"Perfect Arrangement" by Walking Shadow Theatre at the Crane Theater

The day after seeing Lyric Arts' regional premiere of the British comedy Home, I'm Darling, about a modern day couple living the facade of the perfect '50s lifestyle, I saw Walking Shadow Theatre's production of Perfect Arrangement, about two couples in the '50s living the facade of the perfect '50s lifestyle. But this time it's hiding the fact that the two women and the two men are the actual couples, and the facade is necessary for these State Department employees to survive the Lavender Scare during the era of McCarthyism. On a set that's a neat replica of I Love Lucy, the play has a sitcom feel, perfected by the direction and performances of the talented cast, that turns into something darker when the direness of the foursome's situation is revealed. June Pride Month is a perfect time to revisit this time in queer history, when people could be fired from government jobs based on the mere suspicion of homosexuality. Perfect Arrangement plays at the Crane Theater through June 21.

"Rhinoceros" by Pangea World Theater at the Southern Theater

"I am not capitulating!" The final line of Eugene Ionesco's absurdist masterpiece Rhinoceros, and in fact the entire play (written in response to the rise of Fascism in pre-WWII Europe), have never felt more relevant. I first saw this play in early 2017 as a response to the first Trump presidency (7th House Theatre's "pop up production"), and again the following year at Theatre in the Round. It felt so timely and urgent then, but here we are eight years later, and everything is so much worse. All around us people are turning into rhinoceroses, falling in line, and trampling over the things we hold most dear. Millions of Americans protested across the country in the "Hands Off" protests last weekend, and Pangea World Theater is doing their part by mounting a production of this important allegory. With a strong ten-person cast, it's well-staged at the gorgeous Southern Theater, and feels like it was written for this moment. A handful of performances remain over the next two weekends - click here for info and tickets.

"Native Gardens" at Daleko Arts

It's a good time for Karen Zacarías' smart, funny, socially relevant comedies. On the heels of Theatre in the Round's hilarious production of The Book Club Play, DalekoArts is presenting Native Gardens (last seen in #TCTheater at the Guthrie in 2017). Both are really fun and entertaining shows, but with a depth that might make you think a little about some important themes, while perhaps making you a little uncomfortable (in a good way). Native Gardens deals with subtle racism (and agism, sexism, and classism), inherent biases, immigration, the environment, and what it means to be a good neighbor. With a wonderful cast and excellent design on their small stage, Daleko brings out all of the humor and the nuances in this great script. Take advantage of the mild weather this February and make the drive down to New Prague to see Native Gardens (continuing through February 26).

"The Bucket List of Booze Club" by Freshwater Theatre Company at the Crane Theater

In their first production in over two years, Freshwater Theatre Company is bringing us a new play by Michigan-based playwright Maureen Paraventi called The Bucket List of Booze Club. An odd title for a sweet and salty, funny and poignant play about female friendship and the mother/daughter bond, which couldn't be more appropriate for this Mother's Day weekend. This very real and relatable story is beautifully brought to life by the cast and creative team at Freshwater. But only 6 performances remain in this short run, so bring your closest friends, a parent or child, or yourself to the Crane before it closes on May 15 (click here for info and tickets). 

Park Square Theatre's Special Zoom Performance of THE DIARY OF ANNE FRANK

Out of all the streaming theater performances I've watched at home in the past seven weeks, none has affected me as much as Park Square Theatre​'s special zoom performance of their annual production of THE DIARY OF ANNE FRANK. This is their 21st year presenting this for student audiences, and I commend them for finding a way to get this ever more relevant and inspiring story out to students (and others) in such a uniquely moving way. It's really well done, with each actor emoting from their own separate little box, but somehow creating a cohesive story as if they were in the same room. The cast and creative team put much thought and care into their at-home costumes, lighting, and props, as well as the way actors appear and disappear from the screen. Anne and her family's horrific experience really puts our temporary isolation into perspective. I highly recommend it for your at home quarantimes (or anytime) theater viewing.

"The Ugly One" by Walking Shadow Theatre Company at Open Eye Figure Theatre

The Ugly One (aka Der Häßliche auf Deutsch) is a funny and absurd little play that skewers our obsession with looks, in particular the concepts of "beautiful" and "ugly." Unfortunately the protagonist is an able bodied white male of average height and weight, which is the least likely person to be discriminated against because of looks. In the workplace, women are expected to wear make-up, people of color sometimes can't have natural hairstyles, older people are expected to color their hair to look younger, and people with different body shapes, sizes, or abilities face looks-based discrimination most often. Which makes the story of a man who's so ugly he's overlooked at work seem a little unlikely, but maybe that's the point. Maybe he represents how silly and unfair all looks-based discrimination is. Regardless, Walking Shadow Theatre Company's 70-minute production is well done - delightfully odd, funny, and does make one think about all of the above issues.

"Knight of the Burning Pestle" by Theatre Pro Rata at Dreamland Arts

Sunday was a day of comedy for me. First I saw one of the most beloved comedies of American theater - The Odd Couple - in an excellent production at Lyric Arts. Then I traveled from the 1960s back to the 1600s with Theatre Pro Rata's Knight of the Burning Pestle, the first parody in English theater. This play-within-a-play is a spoof of theater itself, and the cast has great fun with it. And while I didn't always understand the specifics of what was going on (I sometimes have a hard time with Shakespearean era language), that didn't seem to matter. The enjoyment comes in watching the delightfully campy performances of the eight-person cast as they poke gentle fun at the thing we all love best -theater.