Minnesota Fringe Festival 2025: "The Spirit Moves You To Color The Unseen"

Day: 1

Show: 1

Title: The Spirit Moves You To Color The Unseen

Category: Drama / Original Music / Physical Theater / Historical content / LGBTQIA+ Content

By: The Winding Sheet Outfit

Created by: The Winding Sheet Outfit

Location: Rarig Thrust

Summary: An exploration of the work, life, and philosophy of late 19th / early 20th Century Swedish artist Himla af Klint.

Highlights: I believe in the work! Of The Winding Sheet Outfit (one of my Fringe faves of the last 8 or so years), and now of Himla af Klint. You can be excused if you've never heard of her (I hadn't either), turns out the art world wasn't that kind to women (shocker). But through this lovely, haunting, engrossing piece, we find out that Hilma was maybe, probably, the pioneer artist in non-objective abstract art, not Kandinsky as history tells us. In their usual fourth-wall-breaking, music- and movement-infused way, TWSO brings us on a journey through art, friendship, theosophy, spiritualism, and perseverance. Director Amber Bjork plays the director, appearing in black, speaking cues into a microphone, calling the action, and sometimes stepping in to explain things directly to the audience. Boo Segersin is a genuine and believable Hilma, with Heather Meyer, Kayla Dvorak, Peytie McCandless, and Megan Campbell Lagas as her four friends, forming a group of artists and spiritualists known as "the five." They're dressed in period blouses and gauzy skirts in dusty pastels, sometimes donning paint shirts, performing repeated movement that is lovely and mystical. These woman, and in particular Hilma, believed their work was bringing "the spirit" or "the message" into the world, which was more important than any individual artist. We sometimes see "the spirit" in the person of Kristina Fjellman, wearing a costume like something out of Mardi Gras (designed by Mandi Johnson). Derek Lee Miller provides a soundscape for the story, with live and recorded music, or maybe looping, or other musical magic coming from the pit. Projections on the wall, drop cloths spread on the floor, and other props and set pieces help with the storytelling in this very detailed, thoughtful, and cohesive piece. This is another of TWSO's pieces that take a little known person (usually woman) from history, and bring them to life in a beautiful way, making us wonder why they aren't more well known. 

Read all of my Fringe mini-reviews here. 

Minnesota Fringe Festival 2024: "The Wind Phone"

Day: 3

Show: 8

Title: The Wind Phone

Category: Drama / LGBTQIA+ Content

By: Broken Wing Productions

Directed by: Nicole Wilder

Location: Campbell Plaza (outdoors)

Summary: Several individuals visit a wind phone to talk to their deceased loved ones.

Highlights: Based on the real-life phenomenon of the wind phone which began in Japan, the show explores themes of grief, loss, and healing. Four people visit the wind phone in a park in Minneapolis (not hard to imagine since that's where we are, the natural amphitheater set in a park on the U of M campus), with the park's caretaker Lana (Sheree Froelich) there to give advice, disinfect the phone between visits, and just chat. We meet MaryAnne (Boo Segersin) who needs to talk to her mentor with a problematic history, Carter (Anthony Sisler-Neuman) who visits annually to talk to his husband, and exes Peggy (Kira Pontiff) and Alice (Megan Kim) who are mourning the loss of Peggy's mother and their relationship. The show (co-created by Callie Aho and Sheree Froelich and written by Sheree) is basically a series of monologues, well delivered by the cast. Each story of grief is different but all are moving, and the show is not without moments of lightness and humor. The setting is perfect, and the cast can be heard despite fighting against ambient sounds of wind or passers by. They use the large performance space well, which contains both permanent sculptures and the set pieces and props for the show (designed by Andrew Lester). I love an outdoor show at Fringe, and this one fits the bill well. Get there early to sit in one of the comfy camp chairs, or sit on one of the two cement arcs.

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2023: "5 Prisoners"

Day: 10

Show: 38

Title: 5 Prisoners

Category: DRAMA / HORROR / SCI-FI

By: Ghoulish Delights

Written by: Pat Harrigan, John Heimbuch, Ariel Pinkerton, Tim Uren, and Duck Washington

Location: Southern Theater

Summary: Five short stories about prisoners that are either weird, funny, or terrifying, or some combination thereof.

