"Mae West and the Trial of Sex" by Walking Shadow Theatre Company at The Crane Theater

Censorship in theater is a hot topic in 2025, with many theaters losing NEA funding for doing plays that allegedly do not align with mandates from this administration. The government is trying to tell artists what kind of plays they can and cannot do, but artists will be artists, and tell the stories they want to tell, even if that has become more difficult. Nearly a hundred years ago, the New York theater scene was also facing censorship, with artists receiving jail time and fines for doing "immoral" plays, and theaters being closed for a year or more. Walking Shadow Theatre Company's new play Mae West and the Trial of Sex chronicles one such battle against censorship, in a story that feels very timely and relevant. See it at the Crane Theater in Northeast Minneapolis through June 22.

"Torch Song" at Six Points Theater

A few years ago, Broadway legend Harvey Fierstein wrote a new adaptation of his 1982 play Torch Song Trilogy (for which he won two of his four Tonys), cutting it down to about two and a half hours from the original four. Six Points Theater is presenting this version, that still feels like three distinct but related one-act plays. It's a beautiful and heart-wrenching story about a gay man navigating his career as a drag queen, dating, relationships, and family. Full of heart and humor and featuring a lovely and heartfelt performance by Neal Beckman, this Torch Song is a joy to experience. See it at Six Points Theater (in the Highland Park Community Center) now through May 19.

"Alice in Wonderland" at Children's Theatre Company

Children's Theatre Company is bringing back their original adaptation of Lewis Caroll's classic children's novel Alice's Adventures in Wonderland. Somehow I missed the last time they did it over a decade ago, perhaps mistakenly thinking it was just for kids. So this was my first time going down the rabbit hole with director Peter C. Brosius, composer and one-man band Victor Zupanc, and this exceedingly talented ensemble of young and grownup actors. It's two hours of sheer wonder, magic, and delight for audiences of all ages, so inventive and playful and surprising at every turn. The fun and whimsical sets and costumes, the ensemble leading us through the story like something out of Pantomime and/or English Music Hall traditions, and Caroll's endlessly entertaining series of oddball characters speaking nonsense combine for a truly enjoyable show. Bring your kids, your grownups, or yourself to see Alice in Wonderland now through the end of March.

"The Kung Fu Zombies Saga: Shaman Warrior and Cannibals" by Theater Mu at the Luminary Arts Center

The Walking Dead would be so different if the zombies could do kung fu. If you're curious what that looks like, go see Theater Mu's world premiere play The Kung Fu Zombies Saga: Shaman Warrior and Cannibals, a compilation/update of two previous plays by Saymoukda Duangphouxay Vongsay. It's not only a thrilling zombie apocalypse story with great fight scenes, not only a coming-of-age tale of a couple of young women on opposite sides of the planet, but it also draws on the culture and history of Laos and the Laotian diaspora. It's a wild ride, with fantastical elements and sci-fi mixed with real family drama and an exploration of grief, loss, and identity. At nearly three hours in length, it is a saga (you can't say they didn't warn us), so have a cup of coffee, take a nap, or see a matinee because you'll want to be awake and alert to experience this epic journey. And if you're curious to know more about the creation of the show, either before or after you see it, listen to Episode 8 of the Twin Cities Theater Chat podcast, in which we interview the playwright along with actor Michelle de Joya.

Zephyr Theatre's ShakesFaire - "Shakespeare LOL" and "As You Like It"

I'm interrupting this Fringe coverage to bring you news of FREE Shakespeare in the Park! Stillwater's Zephyr Theatre is presenting three shows as part of their annual Shakespeare festival, held in lovely Valley View Park just outside of Stillwater. I saw two of the three shows last night, the first of only five performances this weekend only. It's a gorgeous location with a natural and partly shaded slope for audience viewing (bring a chair or blanket), and really fantastic performances of these two great shows. Read on for more about Shakespeare LOL and As You Like It, then make plans to head out to the park this weekend to enjoy some great outdoor theater, which also includes a puppet show by Open Eye Theatre. Click here for details, but reservations are not required (although donations are accepted).

"Peerless" by Theater Mu at Gremlin Theatre

Peerless is a super dark comedy (sort of) about twin teenage girls who will stop at literally nothing to get into a prestigious college. For this regional premiere, Theater Mu has lured back to town a couple of alums, sisters Francesca and Isabella Dawis, to play the twins. Their independent and codependent performances anchor the strong cast that, along with clever design, brings out all of the dark corners of this sharply and smartly written play. The relatively short run continues Wednesday through Sunday for the next two weekends  at Gremlin Theatre in St. Paul, next door to Lake Monster Brewing which has daily food trucks, the perfect set up for dinner, drinks, and a show. (Click here for info and tickets.)

