"Silent Sky" by Theatre Pro Rata at the Bell Museum

'Tis the season for Lauren Gunderson's smart, funny, modern, and inspiring plays about female scientists in history, and I am here for it (keep 'em coming, #TCTheater). A week after seeing DalekoArts' lovely production of Ada and the Engine (about mathematician and computer programmer Ada Lovelace), I saw Theatre Pro Rata's production of Silent Sky (about astronomer Henrietta Leavitt, which I had seen at Lyric Arts a few years ago). It's a great play, but what makes this production truly special is that it is staged in the planetarium at the Bell Museum on the University of Minnesota's St. Paul campus. Despite the fact that I got my graduate degree (in statistics, you can see why I'm so drawn to women in science plays) at the U of M, I didn't even know this museum existed (in my defense, the gorgeous new building just opened a year and a half ago). I hope to return to tour the museum sometime, but my first experience to it (through theater, natch) was a wonderful one. Being able to look up at the stars as Henrietta talked about them made the story feel so real. A truly inspired pairing of play and location by Theatre Pro Rata.

"Bright Star" at Lyric Arts

For the second year in a row, Lyric Arts is opening their season with the regional premiere of a new Broadway musical. Last year they brought us a fantastic production of the 2014 Idina Menzel vehicle If/Then, this year it's the 2016 bluegrass musical Bright Star by Edie Brickell and Steve Martin (yes, that Steve Martin). It only ran for a few months on Broadway and didn't win any awards (although it was nominated for several Tonys, including best musical). But it's a sweet story with a gorgeous bluegrass score that perhaps plays better on smaller stages. Like Lyric's Main Street Stage in charming downtown Anoka. The huge and talented cast, along with the fantastic onstage bluegrass band, do a wonderful job of bringing this heart-breaking and heart-warming story to life with all the feels. You can see this regional premiere through September 29.

"Legally Blonde" at Lyric Arts

Oh my God! Oh my God, you guys*!! Lyric Arts' production of Legally Blonde is so much fun! I recently wrote that Jefferson Township Sparkling Junior Talent Pageant is the perfect fun summer musical (playing at Park Square Theatre through July 28), but now we have a second perfect fun summer musical. Unlike some other summer musicals, Legally Blonde is fresh, modern, fun, and feminist. I had never seen it before (or the movie from which it was adapted) because I'm a bit of a snob about movie-musical adaptations - I prefer original musicals. But I've been missing out! Elle Woods is a 21st Century heroine and role model who turns the stereotype of the dumb blonde on its head (see also Smart Blonde). Lyric Arts' production of Legally Blonde is sharp, funny, well-cast, and just an all around great time.

"My Sister in this House" by Theatre Pro Rata at the Crane Theater

The real life Papin sisters, live-in maids who killed their employers in 1930s France, have inspired several plays, including the absurd dark comedy The Maids, and the not so much a comedy play My Sister in this House. The latter is the final production in Theatre Pro Rata's 2018-2019 season, now playing at the Crane Theater. It's real dark and gritty, with a tone that borders on but doesn't quite cross over into camp. It lets us inside the lives of the would-be murderers and explores what led up to the infamous crime, namely mental illness and the unfair treatment of domestic servants. Great performances by the four-woman cast and spot-on design make for a creepy evening at the theater.

"Love Comics" by Minneapolis Musical Theatre at Bryant-Lake Bowl

Confession: I've never read comic books (unless you count the graphic novel Fun Home, because theater). I didn't even know there was such a thing as love comics, which apparently were love stories in comic book form, popular in the mid last century. But I know about it now, thanks to Minneapolis Musical Theatre. The musical Love Comics plays loving and playful homage to the tradition of romance comics. Big emotions, melodrama, love lost and found, and fun '50s era costumes. It's a clever and cute little show playing on Bryant-Lake Bowl's cute little stage through March 2.