Highlights: This was a fun show because each piece was just about 10 minutes long, performed by the same ensemble cast (Tim Uren, Duck Washington, Ariel Pinkerton, Boo Segersin, and Gregory Parks). Prisoner could be literal or figurative in the stories. In a historical piece, a woman is arrested for performing male roles in theater. In a horror piece, a woman donating plasma is inducted into a cult. There's a sci-fi piece in which a man is turned into a random number generator, a dark and disturbing piece about torture, and a fantasy piece about an astronaut captured by aliens. The five pieces vary in tone, cleverly utilize the same few set pieces, and allow us to watch actors playing different characters in the space of an hour. Well-acted, well-written, and an interesting concept - the mini-anthology.

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2022: "Årsgång: What You Follow Follows You"

Day: 4

Show: 15

Title: Årsgång: What You Follow Follows You

Category: DRAMA / HORROR / ORIGINAL MUSIC / PHYSICAL THEATER / HISTORICAL CONTENT

By: The Winding Sheet Outfit

Created by: The Winding Sheet Outfit

Location: Theatre in the Round

Summary: A beautifully haunting and hauntingly beautiful tale of a young girl in Sweden and her encounters with the supernatural.

Highlights: Over the last several years, The Winding Sheet Outfit has become my number one Minnesota Fringe company, and this show is a prime example why. No matter the (usually historical) topic they choose, the show is always beautifully and thoughtfully designed, scripted, and performed, in a way that casts an absolute spell over the audience. Here we have the story of Lajla (a childlike and empathetic Kayla Dvorak Feld), who loses all of her family in a plague and has to move in with the pastor and his wife. She misses her family desperately, and is accompanied by the spirit of a deceased friend (the always delightful Boo Segersin), thereby keeping a connection with the other side. The Årsgång in the title refers to a legendary Swedish practice of seeing the future by going for a walk in the woods on the longest night of the year, which Lajla experiences as she tries to straddle both worlds. The cast (also including Matthew Kessen, Derek Lee Miller, Kristina Fjellman, and Megan Campbell Lagas) earnestly and believably brings this story to life, both as humans and animals. The story is accompanied by lovely music played live by Amber Bjork and Joshua Swantz, mostly off stage but still a vital part of the show. The only set pieces in the intimate in-the-round space (TRP has become my favorite Fringe venue) are slender bare birch trees, and animal half-masks made of birch or some other natural material (both designed by Derek Lee Miller), and cast is dressed in simple period appropriate clothing of muted colors. All elements of this piece come together with such beauty, grace, and purpose to tell a cohesive and compelling story. I would love to see them remount this show in December as it definitely evokes that still winter feeling. Leaving the spell of this show to walk out into a cold, crisp, dark winter's eve would be a thrilling experience. Until then we'll just have to imagine the snow and the cold.

Read all of my Fringe mini-reviews here.

"The Red and the Bright" by nimbus theatre at the Crane Theater

photo by Todd Craig

nimbus theatre is celebrating 20 years in #TCTheater with their 50th production, the original play The Red and the Bright. From my first nimbus show, the original and locally historical play Bohemian Flats in 2013, to the harsh look at race and racism in America in Nacirema, to the breathtaking design of Ghost Sonata, to a fascinating look into art forgery in From Darkness, to many historical dramas and even a comedy, what I've come to expect from nimbus is something interesting, thoughtful, and unique. Sometimes a little weird, sometimes a little rough, but always intriguing, forward-thinking, and worth checking out. They often do original plays, as is the case with The Red and the Bright, written by co-Artistic Director Liz Neerland and directed by co-Artistic Director Josh Cragun. They began working on it before the pandemic, and it's finally seeing the stage, presenting a fantasy world that feels real and complete unto itself, from the language spoken, to the relationships amongst the tight community, to the detailed design. Only two more performances remain; click here for info and tickets.

Minnesota Fringe Festival 2021: "The Darger Project aka The Darger Project"

Day: 3

Show: 5

Performance Type: Virtual

Location: Streaming Anytime

Length: 45 minutes

Title: The Darger Project aka The Darger Project

By: The Winding Sheet Outfit

Summary: Using the reclusive artist Henry Darger as a jumping off point, Fringe darlings The Winding Sheet Outfit give us a glimpse behind their process and what it's like to be an artist in isolation.

