"Showdown at the Kara-OK-e Corral" by The Mystery Cafe at Majestic Oaks Golf Club

The good news is that The Mystery Cafe is back with another new original comedy mystery theater immersive dinner experience! The bad news is that after 37 years, this is the final season of The Mystery Cafe. If you've attended one of their shows before, you know that they hold a unique space in #TCTheater. Unlike traditional theater, where the audience sits in the dark and watches a story happening on a stage, the story, and storytelling, is all around you. There's no separation between audience and cast, we're all experiencing it together in an informal, fun, and playful way. If you've not had this experience before, you might want to get out to Majestic Oaks Golf Club in Ham Lake for Showdown at the Kara-OK-e Corral, playing on select dates through February 15. Or to the Sheraton Bloomington to see a remount of recent hits A Cruise-mas Carol and 'Til Death Do I Die, playing in rep with this show and featuring much of the same cast. It's your last chance to solve a mystery!

"The Chaos of the Bells" by Brave New Workshop at Dudley Riggs Theatre

Brave New Workshop's annual holiday* comedy sketch show is becoming another holiday tradition I never miss; I've seen it every year since 2019 (minus two years for... some global event I can't recall). The title changes every year, the sketches morph and get shuffled around with new ones added, but what doesn't change is the laughter that gets us through the stress and craziness of the holiday season. This year's show is entitled The Chaos of the Bells, and it's delightful chaos. The show continues through January 17 at the Dudley Riggs Theatre, to be followed by The Holiday Hangover which will run about a month. And if you love BNW, you can buy the Punchy Pass, that gets you tickets to four shows throughout the season for the price of three. And for more comedy on Hennepin Avenue, check out my favorite improv show Family Dinner, in which some of our best improvisors create a family before your eyes, and actually eat dinner, playing every Friday and Saturday at 8pm through the end of the year in the entry-level space at Dudley Riggs (BNW performs upstairs).

"Rollicking! A Winter Carnival Musical" at History Theatre

The new original musical Rollicking! A Winter Carnival Musical celebrates the one holiday* that unites us all here in the Northland - winter itself! And specifically, it celebrates the way that we celebrate winter, namely the St. Paul Winter Carnival. Like all of History Theatre's original work, it's educational, shedding light on a little known aspect of local history, and it's also entertaining in the way it tells that history. But I don't think I've seen a History Theatre musical quite like this before, that wraps its historical lesson up in a bright fantastical world. It's an odd mix of real world facts and people, and a fantasy realm full of magical creatures, but somehow it works. Rollicking! is a yummy confection of a winter musical that celebrates everything we love about Minnesota, its people, and its traditions. Join the celebration at History Theatre in downtown St. Paul through December 21.

"Annie" at Lakeshore Players Theatre

When I saw the Ordway's production of Annie in December of 2017, I wrote the following, and now, almost exactly eight years later, I feel a great sense of déjà vu. "'The future is female.' If the main stage at the [Lakeshore Players Theatre] is any judge of it, this statement is true, and gives one hope for the future. The story of one 11-year-old girl who changes hearts and minds with optimism and determination is an inspiring one, as is the boundless energy and talent of the young females on stage who bring this story to life. Watching Annie last night, I couldn't help but feel nostalgic for the Great Depression, when at least the president cared about the people and developed (with Annie's help of course) a New Deal that would help lift the country out of poverty. A stark contrast to today's reality, when the current resident of the White House seems to care only for the rich, and those in need get served newly crappy deals nearly every day. Maybe we need to send Annie to the Washington to get Democrats and Republicans singing together about the hopeful future of America!" This female future hasn't come to fruition in the last eight years, if anything it feels farther away, but there's always tomorrow! This show about hope, optimism, working together, and the improbable notion of billionaires and politicians giving back to help their fellow human beings is exactly what we need right now. And Lakeshore has assembled a great team to bring this hopeful story to vibrant life (continuing through December 14).

"A Nice Family Christmas" at Lyric Arts

I'm starting my 2025 #TCTheater holiday* season on the naughty side. There's plenty of nice fare out there (e.g., Guthrie's 51st production of A Christmas Carol or Chanhassen Dinner Theatre's remount of White Christmas), but if you're looking a holiday treat that's more salty than sweet, A Nice Family Christmas at Lyric Arts is a great choice. Despite the title, this family is not so nice, as they reluctantly gather for a Christmas Eve full of family dysfunction, sibling rivalry, breakups, secrets revealed, misunderstandings, arguments, and eventual reconciliation. Written by Phil Olson of the Don't Hug Me franchise, this show has a similar tone of broad comedy and Minnesota references (it's not a #TCTheater holiday season without lutefisk jokes!). And it also has a bit of a DalekoArts wacky holiday comedy feel; this show reunites the director and writer of the now closed New Prague theater's original holiday comedies and two of their regular cast members. The result is fun and wild and outrageous. Maybe don't bring anyone who's easily offended, but anyone who's ready to laugh at the antics of this wacky dysfunctional family will have a great time. The fun continues through December 21 on Lyric Arts Main Street Anoka stage.

