"The Mother" by Black Label Movement and Sod House Theater at Sokol Hall

My first show of the 2025-2026 #TCTheater season is a new work by two companies I've never seen before, and it set the bar pretty high for the season. Black Label Movement (a dance theater company) and Sod House Theater (specializing in site-specific theater) are combining forces on a music-dance-theater piece based on the 1906 Russian novel Mother by Maxim Gorky. This "punk rock dance musical" tells the story of striking workers in early 20th Century Russian in a way that feels modern and relevant. The intimate and immersive space at the historic Sokol Hall in St. Paul's West 7th neighborhood, a center for Czech and Slovak culture, makes you feel like you're part of the revolution, and the original music by Annie Enneking, who also plays the title role, is so inspiring. The Mother is a fusion of theater companies, artists, and art forms that really makes you feel the emotions of the story viscerally in a captivating 90 minutes. But it's playing for one weekend only - click here for info and tickets to the remaining shows (through Sunday).

"A Cruise-mas Carol" by The Mystery Cafe at Majestic Oaks Golf Club

Even though they've been around for 35 years, this is only my second year attending the immersive mystery dinner-and-a-show experience that is The Mystery Cafe. While much different than the type of theater I (and probably you) usually attend (no sitting in the dark passively observing, no separation between audience and performers, no fourth wall at all), it's still theatrical storytelling, and there are some familiar faces from the local theater/comedy/improv world. But it's less about the plot or the mystery, and more about the fun, food, and immersive experience. Last night I attended their new show A Cruise-mas Carol at Majestic Oaks Golf Club in Ham Lake on the north side of town, which runs through January 4, followed by the wedding-themed 'Til Death Do Us Die, which I saw last year. They've also got two shows playing at the Sheraton Bloomington, with a special Black Friday deal for 50% off tickets good though Monday. Check out one (or more) of these shows for a fun, accessible, and unique theater outing.

"Holiday Office Party" at Strike Theater

There's a new long-form holiday* improv show in town, and much like Family Dinner (playing at HUGE Theater in Uptown through December 30), Holiday Office Party at Strike Theater in Northeast Minneapolis spoofs a familiar event in many people's lives - the office party. That semi-mandatory party with people who are sort of your friends but not really. I'm going into the office this week (for the first time in six months) to experience the real thing (planned funtivities: trivia and a cookie exchange), but I'm certain that it won't be nearly as fun as the Strike Office Party. A large cast pulled from a troupe of talented improvisers makes awkward small talk, drinks too much, and sings inappropriate karaoke. What's not to love?! There are three more shows this weekend, for the very reasonable price of $12, so check out the fun at your Northeast home for sketch comedy, improv, and storytelling.

"White Christmas" at DalekoArts

Taking a break from their usual tradition of original holiday* comedy plays, DalekoArts is presenting the 2008 musical adaptation of the beloved 1954 move White Christmas. It may be the biggest musical they've ever done on their intimate stage in terms of size and scope. But as usual, they've created something warm, homey, and intimate out of this big show. A fantastic hard-working cast of just 13 (less than half of the original Broadway cast), a small but mighty off-stage five-piece orchestra, and simple yet effective design bring this familiar heart-warming story to life. It simply isn't Christmas without White Christmas, and to see it live at DalekoArts, after a drive through the countryside full of lights, is a treat indeed. It plays Thursdays through Sundays until December 18, and is playing in rep with the original holiday comedy White Chrismith on Sundays through Mondays. It features popular character Chris Smith from past original comedies, so they found a way to continue the tradition and do something new.

"Another Miracle on Christmas Lake" at Yellow Tree Theatre

It almost took a miracle for me to see Yellow Tree Theatre's annual original holiday* comedy based in the fictional and very Minnesotan town of Christmas Lake. I arrived at the theater with a group of friends on a warm and rainy December night to find that the performance had been cancelled due to a tornado warning (in Minnesota in December?! and climate change isn't a thing). The next week everyone was busy with Christmas plans, so a subset of the group rescheduled to see one of the last performances this week. Amidst a slew of show closings on Broadway and locally, this show did indeed happen! A perfect final show of 2021, closing out a less than perfect year of theater, but one that saw growth, ingenuity, and a return to some form of normal (more on that in the coming days). There are only two performances left of Another Miracle on Christmas Lake, but you can still get yourself to Osseo to see it if you act quickly. Or make plans for their two upcoming shows in 2021 which are both brilliant and rare choices - the funny, feminist, historical, and modern play In the Next Room; Or, the Vibrator Play and the musical Passing Strange.

