"Tolkien" at Open Window Theatre

Five years ago today, I landed in New Zealand for my second visit to this magical land that I fell in love with (as many of us did) watching Peter Jackson's The Lord of the Rings trilogy. A story that I first encountered when my aunt gave me The Hobbit for my 12th birthday. For nearly 40 years I have continued to read and re-read J.R.R. Tolkien's masterpiece, finding new inspiration in it every time. Open Window Theatre was scheduled to produce the U.S. premiere of Tolkien, by Canadian playwright Ron Reed, shortly after my return from New Zealand in the spring of 2020. We know how that story goes, but happily, they are finally bringing this beautiful story of Tolkien and his friendship with C.S. Lewis to their intimate stage. It's a must-see for fans of Tolkien and/or Lewis, but even if you've never read The Lord of the Rings or The Chronicles of Narnia, you still might enjoy this play about friendship, faith, loss, literature, myth, and inspiration. Tolkien plays weekends through the end of March at Open Window Theatre in Inver Grove Heights.

"Ain't Misbehavin'" by Stage North at the Capri Theater

For just their third production, Stage North (based in the Capri Theater in North Minneapolis) is bringing us the Fats Waller musical revue Ain't Misbehavin'. Despite the fact that it won the Tony Award for Best Musical in 1978 (in between Annie and Sweeney Todd), it's rarely done anymore, and perhaps best known as the show for which Nell Carter won a Tony (her costar André De Shields would have to wait 40 years for his). It's similar in structure to Smokey Joe's Cafe, which has seen a resurgence in recent years, so it's about time we were able to celebrate the music of early 20th century jazz composer/pianist Fats Waller. Even if you don't think you know his music, these early jazz standards will sound familiar. This show is truly a showcase for the five talented performers, and a celebration of the Harlem jazz style that Fats helped to create.

"Bright Star" at DalekoArts

"Just because something ends doesn't mean it wasn't successful." This quote from Philip Dawkins' play Failure: A Love Story perfectly encapsulates my feelings about the announcement a few months ago that DalekoArts would be closing their doors for good after the production of their spring musical Bright Star. For 11 seasons they were successful. Not necessarily in a financial sense (I can't speak to that), but artistically, and in creating a community of theater-makers and theater-lovers in the far-flung town of New Prague. Daleko is a Czech word meaning "far away," but when you're at Daleko, you don't feel far away from anything, you feel connected - to the artists, to your fellow audience members, and most of all to the story playing out just a few feet in front of you. To list my favorite memories at Daleko would take too long, but I've loved everything I've seen there, from silly original comedies to scary thrillers to rarely done musicals to that time I followed a couple of crazy artists around historic downtown New Prague. I'm happy for co-founders Ben Thietje and Amanda White that they're going out on their own terms, and moving on to new adventures, and I'm grateful for every silly, profound, beautiful show I saw at the Prague Theater over the last seven years. The bluegrass musical Bright Star (in only the second professional theater production in #TCTheater) is a perfect choice for the last show, and represents the heart, humor, inventiveness, thoughtfulness, and joy that's been present for 11 seasons. I'd tell you to go see it, but the entire run has been sold out for weeks. But if you've been to DalekoArts, you know how special it was.

"SKOL!" by Collide Theatrical Dance Company at the Southern Theater

For their latest original jazz dance musical, Collide Theatrical Dance Company took inspiration from a recent scholarly finding that a 1878 archeological find that was believed to be the body of a Viking warrior is in fact female remains. There is other evidence to support the existence of female Viking warriors, which you can read about here and I'm sure other scholarly sources. Or you can go see SKOL!, which is less historically accurate than it is an imaging of a strong female leader in the Viking culture and its reflections in today's world. For the first time since the pandemic, Collide is returning to live music accompanying the dancing (their last few shows have used recorded music), and for the first time in their history, they're using original music written for this story instead of covers of pop songs. It's an ambitious task, and after 10 years of creating original dance pieces, they're up for it. If you're someone who things dancing warriors is silly, this might not be the show for you. But if you see dance/music/theater as a way to express heightened emotions, the kind that are very much presence in war, love, and family drama, head to the Southern Theater in the next two weeks to see this fun collision of dance, music, and theater to tell a story of female power.

