Showing posts with label Jack Bonko. Show all posts
Showing posts with label Jack Bonko. Show all posts

Saturday, June 21, 2025

"Endometriosis: The Musical" at Theatre in the Round

The Minnesota Fringe Festival* is a great place for artists to develop and showcase new work. But truthfully, even the best shows at Fringe usually work best within that framework (less than an hour in length, presented at an experimental festival). But every once in a while, you'll see a show that feels like it has life beyond Fringe. The smash hit of the 2022 festival, Endometriosis: The Musical, was one such show. I knew immediately that this was more than "just" a Fringe musical, and "it needs to be seen by more people than just five (likely sold out) Fringe performances." Thankfully, the folks at Theatre in the Round (the venue for the 2022 show) saw that too, and have worked with the creators (book by Maria Bartholdi, music by Kristin Stowell, and lyrics by both) to develop Endometriosis into a full-length musical. Sadly, a show about women's reproductive health and the increasing dangers to it, and our ever more broken health care system, has only become more relevant in the last three years. What better way to bring attention to these issues, and to talk (and sing) about periods and other things related to "lady parts," than in an original musical? And to do it in such a fun, funny, entertaining way. As I wrote in 2022, Endometriosis: The Musical is "beautifully and cleverly written, both hilarious and poignant, and utterly relatable for any human who has ever menstruated." If you're looking for a new, original, relevant, locally created, silly, sobering, highly entertaining musical, go see Endometriosis: The Musical at the oldest theater in Minneapolis, and one smart enough to recognize the potential of this Fringey musical. 

Saturday, March 1, 2025

"The Rainmaker" at Lyric Arts

The classic play The Rainmaker is like a mix of The Glass Menagerie and The Music Man, set in a rural area beset by drought during the Depression. There's the family daughter who's a bit different that everyone is trying to "marry off," and the charming con man who sweeps into town and brings new life and hope to the community. It's a beautiful and bittersweet story about a woman finding her confidence and self-worth through the eyes of a stranger. Experience the wonder of the long-awaited rain in Lyric Arts' new production, featuring a talented cast and lovely design, continuing through March 23.

Sunday, October 13, 2024

"Afterlife: The Experience" by Sparkle Theatricals at the Wabasha Street Caves

I know Sparkle Theatricals for their dance and movement-based shows, but they also produce more immersive, experiential work. My first experience with the latter is their current production, Afterlife: The Experience, running for one more night only at the Wabasha Street Caves. I'll admit, part of the draw was to see the Caves, built into the sandstone bluffs on the Mississippi River across from St. Paul originally as storage, and later turned into a speakeasy during Prohibition with rumored visits from some of the era's most notorious gangsters. Now it's an event center, and a very cool theater venue. The conceit of Afterlife is that we're all (recently) dead, and our souls have arrived at the Caves on our way to somewhere else. A number of previously departed souls are there to guide us on our way. I found it to be overall a unique, interesting, and fun experience, although parts of it were a little too interactive and participatory for this introvert (I don't want to be part of the storytelling, I want to be a witness to it). A mix of theater, storytelling, party games, food and drinks, and dance, you have one more chance to enter the Afterlife on October 25.

Wednesday, August 7, 2024

Minnesota Fringe Festival 2024: "Gasthaus"

Day:
 6

Show: 21

Title: Gasthaus

Category: Drama / Original Music / Historical content

By: TROMPE L'OEIL

Written by: Kevin Bowen & Lynn Bowen

Location: Phoenix Theater

Summary: The story of an inn on the border between West and East Germany not too long after WWII.

Highlights: Inspired by a true story, the playwrights tell the fictional tale of a family trying to run their inn and dealing with border patrol inside their home. It's a compelling story, if a bit cliche, in which the West German daughter falls in love with one of the East German soldiers. The charming German-themed set, authentic period costumes, and live accordion music help set the scene, with the cast speaking Germlish (English with a few German words thrown in like Nein, Guten Morgan, Ost, and Danke - the language I used to speak with my friends when studying abroad in Austria). Directed by Amanda Weis, the cast is talented and engaging in this look at a fascinating time in history in which families and friends were separated by an arbitrary border (which has happened a lot throughout the history of this planet). An overall enjoyable show, even if the ending is a bit too easy and abrupt.


Read all of my Fringe mini-reviews here. 

Tuesday, January 23, 2024

"Ironbound" by Frank Theatre at Gremlin Theatre

Leave it to Wendy Knox to discover a new-to-#TCTheater playwright who has written (at least one) gorgeous, funny, devastating, and very human play about immigrants, poverty, classism, sexism, and so much more. Ironbound is believed to be the first of Polish-American Pulitzer Prize-winning playwright Martyna Majok's work to be produced in the Twin Cities, and it's a stunner. As per usual, it receives top notch treatment in Frank Theatre's production, with beautifully raw and real performances from the four-person cast and an understated but effective design. It's only mid-January, but I'm confident this will be one of the best plays of 2024. It plays Thursdays through Sundays at Gremlin Theatre until February 11. Click here for info and tickets, and watch for Frank's remount of another fantastic and relevant play, Fetal, playing at their intimate studio space in late February. After a very long hiatus, it's a joy to have Frank Theatre back with two strong plays, that are probably among my favorites that I've seen them do.

