Showing posts with label Mark Koski. Show all posts
Showing posts with label Mark Koski. Show all posts
Saturday, January 24, 2026
"The 39 Steps" at Lakeshore Players Theatre
Things are pretty bleak right now, but at the end of an inspiring day in which tens of thousands of Minnesotans came together to stand up for truth and freedom, I spent the evening laughing at the madcap classic comedy The 39 Steps. It was a great time to, as director Sarah Nargang wrote in her director's note, "unclench what you can, and have a giggle for your health." A mystery spy thriller played in a comedic style with theatrical storytelling, The 39 Steps has been seen on a few local stages since its 2008 Broadway premiere and subsequent transfer to Off-Broadway, and now it's Lakeshore Players Theatre's turn to bring their own spin to the show. See it at Hanifl Performing Arts Center in White Bear Lake through February 7.
Sunday, January 26, 2025
"Misery" at Lakeshore Players Theatre
Lakeshore Players Theatre's 72nd season is taking a sharp turn from a lovely new adaptation of the holiday classic A Christmas Carol to another classic, this one of the dark thriller variety. So buckle up for a deliciously creepy and suspenseful ride through Misery. Stephen King's 1987 novel about an obsessive fan was adapted into the popular 1990 movie, for which Kathy Bates won an Oscar. It was adapted into a play (by original screenwriter William Goldman) just ten years ago or so. I wasn't that familiar with the details of the story when I saw Yellow Tree Theatre's production a couple years ago* so it was chock full of surprise moments. But even now being a little more familiar with it, I found Lakeshore Players Theatre's production to be thoroughly enjoyable. The set is really cool, and the whole package of the design elements creates a suspenseful tension-filled atmosphere that makes the great work of this trio of actors even better. Head to beautiful downtown White Bear Lake for a production of the classic Misery that is anything but.
Sunday, December 3, 2023
"She Loves Me" at Lakeshore Players Theatre
The 1963 Bock and Harnick creation She Loves Me is a delicious musical that stands the test of time. Based on a 1937 Hungarian play, the basic story has been told in multiple iterations, including the 1940 Jimmy Stewart movie The Shop Around the Corner, and the 1998 Tom Hanks/Meg Ryan remake You've Got Mail.* The 2016 Broadway revival featured a starry cast including Laura Benanti, Zachary Levi, Gavin Creel, and Jane Krakowski and was broadcast live on Broadway HD (and is still available to watch). After its success, there were three #TCTheater productions within a year. But the last one was almost four years ago, so I'm definitely ready to revisit this gem. Lakeshore Players Theatre's new production is well done, with charming performances and beautiful design, and reminded me once again how much I love this musical. See it now through December 20 in lovely lakeside White Bear Lake.
Friday, October 18, 2019
"Proof" at Lyric Arts
The 2001 Pulitzer Prize and Tony Award winning play Proof comes to Lyric Arts' Main Street Stage in downtown Anoka. David Auburn's play stands the test of time; it's relatable and moving not just for math nerds like myself (the title refers to a mathematical proof, among other things) but for everyone going through the human experiences of grief, loss, love, mental illness, and identity crisis. It's really a family dramedy, set in the world of Chicago academic mathematicians. An excellent four-person cast and detailed design bring out all the nuances in this beautifully written play. It officially opens tonight and runs for just three weeks, so act quickly to see this fine production of a 21st Century classic.
Saturday, September 10, 2016
"Wait Until Dark" at Lyric Arts
Anoka's Lyric Arts Main Street Stage opens their 2016-2017 season with an updated version of the 1960s thriller Wait Until Dark. Living on the north side of the Twin Cities, it's a pretty easy jaunt up Highway 10 to Anoka, and I've come to enjoy the trip. Lyric Arts may be a community theater in the suburbs, housed in an old movie theater in charming downtown Anoka, but much of what you'll see there is as good as anything you could see on a professional stage in the Twin Cities. Wait Until Dark is one such example. It's a technically challenging show, with the very specific "dark" and fights and suspense and all, and this team pulls it off beautifully. I was literally on the edge of my seat with my hands over my mouth, terrified of the sounds coming from the stage as we sat in complete and utter darkness. If you're a Lyric Arts fan, or have never been, you don't want to miss this one, especially if you're on the north end of town. You may need to sleep with the light on for a night or two, but it's worth it.
