"The Hobbit" by Zephyr Theater at Aamodt's Apple Farm

Theatre in the Round's virtually sold-out run of playwright Greg Banks' 5-actor 90-minute adaptation of The Hobbit (which was commissioned by and premiered at Children's Theatre Company in 2019) closed less than two months ago. Just last night, Stillwater-based Zephyr Theatre opened their production of this play, outdoors at Aamodt's Apple Farm. Why another production of The Hobbit so soon? Why not? The two 2026 productions are so different from each other, and so different from the 2019 production, as to almost feel like different adaptations of J.R.R. Tolkein's beloved first novel in what would become the Lord of the Rings universe, that has delighted audiences for almost 90 years. TRP set their production decades in the future after an apocalyptic event, with survivors gathering to tell each other stories as their only entertainment, and really leaned into the importance of storytelling, and this story in particular. Zephyr's production is in a beautiful outdoor setting, making it easier to imagine the green fields and dense woods of Middle Earth, and leans into the idea of the reluctant hero, and the importance of standing up for what's right, especially in terms of supporting our friends, neighbors, or even strangers who are suffering injustices (something that, as the director notes in the program, feels very familiar in the Twin Cities in 2026). But this is still very much a story of dwarves and trolls and goblins and elves, and one brave hobbit who left his her cozy home to help a friend (continuing through August 2).

Minnesota Fringe Festival 2025: "503"

Day: 3

Show: 10

Title: 503

Category: Drama / Original Music / Physical Theater / Sci-fi / Audience participation / Literary adaptation / Political content

By: Jackdonkey Productions

Created by: Jeffrey Nolan and Zach Christensen

Location: Rarig Thrust

Summary: An adaptation of the 1921 dystopian novel We by Russian author Yevgeny Zamyatin about a totalitarian state based on numbers.

Highlights: As much as a society based on order, numbers, equations, and schedules kind of appeals to me, the world described in We, and 503, is not good. The multi-talented Jeffrey Nolan adapted and performs in this (mostly) solo show (with direction by Zach Christensen), playing all of the characters, er, numbers, in the story. In this strictly regimented world, everyone is referred to as a number; our protagonist is D-503, who is happy with his life until he meets a woman known as I-130, who shows him a different way that the world can be and convinces them to join the revolution. They need him because he designed the new spaceship Integral, which is part of their plans. D-503 is torn between his loyalty to the "One State" and his new love, especially when he hears of an operation that results in "perfect happiness" (if you're getting Severance vibes, you're not wrong). The story is clearly and succinctly told, Jeremy embodying every character and making them all distinct. The sparse set includes just a metal folding chair and a white screen for some scenes in silhouette. The daily schedule and directions for audience participation are displayed on the back wall of the theater (we become fellow numbers, stamping our feet, singing the patriotic song, and participating in the election), the visible tech person adding to the utilitarian feel. Hawken Paul provides a soundscape on violin and percussion, a short refrain announcing the beginning of each scene. He also plays a character or two towards the end of the play, which is why this isn't quite a solo piece. Like all of Jackdonkey's work, 503 is thoughtfully constructed with great attention to detail, and well executed by the cast and creative team. It's an engaging story that's not a little terrifying, showing a society with blind loyalty to the state and one ruler. (you can catch Jackdonkey's production of Shakespeare's Henry V at Theatre in the Round just after Fringe).

Read all of my Fringe mini-reviews here. 

"Robin Hood" by Zephyr Theatre at Aamondt's Apple Farm

On one of the hottest days of the summer, I sat outside in the blaring sun and stifling humidity watching a new-ish retelling of the classic Robin Hood tale. Only for theater would I put up with such miserable conditions! To their credit, Zephyr Theatre had coolers full of water bottles and wet washcloths which helped immensely. And to the actors' credit, they recognized the situation and brought it into the story, instead of pretending we were all sitting inside an air-conditioned theater. But the good news for you is that next weekend's weather forecast looks much nicer, so if you go it will be a much more pleasant experience for you. But even with the heat, I enjoyed this fun playful show with a great cast, featuring the directorial debut of Children's Theatre Company's longtime company member Reed Sigmund, who's comic stamp on this production is very much evident. Join the adventure at Aamodt's Apple Farm (a beautiful and easy to access location just outside of Stillwater off 36) this weekend only!