"Guys and Dolls" at Lyric Arts

Lyric Arts Main Street Stage in Anoka is closing their 2017-2018 season with a fun and classic musical - Guys and Dolls. Is the story dated and full of gender stereotypes? Yes. But it's also chock full of great music, including many popular songs ("A Bushel and a Peck," "Luck Be A Lady," and my favorite, "Sit Down, You're Rockin' the Boat"). Lyric Arts has assembled a fantastic cast, and the show is well-staged in their small performance space. If you're looking for a fun '50s era show, Anoka is the place to go.

"Always... Patsy Cline" at Lyric Arts

To open their 2017-2018 (a season that I had the pleasure of announcing earlier this year), Lyric Arts is bringing back the popular tribute to the life and music of one of our greatest voices gone too soon - Always... Patsy Cline. This sweet little musical (or really, play with music) allows the audience to get to know the real Patsy through her real-life friendship with one of her fans, Louise Seger. I saw the show last year, and was happy to return to see it again this year. It's the same heart-warming and musically satisfying show, with a few changes in the cast and creative team. Just like last year, Always... Patsy Cline is perfectly cast, full of heart, and highly entertaining for anyone who's ever heard Patsy's music, and let's face it - who hasn't?*

"A Christmas Story" at Lyric Arts

The 1983 movie A Christmas Story has become a holiday classic, thanks in part to TBS running it for 24 hours on Christmas Day every year. Full of humor, nostalgia, and heart, this story of 9-year-old Ralphie and his quest for a very special BB gun for Christmas is a charmer. Fans of the movie are sure to enjoy Lyric Arts production of the play version of the movie, written in 2000 by Philip Grecian (which is different from the musical version that the Ordway did a few years ago). While this story based on a 30-year-old movie based on memories of a time 40 years before that is a bit dated, and viewed a bit differently in today's environment, the heart of the piece is still there. At the Sunday matinee performance some of my fellow Twin Cities Theater Bloggers (from Artfully Engaging, No Filter Reviews, One Girl, Two Cities, and Twin Cities Stages) and I were greeted with a Christmas cocktail, and after the show we chatted with the adult members of the cast and toured the set, with more Christmas cocktails of course. We bloggers always welcome the opportunity to talk to artists about their work and to learn about what happens behind the scenes.* Lyric Arts is one of the top community theaters in town (along with Theatre in the Round), and it was a treat to get to know them a little better and enjoy this festive and fun holiday show.

"Henry V" by Theatre Pro Rata at the Crane Theater

I recently wrote, "I should just give up seeing anyone else do Shakespeare, because no one does it like Ten Thousand Things." Of course that's not very realistic for a theater blogger; Shakespeare is still one of our most produced playwrights. But lucky for me, Theatre Pro Rata's new production of Henry V borrows a few things from TTT, namely a small cast, an edited story, and a playful spirit. They use just five actors to play the two dozen or more roles, and what's even more interesting - each actor takes a turn playing the title role. It's all done in a meta theater style in which five actors attempt to tell this epic story and realize just what they're up against, congratulating each other at the end when they accomplish the task. And accomplish it they do, in what is a new and inventive take on a very old play.

"Always... Patsy Cline" at Lyric Arts

The plane crash that killed Buddy Holly, Ritchie Valens, and the Big Bopper is known as "the day the music died." But what about the plane crash a few years later that killed Patsy Cline? On that day the world lost one of the best voices it's ever known. Always... Patsy Cline gives us a peek into the human side of the music icon as we get to know her through her fan, friend, and pen pal Louise. The new production at Lyric Arts in Anoka is perfectly cast, full of heart, and highly entertaining for anyone whose ever heard Patsy's music, and let's face it - who hasn't?