The 77th "Musical Mondays" at LUSH, January 2020

What better way to celebrate the beginning of the 2020s than to look back at some great musical theater songs from the 1920s? For their 77th show, Musical Mondays did just that. Hosted by talented #TCTheater artists and BFFs Sheena Janson Kelley and Max Wojtanowicz, this popular monthly cabaret series at LUSH Bar in Northeast Minneapolis showcases different local talent every month. Also different every month is the theme, which gives musical theater fans like myself the chance to take a deep dive into a specific genre and learn a little bit more about musical theater history, while enjoying a fun and entertaining night, at the cost of a suggested $5 donation (which goes directly to the artists). This series should definitely be on the radar of every local music-theater fan. Their next show is on February 3; follow their Facebook page for the announcement of theme and performers.

"Another Miracle on Christmas Lake" at Yellow Tree Theatre

One of my favorite #TCTheater holiday* traditions is Yellow Tree Theatre's original Minnesota comedies. It all began with Miracle on Christmas Lake in their first season way back in 2008, a play written quickly under pressure by co-founder Jessica Lind Peterson, that has turned into an Osseo sensation. It ran for several years, then inspired a sequel. After a few other unrelated original holiday comedies set Up North, Yellow Tree returned to the original Miracle on Christmas Lake last year, and this year are bringing us the sequel.** Full of the quirky and very Minnesotan characters we've come to love, but with a (mostly) all new cast of talented comedians, Another Miracle on Christmas Lake is a riot. I have a group of friends and co-workers I've been bringing to Yellow Tree for almost ten years, and we all agree that with everything going on in the world and at home right now, we just needed to laugh. There's no better place for that than this show. It continues through December 29, but like I said it's a sensation and their intimate theater space sells out, so get your tickets soon.

"Miracle on Christmas Lake" at Yellow Tree Theatre

Gather round, children, this is one of my favorite stories in #TCTheater. Not that long ago, in a land not too far away, a couple moved home to Minnesota from NYC to start a theater company. Shortly after doing so, the rights to the holiday* show they were planning were pulled a few weeks before rehearsal was set to begin. Luckily, one of them was a playwright, so she wrote a play. That play was a comedy about a couple that moved to a small town in Minnesota from NYC to run a theater company, when the rights to their holiday play were pulled the night before opening. They say write what you know, and Jessica Lind Peterson did just that, to great success. She mixed her and Yellow Tree Theatre co-founder Jason Peterson's story together with Minnesota humor, soap operas, Little House on the Prairie, a handful of quirky characters, and a bearded dragon, put it all in a crock pot to simmer, and something delicious was born. Now, ten years later, Yellow Tree's holiday show is a huge hit every year and anchors their season to be able to produce some extraordinary and diverse work year-round. There have been two installments of Miracle on Christmas Lake, as well as two stand-alone plays A Hunting Shack Christmas (which you can see this December at Camp Bar produced by Actors Theater of Minnesota) and A Gone Fishin' Christmas. For their 11th season they're returning to where it all began, the original Miracle on Christmas Lake with most of the original cast. This was my 6th time seeing some iteration of the Christmas Lake franchise, and I love the silly, ridiculous, sweet, wonderful mess even more each time I see it. The show continues through the end of December, but as I mentioned it's always hugely popular, so get your tickets soon!

"Spinster Stories" Hosted by Heather Meyer at Strike Theater

I was at the dentist today for a quick repair of a chipped filling. While waiting for the novocaine to take effect, the hygienist was making small talk. She went through the usual topics - travel, work, weekend plans. Then she got to this topic. "Do you have children?" "No." "Are you married, significant other?" "No." "So it's just you then, huh?" Yes, it's just me. But it's not really just me. I was reassured last night that there are many "spinsters" like me who are single for a variety of reasons, and contrary to popular belief we're not all lonely damaged people. We can be just as happy and well-adjusted and fulfilled as "the marrieds," maybe even moreso. Six such people shared their experiences at Strike Theater in Northeast Minneapolis in an evening of storytelling called "Spinster Stories." Sadly, this was the final of two shows and there are no more scheduled (at the moment). But check out Strike's schedule for more storytelling, sketch comedy, and improv performances, including their one-year anniversary celebration this weekend!

Fringe Festival 2017: "Repertoire Dogs"

Day: 10

Show: 41

Title: Repertoire Dogs

Category: Comedy

By: Ideal Productions

Created by: Dana's Boys

Location: Mixed Blood Theatre

Summary: Impressions of celebrities in unlikely situations, performed by a cast of seven.

Highlights: This show is just plain fun. Who doesn't love impressions? If they're good it's fun to appreciate the skill, if they're bad it's fun to laugh at how bad they are (and there's a bit of both in this show). Josh Carson hosts a panel which, when I saw the show, included Allison Witham, Ben Tallen, Brad Erickson, Kelsey Cramer, Ryan Nelson, and Thomas Matthes. The first segment is celebrities or fictional characters in movies they weren't in, like Tim Gunn reading the rules from Fight Club, Gollum in The Goonies, and George Bush doing the Independance Day speech. There's a bit of audience participation when someone picks a card of a stock impression every impressionist should have (Jerry Seinfeld) and a competition ensues to see who does it best, while reading from Fifty Shades of Grey. And one (un)lucky audience member gets to go onstage and try to guess the impression. After a lot of laughter (including from the stage, it's also fun to watch the panelists crack each other and Josh up) and Simpsons characters, the show wraps up with a motley crew singing "Piano Man."