"The World is Burning, So I Made S'mores" by Brave New Workshop at the Dudley Riggs Theatre

Leave it to Brave New Workshop (the longest running comedy theater in the country) to bring us just the show we need right now, and make us laugh through the fear and uncertainty of this world. A lot of people feel like "the world is burning" (literally in California, metaphorically in wars, mass deportation, endless infuriating executive orders, removal of protection for our most vulnerable people and places), and sometimes it feels like there's nothing we can do about it but "make s'mores." Which in this case means - see a comedy show that makes us laugh. And truly, one of the things that makes this country great, and that we have to protect, is the freedom of our artists to tell stories, make jokes, and poke fun at the current administration, past administrations, and ourselves. If you're looking to escape the troubles of our daily world, this may not be the show for you. And if you think the world is pretty great right now, this may not be the show for you either. But if you want to sit in a room and commiserate and laugh with other humans about the crazy things happening daily, as a way to release a bit of the stress and recharge for the continued fight, then The World is Burning, So I Made S'mores is definitely the show for you. See it at the Dudley Riggs Theatre on Hennepin Avenue weekends through May 17.

"Rope" at Gremlin Theatre

The 1929 play Rope, which was adapted into a 1948 film by Alfred Hitchcock, is now receiving fine treatment on the Gremlin Theatre stage. Written by English playwright Patrick Hamilton (who also wrote Gas Light, which was also adapted into a film, and later become a term for psychological manipulation), it was inspired by the real life case of two college students who murdered a child in 1920s Chicago as an intellectual pursuit. In this version of the story, two university students murder a fellow student, put his body in a chest, and then hold a dinner party with food served on top of the chest, just to prove they could get away with murder. It's sickening really, but also makes for a riveting and suspenseful tale, because - spoiler alert - they don't get away with it. Watching their carefully plotted plan unravel like so much frayed rope is a thrill. A fantastic cast and spot on design chillingly bring this story to life. See it at Gremlin Theatre in Vandalia Tower in St. Paul's Midway neighborhood now through August 4.

"A Very Good Christmas Carol" by Jeffrey Nolan and Hawken Paul at the Black Forest Inn

Another Christmas Carol, you ask? Yes, but this one's different from the Guthrie's 49th annual production, or even the bawdy English Music Hall version at Open Eye Theatre. Just a few blocks away from the latter, a two-man version of the holiday* classic that relies heavily on audience participation can be seen in the charming event hall at The Black Forest Inn for three more nights, with a few other shows happening around the state. Independently produced by two #TCTheater artists (originally produced and developed by the Northern Light Opera Company in Park Rapids) who wrote, directed, and star in the show, A Very Good Christmas Carol is a fun and interactive retelling of Charles Dickens' familiar story that mostly brings out the comedy and silliness, but not without a bit of the lovely message of community and redemption filtering in. As they say in the beginning of the show, it's not stodgy traditional theater, with a looser and more casual tone to the evening (which is not to say it's unprofessional). The audience (decidedly younger than those at traditional theaters) was having a great time, and it really felt like we were all participating in the storytelling in a convivial way that, despite the seemingly unconventional nature, really is in the spirit of the holiday. You can get your tickets to the remaining Black Forest dates here (and yes, you can get a Bier and bring it into the show), and follow them on Instagram at @verygoodchristmascarol for information on other performances.

Minnesota Fringe Festival 2023: "A Girl Scout’s Guide to Exorcism"

Day: 10

Show: 41

Title: A Girl Scout’s Guide to Exorcism

Category: COMEDY / DRAMA / HORROR / PUPPETRY / STORYTELLING / HISTORICAL CONTENT / LGBTQIA+ CONTENT

By: Melancholics Anonymous

Created by: Rachel Ropella and Timothy Kelly

Location: Rarig Arena

Summary: It's the summer of 2008, and five Girl Scouts accidentally conjure up the spirit of a famous, and a little angry, environmentalist.