Highlights: The website warns us that this show is not about Henry Darger, and director Amber Bjork warns us in the piece that it's not even a show. What it is is a fascinating look inside the company that brought us The Memory Box of the Sisters Fox, You Are Cordially Invited to the Life and Death of Edward Lear, et al., and how they create their collaborative works, often based on historical figures or artists, and often breaking the fourth wall. It starts with an introduction of the ensemble (Amber along with André Johnson, Jr., Boo Segersin, Derek Lee Miller, Kayla Dvorak Feld, Kristina Fjellman, and Megan Campbell Lagas), recorded in each of their homes (whilst holding a creepy doll). We also see some of their the zoom rehearsal/collaborations, as well as footage of the cast in character (dressed in baby doll dresses and bloomers) in what would have been the Henry Darger show, illustrating some of the conversations. Each cast member talks about Darger, how they can relate him (including a list of what things they collect), and what this pandemic has been like as artist who is unable to make art in the way they normally do. The piece is both very well constructed in an organized fashion to tell a story, and raw, unrehearsed, and vulnerable. It's insightful and silly, a lovely look at one of my favorite Fringe companies.

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2021: "The Convent of Pleasure"

Day: 1

Show: 2

Title: The Convent of Pleasure

By: Theatre Pro Rata

Performance Type: Live In Person

Location: Wood Lake Nature Center Amphitheater (outdoors)

Length: 90 minutes

Summary: A hilarious modern adaptation of the 17th Century play of the same name about a woman who forsakes the company of men, founding a commune of women who dedicate their life to pleasure.

Highlights: Theatre Pro Rata got their start at the Minnesota Fringe Festival 20 years; one of the many benefits of this festival is that it supports artists in such a way that allows companies like this to form and expand beyond the festival that birthed them. Local playwright/actor/comedian/baker Heather Meyer's play is one of those "ghost plays" that was supposed to premiere in the summer of 2020, and happily it is finally seeing the light of day. This fantabulous all-female cast really brings out all of the humor in the script (of which there is much), as well as the emotion in the sweet love story between Lady Happy (the delightful Boo Segersin), who uses the money her father left her when he died to create the Convent and live only for the immediate pleasures of all of the senses, and Princess Principle (a serene Megan Kim), who loves Lady Happy but longs for commitment. Kelsey Laurel Cramer, Nissa Nordland Morgan, and Taj Ruler play Lords Somewhat, Sortof, and Soso, who try to woo the ladies, devilishly twirling their greasepaint mustaches. Ankita Ashrit, Lynda Dahl, and Kayla Dvorak Feld flit across the stage and grounds as Lady Happy's companions, while Meri Golden frets as her mistress of accounts. And can we talk about the costumes? So fun, colorful, and playful, with flowers and hats and frills to spare (designed by Mandi Johnson). There's a reason I chose this show to see on the first night of the Fringe - a company that's been doing good work for 20 years, a strong cast, the feminist theme, and the promise of laughs make this a must-see.

Read all of my Fringe mini-reviews here.

"After the Fires" by Transatlantic Love Affair at Illusion Theater

Transatlantic Love Affair is a unique #TCTheater company. Unique in their process (ensemble created work rather than a set script, although other companies in town do that too), unique in their execution (they create the entire world of the play with their bodies and voices only, without the use of sets or props), and unique in the feeling evoked by their work (indescribable). They often reintrepret fairy tales or classic stories that we all know, but sometimes create new fairy tales as well. Their latest work After the Fires, playing at Illusion Theater through February 22, is an example of the latter. It's an original story that feels like an old story, a story of courage, adventure, nature, and community.

"Into the Darkness" by Collective Unconscious Performance at Shakespearean Youth Theatre

Collective Unconscious Performance's latest original work Into the Darkness is an adaptation of two fairy tales, "The Dark Princess" and "East of the Sun, West of the Moon." The bad news is they're only doing eight performances in a small space that's selling out; the only remaining seats are for this Sunday. The good news is this inventive adaptation of these little known stories, using music and puppetry, is really lovely. I've never seen Collective Unconsious' work before, and I'm happy to make their acquaintance with this piece. If you can't get tickets to this show, follow them on Facebook and make plans to see their next original work, Maiden Voyage, next spring.

