Minnesota Fringe Festival 2025: "Rec League"

Day: 2

Show: 7

Title: Rec League

Category: Comedy / Improv

By: Mike Fotis Productions

Created by: Mike Fotis and cast

Location: Strike Theater (a quick and easy 10-minute drive from Cedar-Riverside)

Summary: An improvised softball game between friends.

Highlights: I love baseball, but the only time I've ever played the game was a couple seasons in a co-ed softball league with coworkers some 20 years ago. The position I played was scorekeeper, and we weren't good (especially when the required number of women didn't show up and I had to take the field). In Rec League, I felt like I was back on that neighborhood softball field. Except with a lot more drama and humor. This troupe of eight improvisors (Allison Vincent, Anna Fotis, Bobby Gardner, Jim Robinson, Mike Fotis, Nels Lennes, Rita Boersma, and Tim Hellendrung) create a believable group of friends, and one enemy - Gary. This sets up some of the drama, as we learn why everyone hates Gary. We also have secret crushes, troubles at work, and new careers to discuss. All of this happens while the game is going on. We see players mostly in the first base dugout, heading off stage when it's their turn to bat. We hear the crack of the bat (and other sound effects the cast reacts to), see foul balls roll by, or watch the player sprint to first or walk sadly back to the dugout after a disappointing strikeout. Despite the fact that eight people are not actually enough for a softball team, especially when two people stay on the bench when the team takes the field, the baseball of it actually kind of makes sense. We get a few fun and intimate one-on-one scenes with the people on the bench, or in the outfield (when they actually make plays!). It's really quite impressive that they are able to juggle both the intricate storylines within the group and the plays of the game. But don't worry, you don't have to know baseball or softball to enjoy Rec League (although there are some fun Easter eggs if you do). It's about the joy of watching these talented improvisors create characters and relationships right in front of you, that feel genuine and authentic. Will the Wolves finally win a game? They've got three more games this season, if you go and cheer them on they just might.

Read all of my Fringe mini-reviews here. 

"Mae West and the Trial of Sex" by Walking Shadow Theatre Company at The Crane Theater

Censorship in theater is a hot topic in 2025, with many theaters losing NEA funding for doing plays that allegedly do not align with mandates from this administration. The government is trying to tell artists what kind of plays they can and cannot do, but artists will be artists, and tell the stories they want to tell, even if that has become more difficult. Nearly a hundred years ago, the New York theater scene was also facing censorship, with artists receiving jail time and fines for doing "immoral" plays, and theaters being closed for a year or more. Walking Shadow Theatre Company's new play Mae West and the Trial of Sex chronicles one such battle against censorship, in a story that feels very timely and relevant. See it at the Crane Theater in Northeast Minneapolis through June 22.

"Red and the Mother Wild" by Transatlantic Love Affair and Illusion Theater at Center for the Performing Arts

This spring, Transatlantic Love Affair is back at Illusion Theater, the artistic partner of this Minnesota Fringe-born physical theater company for a decade and a half. TLA typically debuts new original pieces at Fringe, and then in the next year or two continues to develop and expand the show into a 75-ish minute piece produced by and staged at Illusion. This year, they're remounting/revisiting their 2011 Fringe hit Red Resurrected, which I first saw in 2013 in the expanded Illusion Theater version. Retitled Red and the Mother Wild and with some additional content/themes added, it's still an exquisitely lovely and achingly beautiful piece, as all of TLA's work is. It's essentially a coming of age story of a young orphan girl who finds her purpose in the supposedly dangerous woods, told without any props or set pieces (or shoes), but simply using the voices, bodies, and souls of the talented seven-person cast. Experience the magic that is TLA at Center for the Performing Arts in Uptown through April 12.

