"Sixpack" at Jungle Theater

I'm not really a sports person (with the exception of my Minnesota Twins), but sports is a great metaphor for life, and a great framework to build a play around. Mixed Blood Theatre has done a couple of great ones - Colossal about football, and Safe at Home about baseball in a site-specific production at CHS Field (home of the Twins' Triple-A affiliate team the St. Paul Saints). Even more relevant to this discussion, Jungle Theater has done two productions of The Wolves, about a high school girls' soccer team, and last year Penumbra Theatre staged FLEX, about a high school girls' basketball team. With the growing attention on girls' and women's sports, it's a great time to debut another play in this genre - Katie Ka Vang's Sixpack. Drawing from her own history and culture, Sixpack features a group of Hmong women who play volleyball together (and sometimes against each other). But as with all of these plays, it's not really about volleyball, it's about friendship, mother-daughter relationships, and community. See this funny, real, and ultimately heart-warming world premiere play at Jungle Theater through June 29.

"The Effect" at Jungle Theater

In my day job, I work in clinical trials. I'm not a researcher in the clinics working with patients, I sit at home in my living room analyzing the data they collect. But still, the themes and situations in the brilliant play The Effect are familiar and fascinating to me. Written by Lucy Prebble, a writer and executive producer on the brilliant and brutal HBO show Succession, the play asks thorny and relevant questions about the ethics of clinical research, for-profit pharmaceutical companies, and the health care industry in general. It also explores the very stuff that makes us human, our feelings and emotions, and if that resides in our brain, or in our heart, or in situations or the substances we're taking. (If you're getting Severance vibes, you're not alone.) In short, The Effect is my favorite kind of play - smart and thought-provoking, asking difficult questions and not answering them, populated with complex, interesting, and engaging characters. And as expected, Jungle Theater's production really couldn't be better, with a fantastic four-person cast and spot-on design. If you like smart, thoughtful, relevant plays, The Effect is not to be missed (continuing through the end of March).

Improv at the Jungle: "Off-Book"

With the recent closure of HUGE Theater, your Uptown home for improv for 15 years, local improv troupes and shows are needing to find new venues at which to perform. Jungle Theater, just blocks away from HUGE, has stepped up to be one of those venues. They have a new series called "Improv at the Jungle," with a group called The Neighborhood performing regularly, as well as a show called Off-Book, hosted and co-directed by Sean Dillon and Isabella Dunsieth. I saw the latter this week and I just may have a new favorite improv show! Keep reading for why, and make plans to see their next performance on March 3. Visit the Jungle website for info and tickets to all of their improv shows. You can also see improv at Strike Theater in Northeast Minneapolis, The Hive Collaborative in St. Paul, Brave New Workshop (which hosted the long-running show Family Dinner in December), and other locations around town. Visit this website for a list of improv events in the Twin Cities.

"Dinner For One" at the Jungle Theater

Jungle Theater has a new holiday* tradition. After gifting us the most charming Jane Austen fan fic series Christmas at Pemberley from 2017 to 2022 (the finale of which is currently playing at Lyric Arts), they debuted their original piece Dinner for One last year. This sweet little play with music is based on a 12-minute comedy sketch written in the '20s, a televised version of which has become annual holiday viewing in many European countries. Artistic Director Christina Baldwin came up with the idea for the show, and co-created it with Sun Mee Chomet and Jim Lichtsheidl, with the former directing and the latter two performing. Featuring an odd ritual of a dinner party for Miss Sophie's 90th birthday and her imaginary guests, personified by her loyal servant, it's the perfect vehicle to show off the strength of the creators. And although I would like to say it's the rare show I wish were longer (it's a scant 60 minutes), it's perfection and I wouldn't change a thing. Somehow those 60 minutes are fuller and more satisfying than many shows two and three times its length. Dinner for One continues through January 5 at Jungle Theater in Uptown.**

"Speechless" by The Moving Company at Jungle Theater

The Moving Company is remounting their 2017 original piece Speechless, although I think it's more of a reimagining than a remounting. It is once again directed by co-Artistic Director Dominique Serrand and starring co-Artistic Director Steven Epp and Producing Artistic Director Nathan Keepers, but the other three company members have changed. So while maybe the framework is the same (loosely speaking, a group of friends mourning the death of a friend), the new ensemble members bring their own talents and skills to the equation, resulting in something new and different. Truthfully, I don't remember many details about this show from seven years ago other than there were literally no words, and it was unique and inventive and moving. So it was like a new and surprising show to me, and I was able to enjoy each delightful and sometimes mysterious turn. For that reason I won't give too many details about what happens in the show, because you need to experience that yourself without any preconceptions. So head to the Jungle before November 10, let go of expectations about narrative form, and enjoy the speechless but not silent experience of Speechless.

