"Nudge" at Open Eye Theatre

As part of their Guest Artist Series, Open Eye Theatre is hosting the long-form improv show Nudge once a month through December. I caught the show last night, before the #TCTheater season gets too busy. A small but enthusiastic crowd enjoyed one continuous story that played out in under an hour, completely made up on the spot. This talented troupe of some of our best improvisors (Tim Hellendrung, Katy Kessler, Taj Ruler, and Jen Scott performed last night, with Rita Boersma and/or Butch Roy joining them at some performances) created believable characters and situations that were funny, and awkward, and real. Since HUGE Theater closed last year, we need to go to different venues to see improv (including but not limited Strike Theater, Jungle Theater, and the Hive Collaborative), and Nudge is one that's definitely worth checking out in Open Eye's sweet intimate space in South Minneapolis. Their next show is October 20, followed by shows in November and December, with tickets just $12 in advance! Click here for all the details.

"Hypocralypse Now" by Brave New Workshop at the Dudley Riggs Theatre

From this spring's The World is Burning, So I Made S'Mores to their new show Hypocralypse Now, Brave New Workshop is bringing us smart, funny, topical comedy. The oldest comedy theater in the country is like Minnesota's SNL, and this show in particular is all about political humor (just take a look at the show image). But the show doesn't just skewer the current administration and its blatant hypocrisy (which for me is one of the most frustrating things about it), but also other people in positions of power, and the way we as citizens react to what's going on. As they say in the intro, be prepared to be offended, but at least in this situation we can all laugh at the world, each other, and ourselves. Because the great thing about this country is that we can make fun of the people in power without fear of censorship or retribution. Well, at least today we still can. So head to the Dudley Riggs Theatre in downtown Minneapolis to not forget your troubles, but laugh at them and commiserate with other humans sitting in a room together. Hypocralypse Now continues through November 1.

Minnesota Fringe Festival 2025: "Shrieking Harpies Presents: Period Piece"

Day: 4

Show: 15

Title: Shrieking Harpies Presents: Period Piece

Category: Comedy / Improv / Musical Theater / Original Music / Audience participation / LGBTQIA+ Content

By: The Shrieking Harpies

Created by: Lizzie Gardner, Taj Ruler, Hannah Wydeven, and Justin Nellis on the Keys

Location: Barker Center

Summary: An improved musical, set in a period chosen by votes on The Shrieking Harpies' Instagram.

Highlights: Improvisers/singers/performers Lizzie, Taj, and Hannah are such pros at this (accompanied by Justin on keys) that this year they gave themselves a new challenge - a period piece! At the show I attended (the one and only 10pm show for this morning person, that's how much I love them) the period was the 1990s, which for someone who was a fully grown adult in the '90s doesn't feel like a period piece, it feels like a few years ago. So unfortunately I didn't really get the period piece feel from this show that I wanted; it was really just like any other Shrieking Harpies show. Which is to say - beautifully performed, ridiculously funny, with characters and storylines that come to a satisfying conclusion. Go see one of their final two shows, and be sure to vote on what period you'd like to see, hopefully one that's longer than 30 years ago.

Read all of my Fringe mini-reviews here. 

Twin Cities Improv Festival at the Phoenix Theatre

With the closure of HUGE Theater last year, the Twin Cities Improv Festival has a new home - Phoenix Theater in Uptown. For four days, you can watch improv troupes from here in the Twin Cities (and we have a lot of great ones) as well as troupes from around the country and even some from other countries. I attended the first, all-local, night of the festival and had a great time watching some beloved familiar improvisors and some new-to-me improvisors. Each had their own spin on the artform, most started with a suggestion or two from the audience and they took that somewhere unexpected. The Phoenix is a great welcoming location (despite the never-ending construction on Hennepin), with snacks and drinks (including espresso drinks) sold in the cozy lobby. Keep reading for my thoughts on the eight improv troupes I saw (two or three troupes are grouped together in each set, with up to four sets a night), and click here for the schedule of shows continuing through Sunday.