"Pride and Prejudice" at Park Square Theatre

Park Square Theatre recently announced that they're cancelling two planned shows in their 2019-2020 season due to financial challenges. But fortunately, the regional premiere of Kate Hamill's new adaptation of the beloved Jane Austen novel Pride and Prejudice is not one of them. Kate Hamill is a young female playwright who's been adapting several classics with a modern and feminist bent, e.g., Sense and Sensibility, Little Women, and the upcoming Emma, to premiere at the Guthrie next spring. Walking into the theater we're told "this is not your grandmother's Pride and Prejudice," which turned out to be very true. The playwright turns the story into a full-out comedy, performed by an ensemble of just eight actors, many playing multiple roles. While the comedy went a bit too far for my taste in a few places, on the whole it's a fun and delightful new look at a beloved classic.

"Agatha Christie: Rule of Thumb" at Park Square Theatre

Park Square Theatre's final show of their 2018-2019 season opened during a busy July, followed by a busy Fringe Festival, so I'm finally seeing it now in the final two weeks of its run. As has become tradition at Park Square, they're presenting a fun summery mystery. Or in this case, three fun summer mysteries. Agatha Christie: Rule of Thumb is a triptych of short plays written by the famed mystery writer. They're performed by a talented and diverse nine-person company of actors, on the same set with some tweaks, all under the directorship of Austene Van who keeps the tone light, fun, elegant, and very dramatic. It's a delight to watch this team play together in this yummy summer mystery.

"Macbeth" at Park Square Theatre

Macbeth. There I said it. In addition to being one of Shakespeare's darkest, bloodiest, and most violent plays, Macbeth has also inspired a silly theater superstition in which it's bad luck to say the name in a theater. But it's certainly not bad luck to produce it, also being one of Shakespeare's most popular plays. Wikipedia tells me that "it dramatizes the damaging physical and psychological effects of political ambition on those who seek power for its own sake." Which is something we still see examples of today. While it's not as bloody good fun as I remember the Guthrie's 2010 production being (one of my favorites of that year), Park Square Theatre's Macbeth is intense, intimate, and striking.

"Marie Antoinette" by Walking Shadow Theatre Company at Red Eye Theater

It's rare that an audience audibly gasps when the actors first walk on stage at the beginning of a play, but when that play is Walking Shadow's luscious and brutal production of the new play historical Marie Antoinette, and the actors are wearing pastel colored three-foot tall wigs like cotton candy and dresses as wide as they are tall, it's an entirely appropriate reaction. But what starts as a satire of a frivolous life of cakes and dresses (like an 18th Century Keeping up with the Kardashians), turns into a desperate story of survival as the French Revolution puts an end to that lifestyle. Playwright David Adjmi uses modern language to tell this historical story, which makes it seem like it could be happening today (despite the fantastic period costumes). Queens are experiencing a bit of a pop culture rise right now (see Netflix's The Crown and PBS' Victoria), and Marie Antoinette fits right in with those two excellent works that show us another side of the monarch we think we know.

Fringe Festival 2016: "A Pie. A Duck. And a Shoe."

Day: 4

Show: 21

Title: A Pie. A Duck. And a Shoe.

Category: Something Different

By: Sparkle Theatricals

Created by: Alejandra Iannone and Rick Ausland

Location: Southern Theater

Summary: An old-fashioned variety show featuring comedy, magic, music, dance, and puppetry.

Highlights: I didn't see a pie, but there is a duck and a shoe. This is a refreshingly old-fashioned variety show, just a bunch of diverse acts meant to entertain. The evening is hosted by the very funny comedian/magician David Harris, who does short pieces between introducing the acts. Featured acts include passionate R&B singer Nick Jordan accompanied by Luke Darger on keyboard; a charming shadow-puppet show of "The Ugly Duckling" performed by Neal Beckman, Alejandra Iannone, and Joann Oudekerk; everyone's favorite tap-dancer Rick Ausland of Buckets and Tap Shoes; and rapper Carnage the Executioner who, despite the frightening name, is actually quite friendly as he teaches the audience how to beat box. A simple concept, nothing flashy, but a variety of entertaining acts.

"A Midsummer Night's Dream" by Classical Actors Ensemble in Como Park

Summer. That time of the year when Minnesota's two best attributes collide - the great outdoors, and theater. And what better play to experience on a beautiful Minnesota midsummer night than Shakespeare's most beloved romantic comedy A Midsummer Night's Dream? For their annual free summer Shakespeare in the park, Classical Actors Ensemble has made this perfectly obvious choice and delivered a charming and playful rendition of this tale of fairies and fools in love. They perform every weekend through mid-July either at Lake of the Isles or various Metro area parks (I caught up with them in Como Park), so be sure to add this to your summer to-do list (see my full summer theater must-see list here). This is how Shakespeare was meant to be seen - playful, immediate, approachable, and accessible to all.