"Native Gardens" at Daleko Arts

It's a good time for Karen Zacarías' smart, funny, socially relevant comedies. On the heels of Theatre in the Round's hilarious production of The Book Club Play, DalekoArts is presenting Native Gardens (last seen in #TCTheater at the Guthrie in 2017). Both are really fun and entertaining shows, but with a depth that might make you think a little about some important themes, while perhaps making you a little uncomfortable (in a good way). Native Gardens deals with subtle racism (and agism, sexism, and classism), inherent biases, immigration, the environment, and what it means to be a good neighbor. With a wonderful cast and excellent design on their small stage, Daleko brings out all of the humor and the nuances in this great script. Take advantage of the mild weather this February and make the drive down to New Prague to see Native Gardens (continuing through February 26).

"Uncle Philip's Coat" at Six Points Theater

The day before Halloween at my chosen place of worship, the sermon was about ghosts. And that maybe ghosts aren't the spooky thing we think about this time of the year, but the spirit of our ancestors that we carry with us by remembering them. A few hours later this theme came up again in Six Points Theater's production of Uncle Philip's Coat. In this engrossing and engaging solo play, #TCTheater veteran J.C. Cutler portrays the playwright Matty Selman as well as his ancestors in a story of family and identity and the ghosts that are carried in an old ragged coat, full of stories and history.

"The Thin Place" at DalekoArts

It's October, and #TCTheater is starting to get spooky. There's something about a chilling story that's so satisfying when the leaves start to turn and the weather gets cooler. A few days after I saw Theatre Elision's hauntingly beautiful Ghost Quartet, I made the gorgeous drive out to New Prague to see DalekoArts' regional premiere production of Lucas Hnath's new play The Thin Place. My drive was rewarded with a thoroughly chilling and captivating story, told by a great cast and sparse but effective design. See this deliciously spooky story at the Prague Theatre in charming downtown New Prague weekends through October 9 only!

"Holiday Show! the holiday show" at DalekoArts

A local theater fan arranges for all of their favorite actors to come to their home under false pretenses, locks them in, and orders them to create and perform a new holiday* show. No, I'm not describing my pandemic fantasy, this is the plot of DalekoArts' return to the stage after a 21-month extended intermission (during which time they produced an all-virtual subscription box season called "Daleko Home Invasion"). The new original comedy Holiday Show! the holiday show is a ridiculous and loving ode to theater, the holidays, and being together. In other words, it's perfect for this odd and lovely season we're living in. Holiday Show plays weekends through December 19 in charming historic downtown New Prague, just a quick jaunt over the river and through the woods (and farm fields). Their programming is always worth the drive, and their 10th season looks to be a great one, continuing with the "hilarious and heart-breaking" play Lone Star Spirits, and the second regional production of the eight-time Tony-winning musical Once. If you've not been to New Prague lately, now is a good time for a visit (click here for info on the season).

"Mary Shelley's Frankenstein" by Collide Theatrical Dance Company at the Southern Theater

For eight years, Collide Theatrical Dance Company has been creating new dance musicals, either with original stories or based on classic works. Even the pandemic didn't stop them - they presented an outdoor dance cabaret last fall when all of us were starved for live entertainment; produced a Valentine's Day video dance piece; and returned to the outdoor stage this spring for a dance musical based on Alice in Wonderland. Now they're back inside the best dance venue in town, the Southern Theater, for the premiere of their dance musical based not just on the well known 19th Century novel Frankenstein, but also on the life of its lesser known author, Mary Shelley. Over 75 minutes of continuous dance, the seven-person ensemble tells these remarkable interconnected stories with great emotion and vitality.