Tuesday, January 17, 2023

"The Girl on the Train" at Lyric Arts

Several years ago, everyone was reading The Girl on the Train. The hugely successful psychological thriller was published in 2015 and has sold over 20 million copies. It was soon followed by a movie adaptation starring Emily Blunt, in 2016. But did you know that it was also adapted into a stage play? I didn't either, until Lyric Arts announced it as part of their 2022-2023 season. I wasn't sure if the trippy story filled with memories, flashbacks, and hallucinations would translate to the stage, but with some impressive technical elements employed by Lyric Arts, it does. A great cast, a suspenseful story (especially if you've never read the book or have forgotten the ending, like I had), and a tight interplay between recorded scenes and live performances make for an entertaining night (or afternoon) at the theater. Get some popcorn at the concession stand, and it's even better than going to the movies (continuing through February 5).

Saturday, October 22, 2022

"Next to Normal" by Wildwood Theatre at the Capri Theater

"The Wildwood Theatre unravels the stigma of mental health and mental illness by creating safe spaces where individuals can feel comfortable to ask personal questions, explore feelings, investigate social norms, and excavate truth." I'm not sure there's a better musical for this newish #TCTheater company to tackle than Next to Normal, the Pulitzer Prize-winning rock musical about a family dealing with mental illness. I was lucky enough to see a preview of Next to Normal on Broadway in 2009, and was blown away. I've loved it ever since, and seen several local productions, but it's been over seven years since I've seen it on stage. Wildwood's new production is so lovely and heartfelt, with beautifully sincere performances from the talented (and mostly unknown to me) cast, and the Tony-winning rock score sounds fantastic as played by the seven-person orchestra. It's playing for two weekends only at Capri Theater in North Minneapolis.

Saturday, June 4, 2022

"Little Women" at Lyric Arts

NYC-based playwright and actor Kate Hamill is known for her modern, feminist adaptations of classics, several of which have been seen on #TCTheater stages in recent years. The Guthrie will premiere her adaptation of Jane Austen's Emma later this month, but first: Lyric Arts' production of her adaptation of Louisa May Alcott's beloved novel Little Womencommissioned by the Jungle Theater a few years ago. This quote from Kate's website very much applies to this play: "She is deeply passionate about creating new feminist, female-centered classics, both in new plays and in adaptation: stories that center around complicated women. Her work as a playwright celebrates theatricality, often features absurdity, and closely examines social and gender issues - as well as the timeless struggle to reconcile conscience / identity with social pressures." This, as they say, is not your grandmother's Little Women. While staying fairly true to the events of the novel, the play sees the characters and situations through a modern lens, and veers more towards comedy, at times broad and absurd, than the quiet drama of the original. But at its heart, it's still about the love between four very different sisters, each finding her own identity and path through life (click here for info and tickets).

Saturday, August 14, 2021

Minnesota Fringe Festival 2021: "Last Summer's Love"

Day: 7

Show: 16

Performance Type: In Person

Location: 11 Wells Spirits Distillery (indoors)

Length: 60 minutes

Title: Last Summer's Love

By: Graber Productions

Summary: A sort of concert version of a new musical about star-crossed lovers.

Highlights: The show is chock full of incredible songs, in a sort of indie-folk-pop style. A very loose and not very original story ties the songs together, in which a man and woman fall in love despite being in relationships. The man moves to California and they try to move on, but they can't forget "last summer's love." I would love to see the story fleshed out a little into a true and full musical, but right now it's all about the music, which is really great. Watching the show feels like being at a concert; the cast (Adri Mehra, Cherelle-Renee Childs, Sylvia Michels, Elliott Graber, Ninchai Nok-Chiclana, and Jack Bonko) performs with mic stands in a traditional band set-up, and are loose and playful as they engage the audience with banter. The cast also doubles as the band, with most of them playing instruments, in that great tradition of Once (of which this show is a little reminiscent) where there is no separation between actors and musicians, between story and music. Both of the leads (Sylvia and Elliott) just shine on stage, very appealing with gorgeous vocals that blend well together. The space in the distillery is very hip, strewn with tapestries and hanging lights, and a cute baby blue vintage bike that is featured in the lyrics and story. The Fringe isn't the Fringe without a new musical, and this one prettily fills the bill, the perfect ending to what has been an entirely satisfactory, if smaller and less exciting than usual, Minnesota Fringe Festival.

Read all of my Fringe mini-reviews here.

Sunday, October 18, 2020

"The Awakening of Spring" - a live virtual performance by Feral Theatre Company

Spring Awakening is one of my favorite musicals, so much so that 11 years ago I named my new kitten Moritz Stiefel. I've seen it on stage eight times, including twice on Broadway (the original run with most of the original cast, and the stunning 2015 revival by Deaf West). The musical is an adaptation by Duncan Sheik and Steven Sater of the ahead-of-its-time late 19th Century German play Frülings Erwachen by Frank Wedekind. The play was often banned or censored due to it's frank (no pun intended) discussion of the sexual awakening of teenagers in an oppressed society. Feral Theatre Company is offering us this 100+ year old play for 2020, complete with zoom and masks. The themes of this play - suicide, abortion, sex education, child abuse - never lack relevancy, and are perhaps even more important now as we approach this election. It's an ambitious undertaking for a new theater company, and they do a great job bringing this story to life within the limitations of the current world, with a talented young cast that gives raw and vulnerable performances to a camera, nicely edited together with graphics of modern social media communication.