"Skeleton Crew" at the Guthrie Theater

Just before the pandemic, Yellow Tree Theatre partnered with New Dawn Theatre to produce the regional premiere of Dominique Morisseau's Skeleton Crew, the final installment in her trilogy of plays known as The Detriot Project (which includes Detroit '67, produced by Penumbra in 2015). Since then, the play premiered on Broadway, receiving three Tony nominations and one win (for Phylicia Rashad). Now it's back in the Twin Cities, on the Guthrie's proscenium stage, with the same director as the Yellow Tree/New Dawn production (Austene Van, founding Artistic Director of New Dawn, who has since become the Artistic Director of Yellow Tree), as well as some of the same cast and design team. It's basically the 2020 production on a bigger stage and with a bigger scale. And this is a play deserving of a second look, and of a wider audience, as it tells a very human and relatable story of blue collar workers struggling to stay afloat during the recession of the late aughts. See this powerful and moving play, that's also funny and entertaining, now through June 9.

"The Most Spectacularly Lamentable Trial of Miz Martha Washington" at Mixed Blood Theatre

It's been almost two years since Mixed Blood Theatre produced a mainstage play; The Most Spectacularly Lamentable Trial of Miz Martha Washington is the first play since the departure of founding Artistic Director Jack Reuler, the first under new Artistic Director Mark Valdez. To which I say: welcome back Mixed Blood! This kind of risk-taking envelope-pushing social commentary, with a focus on accessibility and diversity of voices and stories, is much needed in our community. While their last play, an original called imagine a u.s. without racism, was an inspirational fairy tale that encouraged audiences to do just that, The Trial (as I'll refer to it) is a brutal look at the racism upon which this country was built. Specifically through "the mother of America," Martha Washington. Written by James Ijames, recent Pulitzer Prize winner and Tony nominee for his play Fat Ham, The Trial is an ingenious mix of storytelling styles, using fantasy, music, and pop culture in this wild exploration of history and present. The cast and creative team do an incredible job of navigating this tricky script and challenging themes, for a wholly successful, entertaining, and thought-provoking work. See it in the old brick firehouse that is Mixed Blood Theatre in the Cedar-Riverside neighborhood of Minneapolis now through the end of the month.

"King of the Kosher Grocers" by Stage North at the Capri Theater

New #TCTheater company Stage North (not to be confused with Stage North Theatre Company in Brainerd) makes its debut in the newly remodeled Capri Theater in North Minneapolis with King of the Kosher Grocers. This charming play that is an homage to the neighborhood, first produced by Mixed Blood Theatre in 1992, is a great first production for a company whose mission is "creating vibrant, live experiences that bring people together to tell and celebrate stories of urban life... Our hope is that Stage North will help bring new audiences and new excitement and vitality to the North Side business district and contribute to the neighborhood's continuing growth and expansion" (read the full statement here). Unfortunately, North Minneapolis is a neighborhood known more for its crime and violence than for the community and culture of the people who live there. Of course, theater can't solve all of the problems, but it can shine a light on overlooked people and communities. This play does just that - celebrates the diverse community of people and the vibrant history of this neighborhood.*

"After the Fires" by Transatlantic Love Affair at Illusion Theater

Transatlantic Love Affair is a unique #TCTheater company. Unique in their process (ensemble created work rather than a set script, although other companies in town do that too), unique in their execution (they create the entire world of the play with their bodies and voices only, without the use of sets or props), and unique in the feeling evoked by their work (indescribable). They often reintrepret fairy tales or classic stories that we all know, but sometimes create new fairy tales as well. Their latest work After the Fires, playing at Illusion Theater through February 22, is an example of the latter. It's an original story that feels like an old story, a story of courage, adventure, nature, and community.

Minnesota Fringe Festival 2019: "Stoopidity"

Day: 5

Show: 18

Title: Stoopidity

Category: 

By: Domino D'Lorion, Ian McCarthy, and Michael McKitt

Created by: Domino D'Lorion, Ian McCarthy, and Michael McKitt

Location: Rarig Center Xperimental

Summary: Three young black men use rap, rhyme, spoken word, dialogue, and song to explore their hopes, fears, and dreams.

Highlights: These three recent grads from the Guthrie/U of M BFA program overflow with talent and charisma. They represent the next generation of black artists (mentored by Talvin Wilks, no less), and the future looks good. They've created a show that feels sort of stream-of-consciousness as it flows from one scene to the next, almost all of it in rhyme. Each of the artists gets a chance to show their skills solo, and they also have great chemistry as a trio. The various scenes are funny or sobering or poignant or powerful as they express what it means to be young and black (and queer) in America today. They make great use of the space at the X, with the stairs on either side representing the titular stoop, and walking around the audience and across the balcony. There is great young talent on display here, and I hope they stay in town!

Read all of my Fringe mini-reviews here.