Read all of my Fringe mini-reviews here.

"The Working Dead" at Brave New Workshop

There's a reason workplace comedies are so popular and strike such a chord with so many people. The situation of forced pseudo-friendship that many of us find ourselves in on a daily basis is ripe for comedy. We form this strange little society with its own rules and language. No wonder Brave New Workshop chose it as their new show, entitled The Working Dead. Don't we all become zombies a little bit when we go into the office? Director Caleb McEwen notes in the program (or bulletin as I overheard someone calling it): "We spend most of our time around a group of people with whom we did not necessarily chose to fraternize, and these accidental friends will provide the bulk of our adult interactions. These are the people that will shape how we view and interact with the world around us." But this sounds a little too serious for what is a hilariously fun sketch comedy touching upon nearly every workplace issue, from casual Friday to personality tests to teambuilding to office romances. With over 50 years of history, BNW is like Minnesota's SNL, and I'm embarrassed it took me so long to get there. This might have been my first visit to Brave New Workshop, but it most certainly will not be my last.

"Take It With You" at The Underground

I'm sitting here in the warm and inviting Solglimt Bed and Breakfast, staring out at the blue-gray waters of Lake Superior, on a mini mid-week vacation. And what brings me to lovely Duluth, Minnesota's favorite in-state getaway? Theater, of course. Tonight I will make my first visit to the Renegade Theater Company to see the new musical Eastland, but my first stop was my second time watching the delightful radio show called Take It With You. Now in their second season, TIWY was created by Blake Thomas and Mary Fox (whom you might remember from Yellow Tree Theatre, Theater Latte Da's Our Town, or various other theaters in the cities before they decided to leave us and take their talents to the North Shore). This super talented couple along with some super talented friends write, perform, produce, record, and upload an hour-long episode every month, which you can (and should) listen to for free here!

Take It With You is a scripted show that follows a group of charming oddball friends centered around a Cheers-like bar in Duluth (at least until they tore it down to make way for a baseball field, more on that later). There's romance, adventure, comedy, a bit of social commentary, a visit from Mayor Don Ness, a conversation with local business owners, and of course, music! Many of the songs are Blake Thomas originals (if you like country, folk, Americana, singer-songwriter, or just good music in general, you'll want to check out his albums on iTunes), along with traditional song, standards, or whatever fits in with the theme of the episode. Episode 13 is all about baseball, so we were treated to songs about Jackie Robinson, Joe Dimaggio, and a sing-along to "Take Me Out to the Ballgame."

In this episode, the gang is challenged to play a game of baseball against a Little League team sponsored by the rival bar across the street. The stakes are high; if our team wins, the rival bar closes up shop. They decide to tear down the bar and build a baseball diamond in a cornfield in the hopes of attracting some baseball stars, but all they manage to attract are the cast of Field of Dreams, who actually can't play baseball. A few "sports montages" later and the game is over, as is the episode, with a whole lot of fun had by all. Including the large and loyal in-person audience and the cast that lends their musical, vocal, and sound effect making talents to the story - Blake, Mary, Katy Helbacka, Matt Helbacka, Ryan Nelson (with a hilarious array of voices from a little girl to James Earl Jones), Lane Prekker, and Zach Stofer (with Abe Curran on bass). It's so much fun to watch them create this wonderfully silly and very specific fictional world through voices, music, and sounds.

After more than a year and 13 episodes, the TIWY crew is like a well-oiled machine, which allows lots of room for playing around and having fun. "Live radio theatre" is a unique concept in this day and age, and TIWY is a unique product. It's fun and entertaining, with loveable oddball characters, great music, and support of local Duluth culture and businesses. Give it a listen and you might just get hooked. Every episode ends with the cast taking turns on the 1930s folky song "Sitting on Top of the World," which perfectly sums up the feeling this show evokes.

"Take It With You" at The Underground

There's something cool going on in Duluth. I mean, there are lots of cool things going on in Duluth; it's one of Minnesota's top tourist destinations, with the lake and the big ships and all. But specifically on the music-theater front, which is what brings joy to my heart, there is something new and cool going on. It's called Take It With You and it's live radio theater, recorded monthly at The Underground in Duluth's historic Depot, and available for free online listening. This scripted serial radio program hearkens back to the days when people used to gather around their radios to listen to music and stories about their favorite characters. Now we can gather around our computers to listen, or plug into a podcast, as we follow this quirky cast of characters on their monthly adventures. It's described as "Cheers meets A Prairie Home Companion meets Austin City Limits," but I encourage you to give it a listen and see for yourself just how charming and funny and silly and musically delicious it is.