"Ada and the Engine" at DalekoArts

Lauren Gunderson currently holds the title of the most produced playwright in America (see: her Pride and Prejudice fan fiction produced annually at the Jungle). Her plays often center on female heroes, fictional or historical. It's no wonder her plays are frequently produced; this is exactly the kind of play we're hungry for right now. DalekoArts is producing the regional premiere of Ada and the Engine, a play about 19th century mathematician and arguably the world's first computer programmer Ada Lovelace. This smart, funny, poignant (spoiler alert: Ada died young), insightful play is beautifully realized by DalekoArts and 100% worth the drive to charming New Prague.

"Adventures in Mating: Holiday Edition" at DalekoArts

I loved reading choose-your-own-adventure books as a kid. It was so exciting to have a bit of a control over where the story was going, to flip back and forth to specified pages based on your own choice. Who knew there was a theatrical version of this particular thrill? #TCTheater artist Joseph Scrimshaw created such a thing for the Minnesota Fringe Festival years ago, called Adventures in Mating. It was so popular he expanded it, and it was produced elsewhere, including at DalekoArts as part of their "Friends of Friends" weekend series. I'd never seen it before making the beautiful winter's drive to DalekoArts in New Prague, where they're premiering an updated holiday* version of Adventures in Mating. It's hilarious and awkward and delightful, and also has that particular choose-your-own-adventure thrill of being in control of where the story is going. They say anything can happen in theater, but this show takes that to a new level, keeping the actors and crew on their toes as we decide their fate. And as expected, the team at DalekoArts does that dance beautifully.

"Man of La Mancha" by Mounds View Community Theatre at Chippewa Middle School

This is my annual PSA to support your local community theater! Especially if one of your favorite #TCTheater director/choreographers is involved. I'm lucky enough that Joe Chvala (founder of the dance company Flying Foot Forum) is directing and choreographing a production for Mounds View Community Theatre for the second time (after helming a delightful H.M.S. Pinnafore two years ago). This Man of La Mancha, playing at a middle school a mile from my house, is as good as what I see on professional stages around town. Of course there's fantastic dancing in Joe's trademark rhythmic percussive style, but he's also assembled a really talented cast, most of them unknown to me, with impressive set design, all of which combines for an all around funny, engaging, and inspiring show. This story of the idealistic noble knight fighting injustice in the world is one that we always need to hear.

"Heaven" by Flying Foot Forum at Park Square Theatre

A dance musical about the Bosnian War? Why not! It may sound like a crazy idea, but in the hands of creators Joe Chvala (Artistic Director of theatrical dance company Flying Foot Forum) and Chan Poling (renowned local musician and composer of musicals such as History Theatre's smash hit Glensheen), it's a thing of beauty. The Bosnian War in the mid 1990s was a devastating event that resulted in the deaths of 100,000 people, many the result of ethnic cleansing. The devastation and horror, along with the beauty and culture of the people, is expressed through story, music, and movement in an incredibly moving way. I saw Heaven at the Guthrie's studio theater eight years ago and loved it, and I'm thrilled that Park Square Theatre has brought it back so that this story can live on and be shared with a wider audience. Combined with the excellent and sobering exhibit Genocide and Justice: From Nuremberg to the International Criminal Court by World Without Genocide, it makes for a really powerful evening that goes beyond theater. Even though the show is over two and a half hours long, I didn't want it to end.

"Be More Chill" by Minneapolis Musical Theatre at Illusion Theater

Something strange and exciting is happening at Illusion Theater on the 8th floor of the Hennepin Center for the Arts in downtown Minneapolis. Young people, teenagers even, are going to the theater. And having a great time! As a theater-goer in my '40s, I often find myself the youngest person in the room (especially at a Sunday matinee). Theater audiences skew older, whether for financial reasons, or because of the theater that's being offered, or because young people simply don't think theater is cool. But Minneapolis Musical Theatre seems to have cracked that audience with their latest show Be More Chill, which just completed the 3rd of its four-week run. It's set in a modern day high school, with characters that feel real, even if the situation is fantastical. The good news is even those of us many years removed from our HS days will be delighted by this energetic, exciting, entrancing new musical. Just three more shows remain!

