Showing posts with label Singin' in the Rain. Show all posts
Showing posts with label Singin' in the Rain. Show all posts
Wednesday, August 6, 2025
"Singin' in the Rain" at Artistry
I interrupt this all-fringe-all-the-time coverage to bring you news of a terrific new production of the classic-movie-musical-turned-stage-musical Singin' in the Rain at Artistry. The classic 1952 movie musical was written by legendary musical theater team Comden and Green, and adapted into a stage musical in 1983. It's a big old-fashioned musical with comedy, romance, dancing, and tons of familiar songs* (by Nacio Herb Brown and Arthur Freed). Artistry did the show 12 years ago (then known as Bloomington Civic Theatre), directed and choreographed by the late, great Michael Matthew Ferrell. I remember loving that production, and it's a treat to see this new production on that same stage. This time it's directed by Artistry's Artistic Director Kelly Foster Warder, who also co-choreographed with our fabulous Don Lockwood, Danny McHugh, a native Minnesotan who makes his very welcome return to #TCTheater after living and working in NYC for 16 years. In the interest of saving precious time to see more Fringe shows, I will give you a brief review and encourage you to buy your tickets to this fun, high energy, and endlessly entertaining show sooner rather than later - it's been selling so well they already added another week (continuing through the end of August).
Saturday, September 17, 2022
"Singin' in the Rain" at Lakeshore Players Theatre
To open their impressive 70th season in White Bear Lake, Lakeshore Players Theatre is presenting Singin' in the Rain. The classic 1952 movie musical was written by legendary musical theater team Comden and Green, and adapted into a stage musical in 1983. It's a big old-fashioned musical with comedy, romance, dancing, and tons of familiar songs, and the team at Lakeshore does a great job in this fun, feel-good musical. See it in the beautiful Hanifl Performing Arts Center weekends through October 6.
Monday, August 26, 2013
"Singin' in the Rain" at Bloomington Civic Theatre
For the first musical of its 2013-2014 season, Bloomington Civic Theatre chose Singin' in the Rain, based on one of the most popular movie musicals of all time. Having never seen the movie (I'm a theater geek, not a movie geek), I was less excited about this one than the rest of their season, which includes the epic Les Miserables, the adorably hilarious 25th Annual Putnum County Spelling, and the stage classic Gypsy. But I really enjoyed Singin' in the Rain, which bodes well for the rest of the season. Director and choreographer Michael Matthew Ferrell incorporates some tricky technical elements into the story about the end of silent films and the beginning of "talkies," and, as expected, provides some wonderful choreography that is energetically performed by the young and talented cast. The classic movie musical may not be my favorite kind of musical, but this one is a lot of fun and well done.
Let's start with the choreography. There is of course the iconic title number, in which Hollywood actor Don dances in the rain and doesn't mind because he's in love with his new co-star Kathy. Real water pours out of a spout on the side of the stage, while confetti falls from the ceiling and looks like rain as it catches the light. It's a magical and delightful scene. The "Broadway Melody" montage is also a highlight (even if it has nothing to do with the musical or musical-within-a-musical plot), with lots of tap dancing. The dancing is so great it continues into the longest curtain call ever!
Second, the technical elements. Since the plot centers around silent film actors transitioning to talking film actors (with varying degrees of success), it's important to see those films, and we do. Previously filmed material is shown on a screen onstage, with Music Director Anita Ruth playing along live just like they did in the olden days of movies. We see a complete (short) silent film cut together with title cards, and later a talking film with purposely bad sound. They're very well done and entertaining, and essential to the storytelling.
Let's start with the choreography. There is of course the iconic title number, in which Hollywood actor Don dances in the rain and doesn't mind because he's in love with his new co-star Kathy. Real water pours out of a spout on the side of the stage, while confetti falls from the ceiling and looks like rain as it catches the light. It's a magical and delightful scene. The "Broadway Melody" montage is also a highlight (even if it has nothing to do with the musical or musical-within-a-musical plot), with lots of tap dancing. The dancing is so great it continues into the longest curtain call ever!
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| a scene from the movie |
Second, the technical elements. Since the plot centers around silent film actors transitioning to talking film actors (with varying degrees of success), it's important to see those films, and we do. Previously filmed material is shown on a screen onstage, with Music Director Anita Ruth playing along live just like they did in the olden days of movies. We see a complete (short) silent film cut together with title cards, and later a talking film with purposely bad sound. They're very well done and entertaining, and essential to the storytelling.
Third, the cast is fantastic, beginning with the four leads (and remember I have no strong impressions of the film so I'm not comparing them to anybody). BCT vet C. Ryan Shipley, as our hero Don, sounds beautiful on the love songs and dances the title number with infectious joy. His Kathy is played by Holli Richgels, a recent college
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| Jeffrey C. Nelson, Holli Richgels, and C. Ryan Shipley |
graduate and welcome newcomer to the Twin Cities theater scene. With her gorgeous voice, dancing talent, and likeable stage presence, I have a feeling we'll be seeing a lot more of her on Twin Cities stages in the near future. For comic relief we have the delightful Rachel Weber as Lina, the silent film star with the unbearable voice (but don't let her fool you, she has a lovely voice of her own). Is it wrong that I found myself rooting for Lina? "What's wrong with me?" Nothing, indeed! Last but not least is Jeffrey C. Nelson, who is perfectly cast as the clownish sidekick Cosmo. He has a rubber face and body and knows how to "Make 'em Laugh."
Lastly, I can't write about a BCT show without mentioning the fantastic full (20+ piece) pit orchestra led by Anita Ruth, which warms my former-pit-player heart. Makes a girl wish she had never given up the clarinet.
BCT always puts on a good quality show, and Singin' in the Rain is no exception. Next up: Les Miserables, starring one of my favorite local actors Dieter Bierbrauer as Jean Valjean. But before that, I'm going to my first play at the BCT Black Box Theater, my second favorite math play Proof.
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