"A Jumping-Off Point" at the Jungle Theater

"A smart, sharp comedy that asks the important questions about privilege and who is allowed to fail." This tagline on the cover of the program pretty well describes the new play A Jumping-Off Point, receiving its regional premiere at the Jungle Theater. It's the kind of play that I love, one in which complex characters discuss relevant issues in a personal and relatable way, with no easy answers, no winners or losers. And the issues discussed are ones on the forefront of current conversation - who has the right to tell whose story? It's no longer acceptable for a writer to tell the story of a community they're not a part of, particularly a marginalized community. People in that community have the right to tell their own story, something we've only just begun to realize and put into practice. But does that make it OK to steal someone else's idea and "make it better?" Those are the thorny issues that this excellent three-person cast, savvy director, and brilliant design team dig into in just 90 minutes. Buckle your seat belts, not just to make it through Uptown construction to see this play at the Jungle through May 19, but also to navigate the twists and turns of this story.

"Hells Canyon" by Theater Mu at Jungle Theater

The world premiere new play Hells Canyon is a revenge fantasy, in which the revenge comes almost 140 years after the crime - the murder of 34 Chinese goldminers in Oregon. The spirits of the murder victims are restless, and use a group of friends having a fun getaway at a cabin to enact their revenge. It's modern dramedy-horror with social commentary, in the vein of Get Out. Horror isn't really my thing, but this play is thrilling. It'll make you laugh, and think, and feel, and maybe jump out of your seat a little. Theater Mu's production is brilliantly cast with an incredible design that pulls off some real scares, and it's a must-see, especially if you're a fan of the horror genre (and even if you're not). It plays at the Jungle Theater* Wednesdays through Sundays until March 17. 

"Dinner for One" at Jungle Theater

Jungle Theater's original piece Dinner for One, based on a 12-minute comedy sketch written in the '20s, is sheer delight. Artistic Director Christina Baldwin came up with the idea for the show, and co-created it with Sun Mee Chomet and Jim Lichtsheidl, with the former directing and the latter two performing. Featuring an odd ritual of a dinner party for Miss Sophie's 90th birthday and her imaginary guests, personified by her loyal servant, it's the perfect vehicle to show off the strength of the creators. And although I would like to say it's the rare show I wish were longer (it's a scant 60 minutes), it's perfection and I wouldn't change a thing. Somehow those 60 minutes are fuller and more satisfying than many shows two and three times its length. Dinner for One plays Tuesdays through Sundays until New Years Eve; I recommend you get your tickets to this one sooner rather than later.

"Say All the Truth" at the Jungle Theater, a co-production with The Moving Company

In the last couple of years, the Jungle has brought us several successful co-productions, combining their resources, audiences, and artistry with other theaters around town (including Theater Mu, Trademark Theater, and WeAreMarried). Their latest successful co-pro is Say All the Truth, an adaptation of Moliere's The Misanthrope created by The Moving Company. MoCo was birthed out of Theatre de la Jeune Lune, the Tony Award-winning company that ended in 2008. Between the two companies, they've done all of Moliere's plays, except this one. The story of a man who doesn't like people and wants to live away from society resonates particularly well right now, when that's sort of what we were all forced to do during the pandemic, and maybe some of us discovered we liked it, because people can be exhausting and infuriating. But still, the play quietly illustrates the power of and need for human connection. And like all of MoCo's work, it's mesmerizing, thoughtful, elemental, creative, and quite lovely. Say All the Truth continues through November 26, but tickets are selling well with the combined popularity of these two companies, so don't wait too long to grab yours.

"Rich Dogs" by WeAreMarried at Jungle Theater

We're just two weeks into the new #TCTheater season, and we've had classics and new plays, and now something entirely different. WeAreMarried's original play Rich Dogs is experimental, absurdist theater in which dogs rule the world and humans are their servants. With the way people love their dogs, it doesn't seem like much of a stretch. I'm a cat person (quelle surprise, and yes I have been binging Emily in Paris) so it's a little different, but there are times when I feel like the cats are in charge and I'm the butler - feeding them, cleaning up after them, disposing of mouse carcasses. The talented creative team at WeAreMarried has taken this idea and used it to explore themes of societal norms and structures, classism, capitalism, maybe even art and theater itself. At least I think they are, I'm not entirely sure what this piece is supposed to be about, but that's OK too. Rich Dogs is a captivating, fascinating, perplexing, and wholly unique 90 minutes of theater.