Improv at the Jungle: "Off-Book"

With the recent closure of HUGE Theater, your Uptown home for improv for 15 years, local improv troupes and shows are needing to find new venues at which to perform. Jungle Theater, just blocks away from HUGE, has stepped up to be one of those venues. They have a new series called "Improv at the Jungle," with a group called The Neighborhood performing regularly, as well as a show called Off-Book, hosted and co-directed by Sean Dillon and Isabella Dunsieth. I saw the latter this week and I just may have a new favorite improv show! Keep reading for why, and make plans to see their next performance on March 3. Visit the Jungle website for info and tickets to all of their improv shows. You can also see improv at Strike Theater in Northeast Minneapolis, The Hive Collaborative in St. Paul, Brave New Workshop (which hosted the long-running show Family Dinner in December), and other locations around town. Visit this website for a list of improv events in the Twin Cities.

"Big Christmas Energy" by Brave New Workshop at the Dudley Riggs Theatre

If you're looking for a laugh this season, Brave New Workshop is the surest bet for laughing until your face hurts. The longest running comedy theater in the nation is back with their annual holiday* show, which is always a favorite. Like years past, Big Christmas Energy is an irreverent look at everything surrounding the holidays, from awkward family interactions to weird Christmas songs. The uber talented five-person cast of BNW regulars has written about a dozen ridiculously funny sketches (with the help of director/host Caleb McEwen), and performs them with great energy and enthusiasm. There's a little something for everyone (except maybe children - leave them at home), music and nostalgia and double entendres. So if this holiday (or post-election) season has got you down, you might need some Big Christmas Energy in your life; laughing with a bunch of strangers in a room together has a healing effect. The show continues through January 31, with another holiday favorite Family Dinner (a long-form improv show that has run for decades, most recently at the dear departed HUGE Theater) playing in the first floor space at the Dudley Riggs Theatre Fridays and Saturdays in December.

"Alice in Wonderland" at Children's Theatre Company

Children's Theatre Company is bringing back their original adaptation of Lewis Caroll's classic children's novel Alice's Adventures in Wonderland. Somehow I missed the last time they did it over a decade ago, perhaps mistakenly thinking it was just for kids. So this was my first time going down the rabbit hole with director Peter C. Brosius, composer and one-man band Victor Zupanc, and this exceedingly talented ensemble of young and grownup actors. It's two hours of sheer wonder, magic, and delight for audiences of all ages, so inventive and playful and surprising at every turn. The fun and whimsical sets and costumes, the ensemble leading us through the story like something out of Pantomime and/or English Music Hall traditions, and Caroll's endlessly entertaining series of oddball characters speaking nonsense combine for a truly enjoyable show. Bring your kids, your grownups, or yourself to see Alice in Wonderland now through the end of March.

"Life Sucks" by Girl Friday Productions and Open Eye Theatre

Girl Friday Productions holds a unique niche in #TCTheater. Specializing in large-cast classics, they typically do just one production every other year. They skipped their 2021 production due to the pandemic (although they did create a really lovely virtual winter cabaret show - still available to watch here), and now they're finally back - four years after their last production. They're also stepping out of this niche, co-producing a play with Open Eye Theatre that was written in this millennium with just a seven-person cast. But Life Sucks by Aaron Posner is loosely based on Chekhov's Uncle Vanya, so I guess it counts in the classics department. And a seven-person cast is quite large for Open Eye's stage, which is the smallest and sweetest stage in town, so the cast to square footage ratio is still quite high. Maybe it's not such a leap for them after all, and it's consistent with their past work in that it's perfectly cast, thoughtfully constructed, and epic in themes if not in size. They've just extended their run through November 12, and you would be wise not to miss this funny and profound rare offering from Girl Friday and Open Eye (click here for info and tickets).

Minnesota Fringe Festival 2023: "The Shrieking Harpies"

Day: 2

Show: 4

Title: The Shrieking Harpies

Category: COMEDY / IMPROV / MUSICAL THEATER / AUDIENCE PARTICIPATION

By: The Shrieking Harpies

Created by: Lizzie Gardner, Justin Nellis, Taj Ruler, and Hannah Wydeven

Location: Rarig Arena

Summary: An improvised musical based on audience prompts, new every night!