Minnesota Fringe Festival 2019: "You Are Cordially Invited to the Life and Death of Edward Lear"

Day: 3

Show: 8

Title: You Are Cordially Invited to the Life and Death of Edward Lear

Category: COMEDY / ORIGINAL MUSIC / PHYSICAL THEATER / HISTORICAL CONTENT / LITERARY ADAPTATION

By: The Winding Sheet Outfit

Created by: The Winding Sheet Outfit

Location: Crane Theater

Summary: The long form of the title says it best - "The Life and Death of Edward Lear: Poet, Illustrator, Composer, and Melancholy Hypochondriac or What is a Rungible Spoon: An Absurdist Eulogy and Existential Crisis on the Stage"

Highlights: This is my favorite show of the festival so far. It's everything I want from Fringe, from theater really. It's funny and quirky, original, educational, includes music and poetry, is very cleverly constructed in a meta sort of way, and somehow manages to capture the fleeting beauty of life in a way that made me cry my first #fringetears of this year's festival. Director Amber Bjork introduces the show, the actors, and the subject, like an exasperated teacher trying to keep her students - the cast (including Boo Segersin, Dan Linden, Kayla Dvorak, Kristina Fjellman, and Sam Landman) and stage manager (Andre Johnson Jr) - in line. I'd never heard of Edward Lear but now I want to know more about this 19th Century English poet and painter. The amiable cast takes us through skits, limericks, songs, and reenactments of moments, places, and people in Edward's life. Derek Lee Miller plays Eddie, only speaking words that he wrote - often whimsical or silly, sometimes heart-breakingly poignant. The other cast members play people in his life and stories, with plenty of moments to break out and play in an almost unrelated, but very charming, way. Images of Edward, his paintings and drawings, and text from his writings or notes about the show punctuate the storytelling. The light-hearted show takes a turn I wasn't expecting when Amber breaks out of the story for the titular existential crisis, comforted by Derek (a moment so sweet and intimate I almost felt like I should turn away) and the cast, who then continue on with the beautifully sad part of Edward's life. This show has everything, and the ending is indescribably beautiful. The limerick on the show handout says it best:

There once was a man who drew parrots,
And wrote many poems of merit.
We'll look in his mirror,
And find life is dearer,
Existence so sweet none can bear it.

Read all of my Fringe mini-reviews here.

"The Pathetic Life and Remarkable Afterlife of Elmer McCurdy, the Worst Robber in the West" by nimbus theatre at the Crane Theater

With their original work, nimbus theatre often brings us some fascinating but little known historical event or issue, typically in a thoughtful way that's somehow relevant to today. Their newest work, The Pathetic Life and Remarkable Afterlife of Elmer McCurdy, the Worst Robber in the West, does that too, but it's the first straight-up comedy I've seen them do, and it's great fun. Real life unsuccessful outlaw Elmer McCurdy would likely have been lost to history, if not for the strange tale of his corpse, which was preserved and made the rounds of carnivals, exhibits, side shows, and even movies, eventually stashed away in storage where it was discovered in 1976 and finally buried. He was the subject of an episode of Drunk History, and this play sort of feels like an extended episode of Drunk History. Silly and funny yet sorta kinda true.

"Rough Cuts" at Nautilus Music-Theater: "Heartless" and "Heroine"

Nautilus Music-Theater, which focuses on new or reimagined works of music-theater (a term I love because it covers the wide range from "play with music" to "opera," without having to put a label on it), kicks off their 25th season of their "Rough Cuts" series this week. Typically held on the second Monday and Tuesday of the month, "Rough Cuts" presents readings of new works in various stages of development. This allows the creators to see their work in front of an audience, an important part of the theater development process. For a suggested donation of $5, you can be part of the process, and enjoy free milk and cookies! I always want to go to "Rough Cuts," but am usually too busy, so I took advantage of a quieter week to visit the Lowertown St. Paul studio (next door to Black Dog Cafe, for those who want something stronger with their cookies). They perform again tonight - this and any other "Rough Cuts" is highly recommended for those interested in the development of new works of music-theater.

