Showing posts with label Kate Hamill. Show all posts
Showing posts with label Kate Hamill. Show all posts

Sunday, June 29, 2025

"Ms. Holmes and Ms. Watson, Apt. 2B" at St. Croix Festival Theatre

St. Croix Festival Theatre has been performing in St. Croix Falls, Wisconsin, beside the beautiful St. Croix River, for 35 years. I've recently become aware of them; they've started inviting me to their shows and my blogger buddy The Stages of MN has been to a few shows. As appealing as it is, and as much as I love that theater exists outside of metro areas, it's hard for me to take a road trip to see theater when there's more theater in the Twin Cities than even I can see. But when they program a season that includes plays by Kate Hamill and Lauren Gunderson, as well as the rarely done gem of a musical Ordinary Days, it's nearly impossible for me to stay away! Since theater in the Twin Cities has slowed down a bit for the summer, I was able to make the scenic one-hour drive through darling Minnesota-Swedish towns to the charming river town of St. Croix Falls (just across the river from Taylors Falls). And now that I've been there, I'm going to make more of an effort to get back. The show that lured me there is Ms. Holmes and Ms. Watson, Apt. 2B, a modern reimagining of the classic detective tales by Kate Hamill, the most produced playwright in America this season. Her plays have often been seen in the Twin Cities, including some local commissions, and they're always fresh, funny, feminist, modern, and cheekily theatrical. This one is no different, and Festival Theatre has assembled a talented four-person cast to bring this fun and clever play to life. It's playing for one more weekend (click here for tickets), followed by several more intriguing offerings this year (click here for season details).

Friday, July 1, 2022

"Emma" at the Guthrie Theater

It's summer at the Guthrie, and there's a big fun show on the thrust stage for the first time since 2019 - a world premiere new adaptation of Jane Austen's Emma. Playwright Kate Hamill is adapting all of Austen's works for the stage; Emma is her fourth and was commissioned by the Guthrie Theater, its 2020 premiere postponed two years due to the pandemic. But somehow, now seems just the right time for what is my favorite Kate Hamill play to date. All of her adaptations are true to the source but bring something fresh, modern, and feminist to the story. The themes of Austen's work are timeless, stories of smart young women determining their own destiny despite societal limitations, and Kate makes these themes even more relatable to a modern audience. Emma strikes the perfect balance between the source material, modern social relevance, and delightful silliness; a summer confection as delicious and juicy as the red ripe strawberry on the cover of the program. See it now through August 21.

Saturday, June 4, 2022

"Little Women" at Lyric Arts

NYC-based playwright and actor Kate Hamill is known for her modern, feminist adaptations of classics, several of which have been seen on #TCTheater stages in recent years. The Guthrie will premiere her adaptation of Jane Austen's Emma later this month, but first: Lyric Arts' production of her adaptation of Louisa May Alcott's beloved novel Little Womencommissioned by the Jungle Theater a few years ago. This quote from Kate's website very much applies to this play: "She is deeply passionate about creating new feminist, female-centered classics, both in new plays and in adaptation: stories that center around complicated women. Her work as a playwright celebrates theatricality, often features absurdity, and closely examines social and gender issues - as well as the timeless struggle to reconcile conscience / identity with social pressures." This, as they say, is not your grandmother's Little Women. While staying fairly true to the events of the novel, the play sees the characters and situations through a modern lens, and veers more towards comedy, at times broad and absurd, than the quiet drama of the original. But at its heart, it's still about the love between four very different sisters, each finding her own identity and path through life (click here for info and tickets).

Saturday, November 23, 2019

"Pride and Prejudice" at Park Square Theatre

Park Square Theatre recently announced that they're cancelling two planned shows in their 2019-2020 season due to financial challenges. But fortunately, the regional premiere of Kate Hamill's new adaptation of the beloved Jane Austen novel Pride and Prejudice is not one of them. Kate Hamill is a young female playwright who's been adapting several classics with a modern and feminist bent, e.g., Sense and Sensibility, Little Women, and the upcoming Emma, to premiere at the Guthrie next spring. Walking into the theater we're told "this is not your grandmother's Pride and Prejudice," which turned out to be very true. The playwright turns the story into a full-out comedy, performed by an ensemble of just eight actors, many playing multiple roles. While the comedy went a bit too far for my taste in a few places, on the whole it's a fun and delightful new look at a beloved classic.

Tuesday, February 19, 2019

"Sense and Sensiblity" at Lyric Arts

The new adaptation of Jane Austen's Sense and Sensibility, which premiered in 2014 and played at the Guthrie in 2016, has made its way to Lyric Arts' Main Street Stage. As I wrote in 2016, playwright and actor Kate Hamill has adapted the beloved novel "with theatricality, wit, and purpose" (she also adapted Little Women, which premiered at the Jungle last fall, and Pride and Prejudice, just announced as part of Park Square Theatre's 2019-2020 season). Now is a great time for these women's stories written by women to be adapted for today's audience by a young female playwright; audiences are hungry for it. Lyric's production is a delightful and charming version of this sisterhood story.

Thursday, September 20, 2018

"Little Women" at the Jungle Theater

Louisa May Alcott's 150-year old novel Little Women is experiencing a bit of a resurgence at the moment. A beautiful mini-series came out recently on Masterpiece, a modern adaptation is set to be released to movie theaters this fall, and director/writer Greta Gerwig's star-studded movie is currently in pre-production. #TCTheater is also getting in on the action; Jungle Theater has commissioned a new theatrical adaptation from Kate Hamill (who recently adapted Sense and Sensibility, seen on the Guthrie stage two years ago). There's a reason Alcott's semi-autobiographical novel has remained so popular. This story of four very different sisters who support each other despite their differences, and each struggle to find their own path in life, is timeless and always inspirational. This lively adaptation (that stops short of the end of the book), featuring a wonderful and diverse cast, is sweet and heart-warming, staying true to the source but casting the story in a more modern and relevant light.

Wednesday, September 28, 2016

"Sense and Sensibility" at the Guthrie Theater

The Guthrie's 2016-2017 season marks my 14th season as a subscriber, and I'm still just as excited as I ever was to walk into that big beautiful building on the river. In fact, more than excited, it feels like home. It's my happy place (especially when preceded by dinner at my favorite restaurant, Spoonriver). I've always been a fan of the Guthrie, but there's a new excitement in the air. It's the second season for new Artistic Director Joseph Haj (who recently accepted the Ivey for the ensemble of Trouble in Mind), and you can already see the changes, specifically in a greater commitment to new works and greater diversity onstage and behind the scenes. The first play in the new season is a wonderful example of that. While Jane Austen's beloved novel Sense and Sensibility is over 200 years old, this is a brand new adaptation that tells the story with a freshness and drive that makes it feel new. And by the way, the playwright is a woman, a young woman, an actress, who played the role of Marianne in her adaptation off Broadway. The Guthrie's production is directed by a woman (Sarah Rasmussen, herself an exciting new Artistic Director over at the Jungle), with scenic and costume design by a woman, and featuring a cast that is two-thirds women and ethnically diverse. That is reason for excitement indeed, especially when the end product is this delightful.