"The Courtroom: A Reenactment of One Woman's Deportation Proceedings" by Jungle Theater at Hamline University

The Courtroom: A Reenactment of One Woman's Deportation Proceedings is unlike any theater I've seen before. As the title indicates, it's more a reenactment than a play. All of the text is taken from court transcripts, arranged by Tony nominated theater artist Arian Moayed. If that sounds dry and boring, it isn't. It's surprisingly riveting. Yes, you have to pay attention, because the words weren't constructed to entertain and hold our attention, so it requires a little more work from an audience. There's a lot of legalize, but if you love Law and Order type shows, you'll love this. But the beautiful thing about Jungle Theater's production is that behind all the legal talk and formalities is a true human story. The cast, direction, and staging really make us feel that humanity, and at the end, the play has a truly beautiful message about the best that America, this nation of immigrants, can be. 

"Three Decembers" by Skylark Opera Theatre at Jungle Theater

Skylark Opera Theatre is definitely my kind of opera. No offense to traditional opera with large casts in large venues sung in foreign languages. But the kind of opera that Skylark does - always sung in English, usually with smaller casts in smaller or non-traditional venues - is easier for me to connect with. For six performances only they're presenting the new (i.e., written this century) opera Three Decembers, with music by Jake Heggie and libretto by Gene Scheer based on a play by Terrence McNally. Just three performers accompanied by two pianos tell the intimate (and Mother's Day Weekend appropriate) story of a mother and her two adult children. She may not be the best mother, but she loves her children, she just may love the theater more (can you blame her?). I had an almost front row center seat for this gorgeous performance, feeling really connected to the story that's told so beautifully through words and music in the entirely sung-through show. The characters are singing their dialogue instead of speaking it, which only heightens the emotions of love, grief, frustration, disappointment, and betrayal. If you're someone who feels intimidated by opera, or isn't quite sure it's something you'd like, I encourage you to start with the accessible, intimate, English kind of opera that Skylark does (click here for info and tickets).

"5" at the Jungle Theater, a co-production with Trademark Theater

"Trademark Theater tells bold stories by creating, developing and producing new works that challenge, entertain and inspire audiences." Check, check, and check. Trademark's latest new work is a co-production with Jungle Theater, a play called 5 written by #TCTheater artist JuCoby Johnson. It's creative and inventive, grounded yet fantastical, a story of friendship that deals with relevant issues like gentrification. Combining Trademark's talent for fostering new work with the Jungle's excellent production and design values results in a wildly entertaining and engaging night at the theater. 5 plays Tuesdays through Sundays at the Jungle Theater in Uptown until April 16, but don't wait too long - the small theater has a tendency to sell out especially for hot shows like this one is sure to become.

The Jungle Theater Presents "King Gilgamesh & the Man of the Wild"

I don't know why someone would decide to premiere a new work of theater for a week in early January in Minnesota, but those of us who attended one of the seven performances during and after the biggest snowstorm of the season are lucky that the creators of King Gilgamesh & The Man of the Wild did just that. Seth Bockley, Ahmed Moneka, and Jesse LaVercombe (the latter familiar to Jungle audience from his performances in the beloved Christmas at Pemberley plays) have developed this work the last five years, with several workshops, some in Minnesota, and are debuting the finished product at the Jungle as part of their "Jungle Presents" series, in a nearly sold-out run. Next, they're taking it to the Under the Radar Festival in NYC, and who knows where beyond that. This mash-up of one of the oldest stories ever told with the creators' real-life stories is beautifully told, with music and movement, in a thoughtful, polished, funny, moving, and life-affirming way.

"Georgiana and Kitty: Christmas at Pemberley" at the Jungle Theater

It's the most wonderful time of the year* - time to return to Christmas at Pemberley at the Jungle Theater. Playwrights Lauren Gunderson (one of the most produced playwrights in the country, often writing plays about women in history, particularly in STEM) and Margot Melcon have created the most delightful Jane Austen fan fiction in this series of plays based on the characters in Pride and Prejudice. The Jungle produced the first one, Miss Bennet**, in 2017 and it was such a hit that they co-commissioned a sequel, The Wickhams, which premiered the following year. After remounting Miss Bennet in 2019 and taking a break for two years for... you know, they've done it again, with another co-commission and rolling world premiere of the third (but hopefully not last) installment - Georgiana and Kitty. Each of these plays focuses on a different Bennet sister or two, but they're all similar in their sparkling dialogue that feels both period appropriate and refreshingly modern, their centering of women in the story (continuing the legacy of Jane Austen), their fleshing out of characters who didn't get much space in the original novel, and their charming romances complete with obstacles to be overcome, just like all good Austen heroines. With Georgiana and Kitty we get not one but two new Austen heroines to love and root for in their pursuit of love, art, purpose, and happiness. Every Christmas at Pemberley is sheer delight from start to finish, and I hope the Jungle makes this a 40+ year tradition (my dream is that they'll produce all three plays in rep someday and I can see them all in one wondrous epic day). You can visit Pemberley any day except Monday from now through December 23 (click here for info and tickets).

