, and Della Reese but never rising to their level of fame and name recognition. She was one of those hardworking journeyWOman performers who loved to entertain people, and never stopped pursuing her dreams. The new play with music Don't Miss Doris Hines, written by The Playwrights' Center Affiliated Writer Tylie Shider, covers over three decades of her life, through which we get to know the artist and the human. See it at History Theatre in downtown St. Paul through October 12.

"Pride and Prejudice" at Theatre in the Round

Perhaps best known for her modern, feminist, and funny Jane Austen adaptations, Kate Hamill was the most produced playwright in America last season. For some reason, we can't get enough of strong and relatable female heroines right now. Theatre in the Round is continuing this trend with the first show of their 74th season, Pride and Prejudice, everyone's favorite Jane Austen story by everyone's Jane Austen interpreter. Park Square Theatre produced the regional premiere of this play in 2019, and while I appreciated the fun and fresh look at the story, I felt it went a bit too far into over-the-top slapsticky territory for me. But I'm pleased to report that this production strikes just the perfect balance between comedy, modernity, and the traditional story we all love. So while I stated that I loved about 75% of Park Square's version, I love 100% of this show. It's so much fun, with a huge and talented cast portraying the endearing Bennet sisters and their charming beaux, and a really great use of music and movement, well staged in the unique in-the-round space. Pride and Prejudice continues for two more weekends, but this beloved story is already selling out shows so don't wait too long to get your tickets!

"Only Ugly Guys" by Running Errands at Gremlin Theatre

The "funny, clever, inventive, and very modern" new play Only Ugly Guys, written by up-and-coming #TCTheater artist Kurt Engh, is back for another round. But this is no mere remount, it's an expansion and rewrite of what he calls an "anti-romcom" about four young gay men. The version staged at Open Eye Theater last summer as part of their Guest Artist Series was 90 minutes long and used projections of videos, texts, and social media. This new version (with two of the four original cast members returning) is about two and a half hours including intermission, staged on the thrust stage at Gremlin Theatre. So there's 30-40 additional minutes of story, with a new structure and style as well. It's the same four characters and similar relationships and story, but told in a fresh new way. And it's still "funny, clever, inventive, and very modern," continuing through September 27.

"Treasure Island" at Children's Theatre Company

For high stakes adventure on the open sea, head to Children's Theatre Company in South Minneapolis. Their production of Scottish playwright Stuart Paterson's adaptation of the 1883 novel Treasure Island is a high energy tale filled with music, magic, thrilling fight scenes, and admirable heroism. Surprisingly, this was my first experience with the classic tale, having never read the book or seen any of the many movie adaptations. There are a lot of pirates and bad guys to keep track of, but the trajectory of our young hero Jim is clear as he risks life, limb, and reputation to do what's right and stand up to the bullies who will stop at nothing to get what they want. The kind of heroism that seems to be lacking in the real world right now, but maybe Jim will inspire us to be heroes in our own stories. CTC recommends this show for age 8 and up, and I observed some little ones getting a little squirrelly as the story and accents might have gone over their heads, and there's quite a bit of violence, including gunfights and murder. But for the older kids and the grown-ups, this show is treasure indeed.

"Maybe You Could Love Me" by Theater Mu at Mixed Blood Theatre

The world premiere new play Maybe You Could Love Me by L.A.-based Muslim playwright Samah Meghjee is a gem of a two-hander. The story of two Muslim girls growing up in Florida, in love but unable to be together because of the expectations of their culture, is sweet, funny, sad, and lovely. And Theater Mu has cast the perfect two actors to bring these two endearing characters and their precious relationship to life. It's playing for two more weekends only at Mixed Blood Theatre, highly recommended if you're looking for adventurous, new, original theater.

