"Hypocralypse Now" by Brave New Workshop at the Dudley Riggs Theatre

From this spring's The World is Burning, So I Made S'Mores to their new show Hypocralypse Now, Brave New Workshop is bringing us smart, funny, topical comedy. The oldest comedy theater in the country is like Minnesota's SNL, and this show in particular is all about political humor (just take a look at the show image). But the show doesn't just skewer the current administration and its blatant hypocrisy (which for me is one of the most frustrating things about it), but also other people in positions of power, and the way we as citizens react to what's going on. As they say in the intro, be prepared to be offended, but at least in this situation we can all laugh at the world, each other, and ourselves. Because the great thing about this country is that we can make fun of the people in power without fear of censorship or retribution. Well, at least today we still can. So head to the Dudley Riggs Theatre in downtown Minneapolis to not forget your troubles, but laugh at them and commiserate with other humans sitting in a room together. Hypocralypse Now continues through November 1.

Minnesota Fringe Festival 2025: "OPERA PUNKS"

Day: 3

Show: 9

Title: OPERA PUNKS

Category: Comedy / Improv / Musical Theater / Opera / Physical Theater

By: Kelly Shuda

Directed by: Kelly Shuda

Location: Southern Theater

Summary: Non-narrative musical improv.

Highlights: Non-narrative meaning instead of creating one cohesive story (like, say, the Shrieking Harpies), they create a bunch of short individual songs that may have some relation to the others but not clearly. In other words, it's just like a regular improv show, except that every word is sung, which makes it so much more impressive! Music director Kelly Shuda plays a wide variety of music, from opera to metal and everything in between, and this talented cast (Alsa Bruno, Isabella Dunsieth, Julia Weiss, Michael Rogers, and Nora Nelson) just goes with it, making up a new song that suits the musical style. They take a few suggestions from the audience, but it mostly just comes out of their weird and creative minds. They harmonize together very well both musically and improvisationally. I'm not even going to tell you about the songs I heard because they're so brilliantly bizarre, and you'll hear something totally different but just as bizarre! This show is pure entertainment, and this troupe (including Kelly who plays keyboard, guitar, and other instruments so enthusiastically) is so much fun to watch.

Read all of my Fringe mini-reviews here. 

"Between Riverside and Crazy" at Park Square Theatre

Park Square Theatre was planning to produce the 2015 Pulitzer Prize-winning play Between Riverside and Crazy in 2023, shortly after its Broadway premiere, when they ran into financial issues and had to cancel half of that season and all of the next one. But they came back last summer with a new Artistic Director, Stephen DiMenna, who has long been trying to stage this play (read more about that journey here). It has finally arrived as the final show in Park Square's excellent comeback season, and it was worth the wait. The well-written family dramedy that deals with gentrification, racism, drug addiction, and policing has been perfectly cast with #TCTheater favorites and newcomers, on an incredibly detailed and lived-in NYC apartment set. Between Riverside and Crazy plays Thursdays through Sundays until June 8 in the Historic Hamm Building in downtown St. Paul.

"The World is Burning, So I Made S'mores" by Brave New Workshop at the Dudley Riggs Theatre

Leave it to Brave New Workshop (the longest running comedy theater in the country) to bring us just the show we need right now, and make us laugh through the fear and uncertainty of this world. A lot of people feel like "the world is burning" (literally in California, metaphorically in wars, mass deportation, endless infuriating executive orders, removal of protection for our most vulnerable people and places), and sometimes it feels like there's nothing we can do about it but "make s'mores." Which in this case means - see a comedy show that makes us laugh. And truly, one of the things that makes this country great, and that we have to protect, is the freedom of our artists to tell stories, make jokes, and poke fun at the current administration, past administrations, and ourselves. If you're looking to escape the troubles of our daily world, this may not be the show for you. And if you think the world is pretty great right now, this may not be the show for you either. But if you want to sit in a room and commiserate and laugh with other humans about the crazy things happening daily, as a way to release a bit of the stress and recharge for the continued fight, then The World is Burning, So I Made S'mores is definitely the show for you. See it at the Dudley Riggs Theatre on Hennepin Avenue weekends through May 17.

"Big Christmas Energy" by Brave New Workshop at the Dudley Riggs Theatre

If you're looking for a laugh this season, Brave New Workshop is the surest bet for laughing until your face hurts. The longest running comedy theater in the nation is back with their annual holiday* show, which is always a favorite. Like years past, Big Christmas Energy is an irreverent look at everything surrounding the holidays, from awkward family interactions to weird Christmas songs. The uber talented five-person cast of BNW regulars has written about a dozen ridiculously funny sketches (with the help of director/host Caleb McEwen), and performs them with great energy and enthusiasm. There's a little something for everyone (except maybe children - leave them at home), music and nostalgia and double entendres. So if this holiday (or post-election) season has got you down, you might need some Big Christmas Energy in your life; laughing with a bunch of strangers in a room together has a healing effect. The show continues through January 31, with another holiday favorite Family Dinner (a long-form improv show that has run for decades, most recently at the dear departed HUGE Theater) playing in the first floor space at the Dudley Riggs Theatre Fridays and Saturdays in December.