"Urinetown" by DalekoArts at the Prague Theatre

The Twin Cities theater scene is broad and deep, with over 70 professional theater companies offering a diverse array of storytelling. Most of the theater spaces are in the Cities themselves, specifically Minneapolis. But the seven-county Metro area is populous and geographically large. Why should those of us who live in the suburbs have to travel into the city to see professional theater? Fortunately there is a growing remedy to that. We have Yellow Tree Theatre in Osseo, on the Northwest side of the cities, about to enter their 9th season. And even further out, we now have DalekoArts in New Prague, founded by local theater artists Ben Thietje and Amanda White "as a way to help decentralize professional theatre in Minnesota." Approximately 46 miles from Minnesota's theater mecca Minneapolis, New Prague is on the very Southern border of the seven-county Metro area. When I was growing up very near there (just outside of the tiny town of New Market) in the '70s and '80s, it was a rural area, but has since experienced tremendous growth. While it's a bit sad to see the bucolic land of my childhood overcome with housing developments and fast food restaurants, the good news is that's a lot of people to support the arts. Judging by my first visit to see their hilarious and crisp production of Urinetown, Daleko (which means "far away" in Czech) seems to be filling that role quite nicely. Southern Metro-ans - take note!

"Shrek: The Musical" at Lyric Arts

"Fairy tales should really be updated." So sings Shrek in the 2008 musical adaptation of the smash hit 2001 movie. And that's exactly what the creators of the movie and the musical (playwright David Lindsay-Abaire, who also wrote Rabbit Hole, Good People, and Fuddy Meers, and composer Jeanine Tesori, who is also responsible for one of my favorite musicals Violet, opening soon at Yellow Tree Theatre) have done. Lyric Arts' joyful and colorful new production is my third go-round with Shrek: The Musical, for which I have much affection despite it being a blockbuster movie adaptation. The musical retains and builds on the funny, clever, irreverent tone of the movie, adding a diverse collection of songs. This updated fairy tale for the modern age is well done by Lyric Arts with a fantastic cast, bright and colorful set and costume design, and a joyfully irreverent spirit.

"Grease" at Lyric Arts

I love the 1978 movie Grease - '50s nostalgia, an adorable pre-Scientology John Travolta, the golden voice of Olivia Newton-John, and an endlessly singable soundtrack. It's the perfect fun and mindless movie musical. But the 1971 stage musical on which it was based is something different. Wikipedia says "In its original production in Chicago, Grease was a raunchy, raw, aggressive, vulgar show. Subsequent productions sanitized it and toned it down." With their new production, Lyric Arts and director Christine Karki move closer to the original concept than the movie it ended up becoming. It's a little darker and less bubble gum look at teenagers in the '50s. The fantastic young cast breathes new life into these familiar characters to create a Grease that's still great summer fun, but with a little more weight.

On a set that looks more West Side Story than Grease, the lives of these teenagers unfold on the gritty streets of Chicago as they deal with relationships, friendships, pregnancy, gangs, and school dances. The cast is mostly made up of high school and college kids, or recent graduates, which brings some very believable teen angst and youthful energy to the show. Jordan Oxborough is a natural as Danny, with the slicked back dark hair, pretty falsetto, and charm that all the ladies fall for. With her performance as Sandy, Megan Fischer proves that little Annie is all grown up. She's sweet and naive but with an underlying feistiness. And the two of them sound gorgeous together on the Danny/Sandy duets (just don't expect to hear "You're the One That I Want," written for the movie). Jill Iverson is a standout as Rizzo - tough on the outside and tender on the inside - and her beautifully nuanced rendition of "There are Worse Things I Could Do" is a definite highlight (she's excelled at playing misunderstood teens before). As the mooning Roger and constantly eating Jan, Michael Conroy and Christine Walth are adorable and funny. And Lucas John Beach sings "Beauty School Dropout" like an angel.

oh, those summer nights! (photo by Mike Traynor)

Of course Grease isn't Grease without the car called Greased Lightning, and this version is a pretty cute little car that actually drives around the stage and threatens to upstage the actors. The cast makes good use of the multi-level set (with the onstage band sitting upstairs), hanging off the stairs and climbing around (set by Brian J. Proball). Samantha Kuhn Staneart's '50s period costumes are, like the rest of the production, less pretty and more realistic, expressing the distinct personality of each character.