American Players Theatre 2025

"This world is complicated, sometimes difficult. We hope that your visit to APT is a bit of a refuge for you. We hope it brings you joy, maybe lets you breathe easier. For a few hours, you can lean into a story, together in community with the rest of the audience. The people sitting around you may have different perspectives, beliefs or even politics (yeah, we said it). But we can share this common experience and maybe understand ourselves, and each other, a little bit better. That's the beauty of Theater, and of this place in the woods." This program note from American Players Theatre Artistic Director Brenda DeVita and Managing Director Sara Young so beautifully expresses why I love theater, and why I write about it to share it with others. At this moment, the world feels very complicated, difficult, and scary, so my weekend in Spring Green with my friends from Minnesota Theater Love and Ernest Goes to the Theatre was a welcome retreat. I like to refer to APT as a theater oasis in the middle of the woods of Wisconsin. And it is that, it is a place to take a break from the scary world and enjoy storytelling at its finest. But APT, and theater, is more than that. Some of the plays this season are a fun escape, but some are a brutal reflection of our harsh reality. And all of them are experienced in community with friends, strangers, and this beautiful acting company and creative team. This was just the third trip across the Wisconsin border to APT for this Twin Cities Theater Blogger, but I look forward to many more to come. The summer season of eight plays in rep (although more will be closing each week) continues through October 5, with one play presented in their indoor theater in late October through November, so there is still time for the best theater vacay in the Midwest this year. Or start making plans for the 2026 season, because American Players Theatre is a magical and wonderful experience, just a four-hour drive from the Twin Cities, that every #TCTheater fan needs to experience.

"Nudge" at Open Eye Theatre

As part of their Guest Artist Series, Open Eye Theatre is hosting the long-form improv show Nudge once a month through December. I caught the show last night, before the #TCTheater season gets too busy. A small but enthusiastic crowd enjoyed one continuous story that played out in under an hour, completely made up on the spot. This talented troupe of some of our best improvisors (Tim Hellendrung, Katy Kessler, Taj Ruler, and Jen Scott performed last night, with Rita Boersma and/or Butch Roy joining them at some performances) created believable characters and situations that were funny, and awkward, and real. Since HUGE Theater closed last year, we need to go to different venues to see improv (including but not limited Strike Theater, Jungle Theater, and the Hive Collaborative), and Nudge is one that's definitely worth checking out in Open Eye's sweet intimate space in South Minneapolis. Their next show is October 20, followed by shows in November and December, with tickets just $12 in advance! Click here for all the details.

"Big Fish" at Lyric Arts

Lyric Arts is opening their exciting 2025-2026 season with yet another regional premiere musical - Big Fish, an adaptation of the 2003 Tim Burton film and 1998 novel. While the musical only ran for a few months on Broadway in 2013, earning zero Tony nominations, it seems to have sort of a cult following, and I can see why. It's a big-hearted feel-good story about parents and children, and what happens when children grow up and realize they don't know their parents as well as they thought they did. And there are a bunch of fantasy sequences that allow for fun little stories within the story. Lyric Arts has assembled a talented cast who are putting their whole hearts into the show, with some charming effects to create the fantasy sequences. See it on their Main Street Anoka stage now through September 28 October 5.

"Anyone Can Whistle" by Minneapolis Musical Theatre at the Conn Theater

It's time to check another Stephen Sondheim musical off my list - the rarely done Anyone Can Whistle. For just six performances over two weekends, Minneapolis Musical Theatre (whose motto "rare musicals, well done" really applies here) is presenting a concert version of this musical that famously flopped when it premiered on Broadway in 1964. This is a smart way to do a lesser known and less successful work by one of the best composer/lyricists in musical theater history. For musicals that are hard to stage or challenging in other ways, a concert version still allows us to appreciate the music and get a gist of the story and characters, highlighting the good parts and jettisoning the bad. Anyone Can Whistle is a weird musical for sure, satirical and absurd in ways that work and ways that don't. But it's a lot of fun to watch in this concert version with a super talented (and mostly new-to-me) cast under the direction of Max Wojtanowicz, with a small but mighty on-stage band. If you're a Sondheim fan, don't miss your chance to see this rare and oddly charming show!

"The Mother" by Black Label Movement and Sod House Theater at Sokol Hall

My first show of the 2025-2026 #TCTheater season is a new work by two companies I've never seen before, and it set the bar pretty high for the season. Black Label Movement (a dance theater company) and Sod House Theater (specializing in site-specific theater) are combining forces on a music-dance-theater piece based on the 1906 Russian novel Mother by Maxim Gorky. This "punk rock dance musical" tells the story of striking workers in early 20th Century Russian in a way that feels modern and relevant. The intimate and immersive space at the historic Sokol Hall in St. Paul's West 7th neighborhood, a center for Czech and Slovak culture, makes you feel like you're part of the revolution, and the original music by Annie Enneking, who also plays the title role, is so inspiring. The Mother is a fusion of theater companies, artists, and art forms that really makes you feel the emotions of the story viscerally in a captivating 90 minutes. But it's playing for one weekend only - click here for info and tickets to the remaining shows (through Sunday).