Highlights: The Shrieking Harpies are another sure thing good show. What you see will be different from what I saw, which was a family friendly gay period piece. But what will be the same is three talented performers, and one talented musician, creating a brand new musical storytelling show before your very eyes. It's so polished, with recurring musical themes, multiple characters played by just three actors, and a plot with beginning, middle, and end, that it's almost hard to believe it's improvised. But the trio of Lizzie Gardner, Taj Ruler, and Hannah Wydeven (with Justin Nellis on keyboard accompanying not just the songs but also providing underscoring for all of the scenes) have been doing this so long that they can finish each other's... harmonies. Like any good improv troupe, they can follow along and see where the others are going, and somehow create a compelling and entertaining story (this one about two lonely men in Jane Austen's England, one with seven sisters, one of whom is pregnant - this might come up a lot since Lizzie is too), with surprisingly great music that I'm still singing in my head ("you're not alone," "go off the edge with me," "white gloves without a spec"). If you've never seen The Shrieking Harpies before at the Fringe or TC Horror Fest or any of the other places they perform, you're just not doing it right. And if you have, you know how much fun their shows always are.

Read all of my Fringe mini-reviews here.

"Hurricane Diane" by Rough Magic Performance Company at the Center for Performing Arts

This morning when I went for a run, the sun was an unnatural bright pink, a color I'd never seen from the sun before, due to smoke from Canadian wildfires. While it was a stunning display, it was also disturbing. This poor air quality from far away fires happens occasionally in the border state of Minnesota, but it seems to be happening much more often this year, and in places much farther away. Arizona is currently experiencing record heat, and devastating natural disasters like tornadoes and hurricanes seem to be increasing every year. In playwright Madeleine George's play Hurrican Diane (which premiered in 2017 and played Off-Broadway in 2019), the god of wine, vegetation, and fertility, known as Dionysus or Bacchus, witnesses this growing crisis and steps in to attempt to remedy it. How does he do so? By posing as a lesbian landscaper and seducing four suburban New Jersey women to become acolytes. It's a very funny play, well executed by the all-star cast and creative team at Rough Magic Performance Company, but that doesn't make its lesson any less dire. In fact, the audience being seduced by the laughter and ridiculous situations makes the stark reality that human choices and actions are making the planet more and more unlivable for humans even more shocking. Don't miss this beautifully done regional premiere of the timely, hilarious, and terrifying play Hurricane Diane (continuing at Center for Performing Arts through July 30).

"The Best Christmas Show in Three Years" by Brave New Workshop at the Dudley Riggs Theatre

This spring, after a two year hiatus, the longest running sketch comedy troupe in the country went Back to the Workshop - the Brave New Workshop, that is. Now their annual holiday show is back for the first time in three years, and it's guaranteed to be The Best Christmas Show in Three Years. It may also be one of the best you see this year, especially if your tastes run more towards the salty than sweet side of things. This hilarious and lovable cast makes fun of all the silly things surrounding the holiday season, while still celebrating being together and laughing. Lots of laughing. It plays at the newly christened Dudley Riggs Theatre (honoring the founder of the company who passed away recently) in downtown Minneapolis through January 28. Click here for info and tickets.

"Back to Workshop; Or, Everything's Fine!" at Brave New Workshop

More than two years after they had to shut down due to a global pandemic (remember that?), Brave New Workshop, the longest running improv/sketch comedy troupe in the country, is finally back! Because everything's totally fine now, right?! In addition to everything we've all been through over the last two years, BNW also went through a transition; their founder Dudley Riggs died, and the company and theater space on Hennepin Avenue in downtown Minneapolis was bought by the Hennepin Theatre Trust, which also oversees the historic Hennepin Avenue theaters - Orpheum, State, and Pantages. The first show coming out of this new partnership, Back to Workshop; Or, Everything's Fine!, is business as usual for BNW. The business being hilariously funny, smart, and topical satire, and just all around silly comedy entertainment. If you're having a tough time transitioning to this new world (and who isn't?!), Back to Workshop will help you feel not so alone in that, and maybe even help you process things or look at them in a new light. But mostly, you'll just have a really great time. Workshop plays weekends (Fridays and Saturdays, plus some Thursdays) through August 6.