Monday, July 25, 2016
"Nice Work If You Can Get It" at Lyric Arts
A jukebox musical featuring the songs of the Gershwin brothers (composer George and lyracist Ira) set in the bootlegging days of the 1920s. Sounds fun, right? And it is that. It's not what I want from Broadway (I prefer new original musicals), but it's a perfect fit for regional and community theater. Perhaps that's why I enjoyed Lyric Arts' production of Nice Work If You Can Get more than I remember enjoying the Broadway tour that came through town a few years ago. It's chock full of wonderful tunes, the 20-person cast is really strong from the leads through the ensemble, the set is cool, and the large offstage band sounds great. There's nothing deep or overly meaningful about the show, but it's a great good time.
Friday, June 5, 2015
"Boeing Boeing" at Lyric Arts
I recently discovered the 1960s French farce Boeing Boeing (along with the rest of the world - it flopped originally on Broadway in the '60s but the recent revival was a hit, sparking many productions across the country). In fact I so much enjoyed Torch Theater's production a few months ago that I was eager to see the play again at Lyric Arts Main Street Stage in Anoka and see their take on it. Even though I knew how things would end up this time, it was still a delight to watch this perfect screwball comedy as brought to life by Lyric's fantastic '60s set and costume design and deliciously campy performances by the six-person comedy. It's light and funny and ridiculous, the perfect summer treat.
Bernard lives in a swanky apartment in Paris with his three international fiances, none of whom know about the other two. He tells his friend Robert, visiting from Wisconsin, that he's able to pull this off due to careful planning and paying attention to the time tables of the women's three airline employers, and of course with the begrudging help of his organized maid Berthe. Everything runs swimmingly and all parties are happy with the arrangement until a perfect storm of weather over the Atlantic and faster planes causes all three women to be in the apartment at the same time. It was bound to happen sooner or later. Bernard, Robert, and Berthe go to great lengths to keep the women apart for as long as they can, which results in lots of physical comedy and door slamming. It's like a shell game trying to keep track of who's in which room. But of course it can't go on forever, and the truth, or some version of it, eventually comes out.*
Director Scott Ford takes his cast right to the edge of campy comedy and they gamely leap off. Ryan Nielson's Bernard is the suave and confident playboy (not unlike his character in Blithe Spirit), until his perfect plan starts to fall apart and he becomes ever more frantic. Kyler Chase plays Robert as a bumbling, nervous schlub who's constantly tripping over the furniture and himself, and Jennifer Inderlee is a hoot as the constantly frustrated and disapproving French maid Berthe. Each of the three air hostesses (Nykeigh Larson as the confident American, Katharine Strom as the passionate Italian, and Jessica Scott as the stern and excitable German) are more over-the-top than the last and are all clearly having fun with the roles. The range of extreme accents are great fun to listen to, although I occasionally had trouble understanding what was being said. This is an intricate comedy, with much coming and going through various doors, physical comedy, and importance in the placement of props to make the jokes work. It's all very well choreographed and the cast pulls it off marvelously.
The fabulous set looks like something from a '60s sitcom - candy colored walls and doors (lots of them); worn wood paneling on the floors, walls, and furniture; modern black leather couches; brightly colored carpet squares; mod lighting; and a super cool inset stereo. The recessed living room (a la Don Draper) allows for much physical comedy as the actors scamper up and down, and they make hilarious use of the bean bag chair. The air hostess uniforms are primary colored perfection, with matching hats and bags. Robert's schlumpy look (even his shoes are scuffed) contrasts nicely with Bernard's polished attire (set by Mark Koski, costumes by Samantha Kuhn Staneart).
With Boeing Boeing, a good time is had by all - characters, cast, and audience alike. Catch this fun summer comedy now through June 21 (discount tickets available on Goldstar), and then make plans for the quintessential summer musical Grease coming in July and sure to sell out. Because who doesn't love Grease?
