"Singin' in the Rain" at Artistry

I interrupt this all-fringe-all-the-time coverage to bring you news of a terrific new production of the classic-movie-musical-turned-stage-musical Singin' in the Rain at Artistry. The classic 1952 movie musical was written by legendary musical theater team Comden and Green, and adapted into a stage musical in 1983. It's a big old-fashioned musical with comedy, romance, dancing, and tons of familiar songs* (by Nacio Herb Brown and Arthur Freed). Artistry did the show 12 years ago (then known as Bloomington Civic Theatre), directed and choreographed by the late, great Michael Matthew Ferrell. I remember loving that production, and it's a treat to see this new production on that same stage. This time it's directed by Artistry's Artistic Director Kelly Foster Warder, who also co-choreographed with our fabulous Don Lockwood, Danny McHugh, a native Minnesotan who makes his very welcome return to #TCTheater after living and working in NYC for 16 years. In the interest of saving precious time to see more Fringe shows, I will give you a brief review and encourage you to buy your tickets to this fun, high energy, and endlessly entertaining show sooner rather than later - it's been selling so well they already added another week (continuing through the end of August).

"Mae West and the Trial of Sex" by Walking Shadow Theatre Company at The Crane Theater

Censorship in theater is a hot topic in 2025, with many theaters losing NEA funding for doing plays that allegedly do not align with mandates from this administration. The government is trying to tell artists what kind of plays they can and cannot do, but artists will be artists, and tell the stories they want to tell, even if that has become more difficult. Nearly a hundred years ago, the New York theater scene was also facing censorship, with artists receiving jail time and fines for doing "immoral" plays, and theaters being closed for a year or more. Walking Shadow Theatre Company's new play Mae West and the Trial of Sex chronicles one such battle against censorship, in a story that feels very timely and relevant. See it at the Crane Theater in Northeast Minneapolis through June 22.

"Violet" by Ten Thousand Things at Hennepin Avenue United Methodist Church

I fell in love with the 1997 Off-Broadway musical Violet when I saw Theater Latte Da's gorgeous production in the Guthrie's Dowling Studio in 2010, just before I started this blog. Something about this story of a young woman who goes on a journey in search of healing and a new life, only to find it in herself, really resonated with me, and still does. And Jeanine Tesori's score that combines influences from Appalachia, Memphis, country, and gospel has become one of my favorites. Coincidentally, 2010 is also the year I saw my first Ten Thousand Things show, after which I declared "I'm hooked;" I don't think I've missed one of their shows since. Not only is their mission the best one I can think of (to bring theater to people who don't otherwise have access to it), but their shows are always clear and unencumbered, allowing the true heart of the piece to shine through. Now, finally, these two favorites that I discovered 15 years ago have come together in a sparsely beautiful and rawly emotional production of Violet that is sure to create new fans of this musical (which I believe has only had one other local professional production since Latte Da in 2010, although it did eventually make it to Broadway in 2014, starring Sutton Foster and Joshau Henry). A talented cast of eight (plus one musician) takes us on this epic emotional journey in just about 100 minutes, in a fully lit room with minimal sets and props, using just the power of their voices and talents plus our collective imagination. This bus will continue to travel on through June 1 at various locations, primarily at Hennepin Avenue United Methodist Church (near the Walker, with a large free parking lot).

"Sickle" by Theatre Novi Most at Mixed Blood Theatre

Sickle is a brutal play that's tough to watch. This is not a play to go to for a fun night out and to forget your troubles. It's a play that shines a light on a little known part of history known as the Holodomor, a genocide by starvation perpetrated by the Soviet Union on the people of Ukraine in the 1930s, with striking parallels to what's happening today. This Minnesota premiere play, written by Chicago-based playwright Abby Fenbert, is beautifully and devastatingly brought to life by Theatre Novi Most and an incredible cast of five women, baring their souls on stage as they pay homage to the strength and resiliency of the Ukranian people, particularly the women. I can't help but be reminded of the story of the Ukranian woman who, in the early days of the current war, gave sunflower seeds to a Russian soldier so that when he died on Ukranian soil, something beautiful would grow. That woman is a descendent of the women represented in this play - fierce, loyal, loving women who will stop at nothing to protect their family, their home, their land. The limited run of Sickle concludes on May 10, click here for tickets and info on special events like live music and a Ukranian food truck. Novi Most is partnering with Stand with Ukraine MN for this production; click here to find out more about them and learn how you can support Ukraine in their current crisis.