In the first 60-minute episode of Take It With You, we meet Blake (voiced by one of my favorite musicians Blake Thomas, check out his gorgeous and heartbreaking albums on iTunes), the owner of a bar and music club in Duluth, eager new employee and aspiring musician Andy (Frye, of Yellow Tree Theatre fame), disgruntled actress-turned-waitress Mary (Fox, another fave from Yellow Tree and other local stages), and oddball regulars Rick (the hilarious mutli-voiced Ryan Nelson), Bill (Robert Lee), and Zach (Stofer), with other wacky characters played by Katy Helbacka and Andy Bennett. Whether it's a bachelorette party or a stint in the local jail, these loveably kooky characters work their way through some situation each episode, while hanging out, chatting, promoting local businesses, getting advice from too cool for school "Steve and Jamie" and theoretical physicist "Ask Brooks," and of course, playing music.

Each episode features a half dozen or so of Blake's original songs, covers, or standards. Friends, I would drive 300 miles to listen to Blake sing one of his original songs. OK maybe that's a slight exaggeration, but I'm telling you, he's the real deal. He writes clever, whimsical, poetic, simple yet profound lyrics, accompanied by haunting or driving melodies, and sings in an authentic country voice. Add to that Mary's lovely harmonies and the whole group joining in on such standards as "Sitting on Top of the World," and you have some of the best music I would ever want to listen to.

But don't take my word for it; you can listen to episodes 1 and 2 online right now, just an hour each so it's not even a huge time commitment. I had the great privilege of watching the live recording of episode 5 this week, and as much fun as it is to listen to this show, it's even more fun to watch it in person with a sold-out crowd, and see the love and energy and joy that the cast brings to this unique creation that's both modern and charmingly traditional. Listen to the podcasts, like their Facebook page, and if you happen to be in Duluth the third Tuesday of the month, go see it in person!

the Take It With You gang at The Underground

Fringe Festival: "Waitrix: Dominatrix Waitress"

Day: 8

Show: 30

Title: Waitrix: Dominatrix Waitress

Category: Comedy

By: Black Market Doctor

Created by: Heather Meyer

Location: New Century Theatre

Summary: A woman takes a job as a waitress, but when her coworker discovers she's horrible, she teachers her to be a dominatrix at night to improve her waitressing skills. Trouble arises when the two worlds collide.

Highlights: New waitress Barbara (Debra Berger) turns service on its head when she learns to make her customers serve her in the evening, with the help of Donna (Heather Meyer). They like it, although she's not too sure. One particularly difficult customer is the harsh TV food critic Craig (John Haynes), who constantly insults and belittles her. When she lashes out at him during the daytime, he almost succeeds in shutting down the restaurant until she comes up with a plan to save it, along with adorably nerdy secret millionaire customer Andy (Andy Browers). The show also features many food-related double entendres from the ever hilarious Ryan Nelson as the cook, and tableaux of dominatrix scenes created just before blackout. It's silly fun.

"Miracle on Christmas Lake" at Yellow Tree Theatre

Miracle on Christmas Lake is not your typical holiday classic. Instead of figgy pudding, sleigh rides, and angels, you get lost lizards, moon boots, and tater tot hot dish. And yet it deservedly has become a classic. This Yellow Tree Theatre play written quickly out of desperation is returning for its fourth year, and it's one of their most popular shows of the season and has even inspired a sequel. It's not really a surprise - the show is quirky and funny and a little outrageous, but at its heart it's about friends and family working together to create something they believe in and that enriches their community (not unlike Yellow Tree Theatre itself). What better way to celebrate the holiday season? Yellow Tree co-founder Jessica Lind Peterson wrote the play for their first season five years ago and directs for the first time this year. There are more than a few auto-biographical elements in the play, along with a bunch of ridiculous (but true) Minnesota stereotypes. Even though this is my fourth time visiting Christmas Lake (my second time seeing the original, and I also saw the sequel twice), it never fails to delight and entertain.

Quick plot summary (it's delightfully preposterous, so hang in there): Colin's father has died and left him a theater in the small Minnesota town of Christmas Lake (think snowcats and lutefisk and church basements). He has returned to his hometown with his wife Tess after leaving New York City and his successful career as a soap opera actor.* At the last minute, the rights to their annual Christmas show, It's a Wonderful Life, are pulled, forcing them to come up with a new production in a short amount of time (this really happened to Yellow Tree, which was the genesis of this show). The only actors they can get are the moon boot-wearing lizard-loving massage therapist Martha and the Little House on the Prairie-obsessed piano tuner Neil. They decide to stage a Christmas episode of Colin's soap As Time Ticks By (fun fact: Yellow Tree co-founder Jason Peterson had a small role in my favorite soap-that-is-no-longer, As the World Turns) to appeal to their greatest benefactor Mrs. Burlington. She's a big fan of the soap and Colin, and agrees to play a role in the show. Opening night arrives and everything falls apart, but in a so-bad-it's-good Producers sort of way. The show is a hit, the theater is saved, and Colin and Tess decide to stay in Christmas Lake and build the theater and their lives in this quirky little town they've come to love.