"Measure for Measure" by The Birth Play Project at A-Mill Artist Lofts

My favorite new theater company of 2022, The Birth Play Project, is back, this time with a new twist on a classic. Their new play with music Mary’s Wondrous Body, based on a so-bizarre-it-must-be-true story of a woman who claimed to give birth to rabbits, was indeed wondrous. Now this company whose mission is "to place birth in public memory by developing representational practices for staging reproductive stories" is presenting Shakespeare's Measure for Measure. If you're wondering, "what does this play have to do with birth?," you're not alone. I've seen this play a few times before, and it's always been Isabella's story, a soon-to-be nun who is offered a chance to save her brother Claudio from death, if she sleeps with his accuser Angelo. But so far in the background that I even forgot she was there, is Juliet, Claudio's not-quite-wife, who is pregnant with his child (the crime with which they're both charged). This adaptation by Madeline Wall and William Edson, who also direct the piece, puts the focus on this forgotten woman who is quietly (or not so quietly) giving birth while the other actions of the play swirl around her. It's an engaging and entertaining take on this classic that explores a hidden side of it, and makes one wonder what other birth stories are hiding in the background, waiting to be told. Click here to find out more about The Birth Play Project and to purchase tickets to one of their two remaining performances at Saint John the Evangelist Episcopal Church and Elision Playhouse.

"Love and Other Things that Ruined My Life" by Brave New Workshop at Dudley Riggs Theatre

Valentine's Day may be over, but Love and Other Things that Ruined My Life is timeless! Brave New Workshop's new sketch comedy show, which opened Valentine's Day weekend, pokes fun at love, relationships, breakups, and all things related (and not related). Unlike that four-letter word love, the longest running comedy theater in the country never lets you down with their silly, smart, relevant, and sometimes just plain goofy sketches performed by a fantastically funny cast. This show plays through May 18, after which they'll be bringing back their all-improv show It's Not the Heat It's the Stupidity this summer, featuring a rotating cast of local improvisors.

"All I Want for Christmas is You... to Elf Off!" by Brave New Workshop at the Dudley Riggs Theatre

Brave New Workshop's holiday* comedy sketch show is a favorite. And not just of mine; there were tons of groups, families, and people decked out in their best (or worst) holiday sweaters in the audience last night. The cast began the show by saying that this is the 65th holiday show (give or take) for one of the longest running comedy troupes in the nation. But despite the joke of that first sketch that every idea (even the most absurd) has been done before, they still managed to come up with some new, fresh sketches, along with some tried and true favorites. As you may guess from the title, All I Want for Christmas is You... to Elf Off, the show is an irreverent look at holidays and traditions, poking loving fun at the sometimes ridiculousness of this time of the year. But it stays true to the real meaning of the season - togetherness, community, and laughter. The show plays through January 27 so you have plenty of time to go celebrate with some holiday humor, by yourself or with a group of your favorite people (but I would not recommend bringing the children - spring for a babysitter or leave them with the grandparents, whom you also may not want to bring, depending on their sense of humor).

Minnesota Fringe Festival 2023: "OPERA PUNKS"

Day: 7

Show: 25

Title: OPERA PUNKS

Category: COMEDY / IMPROV / MUSICAL THEATER / ORIGINAL MUSIC / OPERA / PHYSICAL THEATER / KID FRIENDLY / LGBTQIA+ CONTENT

By: SECRET CULT

Created by: Kelly Shuda

Location: Rarig Xperimental 

Summary: Short form musical improv.

Highlights: Like most improv, this is a wild ride covering many weird topics. But unlike most improv, it's entirely sung! Five talented musical improvisors (Isabella Dunsieth, Ruben Gomez, Nora Nelson, Michael Rogers, Julia Weiss) perform short scenes based on audience prompts. They're accompanied by Director Kelly Shuda on keyboard and guitar, who sets the style of the song, and also fiercely watches the performers to pick up and pass cues. The show I saw had songs about aliens, amusement park accidents, siblings reuniting and resurrecting their dad, and a really weird story that ended with people (or aliens, or blood cells?) traveling around inside a body. Entertaining and well sung and bizarre.

Read all of my Fringe mini-reviews here.

