"Sixpack" at Jungle Theater

I'm not really a sports person (with the exception of my Minnesota Twins), but sports is a great metaphor for life, and a great framework to build a play around. Mixed Blood Theatre has done a couple of great ones - Colossal about football, and Safe at Home about baseball in a site-specific production at CHS Field (home of the Twins' Triple-A affiliate team the St. Paul Saints). Even more relevant to this discussion, Jungle Theater has done two productions of The Wolves, about a high school girls' soccer team, and last year Penumbra Theatre staged FLEX, about a high school girls' basketball team. With the growing attention on girls' and women's sports, it's a great time to debut another play in this genre - Katie Ka Vang's Sixpack. Drawing from her own history and culture, Sixpack features a group of Hmong women who play volleyball together (and sometimes against each other). But as with all of these plays, it's not really about volleyball, it's about friendship, mother-daughter relationships, and community. See this funny, real, and ultimately heart-warming world premiere play at Jungle Theater through June 29.

"The Adventures of a Traveling Meskwaki" by Full Circle Theater at Park Square Theatre's Andy Boss Stage

Full Circle Theater doesn't exclusively do new work, but they do a lot of new work, supporting local playwrights. Their latest is #TCTheater artist Oogie_Push's lovely new autobiographical play The Adventures of a Traveling Meskwaki. In it, she and four other actors play herself as she tells the story of her life, from childhood to the present, all connected by the theme of water. Less a straight-forward narrative story and more a collection of interrelated stories, experiences, and revelations, it feels like an epic journey that comes full circle (pardon the pun) from past to present, from water to water, to finding self and home. It's heart-warming, inspiring, and thought-provoking, as it deals with themes of grief, environmental disaster, and this country's horrific treatment of indigenous people. But the overall feeling is one of hope, community, and connection, and it might make you regard water a little differently. Join the adventure in Park Square's intimate basement thrust stage, Wednesdays through Sundays until November 24.

"Hands on a Hardbody" by Minneapolis Musical Theatre at Luther Cadillac

"Rare Musicals. Well Done." That's Minneapolis Musical Theatre's motto, and one they live up to time and time again. In their first full production in over two years (they produced a series of ten-minute Minne-Musicals one weekend last fall), they're bringing us the regional premiere of the musical Hands on a Hardbody, based on the 1997 documentary of the same name about a Texas contest to win a truck. It only ran for a few months on Broadway in the spring of 2013, but has since become something of a cult hit. As MMT has shown before (see also High Fidelity), sometimes shows that don't work on a big Broadway stage work brilliantly in a more intimate and site-specific space. I was expecting a fun time, which I got, but I wasn't expecting to be moved to tears by these very human stories of people trying to live the American dream, and what happens when that dream fails them. Performed with MMT's usual heart, gusto, and authenticity, in a car dealership showroom of all places, Hands on a Hardbody is a don't-miss-it opportunity for music-theater fans. But it's only playing for a few weeks, with limited seating, so get your tickets now (click here for details)!

"Company" by Lakeshore Players Theatre in the parking lot of Hanifl Performing Arts Center

"Company! Lots of Company! Life is Company! Love is Company!"

It's been a very long time since most of us have experienced this sort of company. Even an introvert who enjoys her own company is craving the company of other humans about now. And golly does it feel good to be in the company of a full audience enjoying a wonderful performance of Sondheim's Company, which is all about company, community, friendship, relationships, and togetherness. During the pandemic, White Bear Lake-based Lakeshore Players Theatre produced a number of new productions filmed for virtual viewing. But Company is their first live in-person show, performed on a very professional looking temporary stage in the large parking lot* behind the Hanifl Performing Arts Center (one of the benefits of theater in the suburbs - a free and spacious parking lot!). A gorgeous Minnesota summer evening, a talented cast, a Sondheim favorite, lots of company... what more could one ask for (other than a live band)?! The short run ends on July 25, don't miss it!

"Be More Chill" by Minneapolis Musical Theatre at Illusion Theater

Something strange and exciting is happening at Illusion Theater on the 8th floor of the Hennepin Center for the Arts in downtown Minneapolis. Young people, teenagers even, are going to the theater. And having a great time! As a theater-goer in my '40s, I often find myself the youngest person in the room (especially at a Sunday matinee). Theater audiences skew older, whether for financial reasons, or because of the theater that's being offered, or because young people simply don't think theater is cool. But Minneapolis Musical Theatre seems to have cracked that audience with their latest show Be More Chill, which just completed the 3rd of its four-week run. It's set in a modern day high school, with characters that feel real, even if the situation is fantastical. The good news is even those of us many years removed from our HS days will be delighted by this energetic, exciting, entrancing new musical. Just three more shows remain!

"High Fidelity" by Minneapolis Musical Theatre at Electric Fetus

High Fidelity, the Broadway flop musical adaptation of the 2000 film (it ran for 32 performances only), is the perfect choice for Minneapolis Musical Theatre, whose motto is "Rare musicals. Well done." They have a knack for bringing out the best in a show and staging it in a way that works. So they're staging High Fidelity, which mostly takes place in a record store, in an actual record store! And an iconic Minneapolis record store at that - Electric Fetus. Maybe this show didn't/wouldn't play well in a traditional theater space, but in this intimate site-specific space that makes you feel like you're part of the story, it's a unique theatrical thrill. With a fantastic and hard-working 14-person cast, a rockin' band, and great use of the space, it's a sure-fire hit. With only six more performances and limited space, act fast so as not to miss out on the fun! (Click here for more info and tickets here.)

"Leap of Faith" by Minneapolis Musical Theatre at the New Century Theatre

I really thought it would be raining when I left New Century Theatre last night, such is the power of Minneapolis Musical Theatre's Leap of Faith. If it were possible to bring the rain through the sheer energy of talented performers in a musical, downtown Minneapolis would be flooded every night! This musical adaptation of the 1992 Steve Martin movie flopped on Broadway in 2012, closing after less than a month. But perhaps it's better suited to more intimate theaters like the New Century, which, with curtains dropped on three sides, really feels like you're inside a revival tent. Yes, this mix of The Rainmaker and The Music Man is filled with cliches and nothing we haven't seen before, but the music is catchy and fun, and this cast delivers it with boundless energy that makes you want to rise up and be healed!

Fringe Festival: "11:11"

Day: 1

Show: 3

Title: 11:11

Category: Drama

By: SaMi Productions

Created by: Sara Pillatzki-Warzeha

Location: Rarig Center Arena

Summary: A series of vignettes about the big and little moments in life that can change everything, framed around the creator's life-changing experience of a car accident.

Highlights: Sara's moving story about how her car accident changed her life begins and ends this piece. The accident reignites her grief at the loss of her grandfather, whose car she was driving (does everyone's grandpa know how to catch flies, or just Sara's and mine?), and ultimately the loss of the feeling of safety and security in life. Each of the other three performers (Yvonne Ingrid Freese, Jason Garton, and Jill Damaske Iverson) wrote a scene, along with a few other authors. Some of the scenes are more effective than others, some funny and some tragic, but all are open and honest and real. Other than the main story, I was most affected by Jill's moving performance in a piece she wrote about the loss of an almost-friend. As a whole, 11:11 is perhaps a big disjointed, but it's moving, poignant, thought-provoking, and brought tears to my eyes. I call that a Fringe success.