Some of my favorite things about Christmas Lake:

• Martha and Neil are the most adorable and funny nerds you've seen in a long time. Martha (played by the delightful Debra Berger, who BTW starred in one of my favorite Fringe shows this summer) wears moon boots, has a pet lizard, loves The Sound of Music, and makes a mean tater tot hot dish. Neil (once again played by Ryan Nelson, who never fails to crack me up) begins every conversation with "that reminds me of a very special episode of Little House on the Prairie."
• But to balance out that craziness, you need someone down-to-earth and relatable, and we have that in Tess (Brittany Parker) and Colin (Josef Buchel, reprising his role from last year's sequel). Both actors are charming and natural, with a believable chemistry. And they get to play a little crazy in the soap opera play.
• Janet Hanson plays two very different characters - the relatively normal Minnesota mom Gloria and the over-the-top eccentric rich lady of Christmas Lake.
• Being a lifelong soap fan, I love the very recognizable soap opera references, from sperm stealing and evil twins to a powerful businessman named Victor (Icon, not Newman).
• Neil's puppet, which I believe is new to this year's production, is as weird and wonderful as the original. He even has his own bio in the playbill.
  
• Tess (Brittany)'s sweet and sad rendition of "Have Yourself a Merry Little Christmas" does sound, as Gloria points out, a little like that folky singer with the crooked teeth.
• The eclectic holiday songs played during scene changes are so appropriate and unique that I want them all on a soundtrack!
• The set (designed by Katie Phillips) is a rustic and homey barn/theater and makes great use of Yellow Tree's small intimate space.

One thing I don't like about Christmas Lake:

• The hairy mole. It completely grosses me out in a way that's not even funny. Seriously, ew.

If you've never paid a visit to Christmas Lake, I highly recommend it as a silly and sweet new holiday classic. And even if you've been there several times, there's always something new to experience (playing now through December 29).


*I know it was said in jest, but soap opera actors can act, especially NYC soap opera actors - see Stephen Schnetzer in the recent play Tribes at the Guthrie as one example.

Fringe Festival: "RT + MPLS: The Legend of RT Rybak"

Day: 3

Show: 7

Title: RT + MPLS: The Legend of RT Rybak

By: Black Market Doctor

Created by: Heather Meyer

Location: New Century Theatre

Summary: A love story between a man (R.T. Rybak, three-term and current mayor of Minneapolis) and a city, covering everything from courtship to break-up to making up again.

Highlights: This is a charming love story, even though one of the parties is a city, not a person. A puppet R.T. Rybak (Michael Krefting) tells us of his romance with the beautiful, complicated city of Minneapolis. Since the puppet has limited mobility, the part of R.T. is played by Ryan Nelson, hilariously charming as he woos his fair city, whom he loves "from the stone arch of her foot to the cherry and spoonbridge of her nose." Anna Weggel is Minneapolis in human form, first rebuffing R.T., then falling for his charms (like helping to rebuild the 35W bridge and instituting the "nice ride" bike system), feeling heartbroken as he leaves her to run for governor, and finally rejoicing in his return. I don't live in Minneapolis so I don't know that much about the mayor (who was in the audience when I saw the show), but reading the R.T. Rybak Wikipedia page, it's amazing how many things about him they've incorporated into the show, from crowd-surfing to cross-country skiing. The show is chock full of local jokes and references, including poking gentle fun at sister city St. Paul. It's charming and funny and very Minnesotan.

Read more of my fringe fest reflections…

… including my top 5 shows

"Stay Tuned" at Yellow Tree Theatre

My expectations were high for Stay Tuned, the new original musical by Yellow Tree Theatre, for several reasons. In these days of movie adaptations and jukebox musicals, the new original musical is an endangered species, so just those words give me hope. I am a big fan of Yellow Tree Theatre and truly believe in and admire their mission (bring good quality theater to the suburban community that is Osseo, mixing new original work with established classics). Blake Thomas, who wrote the music and lyrics, is one of my favorite musicians* (thanks to Yellow Tree) and an incredibly talented songwriter, and book writers Mary Fox and Andy Frye are a couple of my Yellow Tree favorites. As opening night approached, I began to fear that my expectations were too high and I would be disappointed with reality, as often happens. I am happy to report that did not happen this time. Stay Tuned is a charming story about American music and its changing forms (from radio and record albums to podcasts and downloads) with really lovely and diverse original music performed by talented singer/actor/musicians.