*This paragraph borrowed from my post on Torch Theater's production.
Bernard lives in a swanky apartment in Paris with his three international fiances, none of whom know about the other two. He tells his friend Robert, visiting from Wisconsin, that he's able to pull this off due to careful planning and paying attention to the time tables of the women's three airline employers, and of course with the begrudging help of his organized maid Berthe. Everything runs swimmingly and all parties are happy with the arrangement until a perfect storm of weather over the Atlantic and faster planes causes all three women to be in the apartment at the same time. It was bound to happen sooner or later. Bernard, Robert, and Berthe go to great lengths to keep the women apart for as long as they can, which results in lots of physical comedy and door slamming. It's like a shell game trying to keep track of who's in which room. But of course it can't go on forever, and the truth, or some version of it, eventually comes out.*
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| your TWA, Alitalia, and Lufhansa hostesses (Nykeigh Larson, Katharine Strom, and Jessica Scott) |
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| Jessica Scott, Katharine Strom, and Ryan Nielson |
With Boeing Boeing, a good time is had by all - characters, cast, and audience alike. Catch this fun summer comedy now through June 21 (discount tickets available on Goldstar), and then make plans for the quintessential summer musical Grease coming in July and sure to sell out. Because who doesn't love Grease?
*This paragraph borrowed from my post on Torch Theater's production.
Saturday, January 10, 2015
"Blithe Spirit" at Lyric Arts
On a cold and snowy winter evening, I made my way through the slow and busy highways and streets to Lyric Arts Main Street Stage in Anoka. It was a long and unpleasant drive - but this is Minnesota, that's what we do. Once inside the warm and inviting theater, I forgot all about the frozen snowy world outside as I was immersed in the ghostly antics of a sophisticated English gentleman and his two wives, one living and one dead. Lyric Arts' production of English playwright Noël Coward's classic comedy Blithe Spirit is funny and charming, with a perfect cast under the direction of Robert Neu, who sets an appropriate tone that's equally charming and silly, and spot-on set and costumes. i.e., it's a welcome respite from this cold midwinter.
In Blithe Spirit, Charles and Ruth Comdomine live a happy peaceful life in their summer home in the English countryside, despite having to train in a rather incompetent new maid Edith. All of this changes one evening when Charles invites a medium named Madame Arcati to the house to conduct a séance, as research for a new book he's writing. Charles and Ruth, along with their friends George and Violet whom they also invite to the séance, view the whole thing with skepticism, and struggle to hold back their laughter as Madame Arcati goes through her process of contacting the dead. After the business is finished, the party breaks up and everyone laughs at the amusement of the evening. Except for Charles, who has begun to hear and then see his late wife Elvira. Ruth believes her husband is ill or insane, until he convinces her of the reality of the ghost, when she becomes upset not just because there's a ghost in the house, but because Charles seems to enjoy being reunited with his former love. Ruth attempts to rid their lives of Elvira, but Elvira has plans of her own.
The word blithe is not commonly used in American speech (although occasionally in musicals: "blithe smile, lithe limb, she who's winsome, she wins him"). But this word, meaning "showing a casual and cheerful indifference considered to be callous or improper," is the perfect word to describe the ghostly Elvira. She floats into Charles and Ruth's life on a breeze, all smiles and giggles, and doesn't care about the disruption she's causing, so happy is she to be back in her home with her husband. This spirit is perfectly embodied by Allie Munson; her Elvira is a lovely and ethereal apparition, somehow charming despite the ruckus she's causing to our happy couple. As said couple, Ryan Nielson and Jessica Scott are perfectly charming and sophisticated as Charles and Ruth, until their life becomes a bit derailed upon the arrival of Elvira, and their voices and tempers raise in a properly English sort of way.
The show is extremely well cast from top to bottom, and everyone in the cast sports a deliciously exaggerated accent. While it does not appear that Madame Arcati is a role usually played by a man, in the case of Grif Sadow, it's an inspired choice. He's an absolute hoot as Madame Arcati goes through her strange rituals and trances, but without making the character a complete joke as it becomes obvious that she's for real. Last but not least, Hannah Weinberg is quite the scene-stealer as Edith, the maid who tries so hard to please but can't help bounding from one task to the next in a manner not at all matching the sophistication of her employers. She makes the most of every moment, drawing it out for maximum laughs, highlighted by a hilariously torturous clearing of the breakfast table.