"Ruthless!" by Theatre Elision at Elision Playhouse

In their first year as a company, Theatre Elision produced the Off-Broadway musical Ruthless!, a dark comedy that's a loving, albeit twisted, spoof of musical theater. They also did it again the next year to open their space Elision Playhouse, and are currently bringing it back for a short two-week run. I saw it opening night with a nearly full house, and it was a riot! Hilarious, fantastically performed by the six-woman cast (half of whom were in their original production), tons of musical theater references, well staged with great costumes, and just all-around fun. I highly recommend you get your tickets now to see one of the five remaining performances, including pay-as-you-can tonight (click here for info and details).

"Mary's Wondrous Body" by The Birth Play Project at Elision Playhouse

One of my favorite things about being a Twin Cities Theater Blogger is checking out a new theater company and immediately finding a new favorite (e.g. Transatlantic Love Affair, The Winding Sheet Outfit). That's what happened last night when I went to see the new original "dark comedy with music" Mary's Wondrous Body by The Birth Play Project. Led by 2020 U of M grad Madeline Wall, the company focuses on telling birth stories, which is definitely an untapped niche in theater, although something we have started to see more of lately (see Penumbra's recent play Weathering, and the MN Fringe hit Endometriosis the Musical, which wasn't about birth specifically but the larger topic of women's reproductive health). In addition to being a unique and necessary topic, their work, at least based on this one play, is thoughtful, innovative, and bold. A woman belting out songs about the joy and pain of childbirth and everything surrounding it on stage in front of an audience - yes, we need that. I've never given birth (thankfully so after seeing shows like this), but for those who have, I imagine it feels quite validating to see the experience depicted on stage with respect and raw honesty. The birthing process is a fundamental part of the human experience from the beginning of human history, so (like House of the Dragon's theme of "the childbed is our battlefield") let's get into it. (Click here for info about and to purchase tickets for Mary's Wondrous Body, continuing through December 18.)

"The Mousetrap" at Lyric Arts

The world's longest running play has arrived in Anoka! Agatha Christie's murder mystery Mousetrap opened in London's West End in 1952 and has run continuously ever since (not counting the covid intermission). Lyric Arts's new production opens this weekend, and it's delightful. I had never seen the play before, so I was in the wonderful position of not knowing whodunit, until the murderer was finally revealed to audible gasps from the audience. It's less scary than spookily fun, as the audience tries to figure out whom to trust and whom to suspect amongst these unique and specific characters who come together in a boarding house just outside of London. Christie's popular and well-plotted (if a few too many coincidences) story, along with this talented cast and spot-on design, make for an entertaining evening on a chilly Minnesota night.

Minnesota Fringe Festival 2021: "For a Limited Time Only"

Day: 3

Show: 7

Performance Type: Virtual

Location: Streaming Anytime

Length: 35 minutes

Title: For a Limited Time Only

By: The Feral Theatre Company

Summary: A $5.99 unlimited breadstick deal at the Italian Garden Factory turns into a nightmare for a couple when they're told they cannot leave until they finish the bread.

Highlights: Because nothing lasts forever, except for bread of course. Written by Daniel Prillaman and directed by Isabella Dunsieth, this absurdist dark comedy imagines a world in which the promise of unlimited breadsticks is a threat. Arlo (Christopher Jenkins) and Val (Sky Turiello) are stuffed after their dinner and cannot possibly eat another bite, and therein lies the danger. Their server (Daniel Collette) tells them he can't bring the bill until they finish the bread, and then he brings them more bread. They decide to just leave, only to discover there are no doors. All of their plans for an escape fail, including calling 911 (no signal) and violence (can't do much damage with a butter knife). Eventually they resign themselves to the fact that they're never getting out, and begin living their life together in the restaurant. A sweet, believable couple and an amusing rumination on making the most of the life you're given.

Read all of my Fringe mini-reviews here.

"The Dolls of New Albion" streaming from Feral Theatre Company

Intrepid young #TCTheater company Feral Theatre seems to have figured out this pandemic theater thing. Maybe because they've only been around since 2019, they were able to be more flexible and adaptable to the new world, since they had barely established themselves in the old world. In the last year, they've produced a series of podcast play readings, had several entries in the 2020 Virtual Minnesota Fringe Festival, and presented a live virtual production of The Awakening of Spring from various locations. Now they're bringing us the regional premiere The Dolls of New Albion, which seems to be somewhat of a cult hit musical, especially in the UK. In fact, this is only the third US production. It's a great piece; it reminds me of the kind of obscure musical gems that Theatre Elision and Minneapolis Musical Theatre often do. And it lends itself well to this time, in that although this production features a nine-person cast, most scenes only involve a few of them. They're able to practice social distancing on stage, wearing masks if there are multiple people on stage (even singing through masks), or removing their mask if they're alone on stage. Because that's right, this show is performed live, with all of the performers together, at Elision Playhouse. I can only hope/assume that they are following protocols backstage as well, but from this end, they appear to be doing everything right. That is: live theater almost as we remember it, with safety protocols in place for the performers, and with the audience tuning in from the safety of their own homes.