"Annie" at Lakeshore Players Theatre

When I saw the Ordway's production of Annie in December of 2017, I wrote the following, and now, almost exactly eight years later, I feel a great sense of déjà vu. "'The future is female.' If the main stage at the [Lakeshore Players Theatre] is any judge of it, this statement is true, and gives one hope for the future. The story of one 11-year-old girl who changes hearts and minds with optimism and determination is an inspiring one, as is the boundless energy and talent of the young females on stage who bring this story to life. Watching Annie last night, I couldn't help but feel nostalgic for the Great Depression, when at least the president cared about the people and developed (with Annie's help of course) a New Deal that would help lift the country out of poverty. A stark contrast to today's reality, when the current resident of the White House seems to care only for the rich, and those in need get served newly crappy deals nearly every day. Maybe we need to send Annie to the Washington to get Democrats and Republicans singing together about the hopeful future of America!" This female future hasn't come to fruition in the last eight years, if anything it feels farther away, but there's always tomorrow! This show about hope, optimism, working together, and the improbable notion of billionaires and politicians giving back to help their fellow human beings is exactly what we need right now. And Lakeshore has assembled a great team to bring this hopeful story to vibrant life (continuing through December 14).

"Bright Star" at DalekoArts

"Just because something ends doesn't mean it wasn't successful." This quote from Philip Dawkins' play Failure: A Love Story perfectly encapsulates my feelings about the announcement a few months ago that DalekoArts would be closing their doors for good after the production of their spring musical Bright Star. For 11 seasons they were successful. Not necessarily in a financial sense (I can't speak to that), but artistically, and in creating a community of theater-makers and theater-lovers in the far-flung town of New Prague. Daleko is a Czech word meaning "far away," but when you're at Daleko, you don't feel far away from anything, you feel connected - to the artists, to your fellow audience members, and most of all to the story playing out just a few feet in front of you. To list my favorite memories at Daleko would take too long, but I've loved everything I've seen there, from silly original comedies to scary thrillers to rarely done musicals to that time I followed a couple of crazy artists around historic downtown New Prague. I'm happy for co-founders Ben Thietje and Amanda White that they're going out on their own terms, and moving on to new adventures, and I'm grateful for every silly, profound, beautiful show I saw at the Prague Theater over the last seven years. The bluegrass musical Bright Star (in only the second professional theater production in #TCTheater) is a perfect choice for the last show, and represents the heart, humor, inventiveness, thoughtfulness, and joy that's been present for 11 seasons. I'd tell you to go see it, but the entire run has been sold out for weeks. But if you've been to DalekoArts, you know how special it was.

"Once" at DalekoArts

I finally made the gorgeous springtime drive out to New Prague to see DalekoArts' production of the 2012 Tony-winning musical Once in its sold-out final weekend. Just the second #TCTheater production*, Once is a perfect choice for the scrappy little theater in the far-out suburbs, the stage packed with singer/actor/musicians and the intimate house making it feel like we're all in a cozy Irish pub together enjoying some good craic. It's such a beautiful story, and a unique kind of musical that's really more of a play-with-music. All of the music in this Irish folk-rock score (by Glen Hansard and Marketa Irglova, who also starred in the 2007 movie from which the musical was adapted by Irish playwright Enda Walsh) is in context, in a pub or recording studio or music shop. The music is woven so naturally into the story that there's not a lot of applause during the show, not wanting to break the spell of the story being woven on stage. A multi-talented 12-person cast plus three band members embody this charming and bittersweet Once.

"It's a Wonderful Life" at Lyric Arts

The 1946 film It's a Wonderful Life has become one of the most beloved Christmas* movies of all time. And now you can see it come to life on Lyric Arts' Main Street Stage in lovely downtown Anoka. The adaptation by Doug Rand is very faithful to the movie; it almost plays out scene by scene. It feels a bit long and slow-moving at times (the many scenes that make up someone's life story don't cut together quite as quickly on stage as on film), but the large and talented cast really make these characters their own, while having a lot of fun with accents and these familiar lines. Most importantly, the beautiful and important message that "no one is a failure who has friends," that every person's life is impactful and worthy no matter what their accomplishments or net worth, shines through.

"The World Over" at Open Window Theatre

It's been almost four years since Open Window Theatre lost their space in Minneapolis due to a conflict with the landlord that resulted in a multi-year lawsuit, which they eventually won. Now they're back in a brand new space in Inver Grove Heights (about ten miles south of St. Paul). They're presenting two shows this spring in what looks like a strip mall in the suburbs, in which they've created a nice space with an intimate theater. The World Over, which opened this weekend and runs through March 15, is a fitting story of overcoming obstacles in pursuit of a singular goal.

"Sense and Sensiblity" at Lyric Arts

The new adaptation of Jane Austen's Sense and Sensibility, which premiered in 2014 and played at the Guthrie in 2016, has made its way to Lyric Arts' Main Street Stage. As I wrote in 2016, playwright and actor Kate Hamill has adapted the beloved novel "with theatricality, wit, and purpose" (she also adapted Little Women, which premiered at the Jungle last fall, and Pride and Prejudice, just announced as part of Park Square Theatre's 2019-2020 season). Now is a great time for these women's stories written by women to be adapted for today's audience by a young female playwright; audiences are hungry for it. Lyric's production is a delightful and charming version of this sisterhood story.

"You Can't Take It With You" at Lyric Arts

You can't take it with you. Meaning money, meaning when you die. What's the point of racking up piles of money at the expense of living? It's more important to rack up experiences and time spent doing the things you love with the people you love. At least that's the moral of the story in the classic play You Can't Take It With You, now playing at Lyric Arts Main Street Stage in Anoka. This 80-year-old play may be a little dated and old-fashioned, and I don't really see the urgency of doing this play at this moment in time. And of course, it's a privileged class of people who can contemplate giving up their high-paying job to spend more time on their hobbies. That being said, this is still a charming, funny, and uplifting play, a good way to spend an evening and a good reminder to not overlook the important things in life.

"H.M.S. Pinafore" by Mounds View Community Theatre at Irondale High School

Friends, support your local community theater! In the beautifully rich theater community that is #TCTheater, there is a ton of great work being done in high schools, community centers, churches, and other locations around the Twin Cities metro area. Most of which I don't get to see because I'm too busy seeing work by the 70+ professional theater companies. But lucky for me, my local community theater is Mounds View Community Theatre, which does a musical every summer. And lucky for all of us, the director of this year's selection, the delightfully silly Gilbert and Sullivan operetta H.M.S. Pinafore, is one of the Twin Cities' best director/choreographers Joe Chvala. I saw the show on their closing weekend and was absolutely delighted by it from start to finish. Joe Chvala's energetic and dynamic choreography combined with this amazingly talented and hard-working cast of "amateur" performers and designers, not to mention all the behind the scenes volunteers, adds up a whole lotta joy and rapture for this audience member.

"Nice Work If You Can Get It" at Lyric Arts

A jukebox musical featuring the songs of the Gershwin brothers (composer George and lyracist Ira) set in the bootlegging days of the 1920s. Sounds fun, right? And it is that. It's not what I want from Broadway (I prefer new original musicals), but it's a perfect fit for regional and community theater. Perhaps that's why I enjoyed Lyric Arts' production of Nice Work If You Can Get more than I remember enjoying the Broadway tour that came through town a few years ago. It's chock full of wonderful tunes, the 20-person cast is really strong from the leads through the ensemble, the set is cool, and the large offstage band sounds great. There's nothing deep or overly meaningful about the show, but it's a great good time.