"Conscience" at Theatre in the Round

On a day when some 200,000 people gathered at our State Capitol to stand up for democracy, joined by millions more around the country, I saw a play about Senator Margaret Chase Smith, one of the few Republicans who stood up to Senator Joseph McCarthy in the 1950s. Conscience, written in 2020 by Tony-winning playwright Joe DiPietro (for book and lyrics of the musical Memphis), resonates deeply with today's world. It tells of a time when one personality has overtaken the Republican party, whipping up support amongst voters by preaching fear of outsiders, fellow politicians afraid to cross him because of the power he seemingly wields. Until one woman stands up on the Senate floor (the only woman on the Senate floor) to condemn his actions. It was a rough road, but eventually, this personality faded into disgrace and history as quickly as he rose. Yesterday's marches are incredibly inspiring, as is this story, providing hope that our collective conscience will win out against forces attempting to erode our democracy. And it's a beautifully told story, succinct and to the point in under two hours, with a fantastic four-person cast bringing these historical figures and their heroic (or not so heroic) actions to life. Conscience, a last-minute season replacement in Theatre in the Round's 74th season, runs through April 19 and couldn't have come at a better time.

"The Rainmaker" at Lyric Arts

The classic play The Rainmaker is like a mix of The Glass Menagerie and The Music Man, set in a rural area beset by drought during the Depression. There's the family daughter who's a bit different that everyone is trying to "marry off," and the charming con man who sweeps into town and brings new life and hope to the community. It's a beautiful and bittersweet story about a woman finding her confidence and self-worth through the eyes of a stranger. Experience the wonder of the long-awaited rain in Lyric Arts' new production, featuring a talented cast and lovely design, continuing through March 23.

"White Christmas" at DalekoArts

Taking a break from their usual tradition of original holiday* comedy plays, DalekoArts is presenting the 2008 musical adaptation of the beloved 1954 move White Christmas. It may be the biggest musical they've ever done on their intimate stage in terms of size and scope. But as usual, they've created something warm, homey, and intimate out of this big show. A fantastic hard-working cast of just 13 (less than half of the original Broadway cast), a small but mighty off-stage five-piece orchestra, and simple yet effective design bring this familiar heart-warming story to life. It simply isn't Christmas without White Christmas, and to see it live at DalekoArts, after a drive through the countryside full of lights, is a treat indeed. It plays Thursdays through Sundays until December 18, and is playing in rep with the original holiday comedy White Chrismith on Sundays through Mondays. It features popular character Chris Smith from past original comedies, so they found a way to continue the tradition and do something new.

"Lumberjacks in Love" at Lyric Arts

Lyric Arts is easing into their ambitious season with the charmingly corny musical comedy Lumberjacks in Love. In the vein of Deer Camp the Musical or the Don't Hug Me series, Lumberjacks is full of local humor (northern Wisconsin, but that's pretty close to Minnesota*), dumb but amusing humor, and goofy songs. But thanks to the amiable cast you can't help but fall a little in love with these oddball characters in their search for (or running scared from) love. 

"Proof" at Lyric Arts

The 2001 Pulitzer Prize and Tony Award winning play Proof comes to Lyric Arts' Main Street Stage in downtown Anoka. David Auburn's play stands the test of time; it's relatable and moving not just for math nerds like myself (the title refers to a mathematical proof, among other things) but for everyone going through the human experiences of grief, loss, love, mental illness, and identity crisis. It's really a family dramedy, set in the world of Chicago academic mathematicians. An excellent four-person cast and detailed design bring out all the nuances in this beautifully written play. It officially opens tonight and runs for just three weeks, so act quickly to see this fine production of a 21st Century classic.

"The Government Inspector" at Theatre in the Round

Jeffrey Hatcher's adaptation of the brilliantly ridiculous Russian satirical comedy The Government Inspector premiered at the Guthrie in 2008, featuring his usual dry wit and clever humor, and starring a bunch of beloved Guthrie actors and one Broadway star. I don't remember too much about it, other than the hilarity, and that yes, Hunter Foster (aka Seymour) did sing. While perhaps some of the jokes don't land as well in 2019, the idea of a narcissistic, greedy, corrupt politician finally getting what's coming to him is particularly appealing at this moment in time. Theatre in the Round's production, which closes this weekend, brings all the absurdity to life in a very entertaining way, with almost constant laughter from the nearly sold-out crowd.

"Moonlight and Magnolias" at Lyric Arts

Although it became and still remains the highest grossing film of all time (adjusted for inflation), Gone with the Wind had an infamously difficult beginning. Producer David O. Selznick bought the rights to the popular book shortly after it was published in 1936, and spent years obsessing over every detail of the production, hiring and firing directors and screenwriters along the way. The play Moonlight and Magnolias, which premiered at Chicago's Goodman Theatre in 2004, imagines one week in this years-long process in which Selznick locks himself in his office along with screenwriter Ben Hecht and director Victor Fleming to rewrite the script after filming has already begun. The play is part hilarious look at Hollywood and what makes it tick, part recap of the popular movie, and part exploration of the balance between making a movie you can stand behind and giving the people what they want. Lyric Arts' production is fast and funny, with a strong four-person cast that works and plays well together.

"Anatomy of Gray" at Lyric Arts

"This play is perfectly theatrical... it would be like if you took Little House on the Prairie and it has a little whiskey... and got together with The Wizard of Oz and Gunsmoke and A Prairie Home Companion and a Jane Austen novel and a medical textbook and spawned a theatrical love child! That would be Anatomy of Gray." I love all of those things (OK, except maybe for a medical textbook), so how could I resist Lyric Arts' current production Anatomy of Gray?! Director Scott Ford's description turns out to be quite apt, and I might also add a little The Normal Heart and even the similarly titled Grey's Anatomy to the mix. Anatomy of Gray is a sweet, funny, moving little play about the joys and sorrows of frontier life in the late 19th Century that poignantly reminds us that "we all come from love and loss."