"Waitress" at Artistry

I've been waiting for the #TCTheater premiere of the Tony nominated musical Waitress since I first saw it on tour in 2017. I'm a big fan of the quirky little 2007 movie of the same name upon which it was based (written by and co-starring Adrienne Shelly, who was tragically murdered before its release). When I saw the tour at the Orpheum Theatre, and later the Ordway, I found the musical adaptation to be a successful one, but one with an intimate story that would probably play better on smaller and more intimate stages. The regional premiere is finally here, and I was right! Artistry's production does feel more real and intimate and heart-wrenching, and so beautifully done that I wish I had time to go back and see it again. Go see this all-star cast in Waitress at Bloomington Center for the Arts now through May 11, they'll rip your heart out and make you laugh.

"The Effect" at Jungle Theater

In my day job, I work in clinical trials. I'm not a researcher in the clinics working with patients, I sit at home in my living room analyzing the data they collect. But still, the themes and situations in the brilliant play The Effect are familiar and fascinating to me. Written by Lucy Prebble, a writer and executive producer on the brilliant and brutal HBO show Succession, the play asks thorny and relevant questions about the ethics of clinical research, for-profit pharmaceutical companies, and the health care industry in general. It also explores the very stuff that makes us human, our feelings and emotions, and if that resides in our brain, or in our heart, or in situations or the substances we're taking. (If you're getting Severance vibes, you're not alone.) In short, The Effect is my favorite kind of play - smart and thought-provoking, asking difficult questions and not answering them, populated with complex, interesting, and engaging characters. And as expected, Jungle Theater's production really couldn't be better, with a fantastic four-person cast and spot-on design. If you like smart, thoughtful, relevant plays, The Effect is not to be missed (continuing through the end of March).

"This Girl Laughs, This Girl Cries, This Girl Does Nothing" by Ten Thousand Things at Open Book

This Girl Laughs, This Girl Cries, This Girl Does Nothing, and this girl does all three and loves it! For their current production, Ten Thousand Things has found a fairy tale gem of a play that feels like it was written for their "All the Lights On" barebones straight-to-the-heart storytelling style. And it feels like it was written for this excellent five-person cast, so natural and rich and true are their performances. The story feels like a myth or a legend that could have been told around campfires for centuries, about three sisters - triplets - whose happy childhood is interrupted by tragedy, which sets them on three separate paths that eventually come back together again. This Girl is funny and sweet and heart-warming and joyful, in a way that only TTT shows can be. The show moves to Hennepin Avenue United Methodist Church this weekend (an easy-to-get-to location near the Walker, with a free parking lot) and continues through March 16. Don't miss it!

"The Gin Game" at Park Square Theatre

After a couple of big shows (the world premiere mystery Holmes/Poirot and the joyously chaotic The Best Christmas Pageant Ever!), Park Square Theatre's return season continues with something a little smaller and more intimate, but no less affecting. The two-hander The Gin Game won the Pulitzer Prize in 1978 and has starred some legendary pairs (including original Guthrie company members Jessica Tandy and Hume Cronyn, and Cicely Tyson and James Earl Jones). It's being brought to life on Park Square's Andy Boss Stage by some local legends. It's a sweet and salty little play (that would make a great 90-minute-no-intermission show if not for the intermission) with masterful performances by Greta Oglesby and Terry Hempleman that are a joy to watch. The Gin Game plays Thursdays through Sundays until February 23 at Park Square Theatre, with James Rocco's Songbook Series: Broadway in Love happening upstairs in the main theater on Valentine's weekend.

"The Root Beer Lady" at the History Theatre

History Theatre is currently remounting their 2023 original play The Root Beer Lady, in which playwright/performer Kim Schultz so beautifully captures the spirit of the Boundary Waters Canoe Area Wilderness (BWCAW) and the inspiring life and personality of Dorothy Molter, the last non-indigenous human living in the BWCAW. The Saturday Evening Post once called her "the loneliest woman in America," but throughout the play Dorothy shows us why, in fact, she was "the luckiest woman in America," because she lived an authentic life that was exactly what she wanted, despite society's and her family's expectations of what a proper young woman should do. Whether or not you have a personal connection to the BWCAW like I do (click here to read about that), The Root Beer Lady will engage and entertain you for 80 minutes or so, make you laugh, and maybe even inspire you to go for a hike, look up at the trees, or jump in a lake (continuing through February 23).*

"I Am Betty" at History Theatre

Last year History Theatre premiered a new musical that inspired me to write: "I am Betty. You are Betty. We're all Betty!" Apparently I was not the only audience member so affected; they've brought the show back for a month-long remount, with most of the original cast and creative team reassembled (hence much of this post is borrowed from my previous review). I Am Betty tells the story of American women in the 20th Century through the lens of Betty Crocker, as playwright Cristina Luzarraga noted in a talkback I attended last year. As you may or may not know, Betty Crocker was not a real person; she was a fictional persona created for marketing purposes by the Washburn-Crosby Company (later General Mills). But many women worked behind the scenes to make Betty, and the company, successful. This musical tells their stories, and through them, the history of women in America. Written and directed by women, the show features nine incredibly talented female performers playing all of the facets of Betty for a really fun, informative, and inspiring show. See it at the History Theatre in downtown St. Paul now through December 29.