The story of Stay Tuned is that of a fictional radio music variety show called The Emerald Coffee Radio Hour, reminiscent of that real-life beloved Minnesota institution A Prairie Home Companion. When the show's host Bob dies and leaves the show to his son Gordon (the always hilarious Blake Nelson), things begin to change. Gordon hires pop music producer Ashabell (Yellow Tree co-founder Jessica Lind Peterson) who attempts to modernize the show, to the dismay of the show's remaining writers and musicians. Emma and Scotty (book writers Mary Fox and Andy Frye) do their best to work with Ashabell, cutting skits and adding stupid human tricks. But Rusty (Blake Thomas, in a role well-suited to this musician-turned-actor) is having a hard time letting go of Bob and spends his evenings listening to recordings of old shows from the '50s and '60s. The recordings come to life as an old-fashioned mic descends from above and various members of the ensemble appear in period clothing to sing the songs of the past. Gordon is only concerned with making the show a success at whatever cost, with no regard for his father's legacy, but Ashabell soon reveals that under her slick pop exterior is someone who loves music and tradition as much as Rusty and the gang. Eventually, they're able to work together to bring that music tradition to a new audience.

Jessica Lind Peterson, Blake Thomas, Mary Fox,
and Andy Frye make beautiful music together

I'm not sure that I would classify Stay Tuned as a musical; it feels more like a play with music, in that characters don't break out into song in the middle of a conversation. Songs are not used to express a character's emotions and further the plot, as in traditional musicals. All of the music happens within the context of the radio show, either live performance during rehearsal or broadcast, or while listening to old shows, when the cast sings along to recorded music. The latter moments are fun and showcase a variety of musical styles (from Patsy Cline and Buddy Holly to Frank Sinatra), but the music truly shines when the Emerald musicians sing and play live (guitar, piano, dulcimer, mandolin, and makeshift percussion). I've been listening to the soundtrack (available for purchase at the Yellow Tree box office) all day; favorites include the wistful "Back Home," the hopeful "Love Will Lift You Up," and the sweetly silly "And On and On It Goes:"

If you cry underwater does anybody know that you're crying
If you blink in a tunnel does anybody know that you're blinking
And when you see a rainbow do you ever think that it's frowning?
And if you do does it make you stop and smile?
It's a strange old world
An underwater tunnel frowning rainbow kind of world
But the strangest thing is the love that you bring to this strange old fool.

All of the music has that familiar Blake Thomas sound,* and the cast sounds great singing these songs (even though I would have liked Blake to sing more than he did). The score is filled with clever and interesting lyrics (see above), catchy or haunting melodies, in a wide range of styles of American music (including a truly awful pop song). Stay Tuned doesn't look or sound like your typical musical (which isn't a bad thing), but it's a creative and inventive use of music in theater (in that way it reminds me a little of that other not-your-typical-musical that won a Tony last year).

The fantastic set (designed by Katie Phillips) is jam-packed with musical instruments and memorabilia, from an autographed poster of Pasty Cline to a Beatles bumper sticker. A piano and record player sit near the front of the stage, with a glassed-in radio control booth at the back. Functional and cozy, it looks like a pleasant place to spend a few hours listening to music.

Stay Tuned is charming, funny, and poignant, with wonderful original music paying homage to the history of American music. Really, what's not to love? (Playing now through May 5, with discount tickets available on Goldstar.com for select dates.)

the cast of Stay Tuned

*If you're a fan of country/folk/Americana music like I am, I highly recommend that you check out the music of Blake Thomas (available on iTunes and elsewhere). He has a really great country voice and writes songs with clever and original lyrics and haunting melodies. Flatlands is, start to finish, a nearly perfect album, and the newer The Window and the Light is also fantastic (and features a duet with his wife and co-star Mary Fox).

"Miracle on Christmas Lake II" at Yellow Tree Theatre

"A Little Bit of Lovin' and a Christmas Tree." That's the theme song of this year's rendition of Yellow Tree Theatre's annual holiday show, Miracle on Christmas Lake II* (presented for the second year in a row after a successful three-year run of the original Miracle on Christmas Lake). The song is a pretty good description of the plot as well - the "Loving" being represented by nerdy soulmates Martha and Neil and small town theater owners Colin and Tess, and the "Christmas Tree" taking the form of a silly costume that Colin wears in the pageant thrown together at the last minute. But more than that, it's about a small community pulling together to save their beloved small town way of life. Not your average sugar-coated Christmas treat, Miracle on Christmas Lake II is silly and preposterous and hilarious and heart-warming.