"Loudly, Clearly, Beautifully" by Elena Glass at The Hive Collaborative

My favorite thing about artists is the way that they take pain and trauma and turn it into art, releasing it to the world to help us mere mortals process and perhaps heal from our own pain and trauma. #TCTheater artist Elena Glass, who has been performing professionally on stages around town for the last ten years or so, has done just that in her aptly titled solo show Loudly, Clearly, Beautifully playing at the intimate Hive Collaborative. Elena's dad was diagnosed with Multiple Sclerosis (MS) when she was 14, and died when she was 30, during the height of the COVID epidemic. I had a similar experience; my dad was diagnosed with MS when I was very young and lived almost 50 years with the disease, most of it confined to a wheelchair and in the last few years, to bed, and died just over two years ago. So this show touched me deeply. But you don't have to have a parent with MS to relate to this well-constructed and beautifully performed show. Its themes of grief, loss, family, love, growing up, and moving on are universal, as told through Elena's specific story. If you'd like to see an artist share their personal story with honesty, humor, authenticity, and gorgeous vocals, go see Loudly, Clearly, Beautifully before it closes on January 31.

"The Physicists" by Dark & Stormy Productions at Gremlin Theatre

The Physicists is a weird little play. Which makes it a great choice for Dark & Stormy Productions, which specializes in weird and darkly funny little plays. Written in 1961 by Swiss playwright Friedrich Dürrenmatt (who also wrote The Visit which Frank Theatre, also a purveyor of weird little plays, produced in 2018), The Physicists is a rumination on science, scientists, and the responsibility they bear for the deeds done with their work (I couldn't help but be reminded of the film Oppenheimer, which I recently watched on a transatlantic flight). As usual it's well-designed, -acted, and -directed by Dark & Stormy for an entertaining, baffling, and disturbing evening of theater. Since they've once again wisely programmed the show in this dark time between Minnesota Fringe Festival and the start of the new season, you have ample opportunity to see it at Gremlin Theatre now through September 15 (with next door Lake Monster Brewing and King Coil Spirits providing great dinner-and-a-show or drink-and-a-show opportunities).

Minnesota Fringe Festival 2024: "5x5"

Day: 8

Show: 25

Title: 5x5

Category: Physical / Theater / Historical content / Literary adaptation / Non-verbal

By: Transatlantic Love Affair

Created by: The Ensemble

Location: Open Eye Theatre

Summary: A tréteau style performance, in which five actors tell five stories within the space of a five-foot by five-foot square.

Highlights: What is tréteau? I still don't really know, but judging by this show it's incredible. TLA began at MN Fringe some 14 years ago, and I've loved them since my first transformative experience with them at the 2012 Fringe. Their shows are always gorgeous and moving, as they create the entire world of the show with just their bodies, voices, and souls. But they've given themselves an extra challenge this year - performing inside a 5x5 square taped out on the floor of the Open Eye's already tiny stage. This limitation has only made the work better and more creative. Directed by Amber Bjork (who always makes everything better), the five performers (Mark Benzel, Christina Castro, Peyton McCandless, Derek Lee Miller, and Allison Vincent) tell five stories, each performer somewhat taking the lead but all participating in the storytelling. And it very much feels like storytelling. Between stories they banter with each other in a fun and playful way, calling each other by their names, commenting on what just happened or is about to happen. The five short stories are mostly familiar, and each more delightful than the last, encompassing humor, adventure, tragedy, and romance. We are treated to the Arthurian story of Sir Gawain and the Green Knight, Shakespeare's classic tale of unchecked ambition Macbeth, Nosferatu done as a silent movie, a whirlwind version of the dinosaur movie Jurassic Park, and the lovely and tragic legend of Popo and Izta from Mexico. The five actors work together so well, just seamlessly and beautifully telling these stories in barely enough space to breathe much less move freely. It reminded me very much of Live Action Set (with whom Mark has frequently performed), my first physical theater love, who often did things like this (watch their LOTR in 8 minutes). I'm not sure what else to say other than this is unsurprisingly my favorite show of the Fringe this year - a clever and unique concept perfectly executed with so much heart, charm, and humor. Their final performance is on Saturday. Online sales are sold out, but if you want to see it, get there super early to snag one of the 25% of seats held for walk-up sales.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2024: "Pants on Fire"

Day: 7

Show: 23

Title: Pants on Fire

Category: Improv

By: The Project Factory

Created by: Sarah Broude

Location: HUGE Theater

Summary: A game show in which two teams try to guess if the story someone is telling is a weird truth, or an elaborate lie.