"The Reunion" by Trademark Theater at Gremlin Theatre

The reunion of a high school friend group, complicated relationships both current and past, a role-playing murder mystery game, and not one but two actual murder mysteries add up to a whole lot of wicked fun in Trademark Theater's world premiere new play The Reunion. Trademark focuses on developing new work, so they only do a full production maybe once a year. And when they do - you'll want to go. And then stick with them to support the development work that they do, including readings of new works and fundraiser concert events. The Reunion is smartly written, well performed by the talented seven-person cast, and features design elements that ramp up the spooky factor. See it at Gremlin Theatre in St. Paul's Midway neighborhood now through October 12.

"Apples in Winter" at Gremlin Theatre

Food is comfort, food is family, food is community. We like to joke about what our last meal would be, listing our favorite foods. But in Gremlin Theatre's new production of the solo play Apples in Winter, it's no joke. The entire story plays out in real time as we watch a woman make an apple pie as her son's requested last meal. It's a brutal and devastating look at the effects of addiction, violence, the prison system, and the death penalty on individuals and families. Gremlin has turned their stage into a kitchen, and Angela Timberman not only gives a heart-wrenching performance, she also literally prepares and bakes a pie before our eyes (and noses). It's a triumph of performance, direction, and design that casts a mesmerizing spell that's difficult to wake up from. When the lights went down at the end of the opening night performance, there was a moment of silence and a few heavy sighs before the applause broke out. See this devastatingly beautiful play at Gremlin Theatre now through April 7.

"Stones in His Pockets" by Theater Latte Da at the Ritz Theater

Every once in a while, Theater Latte Da throws a play on their season schedule and I think - what is this going to be? At one time their tagline was "we don't do musical theater, we do theater musically," and their new production of Stones in His Pockets is a prime example of this. They haven't turned it into a musical (like they did with the classic play Twelve Angry Men, which sounds weird but turned out to be brilliant), but they have turned it into theater musically. Jason Hansen (Twin Cities Theater Bloggers' favorite Music Director for three years running - watch for our interview with him on an episode of Twin Cities Theater Chat coming soon!) has written original music to fill in the spaces and add color and emotion to the story, like a film score played live. I'd never seen this play before, and now that I've seen this production, I can't imagine it without music. Music is so much a part of Irish culture and everyday life, that it seems fitting that there is music in this funny, wistful, tragic, heart-warming, and very Irish little story. See this wholly original Stones in His Pockets (featuring a brilliant comedy duo) at the Ritz Theater in Northeast Minneapolis through February 25. (Recommended dinner-and-a-show pairing: enjoy the food, atmosphere, and Guinness at The Anchor Fish & Chips just down the street.)

"I Am Betty" at the History Theatre

I am Betty. You are Betty. We're all Betty! History Theatre's new original musical I Am Betty tells the story of American women in the 20th Century through the lens of Betty Crocker, as playwright Cristina Luzarraga noted in a talkback I attended. As you may or may not know, Betty Crocker was not a real person; she was a fictional persona created for marketing purposes by the Washburn-Crosby Company (later General Mills). But many women worked behind the scenes to make Betty, and the company, successful. This musical tells their stories, and through them, the history of women in America. Written and directed by women, the show features nine incredibly talented female performers playing all of the facets of Betty for a really fun, informative, and inspiring show. See it at the History Theatre in downtown St. Paul now through December 23, and enter here to win two tickets from the Twin Cities Theater Bloggers!

"The 25th Annual Putnam County Spelling Bee" at Artistry

Artistry produced the 2005 two-time Tony winning musical The 25th Annual Putnam County Spelling Bee back in 2014, when they were still known as Bloomington Civic Theatre. But this hilarious, irreverent, and surprisingly sweet musical is worth revisiting. Directed by #TCTheater favorite Tyler Michaels King and featuring a fantastic cast, it's so playful and fun, and also gives you the warm fuzzies about this group of loveably oddball kids just trying their best to spell and be happy. There's only one weekend left to attend the Bee - don't miss it!