"Theatre of the Macabre" at Park Square Theatre

Last year, during the very long intermission from live theater, Park Square Theatre presented a virtual cabaret of Halloween-themed songs and stories called Theatre of the Macabre. This year, they're able to present the show in person in their historic downtown St. Paul space (with the help of vaccines and masks), but only for two nights! It was so great to be back at Park Square for this taste of good things to come (they're hosting a few other companies this fall and officially opening their season with a remount of Marie and Rosetta in January). Theatre of the Macabre is a truly delightful, and at times disturbing, evening of songs and stories, like an elevated version of gathering around a campfire to tell spooky tales. Tickets remain for tonight's show; click here for all the details.

"Animate" by Mixed Blood Theatre at the Como Zoo

photo by Rich Ryan

Earlier this year, Jack Reuler announced his retirement as Artistic Director of Mixed Blood Theatre, a company he founded in 1976. Mixed Blood has truly become a model of inclusivity, diversity, and accessibility in theater, amplifying often unheard voices on stage and off, and making sure everyone is able to be in the audience with its Radical Hospitality program. But before he retires, Jack is directing another incredible site-specific piece. The new play Animate, written by Ken LaZebnik, is an immersive ambulatory play at the Como Zoo that is, of course, about a zoo. Specifically about the ethics of zoos, accepting donations from wealthy people of questionable character, and "does the good of the many supersede the good of the individual," human or animal. It's an impressive logistical feat, features a ton of #TCTheater talent, and asks some big questions without providing easy answers. In fact, the audience is asked to provide their own answers to the big questions of the show. Unfortunately, the entire (free) run is sold out, but stay tuned in case more dates are added (click here for details).

Minnesota Fringe Festival 2021: "The Convent of Pleasure"

Day: 1

Show: 2

Title: The Convent of Pleasure

By: Theatre Pro Rata

Performance Type: Live In Person

Location: Wood Lake Nature Center Amphitheater (outdoors)

Length: 90 minutes

Summary: A hilarious modern adaptation of the 17th Century play of the same name about a woman who forsakes the company of men, founding a commune of women who dedicate their life to pleasure.

Highlights: Theatre Pro Rata got their start at the Minnesota Fringe Festival 20 years; one of the many benefits of this festival is that it supports artists in such a way that allows companies like this to form and expand beyond the festival that birthed them. Local playwright/actor/comedian/baker Heather Meyer's play is one of those "ghost plays" that was supposed to premiere in the summer of 2020, and happily it is finally seeing the light of day. This fantabulous all-female cast really brings out all of the humor in the script (of which there is much), as well as the emotion in the sweet love story between Lady Happy (the delightful Boo Segersin), who uses the money her father left her when he died to create the Convent and live only for the immediate pleasures of all of the senses, and Princess Principle (a serene Megan Kim), who loves Lady Happy but longs for commitment. Kelsey Laurel Cramer, Nissa Nordland Morgan, and Taj Ruler play Lords Somewhat, Sortof, and Soso, who try to woo the ladies, devilishly twirling their greasepaint mustaches. Ankita Ashrit, Lynda Dahl, and Kayla Dvorak Feld flit across the stage and grounds as Lady Happy's companions, while Meri Golden frets as her mistress of accounts. And can we talk about the costumes? So fun, colorful, and playful, with flowers and hats and frills to spare (designed by Mandi Johnson). There's a reason I chose this show to see on the first night of the Fringe - a company that's been doing good work for 20 years, a strong cast, the feminist theme, and the promise of laughs make this a must-see.

Read all of my Fringe mini-reviews here.

"Norma Jeane Baker of Troy" by Rough Magic Performance Company at the Mill City Farmers Market

Rough Magic Performance Company has made a name for themselves at Minnesota Fringe Festival with their short, modern, and feminist adaptations of Shakespeare. But now they're moving beyond that by performing a new play outside of the Fringe. And literally outside* (thanks, covid), in the gorgeous space used by the Mill City Farmers Market, between the Guthrie Theater and the Mill City Museum. Norma Jeane Baker of Troy is a retelling of the legend of Helen of Troy, aka the face that launched a thousand ships, superimposed with the story of Norma Jeane Baker, aka Marilyn Monroe. The play examines parallels between the two women and attempts to look beyond their status as icons of female beauty to the truth behind the image. It's a fascinating play, beautifully produced, with a lot packed into the one-hour runtime. Even though I've been to a handful of outdoor plays and musicals this year and last, for some reason this really felt like my first return to theater as we once knew it. Maybe because I held an actual physical program in my hands, maybe because the stage and audience setup felt familiar, maybe because of the complex nature of the play. But for perhaps the first time in 16 months, I left feeling that familiar sort of theater daze, having just traveled to another world for a time, and not quite ready to settle back into this one.

