"Conscience" at Theatre in the Round

On a day when some 200,000 people gathered at our State Capitol to stand up for democracy, joined by millions more around the country, I saw a play about Senator Margaret Chase Smith, one of the few Republicans who stood up to Senator Joseph McCarthy in the 1950s. Conscience, written in 2020 by Tony-winning playwright Joe DiPietro (for book and lyrics of the musical Memphis), resonates deeply with today's world. It tells of a time when one personality has overtaken the Republican party, whipping up support amongst voters by preaching fear of outsiders, fellow politicians afraid to cross him because of the power he seemingly wields. Until one woman stands up on the Senate floor (the only woman on the Senate floor) to condemn his actions. It was a rough road, but eventually, this personality faded into disgrace and history as quickly as he rose. Yesterday's marches are incredibly inspiring, as is this story, providing hope that our collective conscience will win out against forces attempting to erode our democracy. And it's a beautifully told story, succinct and to the point in under two hours, with a fantastic four-person cast bringing these historical figures and their heroic (or not so heroic) actions to life. Conscience, a last-minute season replacement in Theatre in the Round's 74th season, runs through April 19 and couldn't have come at a better time.

"Men on Boats" at Theatre in the Round

As promised at the last Theatre in the Round show, their new production of Men on Boats includes neither men nor boats. Nothing against either, but having an all-female or non-binary cast telling the story of the first government sanctioned expedition down the Colorado River through the Grand Canyon, with nary a boat on stage, is pretty clever. And it's utterly delightful - funny and playful, while still commenting on the ideas of Manifest Destiny, exploration, discovery, and masculinity. It's also a fun adventure tale, and having been on several wilderness adventures with all-female groups (including hiking in the Grand Canyon, and canoeing in the BWCAW), it kinda made me want to plan my next adventure. Maybe a rafting trip through the Grand Canyon, although with better maps, equipment, and food than this group had. But if real-life adventuring isn't for you, you can safety join these non-men on their non-boat adventure at the oldest theater in Minneapolis, now through June 2.

"Eurydice" at Theatre in the Round

Theatre in the Round's fantastic 71st season continues with Sarah Ruhl's Eurydice, a modern interpretation of the classic myth of Eurydice. As the story goes, Orpheus travels to the underworld to try to save his wife Eurydice from death with a song. But that's not the way this world works. As they say in the Tony-winning musical Hadestown (which is also based on this story), it's an old song, it's a sad song, but we sing it anyway. With its themes of grief, love, and loss, it's a story that's still relevant and worth telling. Especially with this well-written script and inventive staging by director Sophie Peyton. The talented cast performs in a physical theater style like I've never seen before at Theatre in the Round. It's a beautiful and magical 90-minute song, bringing new life to this old story. Playing weekends through April 2 at the oldest theater in Minneapolis.

A Reading of "Eat, Slay, Leave" by the Playwright Cabal at the Phoenix Theatre

The Playwright Cabal is "an ambitious group of female-identified professional playwrights who promote the development of new scripted plays in the Twin Cities and one another’s success." This fall, they're presenting a series of readings of new works by each the five members (Katherine Glover, Gemma Irish, Alayna Jacqueline, Heather Meyer, and Rachel Teagle). This program, entitled New Leaf, is free to attend, and includes pre- and post-show happy hour as well as a post-show discussion of the work presented. All readings are at the Phoenix Theatre in Uptown, and it's a really great way to see what our local female playwrights are up to.