In the ridiculous (in a good way) plot, the entire town of Christmas Lake comes down with the goat flu (which causes its victims to make strange bleating noises and eat garbage), and is also in danger of annexation by neighboring town Potterton. Colin and Tess must put on a successful Christmas show to impress the Hollywood producer wanting to film a movie in Christmas Lake, which will save the town. It's the pretty much the same show as last year (written by Jessica Lind Peterson and directed by Jason Peterson, founders of the theater), with a few little tweaks and mostly new cast. The one constant in the five years of Christmas Lake is Yellow Tree regular Ryan Nelson as the Little House on the Prairie-obsessed piano tuner Neil, who thinks acting means doing an impression. He grows funnier and nerdier every year, and never fails to crack me up. Debra Berger ably takes on the role of Neil's girlfriend, the Sound of Music-loving Martha with a pet lizard and a mean tater tot hotdish recipe. Neil and Martha's big romantic moment is crowned with a rendition of (what else) "Something Good" from Sound of Music (the movie, but not the original stage musical, which had a song called "An Ordinary Couple" in its place, which has just outed me as a fellow nerd - maybe that's why I love Neil and Martha so much). Josef Buchel (the charming gentleman caller) and Rachel Petrie (of Four Humors Theater) play the only normal people in town, Christmas Lake native Colin and his wife Tess, who run the local community theater and try to corral these crazies into some semblance of a theatrical production. The charismatic Andy Frye returns as the Hollywood location scout with a secret, only this time he's given a new name (Stefan Stefanjovak) and a vaguely Eastern European accent. Rounding out the cast is Charles Fraser playing several characters, each one more quirky and outrageous than the last. The entire cast plays well together. One of the best examples of this is a fabulous slow-mo fight between Neil and Stefan over Martha. Hilarious and deftly executed.

Over the last three years I've grown to love the residents of the fictional town of Christmas Lake, which will seem familiar to any Minnesotan (you can read more about last year's version of the show here, and about the original play here). I hope to return for many years to come. Jason says in this article in the StarTrib that there are plans for a third play. Until then, check out this trailer featuring scenes from the show accompanied by one of my favorite local musicians (thanks to Yellow Tree) Blake Thomas** singing "A Little Bit of Lovin' and a Christmas Tree" (I'm still waiting for it to be released as a single). In the show, the cast sings the song and it sounds quite lovely - several of these actors are hiding great voices behind their comedy.



Miracle on Christmas Lake II from Yellow Tree Theatre on Vimeo.


*I received two complementary tickets to Miracle on Christmas Lake II, and brought along nine more friends who happily purchased tickets, even though many of them had seen the show last year. It's a really fun group outing, especially when paired with dinner at Nectar Wine Bar in adorable downtown Osseo.

**Blake Thomas is writing a new original musical Stay Tuned to be presented at Yellow Tree Theatre next spring, with help from his lovely and talented wife Mary Fox and Stefan Stefanjovak himself, Andy Frye (who is also directing Yellow Tree's next show, Circle Mirror Transformation, which I called "a quiet, real, completely satisfying exploration of five intersecting lives" when I saw it at the Guthrie in 2010). More information on both shows here.

"The Diary of Anne Frank" at Yellow Tree Theatre

Anne Frank's story is a remarkable one, unbelievably tragic, but sadly not unique. What makes Anne Frank unique is that she wrote her story down on paper, and her writings survived when she did not. She has become a symbol for the Holocaust, providing a face for the unfathomable tragedy that is the murder of six million people. Through Anne's very human writings, filled with not just the atrocities of persecution but also very relatable issues of growing up, we get a glimpse into what it was really like to be a Jew living in Europe during the Nazi era, trying to survive and make some sort of a life for oneself. Anne and her family, along with four other people, lived in a few small rooms above her father's business in Amsterdam for two years, until they were finally discovered and sent to various concentration camps. Anne's father was the only one to survive, and was given Anne's writings from the friends who helped to hide them, who had found the papers after the family was taken away. Otto Frank succeeded in his daughter's wish to publish the diary (she rewrote her original entries after hearing a radio broadcast about collecting diaries and letters as eyewitness accounts of the war). The Diary of a Young Girl was first published in English in 1952, and was adapted into a play in 1955. Yellow Tree Theatre is presenting the revised version of the play from the 1997 revival, and they do a wonderful job with this story. It's a powerful piece of theater.

Yellow Tree has gathered a strong cast of favorites and newcomers to the theater, under the direction of Jon Cranney who directed Yellow Tree's last show, The Glass Menagerie. He brings a similar style, raw and natural, to this much larger cast. In fact, it's one of the largest casts I've seen at Yellow Tree. Eight people living in a few small attic rooms is crowded, and ten people on the cozy Yellow Tree stage is too. But it never seems overwhelmingly crowded, everyone moves around the space smoothly and efficiently, even in the quick scene changes. The star of the show is Ali Daniels as Anne Frank. As my friend The Playbill Collector noted, for a college graduate she's a very believable teenager (and she looks a little like a young Judy Garland in braids). Spirited and wide-eyed, but with the wisdom of a child, she successfully conveys Anne's essence, both in conversation with others and in reciting passages from Anne's diary. I was reminded of the History Theater's Coco's Diary this spring, although obviously Anne had a much more difficult life than Coco. But both are insightful observations of the world around them.