Highlights: This was one of the most frequently sold out shows of the Fringe, winning the venue award for most tickets sold at the Arena. I did not intentionally save it for the very last time slot of the festival, but it was a great end to a wonderful run of theater. It's so funny, and sweet, and real, and weird, and a little bit scary, and overall just so much fun. Five Jonas brothers obsessed tweens (charmingly portrayed by Claire Chenoweth, Anneliese Garner, Meredith Enersen, Samantha Miller, and Aerin O'Malley, giving each a distinct personality) gather for their annual sleepaway summer camp, with a friendly new counselor (Bee Davis), but things are changing. They're growing up, like it or not, causing new tension in the group. Using a ouija board, they accidentally cause one of them to become possessed with an environmentalist who advocates for the hawk, and she gets mad, wreaking havoc on the girls, until they can figure out a way to band together to save their friend, and each other. One of the girls occasionally steps out of the story and narrates it as the chain-smoking present version of the character, which is surprising and funny. This would all be wonderful enough, but as an added bonus Jeffrey Nolan plays the hawk who does the environmentalist's bidding, swooping a puppet on a stick around the theater, facial expressions so telling of the attitude of this creature. I first discovered Melancholics Anonymous during the virtual 2020 Minnesota Fringe Festival, and in a few short years they've become a reliable source of theater that is inventive and delightful and a little bit dark. They perform outside of the Fringe too, so keep your eye out for them.

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2023: "Fargo Allegro"

Day: 10

Show: 37

Title: Fargo Allegro

Category: COMEDY / DRAMA

By: Nightfall Productions

Directed by: Brad Erickson

Location: Rarig Thrust

Summary: A fairly faithful if condensed reenactment of the beloved 1996 Coen Brothers movie Fargo, with Paul Bunyan as narrator.

Highlights: There's possibly no movie that pokes such loving fun at Minnesota as Fargo. So it's ripe for a Minnesota Fringe parody. I haven't seen the movie in ages, but it seems to cover all of the major plot points (even unnecessary ones like Marge's old friend Mike). The cast, most of whom play multiple characters, is completely committed to the campy/serious tone, and the accents. Highlights include Jeffrey Nolan as the fast-talking criminal Carl, Jay Melchior as the hapless Jerry Lundegaard, and Justine Carroll Melchior as everyone's favorite pregnant police chief Marge Gunderson (the Minnesota/Scandinavian names in this story are dizzying). There's a live two-person multi-instrument band providing the soundtrack and charming sound effects, with video and images projected into a screen of old bedsheets. The clever set consists of wooden crates painted like cement blocks that are constantly moved around for the many different scenes, the front facade of a car with headlights, and white tulle waved around by the hard-working stagehands to simulate snow. It's all very thoughtfully done, with lots of fast-moving pieces that smoothly come together for a highly entertaining show that's the very epitome of the Minnesota Fringe Festival.

Read all of my Fringe mini-reviews here.

"Sherwood" at Theatre in the Round

Closing out their fantastic six-show 71st season, Theatre in the Round is bringing us Ken Ludwig's swashbuckling comedy based on the familiar story of Robin Hood and his band of Merry Men. Sherwood is a refreshingly modern take on the legend, with female characters given more agency, and Robin Hood espousing kindness and justice. The design of the show extends to the walls, ceilings, and even into the lobby, as if we're stepping into Sherwood Forest itself, and the large and talented cast bring great energy and playfulness to the story, making the show feel like a fun summer popcorn movie. Theatre in the Round just announced their eight-show 72nd season, which also looks fantastic, including classics and newer works. But in the meantime, visit Sherwood Forest in the Cedar-Riverside neighborhood of Minneapolis, weekends through July 2.

"The Closing Night Audience Q&A for ROCCO'S CRIMES" by An Alleged Theatre Company at the Phoenix Theater

If you've been to a post-show discussion, aka talkback, aka Q&A, you know that sometimes they can be really great, and sometimes they can be painfully awkward. And sometimes even both at the same time! New theater company An Alleged Theatre Company plays with that idea in their original play The Closing Night Audience Q&A for ROCCO'S CRIMES. It's a clever conceit that allows them to poke loving fun at this theater thing that we all love so well, and maybe take too seriously sometimes. The cast is delightfully committed to the earnest silliness, showing off a bit of improv skills as well. See it at Phoenix Theater in Uptown this weekend or next weekend only (don't mind the unfinished entry way - it's open!).