"French Twist" by Flying Foot Forum at Park Square Theatre

To celebrate their 25th anniversary, Joe Chvala's percussive dance troupe Flying Foot Forum* has brought back their original dance musical French Twist. Now playing on Park Square Theatre's Andy Boss stage in the basement of the Historic Hamm Building in downtown St. Paul, it feels like a weird and magical dream of a barely remembered night in Paris. A series of thrilling and entertaining dances loosely tell the story (with very little dialogue) of a group of friends in a cafe called "Chez Jojo" (the proprietor played by Joe Chvala, natch). With vibrant costumes, a detailed and eclectic set design, a mix of live and recorded music (and film!), the wonderful ensemble of dancers/singers/musicians brings this dream of Paris to vivid life in what would be a perfect 90-minutes-no-intermission (if not for the early and unnecessary intermission). Escape the hot and steamy streets of St. Paul to the cool and fun world of French Twist (through July 15).

"Miracle on Christmas Lake" by Actors' Theater of Minnesota at Camp Bar

I'm a big fan of Yellow Tree Theatre in general and their four original and very Minnesotan Christmas* plays in particular (see also: A Gone Fishin' Christmas, no seriously go see it, playing now through the end of the year). So I jumped at the chance to see another theater company, Actors Theater of Minnesota, perform the play that started it all - A Miracle on Christmas Lake. Written by Yellow Tree co-founder Jessica Lind Peterson, it's inspired by the real life predicament they faced when they lost the rights to the show they were planning to do and had to come up with something in a short amount of time. This wacky, sweet, ridiculous little play chock full of Minnesota references and stereotypes was the result, and it's great fun to see another company's take on it in the intimate space of Camp Bar.

"H.M.S. Pinafore" by Mounds View Community Theatre at Irondale High School

Friends, support your local community theater! In the beautifully rich theater community that is #TCTheater, there is a ton of great work being done in high schools, community centers, churches, and other locations around the Twin Cities metro area. Most of which I don't get to see because I'm too busy seeing work by the 70+ professional theater companies. But lucky for me, my local community theater is Mounds View Community Theatre, which does a musical every summer. And lucky for all of us, the director of this year's selection, the delightfully silly Gilbert and Sullivan operetta H.M.S. Pinafore, is one of the Twin Cities' best director/choreographers Joe Chvala. I saw the show on their closing weekend and was absolutely delighted by it from start to finish. Joe Chvala's energetic and dynamic choreography combined with this amazingly talented and hard-working cast of "amateur" performers and designers, not to mention all the behind the scenes volunteers, adds up a whole lotta joy and rapture for this audience member.

"The Drowsy Chaperone" by Mounds View Community Theater at Irondale High School

Despite premiering on Broadway only ten years ago, The Drowsy Chaperone feels like a classic old-fashioned Broadway musical, and is in fact a celebration of the classic old-fashioned musical and the people who love it. My local community theater, Mounds View Community Theater, has chosen it for their summer production this year, and that choice has paid off. It's a charming show with a show-within-a-show format that allows for fun silly numbers and also commentary on the musical form, which is a perfect choice for community theater. Because who loves musicals more than community theaters, a group of people who volunteer their time to put together a show for their community because it's something they love to do and share? That joy and enthusiasm comes through in this well-cast and well-designed show.