Highlights: What a great idea for a show. If you've heard of "two truths and a lie," it's like that, but each participant only has one chance at a story, with the opposing team guessing if it's true or a lie. It's a nuanced game, in which the storyteller not only has to tell the (possibly made-up story), but make the others believe it's true when it's a lie, or vice versa. And the even trickier thing is that sometimes part of the story is true, but not all of it. The evening is hosted by Sarah Broude, with help from Music Director Chris Perricelli and a delightfully bored assistant (whose name I didn't catch), throwing snacks at the guests, changing outfits frequently, and giving occasional side eye. Each performance has different guests, all pulled from our talented comedy/improv scene. I went (not coincidentally) to the show that featured the Four Humors: Ryan Lear, Brant Miller, Matt Spring, and newest Humor Allison Vincent. This group never fails to crack me up, and this was no exception; in fact I think it's the hardest I've laughed at Fringe this year. They were split into teams with captains Dale Peterson and Katie Kaufmann (who I gather are at every show), and each one got to tell a story, from getting kicked out of a Bozo the Clown show, to being part of a pregnancy reveal gone wrong, to childhood pranks. Watching these six weave a tale on the fly, and the others respond to it and ask questions, is sheer joy and hilarity. Highlights of the evening include watching Matt mime milking a cow, Brant reenact a Santa Experience, and hearing Ryan recite all the books of the Bible, after making us think he couldn't (but of course he can). The point system is a bit suspect, with math and word problems thrown in arbitrarily, but it's all in good fun. Great fun actually.

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2024: "Daddy Issues"

Day: 6

Show: 20

Title: Daddy Issues

Category: Drama / Physical Theater / Storytelling

By: Pretend Productions

Written by: Allison Vincent

Location: Phoenix Theater

Summary: A solo show about Allison's journey guiding her father through the end of his life, and their complicated relationship leading up to it.

Highlights: Developed a couple years ago with Pillsbury House + Theater, this is an excellent example of a very personal solo storytelling show that's funny, moving, and relatable. Using her skills in physical theater and transforming into multiple characters, Allison conveys her experience as her father's guardian/caretaker/health care advocate. Suffering from a myriad of health issues after years of hoarding and ignoring his health, she moved him from Illinois to Minnesota and advocated for him as he entered hospice care in a facility, despite the fact that their relationship was... complicated. She tells the story in a convivial way, voicing multiple other characters, with excellent choices for music during scene transitions and one very funny radio driving scene. The set is charmingly constructed of cardboard boxes, with some fun cameo voiceover performances. The story is well constructed and delivered with ease, true emotion, and vulnerability, and doesn't leave a dry eye in the house. Allison is always a highlight of any show she's in (including as company member of two of my favorite Fringe-born companies Transatlantic Love Affair and Four Humors, and her recent foray into directing), and it's a joy to get to spend these 50+ minutes with her and get to know her a little better, and watch her use all of her skills in telling this personal story.

Read all of my Fringe mini-reviews here. 

"Rasputin" by Four Humors Theater

Other than their participation in last year's Minnesota Fringe Festival Five-Fifths fundraiser, I haven't seen a Four Humors Theater production since before the pandemic. Which is way too long to go without seeing their uniquely clever and ridiculous original work, often adaptations of literature or history. They debuted a new work at Twin Cities Horror Festival last fall, but I missed it, so I'm happy they're remounting Rasputin at Open Eye Theatre so I could see the show my fellow Twin Cities Theater Bloggers raved about. It's just as smart and silly and hilarious as expected, with a bit more blood than usual for their shows. As a bonus, I caught one of two encore performances of their 2013 Minnesota Fringe hit Lolita, which made for a pretty great double-billing. They have a pretty loyal following, and lots of buzz from TCHF, so some shows in their short two-week run are already selling out. You can see Rasputin through May 18, with one final performance of Lolita following the Saturday night closing performance.