Minnesota Fringe Festival 2018: "Blood Nocturne"

Day: 10

Show: 36

Title: Blood Nocturne

Category: Drama / Horror / Musical Theater

By: The Winding Sheet Outfit

Written by: The Winding Sheet Outfit

Location: Southern Theater

Summary: A retelling of the history/legend of Erzsébet Báthory, a Hungarian countess accused of murdering dozens (or even hundreds) of young women and girls in the early 17th Century.

Highlights: I had never heard of Erzsébet, but a quick read of her Wikepedia page reveals a horrifying tale of torture, mutilation, and murder. The Winding Sheet Outfit tells us Erzsébet's story from her point of view, as a powerful woman manipulated and falsely accused, although perhaps not totally innocent. The ensemble tells the story in a non-linear fashion, with charming and creepy original music. They often break the fourth wall, calling each other by their actual name when someone goes too far or suggests something not in line with the story they're telling. This device puts the audience at ease and reminds us it's just one interpretation of a story that can never fully be known. But it's a story that has much to tell us about gender, power, justice, and violence. Emily Dussault gives a strong and empathetic performance as Erzsébet, while the rest of the talented ensemble (Amber Bjork, Boo Segersin, Derek Lee Miller, Joshua Swantz, and Kayla Dvorak) play her helpers, friends, enemies, and alleged victims. Dressed in period clothing and playing period instruments, they work well together as an ensemble, using movement, music, and physical theater to create the world of Erzsébet against the perfect background of the Southern Theater. After seeing the play I'm not sure what to think about Erzsébet, but I know the situation is a little more nuanced and complex than what history usually describes.

Read all of my Fringe mini-reviews here.

"Prescription: Murder" by Ghoulish Delights at the Phoenix Theater

Lieutenant Columbo, as personified by Peter Falk, is one of the best TV detectives of all time. The original series ran for seven season in the 1970s, two more in the late '80s, with specials continuing through 2003. Columbo, with his trench coat and cigar and "just one more thing," is a TV icon. But did you know that this detective series actually started as a play (as most good things do)? The creators of the TV show, William Link and Richard Levinson, first wrote a play about the disheveled detective who always gets his man, a play that was then turned into a TV movie that became the pilot for the long-running series. And the rest is history. Now, thanks to Ghoulish Delights, you have a chance to revisit that history and see Columbo's origins on stage at the Phoenix Theater in Uptown: a must see for Columbo fans and fans of retro thrillers.

Fringe Festival 2017: "The Memory Box of the Sisters Fox"

Day: 8

Show: 31

Title: The Memory Box of the Sisters Fox

Category: Drama

By: The Winding Sheet Outfit

Written by: The Winding Sheet Outfit

Location: U of M Rarig Center Arena

Summary: The Fox sisters, founders of Spiritualism, tell their story.

Highlights: This is a haunting and beautiful show, the cause of my first tears actually shed at the 2017 Minnesota Fringe Festival (it's not Fringe without at least a few tears). The Arena space is set up like a seance circle of empty frames and candles, and with overflow seating (this show is selling out so reserve in advance), people were seated on the floor just outside the circle so it really felt like we were conjuring something together. Maggie and Katy Fox (Boo Segersin and Kayla Dvorak Feld playing the charming and precocious younger versions, Kristina Fjellman and Megan Campbell Lagas playing the older and sadder versions) are directed to tell their story, even the painful parts. They walk us through the joy and pain of their careers as mediums, from their initial discovery, to scientific evaluations by doubters, to eventually confessing to fraud. This is a very thoughtful, detailed piece down to the period clothing in stark white and black and the charming but creepy soundtrack created by a number of instruments and noisemakers. The wonderful and believable cast (also including director Amber Bork) sings some gorgeous harmonies on traditional songs like "In the Gloaming" (responsible for the aforementioned tears). In the world of the play, the sisters truly believed in what they were doing, and confessed only because they were forced to. Who knows what the truth is, but it's comforting to believe that those we love are still with us even after death. Regardless of what you (or they) believe, this is a mystical, magical hour of theater, storytelling, and music.

Read all of my Fringe mini-reviews here.