Broadway tour of "The Notebook" at Ordway Center for Performing Arts

It took twenty years for the popular 2004 tear-jerker The Notebook, based on the Nicholas Sparks novel, to become a Broadway musical, and now the national tour is playing at the Ordway Center in St. Paul for two weeks. And on opening night, Mr. Sparks himself was there to watch his story told musically, along with producer Kevin McCollum, who used to work at the Ordway. I don't think I've ever read the book, and haven't seen the movie in at least a decade, so I went into the musical without any real attachment to the source material. I found it to be well-adapted, with a clever and effective overlapping of the three timelines in the story, exploring relevant themes of memory, time, relationships, dementia, and family, with an easy to listen to and emotionally true score by singer/songwriter Ingrid Michaelson. It's also the rare Broadway musical that's less than two a half hours long, and feels just the right length, not overstaying its welcome. See it in lovely downtown St. Paul, already decked out for the holidays in twinkling lights, through November 30.

"The Resistable Rise of Arturo Ui" by Frank Theatre at the Ivy Building for the Arts

Frank Theatre's production of Bertolt Brecht's 1941 play The Resistible Rise of Arturo Ui has been selling out for the last three weekends, with no tickets currently available for their final weekend. Turns out people are hungry for a three-hour play satirizing Chicago gangsters / 1930s Germany / 21st century America. In this 2017 adaptation by Chicago playwright Bruce Norris, the comparisons to our current political situation are not subtle, as fictional gangster Arturo Ui slowly gains control over the city of Chicago through its economic, political, and judicial systems in a way that's terrifyingly familiar. Frank Theatre, and its Artistic Director Wendy Knox, are experts at interpreting Brecht, and at holding up a mirror to our present moment, and this play may be the most timely and relevant one yet.

"My Fair Lady" by Theater Latte Da at the Ritz Theater

My Fair Lady is a classic musical that stands the test of time, and doesn't feel dated due to its evergreen themes of class and gender dynamics, especially with more attention given to Eliza's perspective in recent years. It may seem like an odd choice for Theater Latte Da, that usually choses more rare or edgy works. But like last year's Cinderella, they put their own unique spin on a beloved classic that isn't drastically different, but makes it feel fresh and modern. Everything about this production is perfectly loverly - a superstar local cast, luscious costumes, ingenious set design, and a gorgeous rendering of the beloved score with just two pianos and 11 human voices. It's playing through the end of the year so you really have no excuse not to see this yummy production of a classic that deserves the title.

"Kiss of the Spiderwoman" by Teatro del Pueblo at the Southern Theater

The 1993 Tony-winning best musical Kiss of the Spider Woman, with music and lyrics by Kander and Ebb (Chicago, Cabaret) and book by playwright Terrance McNally, was just made into a movie starring Jennifer Lopez. What's better than seeing an acclaimed musical on the screen? Seeing it live on stage! And now finally I had the opportunity to see this rarely done musical, thanks to Teatro del Pueblo. I don't know if the timing with the movie was intentional or coincidental, but this story of two men imprisoned by a fascist regime, one of them escaping into the fantasy world of his beloved movies, couldn't come at a better time. Featuring a talented cast and impressive design in the gorgeous Southern Theater, this is a rare opportunity to see Kiss of the Spider Woman live on stage as it was meant to be, and "celebrate Latine voices, queer identity, and the power of resilience!" Continuing through November 23 only.

"Natasha, Pierre, and the Great Comet of 1812" at Theatre Elision

I saw the 12-time Tony nominated (and 2-time winning) Broadway musical Natasha, Pierre, and the Great Comet of 1812, based on one small section of Tolstoy's epic novel War and Peace with music, book, and lyrics by Dave Malloy, in March of 2017. Just two months later, I witnessed the debut of a promising new #TCTheater company called Theatre Elision. Now, in a full circle moment, Elision (which has since become one of my favorite theater companies, filling the much-needed niche of small cast, one act, rarely done musicals, often with mostly female creative teams and/or casts) is producing the regional premiere of Great Comet, and it's stunning. In those intervening years I have also seen multiple productions of Elision's take on Dave Malloy's one act song cycle Ghost Quartet, and that familiarity with his work, along with Elision's all-star local cast and their intimate immersive staging, meant that I loved this show much more than the Broadway version, and even more than I expected to in the months of buildup. They have virtually sold out the entire run, which is unprecedented for Elision. For eight-plus years they have been an underrated hidden gem of #TCTheater, but that ends with this show. The larger community is finally discovering what I've known for a long time, that Theatre Elision produces work you just cannot see elsewhere, that's musically and aesthetically gorgeous, in an intimate setting. Great Comet continues through November 22, and if you can beg, borrow, or steal your way into the show - do it! Follow them on social media for potential available tickets, or contact the box office to get on the waitlist.

"Souvenir" at Gremlin Theatre

Florence Foster Jenkins was a wealthy woman in early 20th Century America who decided she wanted to sing, so she started performing recitals of classical music. And she didn't let the fact that she couldn't sing stop her! She became a bit of a phenomenon, in a The Producers "so bad it's good" kind of way. But the play Souvenir, which premiered off and then on Broadway about 20 years ago, doesn't treat her as the butt of the joke. It's actually kind of inspiring and heart-warming as it tells the story of someone who performed for the love of it, and didn't care what anyone thought. Music isn't about perfection, theater isn't about perfection, art isn't about perfection. And it isn't reserved for the select few; we're all artists, even if it's just for ourselves. Florence sums it up in this quote: "People may say I can't sing, but no one can ever say I didn't sing." She did the thing. Gremlin Theatre's production of Souvenir is excellently done; the cast and creative team stay true to Florence's spirit of love for the art, although they are objectively more talented (continuing through November 30).