"The (Almost) Complete and (Mostly) Accurate History of Alcohol" at Bryant Lake Bowl

Favorite local funny man Josh Carson and friends have put together a sketch comedy show about that great elixir and social lubricant - alcohol. Ironically, I saw the show about four weeks into a six-week break from alcohol (and caffeine), which I started as part of my marathon training. And even though an injury got me off of the marathon track, I stuck with the alcohol break just to see if I could do it (and I am still in training, if only for the much less physically demanding half marathon). It's an interesting experiment and has made me more aware of how prevalent alcohol is in our society and our social lives. It hasn't really been that hard for me, but there have certainly been days where I wanted a drink to smooth out the edges of a rough day, or just to taste a delicious concoction on a night out. This group of very funny writers and performers have taken all of these ideas, as well as stories of alcohol throughout history, and created about a dozen silly, funny, relatable sketches. You can see it at Bryant Lake Bowl (with dinner and yes, drink service before and during the show) through September 30 only (click here for info and tickets).

"The Prime of Miss Jean Brodie" by Dark & Stormy Productions at Gremlin Theatre

At first glance, The Prime of Miss Jean Brodie seems like an odd choice for Dark & Stormy Productions, a company that over the last ten years or so has made a name for themselves doing modern, small cast, one act, darkly funny or darkly disturbing plays in non-traditional locations. This is a period piece (set primarily in the '30s), premiered in 1966 (based on the 1961 novel), two acts and two and a half hours long, with a cast of ten, presented in the traditional thrust space at Gremlin Theatre (D&S gave up their NE Minneapolis studio space during the pandemic). But it's still dark, more on the disturbing than funny side. And the title role is a good one for founder and Artistic Director Sara Marsh - a complicated woman that I'm never sure if I'm supposed to like or not. Upon closer examination, this production, which also features some great performances by current or recent U of M theater students, some making their professional debuts, fits right in with Dark & Stormy's repertoire of smart, intriguing, well done, and yes, dark plays. You can see it at Gremlin Theater in St. Paul (next door to Lake Monster Brewing with daily food trucks) through September 17.

"WHOOSH!" A Ghost Story and Music Performance by Andrew Erskine Wheeler at the Mill City Museum

The 2023 Minnesota Fringe Festival has just ended, but last night I had the opportunity to revisit one of my favorite shows of the 2022 Minnesota Fringe Festival. Andrew Erskine Wheeler's solo play WHOOSH! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls has been expanded and renamed WHOOSH! A Ghost Story and Music Performance, presented in the most appropriate location possible - the gorgeous Mill City Museum Ruins Courtyard right next to the falls themselves. St. Anthony Falls, which we learn were known as Owamni Yamni by the Dakota and Gakaabikaang by the Ojibwe, play a big part in this story of an Irish immigrant who follows his brother to Minnesota work in the logging industry, and then into the Civil War. It's a beautiful story that combines local history, ghost stories, Greek tragedies, Irish music, and the trauma of war and loss. Andrew once again gives a captivating performance as multiple characters in this story, and sitting there outdoors on a warm summer night within sight of the location of this historical fictional story was a special experience. I say "was" because the two sold out performances are over, but hopefully we'll see WHOOSH again. In the meantime, check out the other events happening at the Mill City Museum (just make sure there's not a football game happening at the same time to complicate the parking/traffic situation, as I failed to do).

"Feast" by Walking Shadow Theatre Company at the Black Forest Inn

Walking Shadow Theatre Company's newest production Feast is aptly titled. Yes, you are served a meal in the event space at the Black Forest Inn, a German restaurant on Nicollet in Minneapolis, but that's not the feast I'm talking about. This is a feast of theatrical storytelling delights. This solo play written (and originally performed) by Megan Gogerty is a retelling of the classic story of Beowulf from the point of view of the mother of Grendel, the monster slain by Beowulf. Naturally, the story is a lot different from the perspective of a grieving mother, and the script brilliantly ties this ancient story into modern issues and themes. As director Allison Vincent notes in the playbill, "Sometimes plays speak to the current state of our world. Megan Gogerty's Feast screams at it." Isabel Nelson fully embodies this character, and even though it's only March, I can confidently say that this will prove to be one of the best performances in #TCTheater this year. I recommend getting your tickets now; seating is limited in the space, and word of mouth is going to spread as more people see this show. It continues through April 1 but with only a few performances each weekend, and trust me, you do not want to miss this unique experience.