"Emilia" by Ten Thousand Things at Open Book

A few months ago, the Guthrie Theater brought us the brilliant new play Born with Teeth, imagining meetings between playwrights Christopher Marlowe and William Shakespeare, and the theory that the two co-wrote some of the history plays attributed to Shakespeare. Now, Ten Thousand Things is taking another look at this subject, from the feminist side. Morgan Lloyd Malcolm's play Emilia premiered at Shakespeare's Globe Theatre in 2018 and explores the life of Emilia Bassano, one of England's first published female poets. The play theorizes that she and Shakespeare were lovers, and that he took some of their conversations and put them into his plays, making her a contributor to the work of Shakespeare. There's lots of discussion about who really wrote the plays we know as Shakespeare (e.g., this article "Was Shakespeare a Woman?" by Elizabeth Winkler, which has been expanded into a book to be released this month). The truth is we'll likely never really know. And that's not what this play is about, anyway. It's about women's voices, women's stories, and why they have been systematically silenced throughout history. Told by an all-female cast, Emilia is the story of a historical woman who would not be silenced, even if it did take a few hundred years for history to recognize her contributions. It's a story that's all too relatable for modern women, and one we can take inspiration from.

"We Shall Someday" by Theater Latte Da at the Ritz Theater

The world premiere new musical We Shall Someday is unlike any musical I've seen. Theater Latte Da continues to expand and redefine the artform of music-theater. This new musical written by prolific and talented #TCTheater playwright Harrison David Rivers and composer Ted Shen is a series of "musical monologues" (as Director of New Work Elissa Adams says in a note in the program). Three characters each tell their story in one act of the piece through a monologue that is both spoken and sung. The three generations of one family tell the story of violence against Black Americans, as well as resistance against injustice and moving towards a better future for all. It's an epic story told in an intimate, moving, and lovely way. See the innovative We Shall Someday at the Ritz Theater in Northeast Minneapolis now through May 14.

"The Root Beer Lady" at History Theatre

My first visit to the Boundary Waters Canoe Area Wilderness was in February of 2016, when I went on an eco-spirituality dogsledding trip with my alma mater, College of St. Benedict. We stayed at Wintergreen Lodge in Ely (owned by Arctic explorer and St. John's alum Paul Schurke, member of Will Steger's 1986 dogsledding expedition to the North Pole), visited the headquarters of the Save the Boundary Waters campaign (which just recently had a huge win with a 20-year mining ban in the BWCAW watershed), and of course, traveled by dogsled through the pristine wilderness of Northern Minnesota. I was so enamored of the beauty and stillness of the place that I convinced my friend that we needed to do a canoeing trip. We signed up for Ely Outfitting Company's annual "Women in the Wilderness" trip that fall, where we were joined by other adventure- and nature-seeking women, led by our friendly and knowledgeable guide Kate, for an incredible four days and three nights in the BWCAW. I've traveled and hiked all over the world, but this is the most fully immersed in Nature, far away from any signs of civilization, that I've ever been. Our little group had such a wonderful time and got along so well that we reunited last summer for another amazing trip. 

"The Boys Room" at Gremlin Theatre

It's been nearly three years since Gremlin Theatre's last production (the dark comedy Becky Shaw in January 2020). They've of course hosted other theater companies in their Midway St. Paul space in that time (including a few outdoor productions in summer 2020). But now they're back with the family dramedy The Boys Room, which premiered at Chicago's Victory Gardens Theater a little over ten years ago. A stellar four-person cast brings this family, that puts the fun in dysfunctional, to such vivid life that it's a bit startling when it ends after 90 short minutes, with nothing really resolved, but a whole lot exposed. None of these characters are very likeable, but the actors are as they make these people, and the awkward situation they find themselves in, seem very real.

"Iphigenia at Aulis" by Ten Thousand Things at Luminary Arts Center

This fall, Ten Thousand Things, my favorite interpreter of Shakespeare and other classic works, brings us the Greek tragedy Iphigenia at Aulis. Because they are not yet able to tour the show to their usual locations of community centers, homeless shelters, and prisons, they are presenting this show in a sort of hybrid style between the usual stripped-down bare-bones production in a small space surrounded by a few rows of chairs, and a more traditional proscenium style production. They also performed the show outdoors, which may have had a more TTT feel, but in the former Lab Theater, now known as Luminary Arts Center*, it still maintains the TTT hallmark of making classics feel fresh, relatable, and relevant, if in a more formal theater style (but still with "all the lights on"). They're set to return to touring this winter, which will likely bring back their usual style, but in the meantime, Iphigenia at Aulis is a gorgeous production with a large and hugely talented cast, that uses an original score to tell this ancient story.