"A Midwinter Night's Revel" by Walking Shadow Theatre Company at Red Eye Theater

'Tis the season for holiday shows. The true and ancient reason for the season is the coming darkness of the Winter Solstice, so Walking Shadow Theatre Company's contribution to the holiday theater season seems most appropriate. A Midwinter Night's Revel, a sort of sequel to Shakespeare's A Midsummer Night's Dream (on glorious display at the Guthrie earlier this year), is a celebration of the darkness of the season, and the waiting and hoping that carries us through it to the sunnier days ahead. In fact this Shakespearean sequel, written and directed by Walking Shadow Artistic Directors John Heimbuch and Amy Rummenie, respectively, is so successful in recreating the characters and tone of the original, albeit it a bit darker and more bittersweet as appropriate to the setting of WWI-era England, that I wonder why we haven't seen more such sequels. I suspect it's not as easy as the cast and creative team of A Midwinter Night's Revel make it look. It may be true that it's hard to be the Bard, but you wouldn't know it from this delightful show.

Fringe Festival 2015: "Parent Observation Day"

Day: 6

Show: 26

Title: Parent Observation Day

Category: Dance

By: Sparkle Productions

Created by: Alejandra Ianonne and Rick Ausland

Location: Ritz Theater Proscenium

Summary: A children's ballet class prepares to dance for their parents.

Highlights: This show is super delightful as eight adult dancers (Albert Conteh, Ashley Akpaka, Brittany Marie Wilson, Daniel Bergmann, Heather Pallas, Joann Oudekerk, Neal Beckman, and Nick J. Meyerson) play the child dancers who are just as scattered, exuberant, awkward, and joyous as any child in a dance class. Teacher Miss Tiffany (an appealing Emily Bridges) attempts to keep the kids on track as she leads them through various exercises and rehearses the big dance itself, ending in a performance for parents. I've neither been nor had a child in dance class, but I've seen enough Facebook videos to know that this show is pretty on the mark. It's a pretty simple concept for a show, but it's so much fun to watch these big kids play and dance around stage with a childlike enthusiasm as their adoring yet exasperated teacher looks on.

"Love & Marriage: What A Difference A Year Makes!" at Illusion Theater

What a difference a year makes! Last year at about this time, Minnesota was preparing to vote on an amendment that would constitutionalize marriage as between one man and one woman, excluding many of our population from the rights and benefits legal marriage carries with it. Illusion Theater participated in this debate by presenting a charming musical review show, created by Roberta Carlson and Michael Robins, that featured interviews with real-life couples. One year later, the amendment in question has been voted down by the people of Minnesota, and earlier this year our governor Mark Dayton signed marriage equality into law. Illusion is responding to this new development by presenting a sequel: Love & Marriage: What A Difference A Year Makes! It's similar to last year's show, but with some cast changes, many new songs, and a few follow-up interviews with the couples. As charming and entertaining as last year, but with a decidedly more celebratory air because, as they sing, "love is the law!"

While the music and the singers are fantastic, at the heart of this show are the interviews with many different couples - old and young, gay and straight, new love and established love, famous (to a MN theater geek like me) and not. They talk about all phases of a relationship, interspersed with songs from the cast that reflect the sentiment. From exciting new love ("Every Little Thing He Does," "How Will I Know") to to break-ups ("Rolling in the Deep," "Somebody I Used to Know") and everything in between. Performing these songs are six professional singer/actors and five talented young people who fill out the chorus and have a few star moments of their own. The professional cast includes an exuberant Neal Beckman, Teri Parker-Brown (singing a beautiful version of one of my favorite songs "I Can't Make You Love Me"), the powerful-voiced Rachel Hurst (with, I assume, her daughter Kennadi, proving that the apple doesn't fall far from the tree), the adorable Aeysha Kinnunen (a scene stealer as Lydia in Pride and Prejudice at the Guthrie this summer), Randy Schmeling (a voice I always love to hear), and the super-smooth Dennis Spears. Gary Q. Lewis has choreographed some simple dance moves that enhance the performance.

Love & Marriage: What A Difference A Year Makes continues at the Illusion Theater through October 20. It deserves a bigger audience than the one that was there the Thursday night I attended, because it's a fun, charming, touching, beautiful look at the many different kinds of couples and relationships, who are really the same when you get right down to the important things. Not at all preachy, just sweet and funny and real.

the cast of Love & Marriage