"Urinetown" by DalekoArts at the Prague Theatre

The Twin Cities theater scene is broad and deep, with over 70 professional theater companies offering a diverse array of storytelling. Most of the theater spaces are in the Cities themselves, specifically Minneapolis. But the seven-county Metro area is populous and geographically large. Why should those of us who live in the suburbs have to travel into the city to see professional theater? Fortunately there is a growing remedy to that. We have Yellow Tree Theatre in Osseo, on the Northwest side of the cities, about to enter their 9th season. And even further out, we now have DalekoArts in New Prague, founded by local theater artists Ben Thietje and Amanda White "as a way to help decentralize professional theatre in Minnesota." Approximately 46 miles from Minnesota's theater mecca Minneapolis, New Prague is on the very Southern border of the seven-county Metro area. When I was growing up very near there (just outside of the tiny town of New Market) in the '70s and '80s, it was a rural area, but has since experienced tremendous growth. While it's a bit sad to see the bucolic land of my childhood overcome with housing developments and fast food restaurants, the good news is that's a lot of people to support the arts. Judging by my first visit to see their hilarious and crisp production of Urinetown, Daleko (which means "far away" in Czech) seems to be filling that role quite nicely. Southern Metro-ans - take note!

"The Woman in Black" at Yellow Tree Theatre

The Woman in Black, a two-person play that's another perfect choice for Yellow Tree Theatre's intimate space, is a story-within-a-story. It takes a minute to figure out what's going on and really get into it, but once you do, it doesn't let you go. The story that's being told is a spooky ghost story, beautifully told through the structure of the play, the two marvelous actors, and the extremely effective lighting and sound effects. It's a deliciously chilling experience that had me squirming in my seat!

The play begins when Nathaniel Fuller, one of the aforementioned marvelous actors, both of whom have been acting on stages around town for decades, enters the crowded dusty stage that looks like a cluttered attic, full of old furniture, crates, and boxes. He sits there in awkward silence for several minutes while the audience waits for the action to start. It was in this moment of silence that J.C. Cutler popped up behind me and spoke the first words of the play, scaring the bejeebers out of me (a feeling that was only just beginning). It soon became clear that Nathaniel is playing a man called Arthur Kipps who has decided to work through a traumatic event in his past by writing it down as a play. J.C. is the actor who helps him tell his story. Eventually we get to the meat of the story, with the actor portraying Kipps as he journeys to a remote part of England to close the estate of a recently deceased client. Kipps himself plays all of the other roles in the story, and as the play-within-a-play goes on he gets more and more comfortable in the telling. The two occasionally break out of character to discuss things, or if Kipps is too upset with the subject matter, hinting at the terror to come. It's a clever way to tell the story, on the one hand the characters are sort of outside of it, but on the other hand they're totally immersed in it.

Nathaniel Fuller (photo by Keri Pickett)

And the story they're telling is a spooky one. I won't go into details because the unfolding of it all is too much fun. But suffice it to say it involves an unwed mother, a remote location, a horrible accident, thick mist, and a not very nice ghost. All of it is told in such vivid detail that you can almost see the deserted old house on the island. The lighting and sound design are crucial to the telling of the story. The play goes from full lights to complete blackness, and everything in between, with lights occasionally illuminating areas behind curtains onstage, including a cemetery and a child's bedroom, or flashing to reveal the woman in black herself appearing as if out of nowhere. Sounds seem to come from all directions, whether it's the sound of a horse trotting, or the house creaking, or a woman screaming. Suddenly you're on high alert, starting at every sound in the theater, even if it's just someone rustling in the seat next to you. Add to this two actors who can so easily slip into the skin (and specific accent) of these characters and take you along on their journey, and a director (Jon Cranney) who knows how to put all the pieces together, and you have a thoroughly chilling effect (lighting design by Sue Ellen Berger, sound design by Montana Johnson, and set design by Robin McIntyre).

J.C. Cutler (photo by Keri Pickett)

The Woman in Black is a fine example of the power of storytelling to transport you to another place and time. And scare the crap out of you. I haven't been this scared at the theater since this other spooky ghost story a few years ago. It's kind of fun to be terrified in that good old-fashioned ghost story kind of way, as opposed to the real and scary things in the world today. Head to Yellow Tree Theatre in Osseo for some spooky storytelling at it's finest (playing now through March 8).