Fringe Festival: "Hello, I Must Be Going..."

Day: 8

Show: 32

Title: Hello, I Must Be Going...

Category: Drama

By: Mercury Ninety Productions

Written by: Garrett Rademacher

Location: Theatre in the Round

Summary: The true life story of Groucho Marx and the controversy around his late in life companion/secretary/manager Erin Fleming.

Highlights: When looking around for shows to fill the hole in my schedule last night, I saw "Ari Hoptman as Groucho Marx" and needed to look no further. Ari is impeccable as Groucho, portraying both his wry humor and his failing health in this fascinating story. He even does a bit of charming improv chatting with the crowd. Playwright Garrett Rademacher has constructed the play as a flashback of an older Erin (Deborah Frethem), who ended up homeless and (spoiler alert) shot herself in 2003, 26 years after Groucho's death. She expresses regret and nostalgia about her time with Groucho in the '70s, and then we see their relationship play out briefly. The younger Erin (Colleen Thul, who really looks like a younger version of Deborah) starts out helping Groucho with his life and career, including bringing about an honorary Oscar, but ends up verbally and physically abusing him. I would love to see this play expanded and fleshed out, with more time spent on how the relationship went from good to bad. But even as is, it's a fascinating look at an intriguing real life relationship. But you really don't need to know any more than "Ari Hoptman as Groucho Marx."


Read all of my Fringe mini-reviews here.

Fringe Festival 2016: "Mead Hall"

Day: 6

Show: 29

Title: Mead Hall

Category: Comedy

By: Tedious Brief Productions

Created by: Greer, Tallen, and Watson-Jones

Location: U of M Rarig Center Thrust

Summary: A meta-Fringe mash-up of the oldest story in Western literature, Beowulf, and the 1989 Patrick Swayze movie Roadhouse.

Highlights: This isn't your ordinary mash-up, in which two seemingly different stories are combined into one. This one is told in a very meta-Fringe way, with actors playing versions of themselves doing a Fringe show. Or rather shows, as due to a mix-up, two different productions show up in the same place at the same time - a very literary and nerdy one-man show/lecture about Beowulf, and a musical adaptation of Roadhouse (on roller skates!). At first the two groups argue and take turns telling their story, but eventually they come to realize that their stories have several parallels (thanks, Joseph Campbell and the hero cycle) and work together to conclude the two stories that have now become one. The cast is great as both heightened versions of themselves, and the overblown characters (Clarence Wethern as the Beowulf guy, the Roadhouse cast consisting of Kayla Dvorak, Brandon Ewald, Delta Rae Giordano, David Schlosser, Noë Tallen, and a late and shirtless Derek Meyer as the Patrick Swayze character). The structure of the show allows the creators (director Carin Bratlie Wethern, writers Aaron Greer, Ben Tallen, and Brian Watson-Jones) to poke fun at the Fringe itself (including a list of ridiculous Fringe titles that are no more ridiculous than real Fringe titles), while still producing a very fringey show. To be enjoyed by lovers of classical literature, bad '80s movies, and the Fringe. I can't wait for the sequel next year!

"Knight of the Burning Pestle" by Theatre Pro Rata at Dreamland Arts

Sunday was a day of comedy for me. First I saw one of the most beloved comedies of American theater - The Odd Couple - in an excellent production at Lyric Arts. Then I traveled from the 1960s back to the 1600s with Theatre Pro Rata's Knight of the Burning Pestle, the first parody in English theater. This play-within-a-play is a spoof of theater itself, and the cast has great fun with it. And while I didn't always understand the specifics of what was going on (I sometimes have a hard time with Shakespearean era language), that didn't seem to matter. The enjoyment comes in watching the delightfully campy performances of the eight-person cast as they poke gentle fun at the thing we all love best -theater.

"The Underpants" at Theatre in the Round

A German farce adapted by legendary funny man Steve Martin and directed by our own funny woman Shanan Custer? Count me in! This combination promises much hilarity, and Theatre in the Round's production of The Underpants delivers solidly on that promise. This brisk 90 minutes of crazy hijinks that ensue after a woman's underpants fall to her ankles in public is actually quite a brilliant satire of societal gender norms and sexual mores of the time; Carl Sternheim's script was banned shortly after it premiered in 1910. The six-person cast is excellent in line delivery and physical flourishes. Shanan's zany and flustered yet real and grounded comedy style is all over this piece, and makes for a highly entertaining afternoon (or evening) at the theater.

Louise Maske is innocently watching the King's parade when, by some fluke, her underpants (or what we might today call bloomers) fall to her ankles. It causes quite a stir in the town, and her husband Theo much embarrassment. He's a respected clerk of the King, he can't have people looking at him and thinking about what's under his wife's skirt! Two men who saw the underpants incident are completely taken by it, and decide to rent a room in the Maske home. A gentleman poet by the name of Versati falls instantly in love, and Louise, with the help of upstairs neighbor Gertrude, decides to have an affair with him. Unfortunately he's more in love with love and poetry than he is with Louise. The sickly barber Cohen loves Louise too, and blissfully unaware Theo takes him under his wing, vowing to fatten him up and return him to health. When a stern and stooped older gentleman named Klinglehoff also wants to rent a room, Louise assumes he's after the same thing. Finally even the King stops by to pay a visit. The underpants have caused quite a stir in the Maskes' life.

Louise (Amy Pirkl) with her suitors
(photo by Richard Fleishman)

The show is perfectly cast, with each member bringing life to their character and the fast and funny dialogue: John T. Zeiler reveling in the selfish and sexist husband, Amy Pirkl charming and likeable as the bored wife looking for more, Jean Wolff stealing scenes as the nosy neighbor, Nic Delcambre polished and smooth as the flowerly and elegant Versati, David Schlosser adorably awkward as the nebbishy Cohen, and Eric Marinus Nelson with brief hilarious entrances as Klinglehoff. As usual, great use is made of the round stage space with seats on all sides, not a bad view among them. The floor is checkered with dingy red and white tiles (reminding me of the kitchen at my Grandpa's old farmhouse) spiraling to the center, with vintage kitchen equipment along one side and a few benches and chairs around the circle (set design by Gabriel Gomez).

The Underpants is the first show in Theatre in the Round's 63rd season (BTW they're the oldest theater company in town), and continues weekends through the end of the month. Check it out for a sharp, fun, witty, wacky romp.