The Jungle Theater Presents "Of Pigs and Pianos"

The Jungle Theater's 32nd season includes three original productions and two "Jungle Presents" offerings, in which they host shows from elsewhere. The first of these is a one-weekend-only engagement of the one-woman show Of Pigs and Pianos. This is the amazing story of Sara Davis Buechner, a transgender woman who transitioned in the middle of her career as a classical pianist - performer, composer, and teacher. She probably could talk and play for hours on end, but instead, she's compressed her life story into a little over an hour, succinctly conveying her trials and triumphs through stories and music. It's a unique and inspiring story, and some of the best piano performance I've ever had the privilege to witness. Only four more shows remain - this weekend at the Jungle in Uptown (click here for details and tickets).

"Cambodian Rock Band" by Theater Mu and Jungle Theater

Originally planned for summer 2020, the Theater Mu / Jungle Theater co-production of Lauren Yee's play with music Cambodian Rock Band finally hits the stage at the Jungle, and to say it's worth the wait is an understatement. Part rock concert, part history lesson, part family dramedy, Cambodian Rock Band explores the complicated and tragic history of Cambodia in the latter half of the 20th Century through the lens of music, art, and one specific family. It's both an epic and an intimate story, and features fabulously unique music by the Cambodian indie rock band Dengue Fever, with fantastic performances by the mostly local and all Asian American cast. It's playing through the end of July, so you have plenty of time and no excuse not to see this ingenious new, innovative, and important work of music-theater.

"Redwood" at Jungle Theater

Nearly two years after its planned opening night that never happened in March 2020, Redwood is finally opening at Jungle Theater this weekend. A lot has happened in those two years, and the dramedy about an interracial couple who discovers an uncomfortable ancestral connection may play a little differently now (read more about that here). But through humor and a loving family, the exploration of the complicated connections that bind us, historically and presently, is ultimately hopeful. It shows us that globally, nationally, and personally, we need to acknowledge past traumas, but not let them define us as we move forward together. This funny, thought-provoking, and moving play (the title refers to the deep roots of a family tree) continues at Jungle Theater in Uptown through March 13.

"Every Brilliant Thing" at the Jungle Theater

Jungle Theater couldn't have chosen a better play with which to return to live programming than Every Brilliant Thing. After living apart for so long during this ongoing pandemic, Every Brilliant Thing is all about the connections between people and celebrating the little (and big) things that bring us joy in the midst of the traumas of life. As the Jungle's new Artistic Director Christina Balwin notes in the virtual program, "this beautiful play is performed with the audience, not at them." A live audience is what makes theater theater, and it's what we've all been missing. I can't think of a play in which the audience is more vital than this one. It feels so good to be in a room with other humans again, experiencing and even participating in one of the oldest human artforms - storytelling.

Two Lauren Gunderson Plays: "The Catastrophist" by Jungle/Round House/Marin Theatres and "I and You " by Steppingstone Theatre

After a particularly difficult week (rising COVID cases, vaccine side effects, the continued murder of Black people by the police, mass shootings, i.e., just another week in America) I took a much-needed hiatus from my phone today and instead spent some time at my church - theater. Specifically, I streamed two plays by one of my and America's current favorite playwrights, Lauren Gunderson (she's one of the most produced living playwrights in recent years; I saw two of her plays in February 2020, just before this extended intermission began). In the last year or so of virtual theater, I've found that I love watching theater in the morning - 7am or earlier, first thing when I get up while I eat breakfast, before doing my morning zoom yoga. It's a wonderful way to start the day. I began my phone-less theater-filled day with Lauren's newest play, The Catastrophist, a Jungle Theater co-production with DC's Round House Theatre and San Francisco's Marin Theatre Company. Then, after yoga and a lovely bike ride around my neighborhood, I watched I and You over lunch, produced by Steppingstone Theatre, which has recently joined forces with Park Square Theatre. The two plays are quite different, but share similar themes as well as Lauren's smart, clever, witty dialogue and realistic characters (one of whom actually is real). Both plays are under 90 minutes and really great choices for your stay-home-stay-safe-stream-some-theater week.