Mark Koski's set is a very real-looking, charming, and detailed room in an English home (perhaps a drawing room, in Downton Abbey terms), complete with books on the shelves, a fireplace, a sofa and sitting area, a gramophone, lush curtains on the patio doors, and most importantly, a fully stocked bar. Samantha Fromm Haddow's '40s period costumes are all lovely and help to define each character, but Elvira's dress is the pièce de résistance. A pale grey that matches her delicately beautiful make-up, the light and layered dress floats around the stage in a perfectly ghostly sort of way.
"If you think that community theater in Anoka isn't good or popular, then you simply haven't seen it recently." So says Alan Berks in his editor's note on the newly revamped website Minnesota Playlist, and I couldn't agree more. Blithe Spirit is a great example of this; there's virtually no difference between this production and something you might see on a professional stage in Minneapolis. But do note the "popular" part of the above statement; Lyric Arts shows have a tendency to sell out their relatively few performances in a run, so make plans now (discount tickets available on Goldstar) to see this charming, funny, well-done escapist comedy (written in 1941 as an escape from war, it works as an escape from winter too).
In Blithe Spirit, Charles and Ruth Comdomine live a happy peaceful life in their summer home in the English countryside, despite having to train in a rather incompetent new maid Edith. All of this changes one evening when Charles invites a medium named Madame Arcati to the house to conduct a séance, as research for a new book he's writing. Charles and Ruth, along with their friends George and Violet whom they also invite to the séance, view the whole thing with skepticism, and struggle to hold back their laughter as Madame Arcati goes through her process of contacting the dead. After the business is finished, the party breaks up and everyone laughs at the amusement of the evening. Except for Charles, who has begun to hear and then see his late wife Elvira. Ruth believes her husband is ill or insane, until he convinces her of the reality of the ghost, when she becomes upset not just because there's a ghost in the house, but because Charles seems to enjoy being reunited with his former love. Ruth attempts to rid their lives of Elvira, but Elvira has plans of her own.
![]() |
| the love triangle that crosses death (Jessica Scott, Ryan Nielson, and Allie Munson) |
The show is extremely well cast from top to bottom, and everyone in the cast sports a deliciously exaggerated accent. While it does not appear that Madame Arcati is a role usually played by a man, in the case of Grif Sadow, it's an inspired choice. He's an absolute hoot as Madame Arcati goes through her strange rituals and trances, but without making the character a complete joke as it becomes obvious that she's for real. Last but not least, Hannah Weinberg is quite the scene-stealer as Edith, the maid who tries so hard to please but can't help bounding from one task to the next in a manner not at all matching the sophistication of her employers. She makes the most of every moment, drawing it out for maximum laughs, highlighted by a hilariously torturous clearing of the breakfast table.
Mark Koski's set is a very real-looking, charming, and detailed room in an English home (perhaps a drawing room, in Downton Abbey terms), complete with books on the shelves, a fireplace, a sofa and sitting area, a gramophone, lush curtains on the patio doors, and most importantly, a fully stocked bar. Samantha Fromm Haddow's '40s period costumes are all lovely and help to define each character, but Elvira's dress is the pièce de résistance. A pale grey that matches her delicately beautiful make-up, the light and layered dress floats around the stage in a perfectly ghostly sort of way.
"If you think that community theater in Anoka isn't good or popular, then you simply haven't seen it recently." So says Alan Berks in his editor's note on the newly revamped website Minnesota Playlist, and I couldn't agree more. Blithe Spirit is a great example of this; there's virtually no difference between this production and something you might see on a professional stage in Minneapolis. But do note the "popular" part of the above statement; Lyric Arts shows have a tendency to sell out their relatively few performances in a run, so make plans now (discount tickets available on Goldstar) to see this charming, funny, well-done escapist comedy (written in 1941 as an escape from war, it works as an escape from winter too).
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