Minnesota Fringe Festival 2021: "For a Limited Time Only"

Day: 3

Show: 7

Performance Type: Virtual

Location: Streaming Anytime

Length: 35 minutes

Title: For a Limited Time Only

By: The Feral Theatre Company

Summary: A $5.99 unlimited breadstick deal at the Italian Garden Factory turns into a nightmare for a couple when they're told they cannot leave until they finish the bread.

Highlights: Because nothing lasts forever, except for bread of course. Written by Daniel Prillaman and directed by Isabella Dunsieth, this absurdist dark comedy imagines a world in which the promise of unlimited breadsticks is a threat. Arlo (Christopher Jenkins) and Val (Sky Turiello) are stuffed after their dinner and cannot possibly eat another bite, and therein lies the danger. Their server (Daniel Collette) tells them he can't bring the bill until they finish the bread, and then he brings them more bread. They decide to just leave, only to discover there are no doors. All of their plans for an escape fail, including calling 911 (no signal) and violence (can't do much damage with a butter knife). Eventually they resign themselves to the fact that they're never getting out, and begin living their life together in the restaurant. A sweet, believable couple and an amusing rumination on making the most of the life you're given.

Read all of my Fringe mini-reviews here.

"The Dolls of New Albion" streaming from Feral Theatre Company

Intrepid young #TCTheater company Feral Theatre seems to have figured out this pandemic theater thing. Maybe because they've only been around since 2019, they were able to be more flexible and adaptable to the new world, since they had barely established themselves in the old world. In the last year, they've produced a series of podcast play readings, had several entries in the 2020 Virtual Minnesota Fringe Festival, and presented a live virtual production of The Awakening of Spring from various locations. Now they're bringing us the regional premiere The Dolls of New Albion, which seems to be somewhat of a cult hit musical, especially in the UK. In fact, this is only the third US production. It's a great piece; it reminds me of the kind of obscure musical gems that Theatre Elision and Minneapolis Musical Theatre often do. And it lends itself well to this time, in that although this production features a nine-person cast, most scenes only involve a few of them. They're able to practice social distancing on stage, wearing masks if there are multiple people on stage (even singing through masks), or removing their mask if they're alone on stage. Because that's right, this show is performed live, with all of the performers together, at Elision Playhouse. I can only hope/assume that they are following protocols backstage as well, but from this end, they appear to be doing everything right. That is: live theater almost as we remember it, with safety protocols in place for the performers, and with the audience tuning in from the safety of their own homes.