"The Explorers Club" at Lyric Arts

"To Science!" Such is the rallying cry of the fictional Explorers Club in the new play by Nell Benjamin (co-writer of the musical Legally Blonde). But it's not just fiction; the real-life Explorers Club is an organization founded in 1904 and still going strong, a group of scientists committed to "the scientific exploration of land, sea, air, and space." The play is a riff on this idea, taking it to farcical extremes and exploring what happens when one of the members dares to propose that a woman join the group. The result is a silly, witty, and fun play well executed by Lyric Arts with a strong cast and fantastically detailed set design. Not a bad way to open the season!

I doubt that the real members of the Explorers Club are as ridiculous as their fictional counterparts. Explorer Percy (Peter Ooley) insists that he has discovered the "East Pole," botanist Lucius (Brandon Osero) grows poisonous plants named after the women he loves because he's afraid to tell her how he feels, Professor Sloane (Leigh Webber) is intent on finding The Lost Tribes, and Professors Walling (Grif Sadow) and Cope (Robert Zalazar) are so affectionate with their animal subjects that they've lost any scientific objectivity. Into their midst comes Phyllida Spotte-Hume (Jessica Scott), discoverer of a lost city and the object of Lucius' affections. The other members of the club are aghast at the idea of a woman joining their ranks, thinking she'll be too distracting to their work (reminiscent of the #iammorethanadistraction movement against school dress codes). But she also brings excitement and adventure in the form of the native Luigi (a highly physical and newt-like performance by Brendan Veerman) who unwittingly offends the queen, bringing Sir Humphries (Warren Sampson) and the British Army to the Club's door. Along with Irish assassins and killer monks, they create quite a ruckus. It's quite a far-fetched and ridiculous situation, but it's all in good fun!

the Explorers Club is in session! (photo by Mike Traynor)

The other star of the show is the set (designed by Brian Proball) and props (Emma Davis et al.) that look like they came right out of the Librarian movies. The set (dominated by a huge set of doors, stairway to the second floor, and a bar) is chock-full of authentic-looking artifacts including a mummy's case, a full suit of armor, shrunken heads, a large plant that grows, a giant rhino head, elephant leg stools, and weapons of every sort. All of the elements come together smoothly and with great comedic timing under the direction of Matt McNabb, highlighted by some thrilling and intricate drink choreography that is flawlessly performed by the cast (one wonders how long they had to practice catching those drinks, and if they use their new found skill to impress their friends at parties).

The Explorers Club is all light and fun silliness, a strong start to Lyric Arts' 20th anniversary season that includes, among others, A Laura Ingalls Wilder Christmas (a must-see for LIW fanatics like myself), the small and quirky musical The 25th Annual Spelling Bee, the huge and boisterous musical Shrek, and the classic comedy The Odd Couple. The Explorers Club continues through September 27 at Lyric Arts Main Street Stage in Anoka (discount tickets available on Goldstar). So raise a glass to science, comedy, and theater!

"Death of a Salesman" at Lyric Arts

Arthur Miller's Death of a Salesman is a classic American play. Premiering in 1949, it won the Pulitzer Prize and Tony Award. It's a complex and layered look at the life of a man named Willy Loman who worked hard his whole life for his family, but never quite achieved what he wanted. The director of the new production at Lyric Arts in Anoka, Robert Neu, writes in the program notes: "Death of a Salesman is about the American dream, for better and for worse. Willy's dream, while he can hold on to it, seems possible and beautiful. The ultimate dissolving and corruption of that dream destroys Willy and forever changes his family." It's the great American tragedy - you work and work and work to pay the bills and buy the things you need, and at the end of it all, what do you have to show for it? A downer, yes, but beautifully written and a thought-provoking look at life that's still relevant more than 60 years later. This is the first play I've attended at Lyric Arts (I've previously seen a few musicals there) so I wasn't quite sure what to expect, but they do a very nice job with this complex work of theater.

An interesting feature of this play, and part of what makes it so powerful, is that we get a look inside Willy Loman's mind as he remembers scenes from his past and talks to ghosts. He's at the end of his career as a traveling salesman, and he's tired and slowly beginning to lose his mind. His wife Linda loves him desperately and wants to help him but doesn't know how. His two grown sons are a disappointment to him, and because of that mostly stay away. When the whole family is under the same roof again, issues from the past resurface. Willy remembers happier days when the boys were football stars with bright futures ahead of them, as well as the event that changed all of that. This tragic story could only have a tragic ending, and it's devastating to watch the inevitable unfold.

I was quite impressed with the cast; Death of a Salesman is not an easy play for a community theater to tackle. Warren Sampson is believable and sympathetic as Willy, playing his moments of sanity mixed with ever increasing desperation. Martha Wigmore conveys Linda's love for her husband and her feelings of utter helplessness. As the playboy younger son Happy, who like his name seems to have not a care in the world, Max Lorei is all youthful charm. But the standout in the cast is Ty Hudson (who also had a nice turn in one of my favorite shows of last year, Summer and Smoke at Theater in the Round). As the elder son Biff, he gives a very real performance that culminates in a gut-wrenching physical scene when he confronts his father with equal parts hate and love.

The play takes place mainly in and around the Lomans' Brooklyn home, a cozy set (designed by Brian J. Proball) with vintage appliances and an upstairs loft where the boys sleep. Scenes from the past are differentiated from the present by slight changes in lighting and costumes and a lighter attitude among the characters.

Death of a Salesman is playing now through April 12 at Lyric Arts Main Street Stage in Anoka. If you live on the north side of town, it's worth the drive to see this classic piece of American theater.