the cast of The Diary of Anne Frank on the set
(Anne and her family had to remove their
shoes during the day to reduce noise)

Real teenager Gabi Jones (she's in 8th grade!) is lovely as Anne's quieter, more obedient older sister. Nathan Surprenant, last seen as Mozart in the whimsical Still Life with Iris, is strong and sympathetic as Anne's father, doing the best he can to protect his family but falling short. He closes the play with a moving soliloquy after the war is over. Also noteworthy are Melanie Wehrmacher as Anne's mother, with whom she has a strained relationship typical of teenage girls and their mother; Ryan Nelson as the dentist who moves in with the two families, providing entertainment and frustration; and Janet Hanson as Mrs. Van Daan, clinging to her fur coat as the last remnant of her old life.

As usual, Yellow Tree makes the most of their small stage, transforming it into the cramped but cozy quarters of the families. In a set designed by Rick Polenek, this place that they called home for two years comes to life. Photos from the real location and clever staging help us to imagine what the real hiding place looked and felt like.

Anne Frank's story is a powerful one, an important one to remember as it gives us an entry into the wider tragedy of the Holocaust. Yellow Tree does it beautifully; it's an entertaining and moving evening of theater (playing now through October 21). It has inspired me to read the book (I can't remember if I ever did), and the next time I'm passing through Amsterdam, I'll be sure to visit the museum that is now in the location of her hiding place. The one bright spot in Anne's story is that this wish came true: “I don't want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I've never met. I want to go on living even after my death!” 

"Noises Off" at the Jungle Theater

I've seen a lot of ridiculous shows lately (and I mean that in a good way) - Xanadu, Absolute Turkey, The War Within/All's Fair - and the Jungle Theater's Noises Off is another one. Not only is it a show within a show, it's a farce within a farce. Featuring a spectacular cast of favorites, intricately choreographed chaos, and over-the-top backstage drama, it makes for a very entertaining night at the theater.

Noises Off was written by English playwright Michael Frayn after watching one of his plays from backstage: "It was funnier from behind than in front and I thought that one day I must write a farce from behind." Six actors, one director, and two stagehands are putting on the fictional farce Nothing On. Act I shows us their final dress rehearsal, with the director watching from various parts of the audience. Act II is one month later, and the stage is turned around so that we get to see everything that happens backstage, while still hearing and catching glimpses of the onstage performance. It's a wild ride, and impossible to keep track of everything that's happening. Affairs, misunderstandings, drunkenness, tempter tantrums, and that's just backstage! Finally, in Act III the stage is turned around again and we get to see the performance, which has fallen apart. It's disastrous, painful, and hilarious.

the cast of Noises Off
as the cast and crew of Nothing On

I've never seen a playbill that has a second, fictional, playbill within it. We get to read about the cast of Nothing On, complete with bios. This fictional cast is temperamental, difficult, and possessing questionable levels of talent. Fortunately the real cast is nothing like them; they're all brilliant in their portrayal of these quirky characters. (Although to be fair, we don't know what's going on in the real backstage of the Jungle; I imagine that would be quite entertaining as well, but hopefully with less violence.) Cheryl Willis is the veteran actress and star of Nothing On, who mixes up her lines and has jealous affairs with her fellow actors. Ryan Nelson (a fave from Yellow Tree) is the actor who can't complete a sentence that's not written for him. Summer Hagen is the flighty blond whose exaggerated performance is exactly the same every time, even if everything around her changes and it no longer makes sense. The divine Bradley Greenwald, who has a seriously killer singing voice but who is equally good at playing silly, is the simple man who needs a motivation for everything his character does. Add to that the very funny E.J. Subkoviak as the exasperated director, the nimble Kimberly Richardson as the awkward stagehand, Neal Skoy as the other awkward and overworked stagehand, Stephen D'Ambrose as the revered and famous actor who's also a drunk, and last but not least, Kirby Bennett (whose Girl Friday Productions is producing a Tennessee Williams play I've never seen, Camino Real, next year), and you have one dynamite cast. Directing all this craziness is Joel Sass, who also designed the reversible set, both difficult tasks beautifully done!

If you've never visited the cozy Jungle Theater in the Lyndale/Lake area of Minneapolis, this is a good time to start. I've really enjoyed their season so far, and it looks like it's only going to get better with Waiting for Godot starring Nathan Keepers and Jim Lichtsheidl, and In the Next Room with a fabulous cast of women (and a few men). But don't wait for those shows, Noises Off is a very funny farce with a talented cast. Even though it's three acts long, you won't have any trouble staying awake for it with all the craziness going on in this fictional theater world. I've never thought about what actors do between their exits and entrances, but now I'll be imagining all kinds of crazy backstage shenanigans!