"These Old Shoes" by Transatlantic Love Affair at Illusion Theater

I didn't realize how much I've missed Transatlantic Love Affair until I saw their remount of These Old Shoes last weekend, one of my favorite shows of theirs. There's simply no one like them. An ensemble of seven people plus one musician creates an entire rich world using only their bodies, voices, and souls. It's simply exquisite. With origins in the Minnesota Fringe Festival (like many of our great small companies), TLA is a physical theater company that often adapts fairy tales or myths with their unique brand of storytelling. But this show, their first in three years, is an original story about a man moving into a retirement community, which allows for an exploration of aging, memory, relationships, and loss. It premiered at the 2013 Fringe Festival and was produced by Illusion theater in 2015, when it won Twin Cities Theater Blogger Awards for Favorite Play and Favorite Actor in a Play (Derek Lee Miller). I've always loved this show, but having spent some time in a nursing home recently, it was particularly resonant for me this time. It's heart-breakingly beautiful, and I cannot recommend it highly enough. See it at Illusion Theater in their new home in the Center for Performing Arts in South Minneapolis, Wednesdays through Sundays for the next two weeks only.

Minnesota Fringe Festival 2022: "WHOOSH! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls."

Day: 4

Show: 13

Title: WHOOSH! The Civil War Mythology of Michael Hickey and His Perilous Precipitation Over St. Anthony Falls.

Category: SOLO SHOW / AUDIENCE PARTICIPATION / HISTORICAL CONTENT / KID FRIENDLY / SHAKESPEARIAN ELEMENTS

By: Wheeler In The Sky

Created by: Andrew Erskine Wheeler

Location: CFPA Black Box

Summary: A compelling historical solo show about Minnesotans who fought in the Civil War, the history of St. Anthony Falls in Minneapolis, the indigenous people of this land, and how all of the above are related.

Highlights: Once again, Andrew Erskine Wheeler throws himself completely into this character, or rather characters. He starts the tale as an Irish immigrant who followed his brother first to the logging camps of Northern Minnesota, and then to the Civil War. He tells his story directly to the audience, how he was injured in the war, was given a job after the war by his sergeant (who, spoiler alert, is Andrew's ancestor), and survived a tumble over the falls. Andrew personifies all of these people, with a change of accent or accessory to his period costume. Into this story he brilliantly weaves the history of the falls (known as Owamni Yamni by the Dakota and Gakaabikaang by the Ojibwe), Indigenous and White people's stories and legends surrounding it, the infamous painting in the Minnesota State Capitol about Father Hennepin's "discovery" of the falls (read more about that here), and the horrors of war and its aftermath. With direction by Allison Vincent, the show seamlessly flows from one story to the next, one character to the next, and might possibly utilize the most props in the Fringe, which Andrew flawlessly manipulates to help tell the story. He also employs jokes and modern references, and a few charming moments of fourth wall breaking, and brings the audience to tears with his passionate and emotional portrayal. At the end of the show, he offers an opportunity for a donation to the Minnesota Indian Women's Resource Center and encourages the audience to seek out Native stories. Rather than another White man telling a story that isn't his to tell, he's telling stories from Minnesota's shared and complicated history, and encouraging the audience to acknowledge, explore, and understand all parts of our history. WHOOSH is a thoughtful and detailed show that's as fun and engaging as it is educational and inspiring.

Read all of my Fringe mini-reviews here.