The ending of the movie has always bothered me, in which Sandy changes who she is in order to "win" Danny. But this feels less like that and more like a young woman who's growing up and trying to figure out who she is and what she wants. It's a more believable transition.

While it doesn't top last year's summer hit RENT (nothing ever could in this RENThead's opinion), Grease is another fun and edgy summer musical at Lyric Arts Main Street Stage in Anoka. Due to popular demand, it has been extended through August 9 but the additional shows will sell out fast if they haven't already, so make plans soon.

"Boeing Boeing" at Lyric Arts

I recently discovered the 1960s French farce Boeing Boeing (along with the rest of the world - it flopped originally on Broadway in the '60s but the recent revival was a hit, sparking many productions across the country). In fact I so much enjoyed Torch Theater's production a few months ago that I was eager to see the play again at Lyric Arts Main Street Stage in Anoka and see their take on it. Even though I knew how things would end up this time, it was still a delight to watch this perfect screwball comedy as brought to life by Lyric's fantastic '60s set and costume design and deliciously campy performances by the six-person comedy. It's light and funny and ridiculous, the perfect summer treat.

Bernard lives in a swanky apartment in Paris with his three international fiances, none of whom know about the other two. He tells his friend Robert, visiting from Wisconsin, that he's able to pull this off due to careful planning and paying attention to the time tables of the women's three airline employers, and of course with the begrudging help of his organized maid Berthe. Everything runs swimmingly and all parties are happy with the arrangement until a perfect storm of weather over the Atlantic and faster planes causes all three women to be in the apartment at the same time. It was bound to happen sooner or later. Bernard, Robert, and Berthe go to great lengths to keep the women apart for as long as they can, which results in lots of physical comedy and door slamming. It's like a shell game trying to keep track of who's in which room. But of course it can't go on forever, and the truth, or some version of it, eventually comes out.*

your TWA, Alitalia, and Lufhansa hostesses
(Nykeigh Larson, Katharine Strom, and Jessica Scott)

Director Scott Ford takes his cast right to the edge of campy comedy and they gamely leap off. Ryan Nielson's Bernard is the suave and confident playboy (not unlike his character in Blithe Spirit), until his perfect plan starts to fall apart and he becomes ever more frantic. Kyler Chase plays Robert as a bumbling, nervous schlub who's constantly tripping over the furniture and himself, and Jennifer Inderlee is a hoot as the constantly frustrated and disapproving French maid Berthe. Each of the three air hostesses (Nykeigh Larson as the confident American, Katharine Strom as the passionate Italian, and Jessica Scott as the stern and excitable German) are more over-the-top than the last and are all clearly having fun with the roles. The range of extreme accents are great fun to listen to, although I occasionally had trouble understanding what was being said. This is an intricate comedy, with much coming and going through various doors, physical comedy, and importance in the placement of props to make the jokes work. It's all very well choreographed and the cast pulls it off marvelously.

Jessica Scott, Katharine Strom, and Ryan Nielson

The fabulous set looks like something from a '60s sitcom - candy colored walls and doors (lots of them); worn wood paneling on the floors, walls, and furniture; modern black leather couches; brightly colored carpet squares; mod lighting; and a super cool inset stereo. The recessed living room (a la Don Draper) allows for much physical comedy as the actors scamper up and down, and they make hilarious use of the bean bag chair. The air hostess uniforms are primary colored perfection, with matching hats and bags. Robert's schlumpy look (even his shoes are scuffed) contrasts nicely with Bernard's polished attire (set by Mark Koski, costumes by Samantha Kuhn Staneart).

With Boeing Boeing, a good time is had by all - characters, cast, and audience alike. Catch this fun summer comedy now through June 21 (discount tickets available on Goldstar), and then make plans for the quintessential summer musical  Grease coming in July and sure to sell out. Because who doesn't love Grease?


*This paragraph borrowed from my post on Torch Theater's production.