"Violet" by Ten Thousand Things at Hennepin Avenue United Methodist Church

I fell in love with the 1997 Off-Broadway musical Violet when I saw Theater Latte Da's gorgeous production in the Guthrie's Dowling Studio in 2010, just before I started this blog. Something about this story of a young woman who goes on a journey in search of healing and a new life, only to find it in herself, really resonated with me, and still does. And Jeanine Tesori's score that combines influences from Appalachia, Memphis, country, and gospel has become one of my favorites. Coincidentally, 2010 is also the year I saw my first Ten Thousand Things show, after which I declared "I'm hooked;" I don't think I've missed one of their shows since. Not only is their mission the best one I can think of (to bring theater to people who don't otherwise have access to it), but their shows are always clear and unencumbered, allowing the true heart of the piece to shine through. Now, finally, these two favorites that I discovered 15 years ago have come together in a sparsely beautiful and rawly emotional production of Violet that is sure to create new fans of this musical (which I believe has only had one other local professional production since Latte Da in 2010, although it did eventually make it to Broadway in 2014, starring Sutton Foster and Joshau Henry). A talented cast of eight (plus one musician) takes us on this epic emotional journey in just about 100 minutes, in a fully lit room with minimal sets and props, using just the power of their voices and talents plus our collective imagination. This bus will continue to travel on through June 1 at various locations, primarily at Hennepin Avenue United Methodist Church (near the Walker, with a large free parking lot).

"Emilia" by Ten Thousand Things at Open Book

A few months ago, the Guthrie Theater brought us the brilliant new play Born with Teeth, imagining meetings between playwrights Christopher Marlowe and William Shakespeare, and the theory that the two co-wrote some of the history plays attributed to Shakespeare. Now, Ten Thousand Things is taking another look at this subject, from the feminist side. Morgan Lloyd Malcolm's play Emilia premiered at Shakespeare's Globe Theatre in 2018 and explores the life of Emilia Bassano, one of England's first published female poets. The play theorizes that she and Shakespeare were lovers, and that he took some of their conversations and put them into his plays, making her a contributor to the work of Shakespeare. There's lots of discussion about who really wrote the plays we know as Shakespeare (e.g., this article "Was Shakespeare a Woman?" by Elizabeth Winkler, which has been expanded into a book to be released this month). The truth is we'll likely never really know. And that's not what this play is about, anyway. It's about women's voices, women's stories, and why they have been systematically silenced throughout history. Told by an all-female cast, Emilia is the story of a historical woman who would not be silenced, even if it did take a few hundred years for history to recognize her contributions. It's a story that's all too relatable for modern women, and one we can take inspiration from.

"In the Next Room" at Yellow Tree Theatre

Sarah Ruhl's funny and feminist, historical and modern play In the Next Room, or the Vibrator Play had its regional premiere at the Jungle about ten years ago, and can now be seen on Yellow Tree Theatre's intimate Osseo stage. It's an unexpected title, and while, yes, the play features the vibrator (more specifically the time in history when "electric massage" was a serious medical treatment for a particular ailment of women diagnosed as "hysteria"), the play is really about relationships, medical practice, the dawn of electricity, and connections. Yellow Tree's strong cast and detailed design, combined with this smart script, make for a highly entertaining night at the theater, even if it might make you squirm in your seat a little (which is not a bad thing in theater).*

"Theatre of the Macabre" at Park Square Theatre

Last year, during the very long intermission from live theater, Park Square Theatre presented a virtual cabaret of Halloween-themed songs and stories called Theatre of the Macabre. This year, they're able to present the show in person in their historic downtown St. Paul space (with the help of vaccines and masks), but only for two nights! It was so great to be back at Park Square for this taste of good things to come (they're hosting a few other companies this fall and officially opening their season with a remount of Marie and Rosetta in January). Theatre of the Macabre is a truly delightful, and at times disturbing, evening of songs and stories, like an elevated version of gathering around a campfire to tell spooky tales. Tickets remain for tonight's show; click here for all the details.

"Sherwood" at Yellow Tree Theatre

The last play seen on the Yellow Tree Theatre stage was the powerful drama Skeleton Key in February of 2020, a co-production with New Dawn Theatre Company. Their next scheduled show, the new Robin Hood comedy Sherwood, was cancelled due to the pandemic, and now, almost a year and a half later, it's finally onstage at Yellow Tree. But things have changed since then, in the world and in theater. Audiences have to show proof of vaccination (or negative COVID-19 test) and wear masks, and New Dawn Artistic Director Austene Van, who directed Skeleton Key, is the new Artistic Director of Yellow Tree (following the departure of co-founders Jessica and Jason Peterson to the North). But what hasn't changed is that this cozy little theater in a strip mall in Osseo is a warm and welcoming place with wonderful theater that entertains and challenges audiences. The super fun and playful Sherwood is an excellent start to this new chapter of life, theater, and Yellow Tree.

Fringe Festival 2016: "Hazard"

Day: 10

Show: 44

Title: Hazard

Category: Drama

By: Presence

Written by: Megan Burns

Location: Strike Theater

Summary: A young woman living in the mountains of Kentucky is kicked out of her home and must make a new life for herself on her own.

Highlights: Local actor/playwright Megan Burns has written a really beautiful play, with sharply drawn characters, a place so specific it feels like you're there, and a full and complete story. U of M/Guthrie BFA student Sophina Saggau gives a fantastic performance as Dottie, strong and spirited and natural. Also excellent are Katherine Kupiecki as fellow outcast Dana, and Bowen Cochran as a couple of men who come into the women's life. But this is really Dottie's story, as she speaks it plainly to the audience, seamlessly blended with scenes with other characters. A couple of tough women trying to make it on their own in a tough environment, almost outside of time and place. Really well done, intense, and a bit depressing, with a massive set by Fringe standards that includes a front porch, work bench, and several chairs (set design by Katie McCarthey). Hazard is another show that wasn't originally on my schedule that I added based on what I was hearing, and I'm glad I did.