"Christmas of Swing" at History Theatre

#TCTheater loves its holiday* shows, and my very first this year (not counting Annie, which is holiday-adjacent) is History Theatre's remount of their original musical Christmas of Swing, which I first saw in 2013. They've updated it this year to reflect the greater diversity of soldiers who served in WWII, making it more poignant and powerful than ever. But it's still highly entertaining, featuring Minnesota's own original girl group The Andrews Sisters, singing WWII era songs both Christmassy and not. The large and talented cast does a wonderful job of bringing this music and these heart-warming and heart-breaking stories of WWII soldiers to life.

"The VAXXED and the Furious" at Bryant-Lake Bowl

It feels so good to return to Bryant-Lake Bowl and Theater, the quirky little theater behind a bowling alley in Uptown, 19 months after seeing my last pre-pandemic show there. It's primarily a home for comedy, although I've also seen plays and musicals by small theater companies there over the years. The restaurant and bowling alley have been open for a while, but they're just now returning to live programming in the theater (with proof of vaccination required). You can see their full schedule here, which includes one more weekend of performances of The VAXXED and the Furious, featuring some of my (and your) favorite funny people in town.

"After the Fires" by Transatlantic Love Affair at Illusion Theater

Transatlantic Love Affair is a unique #TCTheater company. Unique in their process (ensemble created work rather than a set script, although other companies in town do that too), unique in their execution (they create the entire world of the play with their bodies and voices only, without the use of sets or props), and unique in the feeling evoked by their work (indescribable). They often reintrepret fairy tales or classic stories that we all know, but sometimes create new fairy tales as well. Their latest work After the Fires, playing at Illusion Theater through February 22, is an example of the latter. It's an original story that feels like an old story, a story of courage, adventure, nature, and community.

"Open" by Walking Shadow Theatre Company at Off-Leash Art Box

Apologies for the late notice (October was a really busy #TCTheater month), but you have just three more chances to experience a really unique and special show. Walking Shadow's production of Crystal Skillman's new play Open (this is just the second production!) is all around magical storytelling. And such a beautiful and tragic story it tells. In The Glass Menagerie, Tennessee Williams as Tom says the stage magician "gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion." This play is definitely the latter. The playwright uses the framework of magic to tell an all too real story of a horrific hate crime. This "illusion" is beautifully realized by the entire team at Walking Shadow and #TCTheater favorite Allison Witham in her best performance to date. If you have a spare 65 minutes this weekend, I can't think of a better way to spend them than with Open (click here for info and tickets).

Minnesota Fringe Festival 2019: "Edith Gets High"

Day: 5

Show: 17

Title: Edith Gets High

Category: COMEDY / DRAMA / MUSICAL THEATER / PHYSICAL THEATER

By: Devious Mechanics

Written by: Keith Hovis

Location: Rarig Center Arena

Summary: A new original musical about Edith, whose favorite pastime is getting high and playing video games, until she's sucked into a game that feels a little too real.

Highlights: I love Keith Hovis' Fringey musicals, and this one is no exception. But it feels a little different - a little more focused, a little less gruesomely violent, with some physical theater elements (thanks to director Allison Witham of Transatlantic Love Affair). Edith is one of "Four Women Getting High Playing Video Games," including her fiance Ari and a couple of online friends. She gets perhaps a bit too high, and imagines herself inside of a video game in which she has to save Ari, battling imaginary foes as well as a very real troll. The original songs are clever and tuneful, reminiscent of previous Hovis musicals but with some video-game-sounding elements. This fantastic cast is as good at the comedy as the musical parts of the show, starting with the always wonderful Deb Berger as our hero Edith, with a strong and hard-working supporting cast (Cameron Reeves, Colleen Somerville Leeman, Kiko Laureano, Lizzie Gardner, and Ryan Lear) playing multiple characters. There is one unfortunate line, something about how video games makes killing people fun, that is a bit awkward in light of recent events. But on the whole it's a really fun, well-written, brilliantly performed Fringey musical. Recommended to reserve a seat in advance on the Fringe website, or get there early to snag one of the 30% of seats that are held for walk-ups.

Read all of my Fringe mini-reviews here.