Minnesota Fringe Festival 2020: "OMG!"

Location: Digital Hub Live

Length: 50 minutes

Title: OMG!

By: Taj Ruler and Emily Schmidt

Summary: A couple of people read actual journal entries from their childhood, followed by improvised scenes related to them.

Highlights: I watched the August 4 episode, with journalers Suzie Juul and Cristi Runpza, and improvisers Rita Boersma, Casey Haeg, Joy Dolo, Sarah TL (per zoom, didn't catch her name). Suzie and Cristi read about the typical childhood drama of boys, secret clubs, and friends on vacation. The improvisers then riffed on those ideas with funny and wacky results. It's horrifying, nostalgic, and hilarious to remember being that young. Each night features a different cast, hosted by Taj and Emily, with future live shows on August 6, 8, and 9 at 7pm. You can also watch all past shows on Emily's YouTube channel, with any donations going to different non-profits.

Read all of my Nightly Fringe mini-reviews here.

Read all of my Digital Hub mini-reviews here.

"Getting Plowed: A Holiday Survival Guide" at Brave New Workshop

Friends, it's been way too long since I visited the Brave New Workshop, for no other reason than the theater world keeps me so busy I rarely have time to venture over to the adjacent comedy world. But last night I attended opening night of BNW's annual holiday show, Getting Plowed: A Holiday Survival Guide (continuing through January 4), and was reminded of how much fun it is. It's definitely different than the usual theater I attend - more fun and loose and playful - but still with talented and familiar performers who are experts at what they do. Which is write and perform silly, smart, timely, relatable, ridiculous comedy sketches. And this show is all about the holidays, in an irreverent sort of way that celebrates all that we love and hate about this time of year.

A Reading of "Eat, Slay, Leave" by the Playwright Cabal at the Phoenix Theatre

The Playwright Cabal is "an ambitious group of female-identified professional playwrights who promote the development of new scripted plays in the Twin Cities and one another’s success." This fall, they're presenting a series of readings of new works by each the five members (Katherine Glover, Gemma Irish, Alayna Jacqueline, Heather Meyer, and Rachel Teagle). This program, entitled New Leaf, is free to attend, and includes pre- and post-show happy hour as well as a post-show discussion of the work presented. All readings are at the Phoenix Theatre in Uptown, and it's a really great way to see what our local female playwrights are up to.

Minnesota Fringe Festival 2019: "Because I Said So"

Day: 6

Show: 21

Title: Because I Said So

Category: COMEDY / DRAMA / ORIGINAL MUSIC / STORYTELLING

By: Schmidtshow Productions

Created by: Emily Schmidt and Pat Robinson Schmidt

Location: Rarig Center Arena

Summary: Sketches, songs, and stories about the mother/daughter relationship, as told by local funny women and their real-life mothers and/or daughters.

Highlights: Emily Schmidt has written some really funny, clever, Minnesotan comedies for the Fringe (e.g., last year's Lakes 4), but this year she's doing something different. Along with her mother Pat Robinson Schmidt, she's gotten together some of the funniest women in the Twin Cities to talk about their moms and/or daughters. And the result is not just funny and relatable, but also very moving and sometimes serious. The show opens with Samantha Baker Harris singing a sweet little song with her young daughter Maya, and closes with a song by Samantha, Maya, and Samantha's mom Lynn Baker. It's a beautiful full circle moment, and in between are sketches and stories, based in truth, by Shanan Custer and her daughter Kate, Alex Byrne and her mother Maura, Taj Ruler (speaking about her strained relationship with her mother), Laura Zaber and her daughter Irene, Pat (Emily performed at the first couple shows but I assume has gone back to L.A. where she lives and writes), and Lauren Anderson and her mom Jinniece. It's a well curated selection that covers many of the facets of the mother/daughter relationship.

Read all of my Fringe mini-reviews here.